Camera (1920-1922)

Total Page:16

File Type:pdf, Size:1020Kb

Camera (1920-1922) 7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. It does a world business. Gross sales in- Circular C-63. Blyth. Witter. &. Co. U. S. GOVERNMENT, MUNICIPAL AND CORPORATION BONDS 521 Trust and Savings Bldg. Phone Broadway 32 Los Angeles PASADENA SAN DIEGO 614 Chamber of Commerce Bldg. 624 First National Bank Bldg. SEATTLE PORTLAND .SAN FRANCISCO OAKLAND NEW YORK G. GENNERT 206-8-10 So. SPRING ST. DE BRIES HAVE BECOME REAL POPULAR STOLEN Camera No. 1 1 42, with Stillar Lense No. 88240, was stolen from our Chicago office recent- ly- Camera No. 1 1 63, with E. Krauss Lense was stolen from R. W. Walter at Belshoffei Studio. It is the duty of all interested in the motion picture business to do their utmost to curb this thieving. Neither of above cameras had magazines. If $250 you have any information, For Conviction of communicate with us Thieves $250 For Rescue of Cameras PROTECT YOURSELF BY HELPING US TO CONVICT THE THIEVES 1 NEW YORK CHICAGO SAN FRANCISCO SEATTLE 1 CAMERA! The Digest of the Motion Picture Industry Page Three WALTER RICHARDSON Two Years with Williamson, Ltd. Playing the Lead Leading Man with Australian Tour Edith Roberts in Eighteen Months ‘Alias Miss Dodd’’ Leading Man, This Week Alcazar Theatre, Superba Theatre San Francisco CALVERT CARTER GOLDA MADDEN Playing Judge Prouty in At present playing the heavy with the “THE FIGHTING SHEPHERDESS” | Ben Wilson Serial This week at the Symphony “THE BRANDED FOUR” Coming Release: This week as Beatrice Arnold in Grimes in “DANGEROUS TO MEN” “THE MOTHER OF HIS CHILDREN” At present with the Katherine McDonald Co. I Alhambra Playing Jorkins in “CURTAIN!” lllllllllllllilllllllllllllllUIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIH Page Four The Digest of the Motion Picture Industry' CAMERA! EUGENIE BESSERER Dona Luisa Jezabel in in "EVANGELINE,” all-star cast "RIGHT OR WRONG” “Soul of Rafael” “The Fighting Shepherdess” “UNDER CRIMSON SKIES” “THE MASTER STROKE” Alhambra Theatre Symphony Theatre “BREATH OF THE GODS” "THE RED LANE” Last Week This Week At Present Playing the Vicar in At Present With ALLAN DWAN “MERELY MARY ANN,” with Shirley Mason ill{llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll!lllllllllllllllllllllll!>lllllllllllllll!llll!lllll>lllllllllllll>lllllll>ll!lllllllllllllllllllll>IIIIIIIIIIIIIIIIJj| ll|lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll!lllllllllllllllllllllllllll|IJI SIDNEY FRANKLIN TENNY WRIGHT 1 Playing Cash Bailey with IRVIN V. WILLAT PRODUCTION 1 Who has been associated with PAUL SCARDON : j Coming Releases: four years for the past | In Maurice Tourneur’s ‘‘GLORY OF LOVE” 1 Now Directing BLANCHE SWEET As Louis Solomon in All-Star Production in a publicity film 1 | ‘‘BLUE MOON” For Pathe’s Exploitation Program Comedy and Dramatic Parts Phone 57638 iiliiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiir flllllllllllllllllllllllUlllllllllllllllllllllllUIIIIIIIIIIIW ! CAMERA! "The Digest of the Motion Picture Industry Page Five amera Cs The Digest of the Motion Picture Industry DEVOTED TO THE NEWS OF THE MOTION PICTURE INDUSTRY LOLA B. ROBBINS AND RAYMOND CANNON, PUBLISHERS Entered as second class matter, August 11, 1918, at the postoffice at Los Angeles, Cal., under act of March 3, 1879. = Raymond Cannon Managing Editor Scott Macnicoll Adv. Manager g ^ H Fanchon Royer Editor Ora Brook Circulation Manager g g Price 10 cents per copy, $2.00 per year in Los A ngeles County. Outside Zone One, $2.50 per year g jg H Edited and printed on Saturday afternoon of each week at 4513 Sunset Boulevard, in Los Angeles, California. (Holly 1539.) g == Hili iiifiiiiiiiii iiiii liiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiniiiiiiHiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiHiiiiH No. 10 Vol. Ill SATURDAY, JUNE 19, 1920 iiiiniiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiin CHAMBER OF COMMERCE CO-OPERATES WITH THE MOTION PICTURE PEOPLE’S CHURCH THE INDUSTRY Out at the Lasky studio there is a minister of the gospel That the differences which have so long occasioned an acting in the capacity of technical director for William D. under current of strife between the city of Los Angeles, Taylor in the latter’s production of “The Furnace,” by Pan. including its social and business interests, and the motion Nor is the clergyman in question one who has changed his picture industry might be analyzed and some method of profession in response to the lure of the cinema. He is in satisfactory settlement decided upon, a meeting was called fact, no other than the Reverend Neal Dodd of the Motion by the Chamber of Commerce of the city, of motion picture Picture People’s Church, and his temporary studio work is producers, business men and press Friday the 18th, at noon. being done in addition to