Leonardo Bruni, the Medici, and the Florentine Histories1
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1 the Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I
The Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I: The Red Dawn of Modernity 1: The Storm Part II: A Political Philosophy 2: The philosopher 3: The Discourses on Livy 4: The Prince 5: History as Politics 6: War as an art Part III: Legacy, Reception, and Influence 7: Authority, conflict, and the origin of the State (sixteenth-eighteenth centuries) 1 8: Nationalism and class conflict (nineteenth-twentieth centuries) Chronology Notes References Index 2 Preface Novel 84 of the Novellino, the most important collection of short stories before Boccaccio’s Decameron, narrates the encounter between the condottiere Ezzelino III da Romano and the Holy Roman Emperor Frederick II: It is recorded how one day being with the Emperor on horseback with all their followers, the two of them made a challenge which had the finer sword. The Emperor drew his sword from its sheath, and it was magnificently ornamented with gold and precious stones. Then said Messer Azzolino: it is very fine, but mine is finer by far. And he drew it forth. Then six hundred knights who were with him all drew forth theirs. When the Emperor saw the swords, he said that Azzolino’s was the finer.1 In the harsh conflict opposing the Guelphs and Ghibellines – a conflict of utter importance for the late medieval and early modern history of Italy and Europe – the feudal lord Ezzelino sends the Emperor a clear message: honours, reputation, nobility, beauty, ultimately rest on force. Gold is not important, good soldiers are, because good soldiers will find gold, not the contrary. -
L-G-0010822438-0026417920.Pdf
Super alta perennis Studien zur Wirkung der Klassischen Antike Band 17 Herausgegeben von Uwe Baumann, MarcLaureys und Winfried Schmitz DavidA.Lines /MarcLaureys /Jill Kraye (eds.) FormsofConflictand Rivalries in Renaissance Europe V&Runipress Bonn UniversityPress ® MIX Papier aus verantwor- tungsvollen Quellen ® www.fsc.org FSC C083411 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie;detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISBN 978-3-8471-0409-4 ISBN 978-3-8470-0409-7 (E-Book) Veröffentlichungen der Bonn University Press erscheinen im Verlag V&Runipress GmbH. Gedruckt mit freundlicher Unterstützung des „Leverhulme Trust International Network“ (Großbritannien) zum Thema „RenaissanceConflictand Rivalries:Cultural Polemics in Europe, c. 1300–c.1650“ und der Philosophischen Fakultätder UniversitätBonn. 2015, V&Runipress in Göttingen /www.v-r.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Printed in Germany. Titelbild:Luca della Robbia, relieffor the Florentine campanile, c. 1437 (Foto:Warburg Institute, Photographic Collection, out of copyright) Druck und Bindung:CPI buchbuecher.de GmbH, Birkach Gedruckt aufalterungsbeständigem Papier. Contents DavidA.Lines /MarcLaureys /JillKraye Foreword .................................. -
Allestimenti Di Ritratti E Narrative Storico Genealogiche Nei Palazzi Fiorentini, Ca
COLLANA ALTI STUDI SULL’ETÀ E LA CULTURA DEL BAROCCO PASQUALE FOCARILE Allestimenti di ritratti e narrative storico genealogiche nei palazzi fiorentini, ca. 1650-1750 COLLANA ALTI STUDI SULL’ETÀ E LA CULTURA DEL BAROCCO V - IL RITRATTO Fondazione 1563 per l’Arte e la Cultura della Compagnia di San Paolo Sede legale: Corso Vittorio Emanuele II, 75 – 10128 Torino Sede operativa: Piazza Bernini, 5 – 10138 Torino Tel. 011 4401401 – Fax 011 4401450 – [email protected] Codice fiscale: 97520600012 Consiglio di Amministrazione 2018-2020: Piero Gastaldo (Presidente), Walter Barberis (Vicepresidente) Consiglieri: Allegra Alacevich, Laura Barile, Blythe Alice Raviola Direttore scientifico del Programma Barocco: Michela di Macco Direttore: