The Chronicle of Dino Compagni / Translated by Else C. M. Benecke

Total Page:16

File Type:pdf, Size:1020Kb

The Chronicle of Dino Compagni / Translated by Else C. M. Benecke #m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. the old feudal nobility, and other persons more recently ennobled by knighthood or by marriage), and on the other hand the smaller traders and the populace (popolo minuto}. The first book, starting (after a brief preface and two introductory chapters) with the peace of v A vi PRELIMINARY NOTE Cardinal Latino in 1280, describes the causes which led to the schism in the Guelr party, its outbreak, and the initial triumph of the White Guelfs (1301). The second book describes the overthrow of the government of the Whites by the Blacks, with the assistance of Pope Boniface VIII. and Charles of Valois (autumn of 1301), the expulsion of the Whites from Florence, and their first attempts to return by force of arms (1302, 1303): the conclusion of this stage of the narrative being marked by the death of Boniface VIII. (11th Oct. 1303). The third book describes the fruitless attempts of the new Pope, Benedict XL, to make peace between the two parties (1303, 1304), the last struggles and ultimate dispersion of the White exiles (1 304-1 307), the attempt of Corso Donati and the Magnates to wrest the government out of the hands of the Popolani, the election to the imperial throne of Henry of Luxemburg, and his progress through Italy down to his coronation at solemn Rome (June 29, 131 2) ; concluding with a denunciation of the punishment which (as the historian believed and confidently hoped) Henry would inflict on the wicked citizens of Florence, for their rebellion against his supreme authority. At the head of every chapter is given a Summary of its contents. For an account of Dino Compagni, and the literary history of the Chronicle, see Ap- pendix I., and for a Summary of the principal features of the Florentine constitution after 1282, see Appendix II. Most of the passages from G. Villani's Chronicle PRELIMINARY NOTE vii that are referred to in the notes will be found in Selfe and Wicksteed's " Selections from the first Nine Books of the Croniche Florentine of G. Villani," published by Constable. Translations of all the works of Dante referred to in the notes have been published in the Temple Classics. Where quotations from Dante's works are fol- lowed by the letter n, it is to be understood that the notes in the Temple Classics Edition are re- ferred to. Professor Villari's " The Two First Centuries of Florentine History" (published by Fisher Unwin) is cited as '* Villari/' It is a translation from the original Italian. Del Lungo's work, " Dino Compagni e la sua Cronica," is cited simply as "Del Lungo." (See Translators' Note below, p. 272.) THE CHRONICLE OF DINO COMPAGNI OF THE EVENTS HAPPENING IN HIS TIME PREFACE The subject of the work and the author's motive in writing it. The remembrance of the ancient histories has long stirred my mind to write of the events, fraught with danger and ill-fitted to bring prosperity (i), which the noble city, the daughter of Rome (2), has for many years undergone, and especially at the time of the Jubilee of the year 1300. How- ever, for many years I excused myself from writing on the ground of my own incompetence, and in the belief that another would write : but at last, the perils having so multiplied, and the out- look ) having become so significant that silence ( 3 might no longer be kept concerning them, I de- termined to write for the advantage of those who shall inherit the prosperous years (4), to the end that they may acknowledge that their benefits are 2 CHRONICLE OF DINO COMPAGNI from God, who rules and governs throughout all ages. i. I.e. the division of the Guelf party in Florence into the Whites and Blacks. 2. Cf. Dante, Conv. I. 3, 22. 3. The "perils" and " significant outlook " refer to the threatened overthrow of the supremacy of the Black Guelfs at Florence by the Emperor Henry VII. {cf. Preliminary Note). 