Renaissance Consolations (Preprint)
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The Consolation of Philosophy
Anthós (1990-1996) Volume 1 Number 5 Article 9 1996 The Consolation of Philosophy Shawna Purcell Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/anthos_archives Part of the Philosophy Commons Let us know how access to this document benefits ou.y Recommended Citation Purcell, Shawna (1996) "The Consolation of Philosophy," Anthós (1990-1996): Vol. 1 : No. 5 , Article 9. Available at: https://pdxscholar.library.pdx.edu/anthos_archives/vol1/iss5/9 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. The Consolation ofPhilosophy Shawna Purcell Every generation leaves its imprint of culture on the next generation. Just as the Western civilization inherited the European culture, the Romans inherited the Greek culture. These imprints over time, are refined and built upon to create a "new" culture. As Seneca put it, "A cultivates B and B cultivp.tes C; no one is his own master" (Seneca, 292). Focusing upon lit erature, we can observe the transition of the memorized and spo ken epics of the Greek culture to the written works of the Romans that are intertexted with ~lusions to particular epics. As twentieth century readers we can understand earlier works such as the Consolation ofPhilosophy by reading it against a tradition al background and applying the four fold scheme of interpreta tion. The following discussion will show how Boethius has deeply woven into his poems the philosophies and writing styles of his predecessors Homer, Seneca, Ovid and Plato, including the Stoics. -
BOETHIUS and HOMER by BOETHIUS Wrote His Consolation Of
BOETHIUS AND HOMER by MICHAEL FOURNIER OETHIUS wrote his Consolation of Philosophy while in prison Bawaiting execution.1 Although it has a place in numerous traditions and genres (e.g., philosophical dialogue, protreptic, Menippean satire, theodicy, epiphany literature, contemptus mundi) it is prima facie a consolatio.2 Yet in the studies of ancient consolations by Constant Martha, Karl Buresch, Rudolf Kassel, and Horst-Theodor Johann3 there are no more than a few brief references to Boethius, and virtually none in the more recent surveys of the tradition by Robert Gregg and Paul Holloway.4 However, as not only the title (which he gave to the work himself) and the frequent use of consolatory topoi, but also the parallels with the dramatic setting of the Phaedo5 make clear, Boethius understood his work to belong to this tradition. In addition to consolations for the bereaved, Cicero asserts that there are a host of consola- tions for other afflictions, referring to ‘definite words of comfort’ for dealing with poverty (de paupertate,…et ingloria), a life without office and fame (vita inhonorata) as well as ‘definite forms of discourse dealing with exile, ruin of country, slavery, infirmity, blindness, every accident upon which the term disaster can be fixed’ (Tusc. 3,81). While Boethius deals with a number of these topics, including poverty (2,5; 3,3), the loss of office (2,6; 3,4) and fame (2,7; 3,6), exile (1,5,2-5), ruin of country (1,4,20-27), and even figurative and metaphorical slavery (1m2,25), infirmity (1m1,10-11) and blindness (1m3,1-2), the ultimate cause of the grief for which he seeks consolation is not one of these traditional problems.6 Boethius’ work is, like Cicero’s Consolatio, an example of self- consolation.7 Like Cicero, Boethius was not content simply to read and reflect upon other consolatory writings. -
Poetry in a Time of Affliction
01-logos-murray-pp19-39 6/14/05 8:25 AM Page 19 Paul Murray, OP The Fourth Friend: Poetry in a Time of Affliction What, if anything, consoles us in a time of affliction? Today we don’t need to look very far to see that our own generation is living through such a time, and this is true whether we are living in Europe or in Iraq, in Sudan or the Middle East, in Egypt or in the United States. As far as the West is concerned, we have only to think back to the horrific bombings that took place in the station at Madrid some time ago or to recall the shock and horror of 9/11. But there have been other horrors, other scenes of humiliation and terror, which we have witnessed on our television screens, and most notable of all, of course, the effects of the tsunami. Although these events may have taken place thousands of miles away, they too have seared our imagination. My question, then, is this: In such a time of afflic- tion, of what possible use to us is poetry? Can it be said to help or console us in any way? After 9/11, there was, as it happens, one remarkable, instinctive response of the people in New York,a response manifest not only in and around Ground Zero, but also in many of the streets of the city. For, on the walls of the city, in the subway, on the sidewalks, there logos 8:3 summer 2005 01-logos-murray-pp19-39 6/14/05 8:25 AM Page 20 logos began to appear lines from famous poems and even entire original poems, written up and pinned to photographs of some of the men and women who had died in the catastrophe. -
