Florentine Histories
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The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
1 the Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I
The Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I: The Red Dawn of Modernity 1: The Storm Part II: A Political Philosophy 2: The philosopher 3: The Discourses on Livy 4: The Prince 5: History as Politics 6: War as an art Part III: Legacy, Reception, and Influence 7: Authority, conflict, and the origin of the State (sixteenth-eighteenth centuries) 1 8: Nationalism and class conflict (nineteenth-twentieth centuries) Chronology Notes References Index 2 Preface Novel 84 of the Novellino, the most important collection of short stories before Boccaccio’s Decameron, narrates the encounter between the condottiere Ezzelino III da Romano and the Holy Roman Emperor Frederick II: It is recorded how one day being with the Emperor on horseback with all their followers, the two of them made a challenge which had the finer sword. The Emperor drew his sword from its sheath, and it was magnificently ornamented with gold and precious stones. Then said Messer Azzolino: it is very fine, but mine is finer by far. And he drew it forth. Then six hundred knights who were with him all drew forth theirs. When the Emperor saw the swords, he said that Azzolino’s was the finer.1 In the harsh conflict opposing the Guelphs and Ghibellines – a conflict of utter importance for the late medieval and early modern history of Italy and Europe – the feudal lord Ezzelino sends the Emperor a clear message: honours, reputation, nobility, beauty, ultimately rest on force. Gold is not important, good soldiers are, because good soldiers will find gold, not the contrary. -
Leonardo Bruni, the Medici, and the Florentine Histories1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Queensland eSpace /HRQDUGR%UXQLWKH0HGLFLDQGWKH)ORUHQWLQH+LVWRULHV *DU\,DQ]LWL Journal of the History of Ideas, Volume 69, Number 1, January 2008, pp. 1-22 (Article) 3XEOLVKHGE\8QLYHUVLW\RI3HQQV\OYDQLD3UHVV DOI: 10.1353/jhi.2008.0009 For additional information about this article http://muse.jhu.edu/journals/jhi/summary/v069/69.1ianziti.html Access provided by University of Queensland (30 Oct 2015 04:56 GMT) Leonardo Bruni, the Medici, and the Florentine Histories1 Gary Ianziti Leonardo Bruni’s relationship to the Medici regime raises some intriguing questions. Born in 1370, Bruni was Chancellor of Florence in 1434, when Cosimo de’ Medici and his adherents returned from exile, banished their opponents, and seized control of government.2 Bruni never made known his personal feelings about this sudden regime change. His memoirs and private correspondence are curiously silent on the issue.3 Yet it must have been a painful time for him. Among those banished by the Medici were many of his long-time friends and supporters: men like Palla di Nofri Strozzi, or Rinaldo degli Albizzi. Others, like the prominent humanist and anti-Medicean agita- tor Francesco Filelfo, would soon join the first wave of exiles.4 1 This study was completed in late 2006/early 2007, prior to the appearance of volume three of the Hankins edition and translation of Bruni’s History of the Florentine People (see footnote 19). References to books nine to twelve of the History are consequently based on the Santini edition, cited in footnote 52. -
Accademia Dei Rozzi
ACCADEMIA DEI ROZZI Anno XXVII/2 - 2020 - N. 53 1. Gaetano Brunacci (?), decorazione del soffitto della sala da tè, 1904. 2 Il volto nuovo dell’Accademia agli inizi del Novecento I - Le stanze dell’Accademia: splendidi esempi di decorazioni veramente artistiche di Felicia Rotundo Il recente restauro del soffitto della sala da tè schi, lungo le pareti, rappresentanti scene bibliche dei Rozzi offre lo spunto per ripercorrere la sto- racchiuse entro cornici e lesene a stucco; la sala fu ria della sede dell’Accademia, oggetto fin dalla sua infine arricchita da molte lumiere pendenti dal sof- nascita di numerose trasformazioni fino a configu- fitto e da bracciali appesi alle pareti. Di questa ori- rarsi come l’elegante palazzo che oggi ammiriamo ginaria decorazione non rimane traccia perché la e che connota l’intero isolato delimitato da via di sala è andata soggetta a successive trasformazioni: Città, piazza Indipendenza, via di Diacceto e via una prima volta nel 1789 quando fu deciso di in- di Beccheria. stallarvi 12 specchi “sopra i quali fu fatta una cor- nice nuova dorata ad uso di placca”; altri interventi La data “MDCCCCIV” che si legge in uno si susseguirono nella seconda metà dell’Ottocento dei cartigli del soffitto della sala oltre ad indicare il fino a quello del 1906, reso urgente dal crollo del termine temporale della sua esecuzione testimonia soffitto, che le ha conferito l’aspetto attuale. altresì una delle fasi più significative di una lunga Bettino Marchetti2 in una relazione presentata e ininterrotta impresa decorativa iniziata già nel 3 1727 con la costruzione del palazzo, sul luogo di al Consiglio direttivo in data 4 marzo 1906 ri- antiche case e botteghe poste di fronte all’antica feriva circa l’opportunità, data la crescita dei soci chiesa di San Pellegrino, e conclusasi negli anni ’30 e il prestigio raggiunto dall’accademia, di amplia- del Novecento. -
Wittenberg History Journal Spring 2016
