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Cnlnma Courier
Cnlnma Courier VOL. 36 COLOMA. MICHIGAN, FRIDAY, MAY 1, 1931 NO. 41 FIVE DAYS OF ITTMICTIONS ARE USTED BURKE WAS GIVEN LIEE MANY ACTIVITIES PLANNED COLOMA PLANT EXPANDS TO FOR DLOSSOM TIME VISITORS NEXT WEEK SENTENCE AT HARQUETTE AT COLOMA HIGH SCHOOL CARE FOR GROWING BUSINESS floats, nearly a score of Iwnds and imately one hundred entrants from the liany.Inaugurated the putting up of Slayer of Policeman Charles Skelly of Annual Bloom Festival Will Open on other musical organizations, comedians schools of this district. M. Steffen & Co. Will Erect Storehouse their quality vinegar In small contalu- and clowns. The parade will start In Last year (which was the first year Wwhewte), May 6. ami ConHmir St. Joseph Pleaded Guilty in Circuit ENCEHENT 100x40 Feet to Fvpedife Work of ers. pints, quarts and gallons, packed St. Joseph this year and end In Benton lliat the local school had carried nn in glass, tlie business has shown a de- Hirougli I'nfll Sunday, May 10— Harbor. Plans are being formulated Court on Monday and Was Taken to commercial work in the school) repre- Handling Ijirge Volume of Cider cided Increase, and Manager Thompson for a grand carnival In St. Joseph on sentatives from our school made cred- announces that the Coloma plant Is <iraiid Parade Will Start In St. Jo- Saturday evening, following a paradi Prison on Tuesday COMES LAST WEEK IN Mfly itabie showings in the commercial con- Handled Each Year now putting out the "Monarch" brand 1 of the prize winning floats and tin tests. This year they hope to do equal- vinegar for Held. -
LAMP CELEBRATES ITS 16TH ANNIVERSARY Institute for Cinema
LearnAboutMoviePosters.com January 2017 LAMP CELEBRATES ITS 16TH ANNIVERSARY Learn About Movie Posters is celebrating its 16th anniversary this month. We opened with 200 pages in January of 2001 and now have over 200,000 pages online. A special thanks to our wonderful sponsors, including our founding sponsor Bruce Hershenson of emovieposter.com, for their many years of support. Read more about LAMP’s plans for 2017 on page 2. We begin 2017 with two great new sponsors. Institute for Cinema Ephemera Picture Palace Movie Posters FINALLY … a not-for-profit Picture Palace Movie Posters specializes organization dedicated to the in original vintage movie posters, with an preservation of film accessories: emphasis on rare British paper of the 1940s-1970s. Special interests include film posters, papers, and artifacts. Hammer Horror, James Bond 007, Carry On films, Hollywood Classics, Ealing Learn more about this new institute Studios and Monster B movies. and how collectors and dealers can help on page 8. Read more on page 10. New Year Ed-i-torial Let’s start 2017 off right – we have a few different topics that I would like to bring to your attention to start off the year. So, let’s begin with the obvious. LAMP’s 16th Anniversary Online When we first uploaded those 200 pages to start LAMP in January 2001, Sue and I never imagined that we would come this far. LAMP has expanded over 1000 times its beginning size and accomplished some unbelievable mile- stones. We have attacked every major problem area that has been labeled as taboo or unheard of, and systemically created a line of information on them. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
Ebruary 25 Published by CENTS American Society of Cinematographers