Anna Cantaluppi Vicedirettore: Elisabetta Ballaira Consiglio di Amministrazione 2015-2017: Rosaria Cigliano (Presidente), Michela di Macco (Vicepresidente) Consiglieri: Allegra Alacevich, Walter Barberis, Stefano Pannier Suffait Direttore: Anna Cantaluppi Responsabile culturale: Elisabetta Ballaira Programma di Studi sull’Età e la Cultura del Barocco Borse di Alti Studi 2017 Tema del Bando 2017: Il Ritratto (1680-1750) Assegnatari: Chiara Carpentieri, Pasquale Focarile, Ludovic Jouvet, Fleur Marcais, Pietro Riga, Augusto Russo Tutor dei progetti di ricerca: Cristiano Giometti, Cinzia M. Sicca, Lucia Simonato, Alain Schnapp, Beatrice Alfonzetti, Francesco Caglioti Cura editoriale: Alice Agrillo È vietata la riproduzione, anche parziale e con qualsiasi mezzo effettuata, non autorizzata. L’Editore si scusa per -
Francesco Filelfo As a Writer of Invective
Francesco Filelfo as a Writer of Invective David Marsh As in other literary genres, the writers of Renaissance invective often drew inspiration from Francesco Petrarca (1304–1374), whose four polemical writ- ings revived a classical tradition that dated back to Cicero, pseudo-Sallust, and Jerome.1 In the Quattrocento, many humanists gained notoriety by pub- lishing invectives against rival scholars, most notably Antonio Loschi, Poggio Bracciolini, Lorenzo Valla, Bartolomeo Facio, and Antonio da Rho. Oddly, it seems that the singularly contentious and combative Francesco Filelfo (1398–1481) wrote nothing that he explicitly called an invective.2 Indeed, on several occasions the humanist dismissed invective as distasteful. The tirades of Antonio da Rho (c. 1398–c.1450), for example, were notorious for their viru- lence; and in 1443 Filelfo accordingly deprecated the friar’s “insane” attacks on the humanist Pier Candido Decembrio, whom he often considered an enemy.3 1 On Cicero and Roman invective, see Arena 2007, and Booth 2007. For an introduction to all four Petrarchan invectives with Latin text and English translation and notes, see Petrarch 2003. Enenkel 2010 distinguishes Contra medicum from the Ciceronian model of In Pisonem: Petrarch rejects the urban social values of Roman invective (he despises Avignon and lauds solitude), and employs Scholastic forms of argumentation. For the humanist invectives of the Renaissance, see Laureys 2003, Helmrath 2010, and Marsh 2016. On the wider context of polemics, known in German as Streitkultur (agonal culture), see Laureys-Simons 2010, and Lines-Laureys-Kraye 2015. 2 I here echo De Keyser 2015, 15: “Oddly enough, Filelfo wrote nothing which he explicitly called an invective; but the majority of his writings, in numerous literary genres, contain ad hominem attacks, including, most prominently, on Poggio.” 3 PhE·05.21 (30 December 1443): “Vellem equidem, pater optime, ab omni istiusmodi scribendi genere te continuisses, neque cum insanienti Petro Candido Decembre desipere ipse volu- isses. -
Wittenberg History Journal Spring 2016
Wittenberg History Journal Spring 2016 Unexpected Tensions: Social Conflict from the Viking Age to World War II Wittenberg History Journal Spring 2016 Unexpected Tensions: Social Conflict from the Viking Age to World War II Wittenberg History Journal Contents Spring 2016 | Volume XLV Hartje Award Winner 1 Half-Peace: The Successes and Failures of the Peace Process Unexpected Tensions: Social Conflict from the Viking Age to World War II in Northern Ireland Wittenberg University Springfield, Ohio Keri Heath 2016 Editorial Board I. Renaissance Reversed: Social Conflicts Senior Editors in Florence Keri Heath ‘16 Kaitlyn Vazquez ‘16 5 The Tensions Hidden Beneath Religious Festivities and Carnivals: A Social Analysis of Public Celebrations in Renaissance Florence Junior Editors Kristen Brady Kristen Brady ‘17 Vivian Overholt ‘17 Gil Rutledge ‘17 11 From the Bottom Up: Influence on the Upper Class by the Faculty Advisor Florentine Underground in the Renaissance Joshua Paddison Keri Heath Wittenberg History Journal is affiliated with the Gamma Zeta chapter of Phi Alpha Theta. 