The Hosokawa Family Eisei Bunko Collection
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The World's Oldest Plan of Angkor
UDAYA, Journal of 13, 2015 UDAYA, Khmer Studies, The World’s Oldest Plan of Angkor Vat THE WORLD’S OLDEST PLAN OF ANGKOR VAT: THE JAPANESE SO-CALLED JETAVANA, AN ILLUSTRATED PLAN OF THE SEVENTEENTH CENTURY Yoshiaki Ishizawa Director, Sophia Asia Center for Research and Human Development Cambodia and Japan in the 16th and 17th Century The Angkor Empire, which built grand monuments including those now registered as the UNESCO World Heritage Site of Angkor, came under attack by the army of the neighboring Siamese Ayutthaya dynasty (today’s Thailand), around 1431. This led to the fall of the ancient capital of Angkor, thereby ending the Empire’s history of 600 years. The kingdom’s capital was then transferred to Srei Santhor, Phnom Penh, and Longvek in 1529, and then to Oudong in 1618. Phnom Penh has been the capital city from 1867 to this day. Recent research has uncovered the fact that descendants of the Angkor rulers returned to Angkor Thom between 1546 and 1576, where they repaired the derelict structures and encouraged locals to move back to the area.1 Western missionaries, visiting Cambodia around this time, also left documents with details concerning the ancient capital. Angkor Vat on the other hand was turned into a Buddhist temple (Theravada Buddhism) after the collapse of the Khmer Empire, and continues to attract nearby residents as a place of Buddhist worship. In Japan, Toyotomi Hideyoshi accomplished the unification of the nation (1590). Following the Battle of Sekigahara (1600), Tokugawa Ieyasu established the Shogunal government in 1603, and around this time Japan received a large number of international visitors including Christian missionaries and international traders. -
Traditional Crafts of Kumamoto Various Traditional Crafts Are Used in Everyday Life in Kumamoto
Traditional Crafts of Kumamoto Various traditional crafts are used in everyday life in Kumamoto. These crafts are born from Kumamoto’s natural environment, the skills Traditional Crafts of Kumamoto of craftsmen, and the ingenuity used by locals in their daily lives. Kumamoto’s handicrafts are created through communication between Craft items that originate from Kumamoto and were handed down for the craft creators and the craft users. They are found in a variety of generations are designated “Traditional Crafts of Kumamoto.” To receive this places and used in a variety of ways. designated, the craft must be made using traditional techniques and must have over 30 years of history. There are about 90 such designated crafts in Kumamoto, including metalwork, ceramics, woodwork, bamboo crafts, dying and weaving, paper products, and traditional toys. Japan’s Nationally Designated Crafts To be deemed a “Nationally Designated Craft,” the traditional skills or techniques used to make the craft must have over 100 years of history, and must have developed in a fixed region with more than 10 organizations or 30 individual craftsmen currently engaged in the production of the craft. Over 200 crafts in Japan have been declared Nationally Designated Crafts, including Kyo and Arita ware pottery, and Wajima-style lacquerware. In Kumamoto, Shodai pottery, Amakusa ceramics, and Higo inlay metalwork all received this distinction in March 2003. In December 2013, Yamaga lanterns were the fourth craft from Kumamoto to be designated. 1 Higo-Zogan Metalwork Metalwork in Kumamoto includes the following crafts: Higo-zogan, which originated from sword accessories; Kawashiri and Hitoyoshi-Kuma cutting tools, such as kitchen knives, farm hoes and sickles; and swords, the production of which dates back 750 years ago to the Kamakura Period. -
The Jesuit Mission and Jihi No Kumi (Confraria De Misericórdia)
The Jesuit Mission and Jihi no Kumi (Confraria de Misericórdia) Takashi GONOI Professor Emeritus, University of Tokyo Introduction During the 80-year period starting when the Jesuit missionary Francis Xavier and his party arrived in Kagoshima in August of 1549 and propagated their Christian teachings until the early 1630s, it is estimated that a total of 760,000 Japanese converted to Chris- tianity. Followers of Christianity were called “kirishitan” in Japanese from the Portu- guese christão. As of January 1614, when the Tokugawa shogunate enacted its prohibi- tion of the religion, kirishitan are estimated to have been 370,000. This corresponds to 2.2% of the estimated population of 17 million of the time (the number of Christians in Japan today is estimated at around 1.1 million with Roman Catholics and Protestants