his regular duties. He is staging, After a luncheon, which was served in the directors’ costuming, etc., a large English wedding which will form an room of the chamber, the present conditions were con- elaborate episode in the production. sidered from several different angles. The informal dis- The noteworthy point in connection with the above, is cussion was preluded with an explanatory talk by the presi- the spirit displayed by this man Avho is big enough to realize dent of the Chamber to the picture interests. In it he pointed that religion, contrary to general ministerial belief, as we to out the fallacy of the statement, at one time circulated, have known it, has a place for the theatrical man. the effect that his organization was not cordial in its atti- For several years, Reverend Dodd has quietly carried on tude toward the profession. Thereafter, upon the invita- his work among the studios, fii'm in his conviction that his tion of chair, for B. and the Mr. Loeb, attorney Louis Mayer, field was as woi’thy as any other, and that time would more other big producers, opened for the picture interests by than accomplish his plan to move his flock out of the Little explaining the prejudice of the city socially and commer- Church Around the Corner, and into the new building which cially with regard to the industry, as he has heard it from will house the Motion Picture People’s Church. latter. declined substantiate his members of the He to His idea has been as large as his feeling for the industry, statements from personal observation, however. but it is today nearing fulfillment. Upon the completion of talk Mr. Anger of the Capitol followed, in which A by his work with Lasky, Mr. Dodd will bend his spare time he laid particular stress the unfair manner in which upon effort to the organization and progress of a campaign for the newspapers have long accented misdemeanors, and the collection of the funds necessary to finish the project. alleged misdemeanors, of film people. He explained how In appreciation the profession will “see him through.” such undesirable publicity has been greatly responsible for As recent city controversies clearly show, the industry has the rancor between classes here. not been treated cordially by Los Angeles churches in the Mr. Abraham Lehr suggested that the Chamber of Com- majority of cases. This has been the result of prejudice, merce might beneficially encourage the press to give credit honest and otherwise. No wonder that our “holier” breth- where it is due and not generalize to such an extent in its attentions. recordance of such unfortunate occurrences. ren have been little annoyed by our Other angles, such as discrimination of city assessors Always, however, Ave have been able to turn for instant against studio property, were set forth. Investigation of contrast to Rev. Dodd, who has been consistently at the dis- general conditions was invited. posal of the profession. Altogether, the spirit displayed by all representatives in Not only will our regard for him be proven by the outcome question was highly commendable, and much may be ex- of this drive, but Ave will accomplish in the establishment pected as
Recommended publications
  • Woody Allen: O Teatro Em Seus Filmes, O Cinema Em Suas Peças
    0 Myriam Pessoa Nogueira Woody Allen: O teatro em seus filmes, O cinema em suas peças. Universidade Federal de Minas Gerais Escola de Belas Artes Agosto de 2014 1 Myriam Pessoa Nogueira Woody Allen: O teatro em seus filmes, O cinema em suas peças. Tese de doutoramento no Programa de Pós- Graduação em Artes da Escola de Belas Artes da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Doutora em Artes. Área de Concentração: Arte e Tecnologia da Imagem (Cinema) Orientador: Prof. Dr. Luiz Nazario Belo Horizonte Escola de Belas Artes/UFMG 2014 2 Dedico a minha mãe, Stela Matutina Pessoa Reis, que projetava filmes na parede de uma igreja de uma cidade pequena do interior de Minas, como em Cinema Paradiso. 3 AGRADECIMENTOS Ao meu orientador, Dr. Luiz Roberto Nazario, por ter me aceito neste programa de pós-graduação, sua paciência e disponibilidade. À minha mãe, que teve de aguentar uma doutoranda pedindo silêncio para escrever, discutindo com o computador que pifava, com a impressora que não funcionava...e revendo comigo todos os filmes de Woody Allen e de outros diretores. À Capes, pela bolsa no Brasil e no exterior (PDSE). A todos os professores da EBA e da UFMG que me acompanharam até aqui. À Sra. Zina Pawlowski de Souza, sempre prestativa, disponível e paciente com os orientandos e alunos em geral. A meu tutor na Wayne State University, Detroit, Michigan, Estados Unidos, Dr. Steven Shaviro, e todo o pessoal de lá, e a Bill Winkler e sua família, pela hospedagem. À Universidade de Princeton, ao Paley Media Center, à Library of Congress, pela porta aberta à pesquisa.