17 The Ospedale Degli Innocente: A Microhistory The Hartje Paper Hannah Hunt The Martha and Robert G. Hartje Award is presented annually to a senior in the spring semester. The History Department determines the three or four finalists who then write a 600 to 800 word narrative II. Forgotten Stories: Cartoonists and Kings essay on an historical event or figure. The finalists must have at least a 2.7 grade point average and 26 Kings at Sea: Examining a Forgotten Way of Life have completed at least six history courses. The winner is awarded $500 at a spring semester History Department colloquium and the winner paper is included in the History Journal. -
Greek Studies in Italy: from Petrarch to Bruni
Greek Studies in Italy: From Petrarch to Bruni The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hankins, James. 2007. Greek studies in Italy: From Petrarch to Bruni. In Petrarca e il Mondo Greco Atti del Convegno Internazionale di Studi, Reggio Calabria, 26-30 Novembre 2001, ed. Michele Feo, Vincenzo Fera, Paola Megna, and Antonio Rollo, 2 vols., Quaderni Petrarcheschi, vols. XII-XIII, 329-339. Firenze: Le Lettere. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:8301600 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA GREEK STUDIES IN ITALY: FROM PETRARCH TO BRUNI Comparing with the mind's eye the revival of Greek studies that took place in Avignon and Florence in the middle decades of the fourteenth century with the second revival that began in Florence three decades later, two large problems of historical interpretation stand out, which have not yet, I hope, entirely exhausted their interest—even after the valuable studies of Giuseppe Cammelli, R. J. Leonertz, Roberto Weiss, Agostino Pertusi, N. G. Wilson, Ernesto Berti, and many others. The first problem concerns the reason why (to use Pertusi's formulation) Salutati succeeded where Boccaccio failed: why no Latin scholar of the mid-fourteenth century succeeded in learning classical Greek, whereas the students of Manuel Chrysoloras were able not only to learn Greek themselves, but to pass down their knowledge to later generations. -
“Unlucky in Affairs of Business….” Turning Points in the Life of Lorenzo
“Unlucky in affairs of business….” Turning Points in the life of Lorenzo de Medici Harry Don Stephenson, Jr. Faculty Advisor: Thomas Robisheaux, Ph.D. Fred W. Schaffer Professor of History History Department November 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Liberal Studies Program in the Graduate School of Duke University. Copyright by Harry Don Stephenson, Jr. 2015 i Contents Abstract ………………………………………………………………………………………………………………………………….…iii List of Tables and Figures ……………………………………………………………………………………………………….…iv Acknowledgements …………………………………………………………………………………………………………………..v Introduction ………………………………………………………………………………………………………………………………1 Chapter One: Banking in Fifteenth Century Italy………………………………………………………………………. 5 Chapter Two: Family Tree ………………………………………………………………………………………………………...12 Chapter Three: Lorenzo in Rome – 1466 ………………………………………………………………………………….. 30 Chapter Four: The Pazzi Conspiracy- April 1478 ………………………………………………………………………. 36 Chapter Five: The Pazzi War – 1479-1480 ………………………………………………………………………………….50 Chapter Six: Restoration with Rome - 1488 …………………………………………………………………………….. 59 Chapter Seven: Conclusion ……………………………………………………………………………………………………… 66 Bibliography ii Abstract The Medici family name is inextricably tied to Florence and the Italian Renaissance. For three hundred and fifty years, through twelve generations, the Medici lived in, work in, and to a considerable degree ruled the city. No Medici name rises higher in recorded history than Lorenzo di Piero de’ Medici. Lorenzo il Magnifico is remembered as a patron of the arts, poet, humanist, diplomat and savior of Florence during the Pazzi War. His legacy as a competent banker, manager and caretaker of the family business empire is sadly much less triumphant. Through the “quirks of genealogical fortune”, including a string of untimely deaths of male members of the Medici, Lorenzo found himself to be the sole owner of the Medici Bank in its sixth decade of business. -
