The World's Oldest Plan of Angkor
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Ancient Site Sravasti
MANOJ KUMAR SAXENA ARCHAEOLOGICAL SURVEY OF INDIA LUCKNOW CIRCLE The Site The site is located (N27⁰ 31’. 150”; E82⁰ 02’. 504”) on the alluvium flood plains of River Achiravati (Rapti), about 195 km east of Lucknow and 15km district headquarter Sravasti (at Bhinga) of Uttar Pradesh. Historical Background of the Site Sravasti was the capital of the ancient kingdom of Kosala. The earliest references of the city are available in Ramayana and Mahabharata as a prosperous city in the kingdom of Kosala. It is said to have derived its name from a legendary king Sarvasta of solar race who is stated to have founded the city. Therefore, it became ‘Savatthi’ or Sravasti. In the 6th century BC, during the reign of Presenajit, the place rose to fame due to its association with Buddha and Mahavira and became one of the eight holy places of Buddhist pilgrimage. During the days of Buddha its prosperity reached the peak under the powerful ruler of Prasenaji. In the Mahaparinibnana-Sutta Sravasti is mentioned as one of the six important cities where Buddha had a large followers. Buddha is said to have spent 24 or 25 rainy seasons (varshavas) here after his disciple Sudatta Anathapindika built a monastery for him at Jetavana. Historical Background of Excavations The ruins of Sravasti remained forgotten until they were brought to light and identified by Sir Alexander Cunningham in 1863. Subsequently, the site was excavated by several scholars, Marshal (1909-14), K.K. Sinha (1959), Lal Chand Singh (1991-98), Kansai University, Japan and Later by the Excavation Branch Patna in the first decade of this century. -
Proquest Dissertations
Daoxuan's vision of Jetavana: Imagining a utopian monastery in early Tang Item Type text; Dissertation-Reproduction (electronic) Authors Tan, Ai-Choo Zhi-Hui Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 09:09:41 Link to Item http://hdl.handle.net/10150/280212 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of connputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 DAOXUAN'S VISION OF JETAVANA: IMAGINING A UTOPIAN MONASTERY IN EARLY TANG by Zhihui Tan Copyright © Zhihui Tan 2002 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2002 UMI Number: 3073263 Copyright 2002 by Tan, Zhihui Ai-Choo All rights reserved. -
The Hosokawa Family Eisei Bunko Collection
NEWS RELEASE November, 2009 The Lineage of Culture – The Hosokawa Family Eisei Bunko Collection The Tokyo National Museum is pleased to present the special exhibition “The Lineage of Culture—The Hosokawa Family Eisei Bunko Collection” from Tuesday, April 20, to Sunday, June 6, 2010. The Eisei Bunko Foundation was established in 1950 by 16th-generation family head Hosokawa Moritatsu with the objective of preserving for future generations the legacy of the cultural treasures of the Hosokawa family, lords of the former Kumamoto domain. It takes its name from the “Ei” of Eigen’an—the subtemple of Kenninji in Kyoto, which served as the family temple for eight generations from the time of the original patriarch Hosokawa Yoriari, of the governing family of Izumi province in the medieval period— and the “Sei” of Seiryūji Castle, which was home to Hosokawa Fujitaka (better known as Yūsai), the founder of the modern Hosokawa line. Totaling over 80,000 objects, it is one of the leading collections of cultural properties in Japan and includes archival documents, Yūsai’s treatises on waka poetry, tea utensils connected to the great tea master Sen no Rikyū from the personal collection of 2nd-generation head Tadaoki (Sansai), various objects associated with Hosokawa Gracia, and paintings by Miyamoto Musashi. The current exhibition will present the history of the Hosokawa family and highlight its role in the transmission of traditional Japanese culture—in particular the secrets to understanding the Kokinshū poetry collection, and the cultural arts of Noh theater and the Way of Tea—by means of numerous treasured art objects and historical documents that have been safeguarded through the family’s tumultuous history. -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Thought and Culture of Buddhism ―From India to Japan