4. I.e. the prosperous years that may be expected to follow the pacification of Italy by the Emperor, which Dino, writing during the course of the Emperor's expedi- tion into Italy, hoped and confidently expected would be brought to pass. BOOK I CHAPTER I The author's method of writing. Description of Florence. When I began, I purposed writing the truth con- cerning those things of which I was certain, through having seen and heard them, because they were things noteworthy, which in their beginnings no one saw so clearly as I ; and those things I did not clearly see, I purposed writing according to hearsay, But since many, because of their corrupt wills, err in their speech, and corrupt the truth, I purposed to write according to the most authentic report. And in order that strangers may be the better able to understand the things that happened, I will de- scribe the fashion of the noble city which is in the province of Tuscany and under the protection of the sign of Mars ( ). It is enriched by a copious i imperial river (2) of sweet water, which divides it almost in half. The climate is equable, and the city is sheltered from hurtful winds ; its territory is scanty in extent, but abounds in good produce. The citizens are valiant in arms, proud, and quarrelsome. The city is enriched by unlawful gains (3), and, on account of its power, is distrusted and ieared, rather 3 4 CHRONICLE OF DINO COMPAGNI than loved, by the neighbouring towns. Pisa is 40 miles (4) distant from Florence, Lucca 40 miles, Pistoja 20 miles, Bologna 58 miles, Arezzo 40 miles, Siena 30 miles, San Miniato 20 miles towards Pisa, Prato 10 miles towards Pistoja, Monte Ac- cenico 22 miles towards Bologna, Fighine 16 miles towards Arezzo, Poggibonsi 16 miles towards Siena. As to all the aforesaid towns, with many other for- tresses and villages—and in all the directions afore- said, there are many nobles—counts and captains (5) —who love rather to see the city in discord than in peace, and who obey her more from fear than love. The said city of Florence is very well populated, and the good air promotes generation. The citizens are very courteous, and the women very handsome and well attired. The large houses are very beauti- ful, and better supplied with comforts and conveni- ences than those in the other cities of Italy. On this account many people come from distant lands to visit the city, not from necessity, but by reason of her flourishing industries, and for the sake of her beauty and adornment. 1. See Inferno, xiii. 143-150 n. 2. The Arno is called an "imperial" river, as being a main stream and not a mere tributary. 3. The "unlawful gains" here spoken of correspond to the " sudden gains" reprobated by Dante, Inferno, xvi. 73. 4. The Tuscan mile was equal to about 1800 yards. 5. The "counts" stand for the feudal nobles, who held " their fiefs immediately of the Empire ; the captains," for the vassals of the "counts." The aim of Florence and the other city-states of Italy was to bring the feudal nobility of the surrounding districts under the city government. Cf. III. 34, n. 5. ; THE FIRST BOOK CHAPTER II Traditional account of the introduction of the names of Guelf and Ghibelline into Florence (1215). Let her citizens, then, weep for themselves and their children, since by their arrogance, v/ickedness, and struggles for office they have undone so noble a city, have outraged the laws, and in a short time have bartered away the privileges which their fore- fathers won by much labour through long years and let them await the justice of God, which by many tokens is threatening to bring evil upon them, as upon guilty persons who were free to avoid the possibility of its overwhelming them (1).
Recommended publications
  • The Political Persecution of a Poet: a Detail of Dante's Exile
    Parkland College A with Honors Projects Honors Program 2012 The olitP ical Persecution of a Poet: A Detail of Dante's Exile Jason Ader Parkland College Recommended Citation Ader, Jason, "The oP litical Persecution of a Poet: A Detail of Dante's Exile" (2012). A with Honors Projects. 44. http://spark.parkland.edu/ah/44 Open access to this Article is brought to you by Parkland College's institutional repository, SPARK: Scholarship at Parkland. For more information, please contact [email protected]. THE POLITICAL PERSECUTION OF A POET A Detail of Dante's Exile By Jason Ader John Poling History 101 April 2012 Durante degli Alighieri, known throughout the world as simply Dante, was a fourteenth century Italian poet, philosopher, literary theorist, and politician. He is best known for his epic Commedia, which was later dubbed The Divine Comedy. Commedia is generally considered the greatest Italian literary work and a masterpiece of world literature.1 Due to the turbulent political atmosphere of his time and place, Dante spent over a third of his life living in exile. This paper will explore the details of Dante's exile and the influence that it had upon his work. Dante was born in Florence around 1265 to an aristocratic family of moderate wealth and status. Dante's father was a notary, and Dante was the only child of his father's first marriage. Dante's mother died when he was about thirteen years old. His father then remarried and his second wife bore another son and two daughters before he too died when Dante was about eighteen.2 It is thought that at around six years of age Dante entered school.