Wittenberg History Journal Spring 2016 Unexpected Tensions: Social Conflict from the Viking Age to World War II Wittenberg History Journal Spring 2016 Unexpected Tensions: Social Conflict from the Viking Age to World War II Wittenberg History Journal Contents Spring 2016 | Volume XLV Hartje Award Winner 1 Half-Peace: The Successes and Failures of the Peace Process Unexpected Tensions: Social Conflict from the Viking Age to World War II in Northern Ireland Wittenberg University Springfield, Ohio Keri Heath 2016 Editorial Board I. Renaissance Reversed: Social Conflicts Senior Editors in Florence Keri Heath ‘16 Kaitlyn Vazquez ‘16 5 The Tensions Hidden Beneath Religious Festivities and Carnivals: A Social Analysis of Public Celebrations in Renaissance Florence Junior Editors Kristen Brady Kristen Brady ‘17 Vivian Overholt ‘17 Gil Rutledge ‘17 11 From the Bottom Up: Influence on the Upper Class by the Faculty Advisor Florentine Underground in the Renaissance Joshua Paddison Keri Heath Wittenberg History Journal is affiliated with the Gamma Zeta chapter of Phi Alpha Theta. 17 The Ospedale Degli Innocente: A Microhistory The Hartje Paper Hannah Hunt The Martha and Robert G. Hartje Award is presented annually to a senior in the spring semester. The History Department determines the three or four finalists who then write a 600 to 800 word narrative II. Forgotten Stories: Cartoonists and Kings essay on an historical event or figure. The finalists must have at least a 2.7 grade point average and 26 Kings at Sea: Examining a Forgotten Way of Life have completed at least six history courses. The winner is awarded $500 at a spring semester History Department colloquium and the winner paper is included in the History Journal. -
Combat Trauma in Dante's Inferno Patrick
A Hell of One’s Own: Combat Trauma in Dante’s Inferno Patrick Whalen Must you have battle in your heart forever? —Odyssey 12:132 ante Alighieri was twenty-four years old in 1289 when he saw combat in the Battle of Campaldino as a “feditore”, a cavalry soldier from Florence.1 From what we D know of the battle,2 Dante’s unit would have been one of the first to be engaged by the oncoming Aretine cavalry, and for the first several minutes of the battle, Dante would have faced the prospect of imminent death when he saw the men and horses of his unit dying as their resistance crumbled before the Aretine’s charge. The historian Herbert Oerter notes that the catastrophe of this initial attack actually saved the Florentine forces, and likely Dante with them, because it caused Corso Donati, the flamboyant commander of the Florentine reserves, to disregard his orders and commit to the battle immediately. His orders, on pain of death, were to wait for a signal from one of the senior officers, Guillaume de Durfort. But Guillaume was dying— bleeding out on the plain—and would never give the signal. As it happened, Corso’s reserve position was in defilade to the attacking Aretine’s northern flank. When Corso attacked, his cavalry pierced the unexpecting and unprotected flank of the Aretine force, causing massive chaos and an almost immediate disintegration of the Aretine attack. The battle was over in a few 1 Robert M. Durling and Ronald L. Martinez, Inferno (Oxford: Oxford University Press, 1996), 88. -
Machiavelli's Florentine Histories
West | 21 Machiavelli’s Florentine Histories: An with the Roman domination of Italy and continues until 1492, forty years prior to its posthumous publication.1 Within the preface of the Important Moment in the Evolution of Florentine Histories, Machiavelli notes that he was attempting to fill a the Historical Discipline gap in the scholarship; his predecessors had adequately described the numerous wars to which Florence had been subjected but had not pro- vided an in-depth analysis of Florence’s internal social and political history.2 Machiavelli was commissioned to write the Florentine Histories Hannah West by Giulio de’ Medici who was impressed by his historical writing in The Life of Castruccio Castracani of Lucca, published ten years ear- Niccolò Machiavelli was a political thinker, diplomat, and historian who lier.3 Machiavelli agreed to write the history of Florence for its new wrote during the early sixteenth century. Machiavelli only published one rulers, the Medicis, because the change in government had resulted major historical work, the Florentine Histories, which he wrote on the in him losing his position in the employ of the Chancellor of the cusp of a shift within historical writing from the trends associated with Republic of Florence.4 Machiavelli hoped that, by accepting a commis- the Middle Ages to those of the Renaissance period. This essay seeks to dis- sion to write the Florentine Histories, he would gain favour with the cover whether Machiavelli’s historical writing is in line with our current new rulers and regain a prominent position within the government. perception of the trends within medieval histories or whether his style is Although Machiavelli never regained his governmental position, too divergent for Machiavelli to be considered a historian of the Middle he did write the Florentine Histories, a work that is considered a signifi- Ages. -
Necessity.Pdf