The Consolations of Death in Ancient Greek Literature
$B 44 125 The Consolations of Death In Ancient Greek Literature By SISTER MARY EVARISTUS, MA. of THE SISTERS OF CHABITY, HALIFAX, N. S. A DISSERTATION Submitted to the Catholic Sisters College of the Catholic University of America in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/consolationsofdeOOmorarich The Consolations of Death In Ancient Greek Literature SISTER MARY EVARISTUS, M.A. of THE SISTERS OF CHARITY, HALIFAX, N. S. A DISSERTATION Submitted to the Catholic Sisters College of the Cathoh University of America in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy NA.ICXAI SA'.TAL PICS' 'MC , WA'iUNOTON, D. C. TABLE OF CONTENTS Page Introduction 7 CHAPTER I The Inevitableness of Death 10 Universality of death a motive for consolation. Views of death in Homer. Homeric epithets for death. No power can ward off death. Consolation afforded by the thought that it cannot come before the appointed time. Inevitableness of death as depicted in the Lyric Poets, * Tragedians, Plato, Lysias, Apollonius Rhodius, ps.- Plutarch, Plutarch. CHAPTER II Others Have Had to Die 19 Treatment of t&kos in Homer, ov <roi /xopoj. Tragic Poets, Plutarch, ps.-Plutarch. Examples of those who have borne sufferings nobly. Extension of t&kos. Even better men have died. CHAPTER III Death the Payment of a Debt to Nature 26 Should not complain when loan is claimed. Simonides of Ceos. Euripides. Plato. ps.-Plutarch. CHAPTER IV Death Not to be Regarded as Unexpected 28 Nothing ought to appear unexpected. -
Leonardo Bruni, the Medici, and the Florentine Histories1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Queensland eSpace /HRQDUGR%UXQLWKH0HGLFLDQGWKH)ORUHQWLQH+LVWRULHV *DU\,DQ]LWL Journal of the History of Ideas, Volume 69, Number 1, January 2008, pp. 1-22 (Article) 3XEOLVKHGE\8QLYHUVLW\RI3HQQV\OYDQLD3UHVV DOI: 10.1353/jhi.2008.0009 For additional information about this article http://muse.jhu.edu/journals/jhi/summary/v069/69.1ianziti.html Access provided by University of Queensland (30 Oct 2015 04:56 GMT) Leonardo Bruni, the Medici, and the Florentine Histories1 Gary Ianziti Leonardo Bruni’s relationship to the Medici regime raises some intriguing questions. Born in 1370, Bruni was Chancellor of Florence in 1434, when Cosimo de’ Medici and his adherents returned from exile, banished their opponents, and seized control of government.2 Bruni never made known his personal feelings about this sudden regime change. His memoirs and private correspondence are curiously silent on the issue.3 Yet it must have been a painful time for him. Among those banished by the Medici were many of his long-time friends and supporters: men like Palla di Nofri Strozzi, or Rinaldo degli Albizzi. Others, like the prominent humanist and anti-Medicean agita- tor Francesco Filelfo, would soon join the first wave of exiles.4 1 This study was completed in late 2006/early 2007, prior to the appearance of volume three of the Hankins edition and translation of Bruni’s History of the Florentine People (see footnote 19). References to books nine to twelve of the History are consequently based on the Santini edition, cited in footnote 52. -
Automatic Action in Plotinus
Created on 26 November 2007 at 17.13 hours page 373 AUTOMATIC ACTION IN PLOTINUS JAMES WILBERDING 1. Introduction Plotinus scholars have recently called attention to a kind of action in the sensible world, which one could call ‘spontaneous’ or ‘automatic’ action, that is supposed to result automatically from the contemplation of the intelligible.1 Such action is meant to be opposed to actions that result from reason, calculation, and plan- ning, and has been put to work to provide a way for Plotinus’ sage to act, and in particular to act morally, without compromising his ã James Wilberding 2008 A version of this paper was presented at the Katholieke Universiteit Leuven in 2006, where it received a helpful discussion. For comments and suggestions I am par- ticularly indebted to Peter Adamson, Julie Cassiday, Christoph Helmig, Christoph Horn, Jan Opsomer, David Sedley, and Carlos Steel. I have also profited greatly from a reading group held in autumn 2005 at King’s College London on Ennead 3. 8 with Peter Adamson, Verity Harte, M. M. McCabe, and others. I would like to thank Williams College and the Humboldt-Stiftung for funding the research leave during which this paper was written, and Andreas Speer for welcoming me into the Thomas-Institut for this period. 1 e.g. A. Schniewind, L’Ethique‹ du sage chez Plotin [L’Ethique‹ ] (Paris, 2003), 190 with n. 7: ‘les actions du sage sont l’expression (παρακολοýθηµα) de sa propre con- templation . Plotin evoque‹ deux possibilites:‹ d’une part, les actions par faiblesse (èσθÝνεια) de contemplation, pour ceux qui ne parviennent pas a› l’Un; d’autre part — et c’est la› ce qui correspond au sage — les actions en tant qu’activites‹ secondaires (παρακολοýθηµα), issues de la contemplation’; D. -
