ZOTMUN Crisis Topic Synopsis
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The World's Oldest Plan of Angkor
UDAYA, Journal of 13, 2015 UDAYA, Khmer Studies, The World’s Oldest Plan of Angkor Vat THE WORLD’S OLDEST PLAN OF ANGKOR VAT: THE JAPANESE SO-CALLED JETAVANA, AN ILLUSTRATED PLAN OF THE SEVENTEENTH CENTURY Yoshiaki Ishizawa Director, Sophia Asia Center for Research and Human Development Cambodia and Japan in the 16th and 17th Century The Angkor Empire, which built grand monuments including those now registered as the UNESCO World Heritage Site of Angkor, came under attack by the army of the neighboring Siamese Ayutthaya dynasty (today’s Thailand), around 1431. This led to the fall of the ancient capital of Angkor, thereby ending the Empire’s history of 600 years. The kingdom’s capital was then transferred to Srei Santhor, Phnom Penh, and Longvek in 1529, and then to Oudong in 1618. Phnom Penh has been the capital city from 1867 to this day. Recent research has uncovered the fact that descendants of the Angkor rulers returned to Angkor Thom between 1546 and 1576, where they repaired the derelict structures and encouraged locals to move back to the area.1 Western missionaries, visiting Cambodia around this time, also left documents with details concerning the ancient capital. Angkor Vat on the other hand was turned into a Buddhist temple (Theravada Buddhism) after the collapse of the Khmer Empire, and continues to attract nearby residents as a place of Buddhist worship. In Japan, Toyotomi Hideyoshi accomplished the unification of the nation (1590). Following the Battle of Sekigahara (1600), Tokugawa Ieyasu established the Shogunal government in 1603, and around this time Japan received a large number of international visitors including Christian missionaries and international traders. -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
The Hosokawa Family Eisei Bunko Collection
NEWS RELEASE November, 2009 The Lineage of Culture – The Hosokawa Family Eisei Bunko Collection The Tokyo National Museum is pleased to present the special exhibition “The Lineage of Culture—The Hosokawa Family Eisei Bunko Collection” from Tuesday, April 20, to Sunday, June 6, 2010. The Eisei Bunko Foundation was established in 1950 by 16th-generation family head Hosokawa Moritatsu with the objective of preserving for future generations the legacy of the cultural treasures of the Hosokawa family, lords of the former Kumamoto domain. It takes its name from the “Ei” of Eigen’an—the subtemple of Kenninji in Kyoto, which served as the family temple for eight generations from the time of the original patriarch Hosokawa Yoriari, of the governing family of Izumi province in the medieval period— and the “Sei” of Seiryūji Castle, which was home to Hosokawa Fujitaka (better known as Yūsai), the founder of the modern Hosokawa line. Totaling over 80,000 objects, it is one of the leading collections of cultural properties in Japan and includes archival documents, Yūsai’s treatises on waka poetry, tea utensils connected to the great tea master Sen no Rikyū from the personal collection of 2nd-generation head Tadaoki (Sansai), various objects associated with Hosokawa Gracia, and paintings by Miyamoto Musashi. The current exhibition will present the history of the Hosokawa family and highlight its role in the transmission of traditional Japanese culture—in particular the secrets to understanding the Kokinshū poetry collection, and the cultural arts of Noh theater and the Way of Tea—by means of numerous treasured art objects and historical documents that have been safeguarded through the family’s tumultuous history. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
[Articles] a Reconsideration of the Transmission of the Katana Swords Known As “Honsaku Chōgi” and “Yamanba-Giri” HARA Fumihiko ( 1 )