FEBRUARy 25 Published by CENTS American Society of Cinematographers I I IN BRIGHT SUNLIGHT OR DEEP SHADOW... under incandescent or arc light WILL GIVE A BETTER RESULT THAN IS OTHER- WISE OBTAINABLE The (fiTPQNj) trade-mark has r E6 U. S. PAT Off- never been placed on an inferior product SMITH & ALLER, Ltd. 6656 Santa Monica Boulevard - HOIlywood 5H7 HOLLYWOOD, CALIFORNIA Pacific Coast Distributors for DUPONT FILM MFG. CORP. 35 West 45th Street - New York City February 1933 • American Cinematographer 1 AMERICAN CINEMATOGRAPHER A Technical and Educational publication of motion picture photography. Published monthly by the AMERICAN SOCIETY OF CINEMATOGRAPHERS, INC., Suite 1222 Cuaranty Building, Hollywood, California. Telephone Granite 4274. JOHN ARNOLD, President, A. S. C. GEORGE SCHNEIDERMAN, Treasurer, A. S. C. Volume XIII FEBRUARY, 1933 Number 10 What to Read PHOTOS by Karl Struss, A.S.C 5 A.S.C. Tests 7 MITCHELL Noiseless Camera by Ha! Rosson, A.S.C 8 TREND of the Times 10 The Staff RECORDING Music by David Mendoza 1 1 PHOTOGRAPHY of the Month 12 EDITOR Charles VerHalen “MISCASTING” the Cinematographer J. by Victor Milner, A.S.C 13 TECHNICAL EDITOR RIDDLE Me This 14 Emery Huse, A. S. C. DIFFERENCE Between Gamma and Contrast by Emery Huse, A.S.C 16 ASSOCIATE EDITOR William Stull, A. S. C. WHEELS of Industry 18 ON the Job With Camera and Sound Men 40 COVER AND ART Dorothy Groton AMATEUR SECTION ADVISORY ENLARGEMENTS from 16 MM. Film EDITORIAL BOARD by Hatto Tappenbeck, A.S.C 20 George Schneiderman, A. S. C. KODACOLOR Experiences and Experiments Hatto Tappenbeck, A. -
ÉCOLE NATIONALE SUPÉRIEURE LOUIS LUMIÈRE La Cité Du Cinéma - 20 Rue Ampère - BP 12 93213 La Plaine Saint Denis 01 84 67 00 01
ÉCOLE NATIONALE SUPÉRIEURE LOUIS LUMIÈRE La cité du cinéma - 20 rue Ampère - BP 12 93213 La Plaine Saint Denis 01 84 67 00 01 www.ens-louis-lumiere.fr MÉMOIRE DE MASTER Spécialité cinéma, promotion 2014 - 2017 Soutenance de juin 2017 CAMÉRAS ULTRA SENSIBLES : LE DIRECTEUR DE LA PHOTOGRAPHIE FACE À L’OBSCURITÉ Charles DALODIER Ce mémoire est accompagné de la partie pratique intitulée : Les mamènes Directeur de mémoire : Tony Gauthier Président du jury cinéma et coordination des mémoires : David Faroult ! 1! ÉCOLE NATIONALE SUPÉRIEURE LOUIS LUMIÈRE La cité du cinéma - 20 rue Ampère - BP 12 93213 La Plaine Saint Denis 01 84 67 00 01 www.ens-louis-lumiere.fr MÉMOIRE DE MASTER Spécialité cinéma, promotion 2014 - 2017 Soutenance de juin 2017 CAMÉRAS ULTRA SENSIBLES : LE DIRECTEUR DE LA PHOTOGRAPHIE FACE À L’OBSCURITÉ Charles DALODIER Ce mémoire est accompagné de la partie pratique intitulée : Les mamènes Directeur de mémoire : Tony Gauthier Président du jury cinéma et coordination des mémoires : David Faroult ! 2! REMERCIEMENTS Tout d’abord, Tony Gauthier, qui a dirigé ce mémoire, pour ses conseils toujours avisés et sa bonne humeur. Merci d’avoir partagé tes connaissances avec moi. Panasonic, et plus particulièrement Luc Bara, pour le prêt de la Varicam 35 et ses longues explications sur le fonctionnement de cette caméra. Les professionnels ayant accepté de me rencontrer pour répondre à mes questions et partager leur vision du cinéma : Claire Mathon, AFC, Stéphane Brizé et Bill Wages, ASC. Les professeurs et personnels de l’école m’ayant accompagné, relu, orienté : Paul Bydlowski, David Faroult, Giusy Pisano, Alain Sarlat… …et ceux m’ayant aidé, administrativement ou lors d’une discussion au détour d’un couloir : Françoise Baranger, Arthur Cloquet, AFC, Elena Erhel, Florent Fajole, Didier Nové, Laurent Stehlin. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