Machiavelli's Florentine Histories
West | 21 Machiavelli’s Florentine Histories: An with the Roman domination of Italy and continues until 1492, forty years prior to its posthumous publication.1 Within the preface of the Important Moment in the Evolution of Florentine Histories, Machiavelli notes that he was attempting to fill a the Historical Discipline gap in the scholarship; his predecessors had adequately described the numerous wars to which Florence had been subjected but had not pro- vided an in-depth analysis of Florence’s internal social and political history.2 Machiavelli was commissioned to write the Florentine Histories Hannah West by Giulio de’ Medici who was impressed by his historical writing in The Life of Castruccio Castracani of Lucca, published ten years ear- Niccolò Machiavelli was a political thinker, diplomat, and historian who lier.3 Machiavelli agreed to write the history of Florence for its new wrote during the early sixteenth century. Machiavelli only published one rulers, the Medicis, because the change in government had resulted major historical work, the Florentine Histories, which he wrote on the in him losing his position in the employ of the Chancellor of the cusp of a shift within historical writing from the trends associated with Republic of Florence.4 Machiavelli hoped that, by accepting a commis- the Middle Ages to those of the Renaissance period. This essay seeks to dis- sion to write the Florentine Histories, he would gain favour with the cover whether Machiavelli’s historical writing is in line with our current new rulers and regain a prominent position within the government. perception of the trends within medieval histories or whether his style is Although Machiavelli never regained his governmental position, too divergent for Machiavelli to be considered a historian of the Middle he did write the Florentine Histories, a work that is considered a signifi- Ages. -
Necessity.Pdf
DEPARTMENT OF POLITICAL SCIENCE ~ TUFTS UNIVERSITY STUDENT RESEARCH BRIEFING SERIES VOLUME I, ISSUE I SPRING 2011 NECESSITY AS VIRTUE IN THE THOUGHT OF MACHIAVELLI ZACHARY WITLIN Welcome to the first issue of our Student Research Briefing Series which is designed to publish a broad range of topics in American Politics, Compara- TABLE OF CONTENTS tive Politics, Political Theory and Philosophy, and International Relations. The briefings are intended to enhance student appreciation of student re- search completed in the Department of Political Science. In addition, the ABSTRACT 1 publication hopes to serve as outreach to interested undergraduates and prospective students considering a major in Political Science. ABOUT THIS PAPER 2 If you are a student interested in contributing to the Student Research Briefing Series or a professor, within the Department of Political Science, and have a student paper you would like to highlight, please contact [email protected]. MACHIAVELLI’S STATE 6 OF NECESSITY The following publication is student-produced and the research was con- ducted during their undergraduate studies. THE EXTREMITY OF 12 About the author MACHIAVELLI’S Zach Witlin graduated from Tufts in May 2010 with a double major in in- NECESSITY ternational relations and political science, the former focused in security and the latter in political theory. Zack is a 2010 recipient of The Belfer Award and the Prize Scholarship of the Class of 1882. He is a Fulbright NECESSITY AND THE 16 NATURE OF HISTORY Fellow in Ukraine for the 2010-11 year, for the project “Gazpolitik: The Politics of Energy in Ukraine.” He first read Machiavelli and his fellow realists as an IR Research Scholar. -
THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis. -
The Revival of Greek Studies in the West I 14Th – 15Th Cent
The Revival of Greek Studies in the West I 14th – 15th cent. Ioannis Deligiannis Democritus University of Thrace • Introduction – Greek in the Middle Ages • The Early Humanism (14th cent.) • 15th cent. – Greek language teaching and learning methods • Chrysoloras’ Erotemata • Guarino da Verona and Battista Guarini • ms. Vat. Urb. Gr. 121 – Italian humanists who studied and/or translated Greek • Guarino Guarini da Verona • Leonardo Bruni • Vittorino da Feltre • Sassolo da Prato • Francesco Filelfo • Lapo da Castiglionchio the younger • Francesco Griffolini d’Arezzo • Lorenzo Valla • Marsilio Ficino • Angelo Poliziano • Other Italian translators Greek in the Middle Ages • Middle Ages Europe: Greek not generally known. • Interest in Latin translations of Greek texts: – Boethius (5th ex. – 6th in.): Aristotle. – John Scottus Eriugena (9th cent.): Gregory of Nyssa, Gregory of Nazianzus, and Maximus the Confessor. – Burgundio of Pisa (12th cent.): John of Damascus, John Chrysostom, Galen. – James of Venice (12th cent.): Aristotle. – Henricus Aristippus (12th cent.): Plato, Euclid, Ptolemy, Aristotle, Gregory of Nazianzus. • 13th cent: a better acquaintance with Greek. • Southern Italy remained the main bridge between Greeks and Latins. • Bartholomew of Messina: Aristotle. • Robert Grosseteste: revision of Burgundio’s translation of John of Damascus, and translations of other works of his, of Dionysius the Areopagite, Aristotle; articles from the Suda Lexicon. • Roger Bacon: wrote a Greek grammar for Latins, significant for the revival of the Greek studies in the West. • William of Moerbeke: translation of Aristotle or revision of existing translations; literal and faithful; classic in the 14th cent. He also translated mathematical treatises (Hero of Alexandria and Archimedes), commentaries of Simplicius, Proclus, etc. -
Cellini's Perseus and Medusa: Configurations of the Body
CELLINI’S PERSEUS AND MEDUSA: CONFIGURATIONS OF THE BODY OF STATE by CHRISTINE CORRETTI Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Professor Edward J. Olszewski Department of Art History CASE WESTERN RESERVE UNIVERSITY January, 2011 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Christine Corretti candidate for the Doctor of Philosophy degree.* (signed) Professor Edward J. Olszewski (chair of the committee) Professor Anne Helmreich Professor Holly Witchey Dr. Jon S. Seydl (date) November, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. 1 Copyright © 2011 by Christine Corretti All rights reserved 2 Table of Contents List of Illustrations 4 Abstract 9 Introduction 11 Chapter 1 The Story of Perseus and Medusa, an Interpretation 28 of its Meaning, and the Topos of Decapitation Chapter 2 Cellini’s Perseus and Medusa: the Paradigm of Control 56 Chapter 3 Renaissance Political Theory and Paradoxes of 100 Power Chapter 4 The Goddess as Other and Same 149 Chapter 5 The Sexual Symbolism of the Perseus and Medusa 164 Chapter 6 The Public Face of Justice 173 Chapter 7 Classical and Grotesque Polities 201 Chapter 8 Eleonora di Toledo and the Image of the Mother 217 Goddess Conclusion 239 Illustrations 243 Bibliography 304 3 List of Illustrations Fig. 1 Benvenuto Cellini, Perseus and Medusa, 1545-1555, 243 Loggia dei Lanzi, Florence, Italy. Fig. 2 Donatello, Judith and Holofernes, c. 1446-1460s, Palazzo 244 Vecchio, Florence, Italy. Fig. 3 Heracles killing an Amazon, red figure vase.