Kinko Sōsho Bulletin of The Tokugawa Reimeikai Foundation Kinko Sōsho 47 Contents March 2020 [Articles] A Reconsideration of the Transmission of the Katana Swords Known as “Honsaku Chōgi” and “Yamanba-giri” HARA Fumihiko ( 1 ) On the Subjects of the Portrait of Honda Heihachirō Folding Screen YOSHIKAWA Miho ( 35 ) Folding Screens with Birds and Flowers of the Four Seasons by Kanō Tan’yū KATO Shohei ( 57 ) The Illustrated Handscroll of True View of the Tsukiji Estate with Plants, Insects and Fish ANDŌ Kaori ( 85 ) [Introduction of Historical Material] Research Notes on “Sokui-no-ki” (II) NAMIKI Masashi ( 111 ) Kinko Sōsho 46 Contents March 2019 [Articles] Identifying Who Commissioned the Tokugawa Art Museum Collection’s Hōkoku Festival Screens KURODA Hideo ( 1 ) On the development of the Kanō Tsunenobu style: including an introduction to the Yoshino Screens (Tokugawa Art Museum Collection) USUDA Daisuke ( 23 ) A Study of the German Salt-Glazed Stoneware Water Jar in the Tokugawa Art Museum — From the viewpoint of “Oranda” ware as Daimyō properties NAGAHISA Tomoko ( 41 ) The Wartime Evacuation of the Tokugawa Art Museum Collection KŌYAMA-HAYASHI Rie ( 59 ) Kinko Sōsho 45 Contents March 2018 [Articles] Thoughts on the Illustrated Tale of Haizumi (Haizumi monogatari emaki) YOTSUTSUJI Hideki ( 1 ) History of the Katana Sword, signed “Muramasa,” and the Legend of the Muramasa Curse HARA Fumihiko ( 27 ) The Marriage of Shunkyōin Sachigimi and the Chrysanthemum-Stem Furnishings YOSHIKAWA Miho ( 59 ) “Items Connected to Hereditary Property” of -
Shaping Tokyo: Land Development and Planning Practice in the Early Modern Japanese Metropolis Carola Hein Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Growth and Structure of Cities Faculty Research Growth and Structure of Cities and Scholarship 2010 Shaping Tokyo: Land Development and Planning Practice in the Early Modern Japanese Metropolis Carola Hein Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/cities_pubs Part of the Architecture Commons, History of Art, Architecture, and Archaeology Commons, and the Urban Studies and Planning Commons Custom Citation Hein, Carola. "Shaping Tokyo: Land Development and Planning Practice in the Early Modern Japanese Metropolis." Journal of Urban History 36, no. 4 (2010): 447-484. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/cities_pubs/20 For more information, please contact [email protected]. Shaping Tokyo: Land Development and Planning Practice in the Early Modern Japanese Metropolis Carola Hein Manuscript submitted to the Journal of Urban History in August 2007, revised and resubmitted March 2008. When German architect Bruno Taut drove in 1936 along the major road linking Tokyo and Yokohama, he criticized the inadequacy and superficiality of the modernizing Japanese built landscape. He later wrote about his revulsion: "I in particular had heard so much about Tokyo that I had no desire to see the city on the spot. […] In passing through the Inland Sea we had absorbed scenery of such rare beauty, had found so little of vulgar trash 1 in such buildings as could be glimpsed, that we could hardly take in the crabbed pretentiousness, the ludicrous would-be modernity of the tin façades that confronted us, could not fathom the loud hideousness of this confusion of architectural styles. -
Iai – Naginata
Editor: Well House, 13 Keere Street, Lewes, East Sussex, England No. 301 Summer 2012 Takami Taizō - A Remarkable Teacher (Part Three) by Roald Knutsen In the last Journal I described something of Takami-sensei’s ‘holiday’ with the old Shintō- ryū Kendō Dōjō down at Charmouth in West Dorset. The first week to ten days of that early June, in perfect weather, we all trained hard in the garden of our house and on both the beach and grassy slopes a few minutes away. The main photo above shows myself, in jōdan-no-kamae against Mick Greenslade, one of our early members, on the cliffs just east of the River Char. The time was 07.30. It is always interesting to train in the open on grass, especially if the ground slopes away! Lower down, we have a pic taken when the tide was out on Lyme Bay. Hakama had to be worn high or they became splashed and sodden very quickly. It is a pity that we haven’t more photos taken of these early practices. The following year, about the same date, four of us were again at Charmouth for a few days and I recall that we had just finished keiko on the sands at 06.30 when an older man, walking his dog, came along – and we were half Copyright © 2012 Eikoku Kendo Renmei Journal of the Eikoku Kendō Renmei No. 301 Summer 2012 a mile west towards the Black Ven (for those who know Charmouth and Lyme) – He paused to look at us then politely asked if we had been there the previous year? We answered in the affirmative, to which he raised his hat, saying: ‘One Sunday morning? I remember you well. -