    [Show full text]
  • The Old Bridge in Italy
    The Old Bridge in Italy The Old Bridge in Italy Manjula Raman Ponte Vecchio In Italy, there is a city named Florence. The Arno River runs through it. And the Ponte Vecchio stands over the Arno. What is the Ponte Vecchio? Well, its name means "Old Bridge" in Italian. And it is an old bridge. It was built in the 1300s! It was built to take the place of another bridge that had been there. That other bridge had been washed away in a flood. The Ponte Vecchio is easy to recognize. That's because of the shops built on it. These shops are on both sides of the bridge. They have windows with shutters. Parts of them stick out over the water! But so far, the shops and the bridge have stood the test of time. ReadWorks.org · © 2017 ReadWorks®, Inc. All rights reserved. The Old Bridge in Italy - Comprehension Questions Name: ___________________________________ Date: _______________ 1. What river runs through Florence, Italy? A. the Ponte Veccio B. the Old River C. the Arno River 2. Why was the Ponte Vecchio built? A. to protect the people from floods B. to take the place of another bridge C. to add more shops to Florence 3. The Ponte Vecchio has never broken since it was built. What part of the text tells us that this is true? A. "That other bridge had been washed away in a flood." B. "It was built in the 1300s!" C. "So far, the shops and the bridge have stood the test of time." 4. What is "The Old Bridge in Italy" mostly about? A.
    [Show full text]
  • Middle Ages of the City
    Chapter 5 Merchants and Bowmen: Middle Ages of the City Once past, dreams and memories are the same thing. U. piersanti, L’uomo delle Cesane (1994) It’s a beautiful day in May. We find ourselves in Assisi, the city of saints Francis and Clare. The “Nobilissima parte de sopra” and the “Magnifica parte de sotto” (the Most Noble Upper Part and the Magnificent Lower Part), which represent the districts of the city’s theoretical medieval subdivision, challenge each oth- er to a series of competitions: solemn processions, feats of dexterity, songs, challenges launched in rhyme, stage shows. In this way, it renews the medieval tradition of canti del maggio (May songs), performed in the piazzas and under girls’ balconies by bands of youths wandering the city. A young woman is elect- ed Madonna Primavera (Lady Spring). We celebrate the end of winter, the return of the sun, flowers, and love. This medieval festival, resplendent with parades, flag bearers, ladies, knights, bowmen, and citizen magistrates, re- sounding with songs, tambourines, and trumpets, lasts three days and involves the entire population of Assisi, which finds itself, together with tourists and visitors, immersed in the atmosphere of a time that was. At night, when the fires and darkness move the shadows and the natural odors are strongest, the magic of the illusion of the past reaches its highest pitch: Three nights of May leave their mark on our hearts Fantasy blends with truth among sweet songs And ancient history returns to life once again The mad, ecstatic magic of our feast.1 Attested in the Middle Ages, the Assisan Calendimaggio (First of May) reap- peared in 1927 and was interrupted by the Second World War, only to resume in 1947.
    [Show full text]
  • Stepping out of Brunelleschi's Shadow
    STEPPING OUT OF BRUNELLESCHI’S SHADOW. THE CONSECRATION OF SANTA MARIA DEL FIORE AS INTERNATIONAL STATECRAFT IN MEDICEAN FLORENCE Roger J. Crum In his De pictura of 1435 (translated by the author into Italian as Della pittura in 1436) Leon Battista Alberti praised Brunelleschi’s dome of Florence cathedral, Santa Maria del Fiore [Fig. 1], as ‘such a large struc- ture’ that it rose ‘above the skies, ample to cover with its shadow all the Tuscan people’.1 Alberti was writing metaphorically, but he might as easily have written literally in prediction of the shadowing effect that Brunelleschi’s dome, dedicated on 30 August 1436, would eventually cast over the Florentine cultural and historical landscape of the next several centuries.2 So ever-present has Brunelleschi’s structure been in the historical perspective of scholars – not to mention in the more popular conception of Florence – that its stately coming into being in the Quattrocento has almost fully overshadowed in memory and sense of importance another significant moment in the history of the cathedral and city of Florence that immediately preceded the dome’s dedication in 1436: the consecration of Santa Maria del Fiore itself on 25 March of that same year.3 The cathedral was consecrated by Pope Eugenius IV (r. 1431–1447), and the ceremony witnessed the unification in purpose of high eccle- siastical, foreign, and Florentine dignitaries. The event brought to a close a history that had begun 140 years earlier when the first stones of the church were laid in 1296; in 1436, the actual date of the con- secration was particularly auspicious, for not only is 25 March the feast of the Annunciation, but in the Renaissance that day was also the start of the Florentine calendar year.