December 2014 DEBUNKED? Clyde De Vinna, W6OJ; Clinton Desoto, W1CBD; and Peter Freuchen
K9YA Telegraph Robert F. Heytow Memorial Radio Club Volume 11, Issue 12 December 2014 DEBUNKED? Clyde De Vinna, W6OJ; Clinton DeSoto, W1CBD; and Peter Freuchen Philip Cala-Lazar, K9PL Place Art work Here t has been a long time in he made his sked with McLaughlin, a lighthouse Icoming, so we have to dig keeper in New Zealand. As they chewed the rag the a bit into the past to reveal it. lighthouse keeper noticed that De Vinna’s normally For more than eight decades crisp and concise bug sending was becoming increas- famed Hollywood cinema- ingly erratic and eventually “…stalled and settled into tographer Clyde De Vinna’s one prolonged dash.” (1890-1953) near fatal as- Fearing the worst, McLaughlin tuned the band and phyxiation by carbon mon- heard the Hawaii station K6EWQ, also one of De oxide while operating CW Vinna’s regular contacts. Informed of Clyde’s plight, Philip Cala-Lazar, K9PL on location in Alaska has been accepted as part of the Oahu-based operator, via a directional CQ, raised Editor the amateur radio canon. His misadventure has been an operator in Nome. That operator notified Teller Mike Dinelli, N9BOR recounted in film, print, word of mouth police via land telegraph of De Vinna’s Layout and now, Wikipedia. situation. Soon, police broke down the door to De Vinna’s shack and found Dick Sylvan, W9CBT In 1932 De Vinna was in Alaska film- “Mankind is Staff Cartoonist ing Eskimo. That film, released in 1933, him slumped over his key. The doctor was based on Peter Freuchen’s books, developing strange who followed the police to his site soon Storfanger (1927), Der Eskimo (1928) revived him. -
Calling CQ: Adventures of Short Wave Radio Operators
Calling CQ - Cover http://www.qsl.net/ng3p/haminfo/desoto/cover.html previous | next CALLING CQ ADVENTURES OF SHORT-WAVE RADIO OPERATORS By CLINTON B. DeSOTO New York 1941 Doubleday, Doran & Company, Inc. PRINTED AT THE Country Life Press , GARDEN CITY, N.Y., U.S.A. CL BY DOUBLEDAY, DORAN & COMPANY, INC. ALL RIGHTS RESERVED FIRST EDITION Calling CQ - Table of Contents http://www.qsl.net/ng3p/haminfo/desoto/toc.html previous | next CONTENTS Chapter 1. "It's Like This. ." 2. On The Spot 3. Flood--Storm--Hurricane 4. To The Ends Of The Earth 5. A Vagabond Ham 6. Frozen North 7. Life And Death 8. The Mayor And The Ham 9. The Arm Of The Law 10. Radio Nomads 11. On The Frontiers Of Science 12. All Things To All Men Calling CQ - Chapter One http://www.qsl.net/ng3p/haminfo/desoto/chap1.html previous | next Chapter One - "It's Like This ...." by Clinton B. DeSoto "Calling CQ! Calling CQ to any amateur radio station!" A thousand times a night that call goes ringing out over the crowded amateur air lanes. It is the general call to any station--an invitation to any other amateur operator who might be listening to step up and chew the rag about anything and everything under the sun. It is the trademark of the radio hams--that adventurous crew who roam the world at will, a band of good fellows, happy convivial, carefree. This book is their story. In it are tales of their adventures on earth and in the air. Tales of amateur radio... -