Title of Thesis Or Dissertation, Worded
“USING THE PEAK OF THE FIVE ELDERS AS A BRUSH”: A CALLIGRAPHIC SCREEN BY JUNG HYUN-BOK (1909-1973) by HAN ZHU A THESIS Presented to the Department of Art History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Han Zhu Title: “Using the Peak of the Five Elders as a Brush”: A Calligraphic Screen by Jung Hyun-bok (1909-1973) This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of Art History by: Charles Lachman Chairperson Akiko Walley Member Yugen Wang Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Han Zhu iii THESIS ABSTRACT Han Zhu Master of Arts Department of Art History June 2012 Title: “Using the Peak of the Five Elders as a Brush”: A Calligraphic Screen by Jung Hyun-bok (1909-1973) Korean calligraphy went through tremendous changes during the twentieth century, and Jung Hyun-bok (1909-1973), a gifted calligrapher, played an important role in bringing about these changes. This thesis focuses on one of Jung’s most mature and refined works, “Using the Peak of the Five Elders as a Brush,” owned by the Jordan Schnitzer Museum of Art. In addition to translating and explicating the poems on the screen, through a close examination of both the form and content of the work I explore how it reflects Jung’s values, intentions, and background. -
The Japanese Samurai Code: Classic Strategies for Success Kindle
THE JAPANESE SAMURAI CODE: CLASSIC STRATEGIES FOR SUCCESS PDF, EPUB, EBOOK Boye Lafayette De Mente | 192 pages | 01 Jun 2005 | Tuttle Publishing | 9780804836524 | English | Boston, United States The Japanese Samurai Code: Classic Strategies for Success PDF Book Patrick Mehr on May 4, pm. The culture and tradition of Japan, so different from that of Europe, never ceases to enchant and intrigue people from the West. Hideyoshi was made daimyo of part of Omi Province now Shiga Prefecture after he helped take the region from the Azai Clan, and in , Nobunaga sent him to Himeji Castle to face the Mori Clan and conquer western Japan. It is an idea taken from Confucianism. Ieyasu was too late to take revenge on Akechi Mitsuhide for his betrayal of Nobunaga—Hideyoshi beat him to it. Son of a common foot soldier in Owari Province now western Aichi Prefecture , he joined the Oda Clan as a foot soldier himself in After Imagawa leader Yoshimoto was killed in a surprise attack by Nobunaga, Ieyasu decided to switch sides and joined the Oda. See our price match guarantee. He built up his capital at Edo now Tokyo in the lands he had won from the Hojo, thus beginning the Edo Period of Japanese history. It emphasised loyalty, modesty, war skills and honour. About this item. Installing Yoshiaki as the new shogun, Nobunaga hoped to use him as a puppet leader. Whether this was out of disrespect for a "beast," as Mitsuhide put it, or cover for an act of mercy remains a matter of debate. While Miyamoto Musashi may be the best-known "samurai" internationally, Oda Nobunaga claims the most respect within Japan. -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province. -
An Asian Route to Capitalism: Religious Economy and the Origins
An Asian Route to Capitalism: Religious Economy and the Origins of Self-Transforming Growth in Japan Author(s): Randall Collins Source: American Sociological Review, Vol. 62, No. 6 (Dec., 1997), pp. 843-865 Published by: American Sociological Association Stable URL: http://www.jstor.org/stable/2657343 Accessed: 02/06/2009 08:24 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=asa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. American Sociological Association is collaborating with JSTOR to digitize, preserve and extend access to American Sociological Review. http://www.jstor.org AN ASIAN ROUTE TO CAPITALISM: RELIGIOUS ECONOMY AND THE ORIGINS OF SELF- TRANSFORMING GROWTH IN JAPAN Randall Collins University of Pennsylvania Modern capitalism is a self-transforming dynamic that proliferates market niches, new products, and techniques.