List of Works Ryukoku Museum Concept Exhibition Thought and Culture of Buddhism ―From India to Japan First half :Sep. 12th to Oct. 4th, 2020 Second half:Oct. 6th to Nov. 3rd, 2020 ▶Collection of Otani Expedition = 3rd Floor: Part I Various Aspects of the Buddhism in Asia ▶Format and ▶Exhibition ▶No. ▶Title ▶Provenance ▶Date Materials ▶Location and Owner Term 1. What is Buddhism? 1 Standing Buddha Gandhara 2nd-3rd century Schist 2 Seated Buddha Hadda(Gandhara) 4th-5th century Stucco Ryukoku University 3 Standing Bodhisattva Gandhara 2nd-3rd century Schist Ryukoku University Exhibiting Bhusparsamudra, 4 East India 10th-11th century Stone Ryukoku University Seated Buddha 5 Standing Buddha Myanmar 11th-12th century Gilt bronze 6 Buddha protected by Nāga Cambodia 12th-13th century Gilt bronze 7 Standing Avalokiteśvara Cambodia 12th-13th century Gilt bronze 2. Teaching of Shakyamuni and its Succession 8 Rubbing of the Ashoka Inscription Lauriya-Nandangarh 3rd century B.C. Rubbing on paper Ryukoku University First Half. 9 Rubbing of the Ashoka Inscription Lauriya-Nandangarh 3rd century B.C. Rubbing on paper Ryukoku University Second Half. Sanghavedavastu of 10 Tibet Published in 1733 Color on paper Ryukoku University First Half. Mūlasarvāstivādavinaya in Tibetan Edo, published in Mahīśāsaka Vinaya in Chinese ( ) Print on paper Ryukoku University Second Half. 11 五分律 1681(Tenna 1) 12 Satipatthana-suttanta Cambodia 18th-19th century Ink on paim-leaf Ryukoku University Second Half. Saṃyukta Āgama in Chinese Late Heian period Gold on 13 First Half. (雜阿含経),vol.27 (12th century) indigo paper Sanskrit Manuscripts of the 14 Khotan Middle of 5th century Ink on paper Ryukoku University Second Half. -
8 Days 7 Nights BUDDHIST TOUR Valid NOW – Further Notice
8 Days 7 Nights BUDDHIST TOUR Valid NOW – Further notice Day 01 : Arrive Gaya - Bodhgaya Arrival Gaya Int'l airport. Meeting and Greeting at the airport. Transfer to hotel in Bodhgaya. Bodhgaya is the place of the Buddha's Enlightenment and spiritual home of Buddhists. It attracts many believers from all over the world. Bodhgaya situated near the river Niranjana, is one of the holiest Buddhist pilgrimage centres and in the second place of the four holy sites in Buddhism. Day 02 : Bodhgaya - Rajgir - Nalanda - Patna Morning leave Bodhgaya for Patna (182 kms - 6 hrs) enroute visiting Rajgir and Nalanda. Rajgir is a site of great sanctity and significance for Buddhists. Rajgir is an important Buddhist pilgrimage site since the Buddha spent 12 years here and the first Buddhist council after the Buddha was hosted here at the Saptaparni caves. Afternoon visit Gridhakuta Hill, Bimbisara jail. Drive to Nalanda which is 14 kms drive and it was one of the oldest Universities of the World and International Centre for Buddhist Studies. Drive to Patna which is 90 kms, on arrival at Patna transfer to hotel for overnight stay. Day 03: Patna - Vaishali - Kushinagar Morning proceed to Kushinagar (approx. 256 kms and 07 hrs drive) enroute visiting Vaishali - place where Buddha announced the approaching of his Mahaparinirvana. After that continue drive to Kushinagar (place where Lord Buddha had left the world behind him after offering an invaluable contribution to humanity, the great religion known as Buddhism). On arrival Kushinagar, transfer to hotel. Afternoon visit Mahaparinirvana Temple (where Buddha took his last breathe) and Rambhar Stupa (cremation site of Lord Buddha). -
JAPANESE HISTORY Paul Clark, Ph.D