combined, amounting to 0.9% of total population of 127 million). In November 1614, 99 missionaries were expelled from Japan. This was about two-thirds of the total number in the country. The 45 missionaries who stayed behind in hiding engaged in religious in- struction of the remaining kirishitan. The small number of missionaries was assisted by brotherhoods and sodalities, which acted in the missionaries’ place to provide care and guidance to the various kirishitan communities in different parts of Japan. During the two and a half centuries of harsh prohibition of Christianity, the confraria (“brother- hood”, translated as “kumi” in Japanese) played a major role in maintaining the faith of the hidden kirishitan. An overview of the state of the kirishitan faith in premodern Japan will be given in terms of the process of formation of that faith, its actual condition, and the activities of the confraria. -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
JAPANESE HISTORY Paul Clark, Ph.D
HUMANITIES INSTITUTE JAPANESE HISTORY Paul Clark, Ph.D Course Description: This course offers an introduction to the history of Japan from pre-history to the present. We will trace the history of Japan in several different epochs. First, we will investigate how Japanese civilization emerged and how early governments were constituted. Second, we will consider the Yamato Clan and the Nara and Heian periods. Third, we will study the rise of the period dominated by warriors, the first shōgunate and the feudal era. Fourth, we will consider how and why the bakufu (tent government--shōgunate) lost its vitality in the late 18th century and why it was unable to deal with the international crisis which led to its demise. We will discuss the irony of how a military coup d’état, initiated by samurai, led to the dissolution of a samurai-based society and to the construction of the modern Japanese state. Along the way we will study how democracy in the Meiji, Taishō and Shōwa eras failed and led to the militarism of the Pacific War. Fifth, we will discern whether or not the American occupation of Japan led to substantive changes within Japanese culture, economics and government. Finally, we will discuss Japan today. In particular, we will examine modern Japanese society, the government and the enduring problem of the economic recession. About the Professor The course was prepared by Paul Clark, Ph.D. who is an East Asia area specialist and Associate Professor of History at West Texas A&M University. Dr. Clark is the author of The Kokugo Revolution: Education, Identity and Language Policy in Imperial Japan (2009) and is the recipient of a 2006 Fulbright-Hays Faculty Research Abroad Fellowship. -
Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi
Featured Exhibition,The Hosokawa CollectionⅠ Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi Mitsuhide in Kumamoto- Hosokawa Tadatoshi, lord of Kumamoto Castle, and Miyake Tobei, a warrior of Karatsu Domain who died in Amakusa by rebel forces during the Shimabara-Amakusa Rebellion, were both in fact the grandsons of the samurai general Akechi Mitsuhide, famous for defeating the warlord Oda Nobunaga! Learn about these two figures connected to Mitsuhide who ended up in Kumamoto. List of Works Saturday,May 16-Sunday,July 5,2020 The Hosokawa Collection-Eiseibunko Gallery in Kumamoto,Kumamoto Prefectural Museum of Art № Title of Work Artist’s Name, etc. Year of Production Owner Prologue : Members of the Akechi Family Portrait of Akechi Mitsuhide 1 Inscribed in 1613 Hontokuji Temple, Osaka (*photo panel) From Akechi Hidemitsu to Taiyo Collection, Taigan Kawakami Kamonno- August 13, ca.1580-81 2 Letter Historical Museum, Tokyo suke Daughter of Akechi Mitsuhide, Shinsen Kumamoto Prefectural Museum 3 Utagawa Toyonobu 1883 Taikoki of Art Eisei Bunko Museum,Tokyo From Hosokawa Sansai to August 23,1629 (Entrusted to Kumamoto 4 Letter Hosokawa Tadatoshi Prefectural Museum of Art) Part1 : Mitsuhide's Grandsons Tadataka and Okiaki who couldn't Succeed the Hosokawa Family From Tokugawa Hidetada to September 24,1600 Eisei Bunko Museum,Tokyo 5 Letter Hosokawa Tadataka Eisei Bunko Museum,Tokyo 6 Battle of Sekigahara(*photo panel) Late Edo period,19th century (Entrusted to Kumamoto University Library) Matsui Bunko Museum From Hosokawa Tdataka -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