    [Show full text]
  • Passion for Cycling Tourism
    TUSCANY if not HERE, where? PASSION FOR CYCLING TOURISM Tuscany offers you • Unique landscapes and climate • A journey into history and art: from Etruscans to Renaissance down to the present day • An extensive network of cycle paths, unpaved and paved roads with hardly any traffic • Unforgettable cuisine, superb wines and much more ... if not HERE, where? Tuscany is the ideal place for a relaxing cycling holiday: the routes are endless, from the paved roads of Chianti to trails through the forests of the Apennines and the Apuan Alps, from the coast to the historic routes and the eco-paths in nature photo: Enrico Borgogni reserves and through the Val d’Orcia. This guide has been designed to be an excellent travel companion as you ride from one valley, bike trail or cultural site to another, sometimes using the train, all according to the experiences reported by other cyclists. But that’s not all: in the guide you will find tips on where to eat and suggestions for exploring the various areas without overlooking small gems or important sites, with the added benefit of taking advantage of special conditions reserved for the owners of this guide. Therefore, this book is suitable not only for families and those who like easy routes, but can also be helpful to those who want to plan multiple-day excursions with higher levels of difficulty or across uscanyT for longer tours The suggested itineraries are only a part of the rich cycling opportunities that make Tuscany one of the paradises for this kind of activity, and have been selected giving priority to low-traffic roads, white roads or paths always in close contact with nature, trying to reach and show some of our region’s most interesting destinations.
    [Show full text]
  • Dante's Political Life
    Bibliotheca Dantesca: Journal of Dante Studies Volume 3 Article 1 2020 Dante's Political Life Guy P. Raffa University of Texas at Austin, [email protected] Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, and the Medieval History Commons Recommended Citation Raffa, Guy P. (2020) "Dante's Political Life," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 3 , Article 1. Available at: https://repository.upenn.edu/bibdant/vol3/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol3/iss1/1 For more information, please contact [email protected]. Raffa: Dante's Political Life Bibliotheca Dantesca, 3 (2020): 1-25 DANTE’S POLITICAL LIFE GUY P. RAFFA, The University of Texas at Austin The approach of the seven-hundredth anniversary of Dante’s death is a propi- tious time to recall the events that drove him from his native Florence and marked his life in various Italian cities before he found his final refuge in Ra- venna, where he died and was buried in 1321. Drawing on early chronicles and biographies, modern historical research and biographical criticism, and the poet’s own writings, I construct this narrative of “Dante’s Political Life” for the milestone commemoration of his death. The poet’s politically-motivated exile, this biographical essay shows, was destined to become one of the world’s most fortunate misfortunes. Keywords: Dante, Exile, Florence, Biography The proliferation of biographical and historical scholarship on Dante in recent years, after a relative paucity of such work through much of the twentieth century, prompted a welcome cluster of re- flections on this critical genre in a recent volume of Dante Studies.