HUMANITIES INSTITUTE JAPANESE HISTORY Paul Clark, Ph.D Course Description: This course offers an introduction to the history of Japan from pre-history to the present. We will trace the history of Japan in several different epochs. First, we will investigate how Japanese civilization emerged and how early governments were constituted. Second, we will consider the Yamato Clan and the Nara and Heian periods. Third, we will study the rise of the period dominated by warriors, the first shōgunate and the feudal era. Fourth, we will consider how and why the bakufu (tent government--shōgunate) lost its vitality in the late 18th century and why it was unable to deal with the international crisis which led to its demise. We will discuss the irony of how a military coup d’état, initiated by samurai, led to the dissolution of a samurai-based society and to the construction of the modern Japanese state. Along the way we will study how democracy in the Meiji, Taishō and Shōwa eras failed and led to the militarism of the Pacific War. Fifth, we will discern whether or not the American occupation of Japan led to substantive changes within Japanese culture, economics and government. Finally, we will discuss Japan today. In particular, we will examine modern Japanese society, the government and the enduring problem of the economic recession. About the Professor The course was prepared by Paul Clark, Ph.D. who is an East Asia area specialist and Associate Professor of History at West Texas A&M University. Dr. Clark is the author of The Kokugo Revolution: Education, Identity and Language Policy in Imperial Japan (2009) and is the recipient of a 2006 Fulbright-Hays Faculty Research Abroad Fellowship. -
Chapter 5 Buddhist Illusion and the Landscape Arts
Page 155 Chapter 5 Buddhist Illusion and the Landscape Arts Truths are illusions that we have forgotten are illusions. —Friedrich Nietzsche Practice illusion by means of illusion. —The Perfect Enlightenment Sutra While the Kitayama Zen views of landscape paintings we have surveyed were grounded in the venerable Chinese Mahayana and Zen Buddhist traditions, they also developed their own distinctive vision of the landscape arts. Chinese Zen monks and nuns had modified classical Indian and Chinese Buddhist ontology to emphasize the two premises of the illusory, ultimately empty character of reality and the nondualistic interplay of the realms of samsaric suffering and the enlightened bliss of nirvana. 1 The Kitayama Five Mountains monks applied these premises to artistic creation and interpretation through such canonical Buddhist terms describing meditative states as "the samadhi of [seeing that all is] like an illusion" (C. juhuan sanmei; J. nyogen zammai), and "the samadhi of playfulness" (C. yuge san mei; J. yuge zammai). In this and the final chapter we explore the central role played by these two Buddhist themes in the Kitayama religioaesthetic vision of the landscape arts: Mahayana ontological and heuristic theories of illusion; and a mode of Zen enlightened activity characterized by unimpeded playfulness. It was through syncretic integration of these Buddhist theories of reality and of artistic interpretation with both Chinese painting theory and Taoist and other conceptions of landscape that the Japanese Zen monks developed their -
The Significance of the Atypical Samurai Image: A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository THE SIGNIFICANCE OF THE ATYPICAL SAMURAI IMAGE: A STUDY OF THREE NOVELLAS BY FUJISAWA SHŪHEI AND THE FILM TASOGARE SEIBEI BY YAMADA YŌJI A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Japanese at the University of Canterbury by S. J. Albrow University of Canterbury 2007 Table of Contents Acknowledgments ........................................................................... …..……..…2 Abstract ........................................................................................................... …3 Author's Notes ................................................................................................ …4 Introduction ........................................................................... ….