    [Show full text]
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed up to Defeat SOPA and Save the Internet
    Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed Up to Defeat SOPA and Save the Internet EDITED BY DAVID MOON, PATRICK RUFFINI, AND DAVID SEGAL Hacking Politics THE ULTIMATE DOCUMENTATION OF THE ULTIMATE INTERNET KNOCK-DOWN BATTLE! Hacking Politics From Aaron to Zoe—they’re here, detailing what the SOPA/PIPA battle was like, sharing their insights, advice, and personal observations. Hacking How Geeks, Politics includes original contributions by Aaron Swartz, Rep. Zoe Lofgren, Lawrence Lessig, Rep. Ron Paul, Reddit’s Alexis Ohanian, Cory Doctorow, Kim Dotcom and many other technologists, activists, and artists. Progressives, Hacking Politics is the most comprehensive work to date about the SOPA protests and the glorious defeat of that legislation. Here are reflections on why and how the effort worked, but also a blow-by-blow the Tea Party, account of the battle against Washington, Hollywood, and the U.S. Chamber of Commerce that led to the demise of SOPA and PIPA. Gamers, Anarchists DAVID MOON, former COO of the election reform group FairVote, is an attorney and program director for the million-member progressive Internet organization Demand Progress. Moon, Moon, and Suits Teamed Up PATRICK RUFFINI is founder and president at Engage, a leading digital firm in Washington, D.C. During the SOPA fight, he founded “Don’t Censor the to Defeat SOPA and Net” to defeat governmental threats to Internet freedom. Prior to starting Engage, Ruffini led digital campaigns for the Republican Party. Ruffini, Save the Internet DAVID SEGAL, executive director of Demand Progress, is a former Rhode Island state representative.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Cnlnma Courier
    Cnlnma Courier VOL. 36 COLOMA. MICHIGAN, FRIDAY, MAY 1, 1931 NO. 41 FIVE DAYS OF ITTMICTIONS ARE USTED BURKE WAS GIVEN LIEE MANY ACTIVITIES PLANNED COLOMA PLANT EXPANDS TO FOR DLOSSOM TIME VISITORS NEXT WEEK SENTENCE AT HARQUETTE AT COLOMA HIGH SCHOOL CARE FOR GROWING BUSINESS floats, nearly a score of Iwnds and imately one hundred entrants from the liany.Inaugurated the putting up of Slayer of Policeman Charles Skelly of Annual Bloom Festival Will Open on other musical organizations, comedians schools of this district. M. Steffen & Co. Will Erect Storehouse their quality vinegar In small contalu- and clowns. The parade will start In Last year (which was the first year Wwhewte), May 6. ami ConHmir St. Joseph Pleaded Guilty in Circuit ENCEHENT 100x40 Feet to Fvpedife Work of ers. pints, quarts and gallons, packed St. Joseph this year and end In Benton lliat the local school had carried nn in glass, tlie business has shown a de- Hirougli I'nfll Sunday, May 10— Harbor. Plans are being formulated Court on Monday and Was Taken to commercial work in the school) repre- Handling Ijirge Volume of Cider cided Increase, and Manager Thompson for a grand carnival In St. Joseph on sentatives from our school made cred- announces that the Coloma plant Is <iraiid Parade Will Start In St. Jo- Saturday evening, following a paradi Prison on Tuesday COMES LAST WEEK IN Mfly itabie showings in the commercial con- Handled Each Year now putting out the "Monarch" brand 1 of the prize winning floats and tin tests. This year they hope to do equal- vinegar for Held.