DEPARTMENT OF POLITICAL SCIENCE ~ TUFTS UNIVERSITY STUDENT RESEARCH BRIEFING SERIES VOLUME I, ISSUE I SPRING 2011 NECESSITY AS VIRTUE IN THE THOUGHT OF MACHIAVELLI ZACHARY WITLIN Welcome to the first issue of our Student Research Briefing Series which is designed to publish a broad range of topics in American Politics, Compara- TABLE OF CONTENTS tive Politics, Political Theory and Philosophy, and International Relations. The briefings are intended to enhance student appreciation of student re- search completed in the Department of Political Science. In addition, the ABSTRACT 1 publication hopes to serve as outreach to interested undergraduates and prospective students considering a major in Political Science. ABOUT THIS PAPER 2 If you are a student interested in contributing to the Student Research Briefing Series or a professor, within the Department of Political Science, and have a student paper you would like to highlight, please contact [email protected]. MACHIAVELLI’S STATE 6 OF NECESSITY The following publication is student-produced and the research was con- ducted during their undergraduate studies. THE EXTREMITY OF 12 About the author MACHIAVELLI’S Zach Witlin graduated from Tufts in May 2010 with a double major in in- NECESSITY ternational relations and political science, the former focused in security and the latter in political theory. Zack is a 2010 recipient of The Belfer Award and the Prize Scholarship of the Class of 1882. He is a Fulbright NECESSITY AND THE 16 NATURE OF HISTORY Fellow in Ukraine for the 2010-11 year, for the project “Gazpolitik: The Politics of Energy in Ukraine.” He first read Machiavelli and his fellow realists as an IR Research Scholar. -
Dante Alighieri's Divine Comedy – Inferno
DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark.. -
With Dante Alighieri and His Divine Comedy [email protected]
Marinella Lizza with Dante Alighieri and his Divine Comedy [email protected] http://marinellalizza.blogspot.com Meet Dante Alighieri Dante Alighieri (Florence, 1265 – Ravenna, 1321), was an Italian poet, writer and politician. His Divine Comedy is considered the greatest literary work composed in the Italian language and a masterpiece of world literature. The Divine Comedy In 100 cantos, Dante describes his journey through Inferno, Purgatory and Paradise. It ends with the vision of God. Dante also describes many places in Florence. Dante and his poem, fresco by Domenico di Michelino, s. Maria del Fiore Cathedral, Florence (1465) How was Florence? In 1250, before Dante's birth, Florence was divided into six areas called sestieri. Every area got its “Capitano del Popolo” (People's Captain). 1 - S. Piero a Scheraggio 2 - Borgo 3 - S. Brancazio 4 - Duomo 5 - S. Piero 6 - Oltrarno Florence before Dante Paradiso, XVI, 46-48 “Tutti color ch'a quel tempo eran ivi [...] erano il quinto di quei ch'or son vivi” “All those who at that time were there between [...] Were a fifth part of those who now are living” In the central cantos of his Paradise, Dante meets one of his ancestors, Cacciaguida (1091-1148). Cacciaguida describes Florence's population as it was at his times; the inhabitants were a fifth part of those who were living in Florence in Dante's time. Florins and lily Inferno, XXX, 89 “m'indussero a batter li fiorini” “They did induce me into coining florins” Florin was the official coin of Florence. It was created in 1252. Its name derives from the latin “flos,” “lily” (the lily is Florence's symbol). -
Chancery Officials and the Business of Communal Administration in Republican Florence
Chancery Officials and the Business of Communal Administration in Republican Florence Ventura and Niccolò Monachi, Chancellors of Florence (1340-48/1348-75) by Leah Faibisoff A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Medieval Studies University of Toronto © Copyright by Leah Faibisoff 2018 ii Chancery Officials and the Business of Communal Administration in Republican Florence Ventura and Niccolò Monachi, Chancellors of Florence (1340-48/1348-75) Leah Faibisoff Doctor of Philosophy Centre for Medieval Studies University of Toronto 2018 Abstract This dissertation studies the chancery of the Florentine Republic by examining the administrative offices that constituted the institution and some of the notary-administrators who held principal positions within it. The scholarship on Florentine government often presupposes the existence of some kind of permanent bureaucratic workforce that provided stability for the city’s system of amateur, short-term political office. My dissertation instead suggests that the susceptibility to change in Florentine government extended also to its administrative organization. It can be found at the level of institutional dynamics, but it was also experienced by chancery officials themselves who continually had to negotiate the forces of instability in the performance of their duties, ultimately affecting their attitudes towards their work. The first half of this dissertation considers the institutional dynamics of impermanence within the chancery through an examination and description of the three main offices of the institution during the republican period: the notary of the priors, the notary of legislation, and the chancellor. The main contention of this section is that within the institution of the chancery there was an apparent tension between the semi-permanent, rationalizing force of a very few administrative agents and the impermanent destabilizing force of hundreds of administrative agents who cycled through the chancery.