    [Show full text]
  • American Dante Bibliography for 1983.Pdf
    American Dante Bibliography for 1983 Anthony L. Pellegrini This bibliography is intended to include the Dante translations published in this country in 1983 and all Dante studies and reviews published in 1983 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante. I wish to express my profound appreciation to Teodolinda Barolini, Joan M. Ferrante, Christopher Kleinhenz, and Richard H. Lansing for their collegial spirit of cooperation and their substantial assistance in the abstracting of a number of items for this bibliography. Translations [Paradiso, excerpts] “Paradiso: Lines from a New Translation.” Translated by Stefan Brecht. In Studies in Medievalism, II, No. 3 (Summer 1983): [Special Issue] “Dante in the Modern World,” edited by Kathleen Verduin, 79-85. Presents some selected short passages from Paradiso II, III, V, VII, VIII, IX, X, XI, and XII, interspersed with a very free prose translation. [Four Latin letters: Epistolae V-VIII.] In Babylon on the Rhone: A Translation of the Letters by Dante, Petrarch, and Catherine of Siena on the Avignon Papacy. Translated by Robert Cogan. Madrid: José Porrúa Turanzas, 1983). Provides an English translation only, with notes, of Epistolae V-VIII, along with a general introduction discussing the state of Italy and Dante’s ideas about the kind of government needed for the Empire, as compared with the ideas of Petrarch and Saint Catherine on the subject. Studies Abrash, Merritt. “Dante’s Hell as an Ideal Mechanical Environment.” In Clockwork Worlds: Mechanized Environments in SF, edited by Richard D. Erlich, Thomas P.
    [Show full text]
  • Appendix A: Selective Chronology of Historical Events
    APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua.
    [Show full text]
  • Villani's Chronicle
    BOOK III. G o e s back somewhat to tell how the city of Florence was rebuilt by the power of Charles the Great and the Romans. § i.—It came to pass, as it pleased God, that in the time of the good Charles the Great, Emperor of Rome and king of France, of whom above we have made a long record, after that he had beaten down the tyrannical pride of the Lombards and Saracens, and of the infidels against Holy Church, and had established Rome and the Empire in good state and in its liberty, as afore we have made mention, certain gentlemen and nobles of the region round about Florence (whereof it is reported that the Giovanni, the Guineldi and the Ridolfi, descended from the ancient noble citizens of the former Florence, were the heads) assembled themselves together with all the inhabitants of the place where Florence had been, and with all other their followers dwelling in the country around Florence, and they ordained to send to Rome ambassadors from the best among them to Charles the Emperor, and to Pope Leo, and to the Romans; and this was done, praying them to remember their daughter, the city of Florence (the which was ruined and destroyed by Goths and Vandals in despite of the Romans), to the end it might be rebuilt, and that it might please them to give a force of men-at-arms to ward off the ^men of Fiesole and their followers, the enemies of the Romans, 6o CHRONICLE OF VILLANI who would not let the city of Florence be rebuilt.
    [Show full text]
  • Silver Or Gold: the Color of Brass Instruments in the Late Middle Ages
    1 Silver or Gold: The Color of Brass Instruments in the Late Middle Ages Timothy J. McGee The purpose of this article is to lay out some details I have gathered about brass instruments during the late Middle Ages as a way of requesting assistance from the readers of this jour- nal. As will become immediately evident, I am using the word "brass" in its meaning as a synonym for "cup-mouthpiece instruments," because my question has to do with the actual material the instruments were made of. In the process of researching the activities of the civic musicians of Florence during the twelfth to the sixteenth centuries, I have encountered considerable confusion about the material used for trumpets and trombones, and about the symbolism intended by the use of particular metals. Here is what I have found. The earliest reference to the employment of civic musicians in Florence is from gov- ernment documents of 8 February 1292' naming six trumpet players (tubatores) along with a player of the cenamella (probably a double reed) and another who played cimballella (undoubtedly the cymbals). The civic ensemble, known as the trombadori, was part of the ceremonial presence of Florence, participating in all official functions such as the frequent processions welcoming distinguished foreign visitors to the city, civic celebrations in honor of saints' days, or assemblies in which the governing executive appeared in public. The trombadori also accompanied the military in the field, and acted as representatives of the city of Florence by participating in celebrations in other cities. The earliest reference is as follows: ..