    [Show full text]
  • Movie Mirror Book
    WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al­ ways been at high pitch, so, in offering these concise his­ tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • LAMP CELEBRATES ITS 16TH ANNIVERSARY Institute for Cinema
    LearnAboutMoviePosters.com January 2017 LAMP CELEBRATES ITS 16TH ANNIVERSARY Learn About Movie Posters is celebrating its 16th anniversary this month. We opened with 200 pages in January of 2001 and now have over 200,000 pages online. A special thanks to our wonderful sponsors, including our founding sponsor Bruce Hershenson of emovieposter.com, for their many years of support. Read more about LAMP’s plans for 2017 on page 2. We begin 2017 with two great new sponsors. Institute for Cinema Ephemera Picture Palace Movie Posters FINALLY … a not-for-profit Picture Palace Movie Posters specializes organization dedicated to the in original vintage movie posters, with an preservation of film accessories: emphasis on rare British paper of the 1940s-1970s. Special interests include film posters, papers, and artifacts. Hammer Horror, James Bond 007, Carry On films, Hollywood Classics, Ealing Learn more about this new institute Studios and Monster B movies. and how collectors and dealers can help on page 8. Read more on page 10. New Year Ed-i-torial Let’s start 2017 off right – we have a few different topics that I would like to bring to your attention to start off the year. So, let’s begin with the obvious. LAMP’s 16th Anniversary Online When we first uploaded those 200 pages to start LAMP in January 2001, Sue and I never imagined that we would come this far. LAMP has expanded over 1000 times its beginning size and accomplished some unbelievable mile- stones. We have attacked every major problem area that has been labeled as taboo or unheard of, and systemically created a line of information on them.
    [Show full text]
  • ASC Founders
    The 15 Founders of the American Society of Cinematographers Biographies By Robert S. Birchard The American Society of Cinematographers succeeded two earlier organizations — the Cinema Camera Club, started by Edison camerapersons Philip E. Rosen, Frank Kugler and Lewis W. Physioc in New York in 1913; and the Static Club of America, a Los Angeles–based society first headed by Universal cameraperson Harry H. Harris. From the beginning, the two clubs had a loose affiliation, and eventually the West Coast organization changed its name to the Cinema Camera Club of California. But, even as the center of film production shifted from New York to Los Angeles — the western cinematographers’ organization was struggling to stay afloat. Rosen came to Los Angeles in 1918. When he sought affiliation with the Cinema Camera Club of California, president Charles Rosher asked if he would help reorganize the faltering association. Rosen sought to create a national organization, with membership by invitation and with a strong educational component. The reorganization committee met in the home of William C. Foster on Saturday, December 21, 1918 and drew up a new set of bylaws. The 10-member committee and five invited Cinema Camera Club member visitors were designated as the board of governors for the new organization. The next evening, in the home of Fred LeRoy Granville, officers for the American Society of Cinematographers were elected — Philip E. Rosen, president; Charles Rosher, vice president; Homer A. Scott, second vice president; William C. Foster, treasurer; and Victor Milner, secretary. The Society was chartered by the State of California on January 8, 1919.
    [Show full text]
  • Reginalde M. Hannon Collection of Glass Negatives
    http://oac.cdlib.org/findaid/ark:/13030/c8tx3m36 No online items Reginalde M. Hannon Collection of Glass Negatives Finding aid created by Seaver Center for Western History Research, Natural History Museum of Los Angeles County staff using RecordEXPRESS Seaver Center for Western History Research, Natural History Museum of Los Angeles County 900 Exposition Boulevard Los Angeles, California 90007-4057 (213) 763-3359 [email protected] http://www.nhm.org/site/research-collections/seaver-center 2017 Reginalde M. Hannon Collection P-282 1 of Glass Negatives Descriptive Summary Title: Reginalde M. Hannon Collection of Glass Negatives Dates: 1918 Collection Number: P-282 Creator/Collector: Mack Sennett, Inc. Mack Sennett Comedies (Firm) Extent: (Boxes: 7 1/2 photo; 1 5x7; 1 4x5; 1 ov folder) Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Los Angeles, California 90007-4057 Abstract: Glass negatives, in 8x10, 5x7, and odd sizes. Primarily of actors and actresses employed by the Mack Sennett Comedies Co., photographed by Evans Studios, Inc. Language of Material: English Access Research is by appointment only Publication Rights Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Preferred Citation Reginalde M. Hannon Collection of Glass Negatives. Seaver Center for Western History Research, Natural History Museum of Los Angeles County Scope and Content of Collection Glass negatives, in 8x10, 5x7, and odd sizes. Primarily of actors and actresses employed by the Mack Sennett Comedies Co., photographed by Evans Studios, Inc. (Studio name variations: Evans-Degaston; Nelson Evans Studio). Personalities include May Allison, Bathing Beauties, Betty Compson, Jackie Coogan, Cecil B.
    [Show full text]
  • Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
    Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs.
    [Show full text]
  • Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
    Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir.
    [Show full text]