…….…….…..5 I Historical Background to the Samurai and their Ideals ......................... ..11 1.1. Emergence of the Samurai... ...................................................... ……..11 1.2. Samurai Ethics during the Tokugawa Period ........................... ……..20 1.3. Anxiety and Change .......................................................... …..…..…...29 1.4. Modern Adaptation of Samurai Ideals ............................................... ..42 1.5. Re-examining Samurai Traditions ............................................ ….…..46 II The Atypical Samurai Image ........................................................... ….…..51 2.1. Corporate Society ..................................................................... -
Dhamma Verses (Dhammapada)
DHAMMA VERSES DHAMMAPADA Edited and Translated by Ānandajoti Bhikkhu (2nd edition, November 2017) Introduction – 2 Table of Contents Introduction 1: The Chapter about the Pairs 2: The Chapter about Heedfulness 3: The Chapter about the Mind 4: The Chapter about Flowers 5: The Chapter about Fools 6: The Chapter about the Wise 7: The Chapter about the Arahats 8: The Chapter about the Thousands 9: The Chapter about Wickedness 10: The Chapter about the Stick 11: The Chapter about Old Age 12: The Chapter about the Self 13: The Chapter about the World 14: The Chapter about the Buddha 15: The Chapter about Happiness Introduction – 3 16: The Chapter about Love 17: The Chapter about Anger 18: The Chapter about Stains 19: The Chapter about One who stands by Dhamma 20: The Chapter about the Path 21: The Miscellaneous Chapter 22: The Chapter about the Underworld 23: The Chapter about the Elephant 24: The Chapter about Craving 25: The Chapter about Monastics 26: The Chapter about Brahmins 4 Introduction A Book of Ethical Teachings The Dhammapada is probably the most popular book in the Pāḷi Canon, and has had innumerable translations into most modern languages.1 The timeless ethical teachings contained in these verses are still considered relevant to people’s lives, and they are a good guide to living well, and show how to reap the rewards of good living. Together with the commentarial stories that accompany the verses – along with the Jātaka verses and stories – they have formed the backbone of the teaching of Buddhist ethics for well over 2,000 years. -
Français-Japonais (Dictionnaire)
Français−japonais (dictionnaire) Dictionnaire Français−japonais éditions eBooksFrance www.ebooksfrance.com Dictionnaire Français−japonais 1 Français−japonais (dictionnaire) Adaptation d'un texte électronique provenant de Freelang : http://www.freelang.com/freelang/dictionnaire/ Dictionnaire Français−japonais 2 Français−japonais (dictionnaire) Dictionnaire Français−japonais 3 Français−japonais (dictionnaire) à : ni, de, e, mata, made à aucun prix : danjite à bas prix : yasuku à bas...! : hômure! à bientôt : dewa mata à bon marché : yasuku à bout de patience : hara ni suekanete à brûle−pourpoint : yabu kara bô ni, dashinuke ni à cause de : no yue ni, no sei de à ce moment−là : sono shunkan ni, sono toki à ce moment précis : sono shunkan ni à ce point : sorehodo à ce sujet : chinami ni à cette époque : tôji à cette heure : imagoro à chaque pas : ippo goto ni à coeur ouvert : hara wo watte à corps perdu : hisshi ni natte, gamushara ni, môretsu na ikioi de à côté : soba ni, katawara ni, yoko ni à coup sûr : kanarazu, machigainaku à craquer (plein) : bisshiri to Dictionnaire Français−japonais 4 Français−japonais (dictionnaire) à demain : mata ashita à demi éveillé : yumeutsutsu ni, yumeutsutsu de à demi mort : hanshihanshô no à demi somnolent : yumeutsutsu ni, yumeutsutsu de à deux : futari de, abekku de à deux pas : me to hana no saki à différentes occasions : ori ni furete à droite : migi e, migi ni, migigawa ni à faire à domicile : zaitaku no à fond : tokoton made, hitasura, tetteiteki ni, tokoton à gauche : hidari ni, hidari e à grandes