L-G-0010822438-0026417920.Pdf
Super alta perennis Studien zur Wirkung der Klassischen Antike Band 17 Herausgegeben von Uwe Baumann, MarcLaureys und Winfried Schmitz DavidA.Lines /MarcLaureys /Jill Kraye (eds.) FormsofConflictand Rivalries in Renaissance Europe V&Runipress Bonn UniversityPress ® MIX Papier aus verantwor- tungsvollen Quellen ® www.fsc.org FSC C083411 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie;detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISBN 978-3-8471-0409-4 ISBN 978-3-8470-0409-7 (E-Book) Veröffentlichungen der Bonn University Press erscheinen im Verlag V&Runipress GmbH. Gedruckt mit freundlicher Unterstützung des „Leverhulme Trust International Network“ (Großbritannien) zum Thema „RenaissanceConflictand Rivalries:Cultural Polemics in Europe, c. 1300–c.1650“ und der Philosophischen Fakultätder UniversitätBonn. 2015, V&Runipress in Göttingen /www.v-r.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Printed in Germany. Titelbild:Luca della Robbia, relieffor the Florentine campanile, c. 1437 (Foto:Warburg Institute, Photographic Collection, out of copyright) Druck und Bindung:CPI buchbuecher.de GmbH, Birkach Gedruckt aufalterungsbeständigem Papier. Contents DavidA.Lines /MarcLaureys /JillKraye Foreword .................................. -
Competing Consolatory Practices in the Roman Empire Katherine Josephine Ziegler Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects 5-2019 Dueling Lyres: Competing Consolatory Practices in the Roman Empire Katherine Josephine Ziegler Bates College, [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Ziegler, Katherine Josephine, "Dueling Lyres: Competing Consolatory Practices in the Roman Empire" (2019). Honors Theses. 270. https://scarab.bates.edu/honorstheses/270 This Restricted: Embargoed [Open Access After Expiration] is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Dueling Lyres: Competing Consolatory Practices in the Roman Empire A Thesis Presented to The Faculty of the Department of Classical and Medieval Studies Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Katherine Josephine Ziegler Lewiston, Maine March 20, 2019 Acknowledgements I would first and foremost like to express my gratitude to my thesis advisor, Professor Hamish Cameron, for his guidance and patience throughout the thesis writing process. Without his support, I wouldn’t have even known how to begin writing this thesis. I would also like to extend my thanks to the faculty of the Classical and Medieval Studies department. Taking their classes has been one of my favorite parts of Bates and has made my life infinitely richer. Of course, thank you to my family for their constant support, during thesis and always. Finally, thank you to Abby Westberry, Cameron Huftalen, Zofia Ahmad, and Quang Nguyen. -
Francesco Filelfo As a Writer of Invective
Francesco Filelfo as a Writer of Invective David Marsh As in other literary genres, the writers of Renaissance invective often drew inspiration from Francesco Petrarca (1304–1374), whose four polemical writ- ings revived a classical tradition that dated back to Cicero, pseudo-Sallust, and Jerome.1 In the Quattrocento, many humanists gained notoriety by pub- lishing invectives against rival scholars, most notably Antonio Loschi, Poggio Bracciolini, Lorenzo Valla, Bartolomeo Facio, and Antonio da Rho. Oddly, it seems that the singularly contentious and combative Francesco Filelfo (1398–1481) wrote nothing that he explicitly called an invective.2 Indeed, on several occasions the humanist dismissed invective as distasteful. The tirades of Antonio da Rho (c. 1398–c.1450), for example, were notorious for their viru- lence; and in 1443 Filelfo accordingly deprecated the friar’s “insane” attacks on the humanist Pier Candido Decembrio, whom he often considered an enemy.3 1 On Cicero and Roman invective, see Arena 2007, and Booth 2007. For an introduction to all four Petrarchan invectives with Latin text and English translation and notes, see Petrarch 2003. Enenkel 2010 distinguishes Contra medicum from the Ciceronian model of In Pisonem: Petrarch rejects the urban social values of Roman invective (he despises Avignon and lauds solitude), and employs Scholastic forms of argumentation. For the humanist invectives of the Renaissance, see Laureys 2003, Helmrath 2010, and Marsh 2016. On the wider context of polemics, known in German as Streitkultur (agonal culture), see Laureys-Simons 2010, and Lines-Laureys-Kraye 2015. 2 I here echo De Keyser 2015, 15: “Oddly enough, Filelfo wrote nothing which he explicitly called an invective; but the majority of his writings, in numerous literary genres, contain ad hominem attacks, including, most prominently, on Poggio.” 3 PhE·05.21 (30 December 1443): “Vellem equidem, pater optime, ab omni istiusmodi scribendi genere te continuisses, neque cum insanienti Petro Candido Decembre desipere ipse volu- isses. -