Oblished in Hollywood, by American Society of Cinematographers Rpry^LOS-MAH on ^Tinilal STAGE5TARC Showei7jj''b Belle Baker G,VA^E
25c 193 5 Oblished in Hollywood, by American Society of Cinematographers rprY^LOS-MAH ON ^TinilAl STAGE5TARC SHOWei7Jj''B belle baker g,VA^e AL ILKS V.CflEIDS:«AI %FISIK TItPEZE' . ... DU PONT NEGATIVE / . * f BEN FEYNOIDS, Du Pont Film Manufacturing Corporation 45'" 35 WEST STREET SMITH & ALLER LTD. NEW YORK CITY 6656 •• SANTA MONICA BLVD. PLANT . PARLIN, N. J. HOLLYWOOD, CAL. C. L b. PAT.Of B-UIL TRADE MARK HAS NEVER BEEN PLACED ON AN INFERIOR PRODUCT September 1935 • American Cinematographer 371 AMERICAN CINEMATOGRAPHER A Technical and Educational publication of motion picture photography. Published monthly by the AMERICAN SOCIETY OF CINEMATOGRAPHERS, INC. 6331 Hollywood Boulevard Hollywood, California Telephone GRanife 21 35 JOHN ARNOLD, President, A.S.C. FRED JACKMAN, Treasurer, A.S.C. Volume 16 SEPTEMBER 1935 Number 9 What to Read PRACTICAL Angles on the Use of Polo-Screens by Clyde DeVinno, A.S.C 374 The Staff ARE Third-Dimensional Motion Pictures Possible? EDITOR by George A. Mitchell, A.S.C - 376 Charles J. VerHalen A DISCIPLE of Elimination TECHNICAL EDITOR by Harry Burdick, A.S.C — 378 Emery Huse, A. S. C. ASSOCIATES RELEASE Prints Reflect Cinematography by Henry Siccard 379 Walter Blanchard Karl Hale SHOOTING Color in the Air CIRCULATION MANAGER by Ray Fernstrom, A.S.C 380 M. E. Fisher PHOTOGRAPHY of the Month. 382 ADVISORY EDITORIAL BOARD LOOKING Back 10 Years... 389 Victor Milner, A. S C. James Van Trees. A.S.C. Fred Jackman, A. S. C. Farciot Edouart, A. S. C. Fred Gage, A. S. C. Next Month Dr. J. -
Americancinematographer11-1930
AFew More of Our Current Photographic Successes Negative? Naturally! ESTABLISHED 1802 CAMERAMEN “Monte Carlo” Paramount Victor Milner “Playboy of Paris” Paramount _ Henry Cerrard “Her Wedding Night” Paramount Harry Fischbeck “Anybody’s Woman”. Paramount Charles Lang “Feet First” Harold Lloyd Walter Lundin “Viennese Nights” Warner Bros Frank Good “Leathernecking” R-K-O. Roy Hunt “Cock O’ the Walk” Sono-Art .Harry Jackson “What A Widow” ....United Artists. George Barnes “A Lady Surrenders”. Universal... Jackson Rose “Spurs” Universal. Harry Neuman “Those Three French Girls”.... M-C-M Merritt Cerstad 'The (Jy PQNJ) Trade Mark Has Never Been Placed on an Inferior Product" SMITH & ALLER, Inc. PACIFIC COAST DISTRIBUTORS 6656 Santa Monica Boulevard HOIlywood 5147 HOLLYWOOD, CALIFORNIA F O R DU PONT PATHE FILM MFG. CORP. 35 West 45th Street New York City J Bell & Howell master craftsman, a 20- year veteran, measuring accuracy of lens centering in turret opening of B & H Standard Cameras. His aperture center- ing gauge, which checks each turret lens opening for both focusing and photo- graphing apertures, insures accuracy within .0005 of an inch. Turning Atoms inside out looking for better movies! echnical improvement in motion pictures is sought in many places, and T in many ways. In the Bell & Howell Engineering Development Laboratories, even the atom and its electrons are scrutinized for clews. To lengthen the life of gears and punches, to reduce friction in moving parts, to make a single part do the work of two . these are the object of relentless search, beginning with the molecular structure of the metals themselves, and with never an end to the quest. -