The Significance of the Atypical Samurai Image: A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository THE SIGNIFICANCE OF THE ATYPICAL SAMURAI IMAGE: A STUDY OF THREE NOVELLAS BY FUJISAWA SHŪHEI AND THE FILM TASOGARE SEIBEI BY YAMADA YŌJI A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Japanese at the University of Canterbury by S. J. Albrow University of Canterbury 2007 Table of Contents Acknowledgments ........................................................................... …..……..…2 Abstract ........................................................................................................... …3 Author's Notes ................................................................................................ …4 Introduction ........................................................................... ….…….…….…..5 I Historical Background to the Samurai and their Ideals ......................... ..11 1.1. Emergence of the Samurai... ...................................................... ……..11 1.2. Samurai Ethics during the Tokugawa Period ........................... ……..20 1.3. Anxiety and Change .......................................................... …..…..…...29 1.4. Modern Adaptation of Samurai Ideals ............................................... ..42 1.5. Re-examining Samurai Traditions ............................................ ….…..46 II The Atypical Samurai Image ........................................................... ….…..51 2.1. Corporate Society ..................................................................... -
Statler Ch 7
CHAPTER SEVEN The years 824 through 941 Principal Characters Chang Pogo, Korean merchant prince Yi Chung, lieutenant to Chang Pogo Fujiwara Sumitomo, courtier turned pirate Taira Masakado, warrior become rebel Misake Yasuyaki, priest of Michizane’s memorial In the 170 years or so from Tabito’s time to Michizane’s, Dazaifu became a very different place. Tabito was charged with keeping a lid on Kyushu and receiving foreign diplomats (though none appeared to enliven his stay). By Michizane’s era Kyushu was relatively docile and foreign relations had diminished to the exchanges with Parhae, whose delegations almost never came to Dazaifu, although the court repeatedly asked them to. Dazaifu’s business was no longer diplomacy, it was trade. The handsome reception center on Hakata’s shore housed merchants, storehouses bulged with imported goods, and Dazaifu’s officials grew wealthy, sometimes legally, sometimes not. It had begun in 824, when a Korean named Chang Pogo appeared at Hakata. No one has been able to trace Chang Pogo’s ancestry. He was still a youth when he left Silla Korea, went to China, and became a mercenary. (Military service was not popular with the Chinese; they could always use a few good men.) A skilled, tough, warrior, he was soon an officer in the Chinese forces stationed along the southern coast of the Shantung peninsula, just across the Yellow Sea from Korea. Each of the ports along this coast had its large and prosperous colony of Koreans. Self-governing because the Chinese didn’t like to bother with foreigners, they provided complete service to Korean shippers: they were agents and brokers and the monks in their Korean Buddhist temples prayed for the safety of ships and sailors. -
The Lineage of Culture — the Hosokawa Family Eisei Bunko Collection
Special Exhibition The Lineage of Culture — The Hosokawa Family Eisei Bunko Collection List of Works Tuesday, April 20 — Sunday, June 6, 2010 Heiseikan, Tokyo National Museum Organized by: Tokyo National Museum / Eisei Bunko Museum / NHK / NHK Promotions / The Asahi Shimbun With the support of: Agency for Cultural Affairs With the sponsorship of: Toyota Motor Corporation / Nissha Printing Co.,Ltd. ● Exhibition numbers correspond to the catalogue entry numbers. ● The rotation schedule is as follows: However, the order of the artworks in the exhibition may not necessarily be the same. ❶ 4/20 (Tue) —4/25 (Sun) ❷ 4/27 (Tue) —5/ 2 (Sun) ● The section of some displayed may also be rotated. ❸ 5/ 3 (Mon) —5/ 9 (Sun) ● The symbols before the titles means the following: ❹ 5/11 (Tue) —5/16 (Sun) ◉ ◎ ○ =National Treasure, =Important Cultural Property, =Important Art Object. ❺ 5/18 (Tue) —5/23 (Sun) ❻ 5/25 (Tue) —5/30 (Sun) ❼ 6/ 1 (Tue) —6/ 6 (Sun) The rotation schedule No. Title Artist, etc. Collection ❶ ❷ ❸ ❹ ❺ ❻ ❼ ●─── Part 1 Traditions of a Samurai Household: The History and Art Collection of the Hosokawa Family Section 1— From Warlords to Daimyo: The Hosokawa Family in Kyoto and its Surrounds 1 Tutelary Deity of the Hosokawa Family Eisei Bunko Museum, Tokyo Eigenki (Record of Association between Eisei Bunko Museum, Tokyo 2 (Entrusted to Kumamoto Eigen’an Temple and the Hosokawa Family) University Library) 7 Brocade Flag Granted to Hosokawa Yoriari Eisei Bunko Museum, Tokyo Horned owl and oak design in mother- ◉ Eisei Bunko Museum, Tokyo 10 Saddle