    [Show full text]
  • La Lotta Per Il Potere a Milano
    LA GRANDE BATTAGLIA Nel corso del 1276, non si hanno notizie circa il periodo dell’anno, le forze viscontee cominciarono ad organizzare un attacco, nelle intenzioni decisivo, nei confronti dei Torriani. Goffredo da Langosco, alla testa dei fuoriusciti milanesi, occupò inizialmente Arona, unitamente ad alcune postazioni strategiche dell’Ossola, le cui popolazioni erano fedeli all’arcivescovo. Intanto Ottone Visconti riusciva a sbarcare ad Angera con tre-quattromila uomini e ad occuparne la rocca. Napo della Torre, benché colto di sorpresa, reagì inviando nella zona il figlio Cassone che, con una schiera di cinquecento tedeschi fornitagli dall’imperatore Rodolfo d’Asburgo, riuscì a mettere sotto assedio il castello di Angera. Nel frattempo Goffredo da Langosco, insieme ad un esercito di quattro-cinquemila armati composto da fuoriusciti milanesi, uomini del Seprio e di Pavia, oltre che da genovesi e spagnoli, ingrossato oltretutto da locali fedeli a Ottone, muovendo da Arona riuscì ad occupare buona parte del Seprio settentrionale dirigendosi poi verso Angera. Cassone della Torre aveva intanto preso posizione nella piana del torrente Guassera, nei pressi della riva del Lago Maggiore al confine tra gli odierni comuni di Ranco e Ispra. Il momento della verità era ormai arrivato… Le forze torriane furono all’improvviso raggiunte dall’esercito visconteo che proveniva da Nord e cioè dal territorio isprese. Goffredo da Langosco, sfruttando l’elemento sorpresa, non si lasciò sfuggire l’occasione di attaccare i soldati teutonici di Cassone mentre stavano ancora approntando l’accampamento. Durante l’attacco, superato di slancio dai Viscontei il rio Guassera, lo stesso capo dei tedeschi, Hans Lauser, venne ucciso: forse proprio da Goffredo in persona.
    [Show full text]
  • Accademia Dei Rozzi
    ACCADEMIA DEI ROZZI Anno XXVII/2 - 2020 - N. 53 1. Gaetano Brunacci (?), decorazione del soffitto della sala da tè, 1904. 2 Il volto nuovo dell’Accademia agli inizi del Novecento I - Le stanze dell’Accademia: splendidi esempi di decorazioni veramente artistiche di Felicia Rotundo Il recente restauro del soffitto della sala da tè schi, lungo le pareti, rappresentanti scene bibliche dei Rozzi offre lo spunto per ripercorrere la sto- racchiuse entro cornici e lesene a stucco; la sala fu ria della sede dell’Accademia, oggetto fin dalla sua infine arricchita da molte lumiere pendenti dal sof- nascita di numerose trasformazioni fino a configu- fitto e da bracciali appesi alle pareti. Di questa ori- rarsi come l’elegante palazzo che oggi ammiriamo ginaria decorazione non rimane traccia perché la e che connota l’intero isolato delimitato da via di sala è andata soggetta a successive trasformazioni: Città, piazza Indipendenza, via di Diacceto e via una prima volta nel 1789 quando fu deciso di in- di Beccheria. stallarvi 12 specchi “sopra i quali fu fatta una cor- nice nuova dorata ad uso di placca”; altri interventi La data “MDCCCCIV” che si legge in uno si susseguirono nella seconda metà dell’Ottocento dei cartigli del soffitto della sala oltre ad indicare il fino a quello del 1906, reso urgente dal crollo del termine temporale della sua esecuzione testimonia soffitto, che le ha conferito l’aspetto attuale. altresì una delle fasi più significative di una lunga Bettino Marchetti2 in una relazione presentata e ininterrotta impresa decorativa iniziata già nel 3 1727 con la costruzione del palazzo, sul luogo di al Consiglio direttivo in data 4 marzo 1906 ri- antiche case e botteghe poste di fronte all’antica feriva circa l’opportunità, data la crescita dei soci chiesa di San Pellegrino, e conclusasi negli anni ’30 e il prestigio raggiunto dall’accademia, di amplia- del Novecento.
    [Show full text]