American Cinematographer (July 1922)
JULY ‘ 1922 TWENTY FIVE CENTS A COPY jw»w»*ig S 2 * j; ii S K^iSa |4Kresi® '=SsE Leyal^tBro^rtsiArt *SdM* Vii>^ — —— RELEASES , MAY 14th to JUNE 11th, 1922 Producer Title Photographed by Sherlock Holmes J. ROY HUNT Paramount Beyond The Rocks ALFRED GILKS, Member of A. S. C. Fox The Yellow Stain DON SHORT Member of A. S. C. Cosmopolitan The Beauty Shop HAROLD WENSTROM Fox Shackles of Gold TOM MOLLOY Pyramid His Wife’s Husband H. STRADDING R-C Pictures Queen O’ The Turf NOT CREDITED Wistaria Prod. Lady Godiva NOT CREDITED Chas. Ray Prod The Deuce of Spades GEORGE RIZARD Member of A. S. C. Universal Step On It CHARLES KAUFMAN Fox Film Corp. Silver Wings ROBERT KURRLE Member of A. S. C. and JOSEPH RUTTENBERG Metro Missing Husbands NOT CREDITED Paramount North of The Rio Grande FAXON M. DEAN Asso. First Nat’l Pictures Tlie Primitive Lover Member of A. S. C. DAVID ABEL Universal Kissed Member of A. S. C. BENNIE BAR Goldwyn Watch Your Step JOHN MESCALL Aywon-State Rights They’re Off NOT CREDITED Di Lorenzo, Inc. The Trail of Hate CHARLES STUMAR Fox The Men of Zanzibar Member of A. S. C. l DAVID ABEL Goldwyn His Back Against Member of A. S. C. The Wall MAX FABIAN R-C Pictures Gay and Devilish PLINY GOODFRIEND Fox Film Corp. Nero HARRY PLIMPTON Asso. First Nat'l Pictures The Crossroads of BOB WALTERS and New York HOMER SCOTT. A.S.C.’s Metro The Face Between ARTHUR MARTINELLI Sol Lesser Trouble GLEN Mac WILLIAMS Vitagraph The Angel of STEVE SMITH. -
Documental 2. Escuelas Clásicas
EL CINE DOCUMENTAL 2. Las escuelas clásicas de los años 20. FILMOGRAFÍA. HISTORIA CONTEMPORÁNEA Y CINE. La imagen fílmica como herramienta histórica y recurso didáctico. Juan José Díaz Aznarte Departamento de Historia Contemporánea. Facultad de Filosofía y Letras. Universidad de Granada. ÍNDICE 2.- El desarrollo del documental como género cinematográfico. Las escuelas clásicas de los años 20 ( realismo poético, documental social, sinfonías urbanas). 2.1.- El realismo poético: “La cámara como dispositivo de percepción de una experiencia poética de la realidad”. El documental etnográfico. 2.1.1.- Robert J. Flaherty: Nanook (1922). 2.1.2.- El documental etnográfico / de exploración. 2.1.3.- La influencia en el cine de ficción: los films de “aventuras exóticas”. 2.2.- El documental social: “La cámara como herramienta de observación social”. 2.2.1.- El documental revolucionario. Vertov y el cine soviético. 2.2.2.- Jean Vigo. 2.2.3.- El documental reformista. La escuela británica. 2.3.- Las sinfonías urbanas: “La cámara como medio experimental”. 2.3.1.- Las sinfonías urbanas de entreguerras. 2.3.2.- Un docudrama urbano: “Gente en domingo”. 2.3.3.- La sinfonía urbana en el documental moderno. El cine documental 2. Las escuelas clásicas de los años 20 1 2.- El desarrollo del documental como género cinematográfico. Las escuelas clásicas de los años 20 ( realismo poético, documental social, sinfonías urbanas). 2.1.- El realismo poético: “La cámara como dispositivo de percepción de una experiencia poética de la realidad”. El documental etnográfico. A comienzos de los años 20 Robert J. Flaherty con “Nanuk, el esquimal” (1922), obtiene un gran éxito con un documento antropológico donde el retrato realista de una vida cotidiana llena de suspense y emoción se combina con un impecable esfuerzo estético.