Consolation from Prison Mara Bar Sarapion and Boethius
chapter 20 Consolation from Prison Mara bar Sarapion and Boethius There are some who think, with Cleanthes, that the only duty of a comforter is to prove that the evil one is lamenting is not an evil at all. Others, as the Peripatetics, prefer urging that the evil is not great. Others again, with Epicurus, seek to divert your attention from the evil to good: some think it sufficient to show that nothing evil has happened that you had no reason to expect; this is the practice of the Cyrenaics. But Chrysippus thinks that the main thing in comforting is to remove from the person who is grieving the opinion that to grieve is the right thing to do and his duty. There are others who bring together all these various kinds of consolations, for people are dif- ferently affected, as I have done myself in my book on consolation; for as my own mind was much disordered, I have attempted in that book to discover every method of cure.1 In this short but illuminating doxographic account, the Roman philosopher Cicero makes abundantly clear that in antiquity the art of consolation was part and parcel of philosophy.2 As he says, Cicero himself wrote a Consolatio (which is now lost) but he was certainly not the first to do so for he had several Greek predecessors. “The consolatio as a genre of literature had a long history going back to the fifth century BCE, in the course of which it developed its own rep- ertoire of standard arguments and topoi to soothe the sufferer.”3 In the classical and Hellenistic period, under the influence of both philosophy and rhetoric, “a specialized consolatory literature began to develop, initiating a tradition which persisted throughout Graeco-Roman antiquity and into the Middle 1 Cicero, Tusc. -
Conditions for Proclus's Allegorical Reading of Plato's Parmenides
"Ciarifications" of Obscurity: Conditions for Proclus's Allegorical Reading of Plato's Parmenides Florin George Cäl ian Exegetical work on philosophical systems requires not only that one give an account of the structure of a system's assumptions and arguments, but also of its forms, such as the form of expression (or genre: dialogue, poem, aphorisms, and so on), or its form of argumentation (clear cut dis cursive exposition, logical forma lization, metaphorical, allegorical dis course, and so forth). These formal considerations may seem to be sec ondary, merely ornamental issues, but they can raise unexpected ques tions. The literal reading of a text has its counter-part in allegorical interpretation. This way of reading, which must have Started with the first readers of Homer and found a fertile ground in Philo's allegorical commentaries on the Bible, was amazingly natural for Proclus (c. 411- 485), whose writings and commentaries represent the last phases of late antique philosophy, and particularly of the relation between philosophy and rhetoric. Proclus was a major systemic philosopher of late Neoplatonism. Be side his fame as one of the last notable heads of the Platonic Academy, he was also known in his youth as a rhetorician with a profound curiosity about divination and theurgy. He was a practitioner of magic and it is said that he knew how to bring rain and that, through a particular rite, he saved Attica from a dreadful drought.1 Proclus was devoted to the Greek gods, especially Athena, whom he invokes at the beginning of his com mentary on the Parmenides: I pray to all the gods and goddesses to guide my mind ...to kindie in me a shining light of truth .. -
Greek Studies in Italy: from Petrarch to Bruni
Greek Studies in Italy: From Petrarch to Bruni The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hankins, James. 2007. Greek studies in Italy: From Petrarch to Bruni. In Petrarca e il Mondo Greco Atti del Convegno Internazionale di Studi, Reggio Calabria, 26-30 Novembre 2001, ed. Michele Feo, Vincenzo Fera, Paola Megna, and Antonio Rollo, 2 vols., Quaderni Petrarcheschi, vols. XII-XIII, 329-339. Firenze: Le Lettere. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:8301600 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA GREEK STUDIES IN ITALY: FROM PETRARCH TO BRUNI Comparing with the mind's eye the revival of Greek studies that took place in Avignon and Florence in the middle decades of the fourteenth century with the second revival that began in Florence three decades later, two large problems of historical interpretation stand out, which have not yet, I hope, entirely exhausted their interest—even after the valuable studies of Giuseppe Cammelli, R. J. Leonertz, Roberto Weiss, Agostino Pertusi, N. G. Wilson, Ernesto Berti, and many others. The first problem concerns the reason why (to use Pertusi's formulation) Salutati succeeded where Boccaccio failed: why no Latin scholar of the mid-fourteenth century succeeded in learning classical Greek, whereas the students of Manuel Chrysoloras were able not only to learn Greek themselves, but to pass down their knowledge to later generations.