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R a I R a D I O 5 C L a S S I C a Domenica 18. 09. 2016
RAI RADIO5 CLASSICA sito web: www.radio5.rai.it e-mail: [email protected] SMS: 347 0142371 televideo pag. 539 Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto DOMENICA 18. 09. 2016 00:00 EUROCLASSIC NOTTURNO: musiche di mantzaros, nicolaos (1795-1872), chopin, fryderyk (1810-1849), rangstrom, ture (1884- 1947), moniuszko, stanislaw (1819-1872), piccinini, alessandro (1566-c.1638), beethoven, ludwig van (1770-1827), lotti, antonio (1666- 1740), brahms, johannes (1833-1897), mozart, wolfgang amadeus (1756-1791) e grieg, edvard (1843-1907). 02:00 Il ritornello: riproposti per voi i programmi trasmessi ieri sera dalle ore 20:00 alle ore 24:00 06:00 ALMANACCO IN MUSICA: francesca caccini (firenze, 18/09/1587 - 1640): lasciatemi qui solo, aria per voce e b. c. - [6.45] - maria cristina kiehr, sopr; mara galassi, arpa - johann gottfried walther (erfurt, 18/09/1684 - weimar, 23/03/1748): concerto in sol mag per org - [13.35] - wolfgang stockmeier, org - arthur benjamin (sydney, 18/09/1893 - londra, 10/04/1960): concerto in do min-mag per trba orch d'archi e b. c. - [9.49] - alison balsom, trba; compl strum "scottish ensemble" - giovanni battista pergolesi: nel chiuso centro (orfeo), cantata per sopr orch d'archi e b. c. - [16.36] - soprano: anna netrebko (krasnodar, 18/09/1971); elem dell'orch dell'accademia nazionale di santa cecilia dir. antonio pappano - mauricio kagel (buenos aires, 24/12/1931 - colonia, 18/09/2008): unguis incarnatus est, per vcl e pf - [5.43] - siegfried palm, vcl; aloys kontarsky, pf 07:00 CONCERTO DEL MATTINO: wolfgang amadeus mozart: messa in do min per soli coro orch e org K 427 (incompiuta) - [54.22] - valentina farcas e annemarie kremer, sopr; daniel sans, ten; christof fischesser, bs; jens wollenschlager, org; orch "camerata würzburg" e coro da camera d'europa dir. -
La Traviata Stagione D’Opera 2013 / 2014 Giuseppe Verdi La Traviata
G L a i 1 u t r s a e v p i p a e t a V e r d i S t a g i o n e d ’ O p e r a LaGiutsrepapevVeiradi ta 2 0 1 3 / 2 0 1 4 Stagione d’Opera 2013 / 2014 La traviata Melodramma in tre atti Libretto di Francesco Maria Piave Musica di Giuseppe Verdi Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Sabato 7 dicembre 2013, ore 18 REPLICHE dicembre Giovedì 12 Ore 20 - Turno D Domenica 15 Ore 20 - Turno B Mercoledì 18 Ore 20 - Turno A Domenica 22 Ore 15 - Turno C Sabato 28 Ore 20 - Turno E Martedì 31 Ore 18 - Fuori abbonamento gennaio Venerdì 3 Ore 20 - Turno N Anteprima dedicata ai Giovani LaScalaUNDER30 Mercoledì 4 dicembre 2013, ore 18 In copertina: La traviata di Giuseppe Verdi. Regia e scene di Dmitri Tcherniakov, costumi di Yelena Zaytseva, luci di Gleb Filshtinsky. Allestimento realizzato per l'inaugurazione della stagione scaligera 2013-14, rendering di una delle scene ideate da Dmitri Tcherniakov. SOMMARIO 5 La traviata. Il libretto 34 Il soggetto Emilio Sala Argument – Synopsis – Die Handlung ––࠶ࡽࡍࡌ Сюжет 46 L’opera in breve Emilio Sala 48 ...la musica Claudio Toscani 53 Splendeurs et misères des courtisanes in terra italina Antonio Rostagno 71 Fisiologia della Traviata Emilio Sala 93 Eros e charitas nella Traviata Paolo Gallarati 131 Un mondo a parte Benedetta Craveri 147 Nota sull’edizione della Traviata Daniele Gatti 149 “Di quell’amor...” (Note di regia) Dmitri Tcherniakov 154 La traviata alla Scala dal 1859 al 2008 Andrea Vitalini 203 Daniele Gatti 205 Dmitri Tcherniakov 206 Gleb Filshtinsky 207 Yelena Zaytseva 208 La traviata. -
Ars Artem Salvat ENGLISH TEXT 238-300 Librofondazione OK Ing 11-10-2010 11:13 Pagina 240
238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 239 ANNO SACERDOTALE E VIII FESTIVAL INTERNAZIONALE DI MUSICA E ARTE SACRA Ars Artem Salvat ENGLISH TEXT 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 240 WITH THE SUPPORT OF THE PRESIDENT OF THE ITALIAN REPUBLIC AND UNDER THE AUSPICES OF the Senate the Chamber of Deputies the President of the Council of Ministers the Ministry of Cultural Heritage and Activities the Ministry of Interior – Central Head Office for the Administration of the Fund of Religious Buildings the Pontifical Council for Culture The medal that H.E. Mr Giorgio the Pontifical Commission for the Cultural Heritage of the Church Napolitano, President of Italy, the Latium Regional Council has presented as a prize for the the Prefect of Rome Ninth the City of Rome International Festival of the Province of Rome Sacred Music the Roman Chamber of Commerce and Art in token of his appreciation. the Italian State Tourist Board ENIT 13 ott. 2008 Basilica di S. Paolo fuori le Mura 240 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 241 THE NINTH INTERNATIONAL FESTIVAL OF SACRED MUSIC AND ART IS DEDICATED TO HIS HOLINESS BENEDICT XVI IN THE FIFTH YEAR OF HIS PONTIFICATE During the fifth anniversary of Benedict XVI’s call to continue Peter’s role in the Church it is beautiful to listen to the words that welled up in the heart of the Holy Bishop Thomas Becket who wrote in long ago 1165: “The Roman Church remains the head of all the Churches and the source of Catholic teaching. -
Kirchenmusik Im Bistum Limburg Brücken
Kirchenmusik im Bistum Limburg 2/2019 Brücken – Kreuzungen Bistum Limburg www.kirchenmusik.bistumlimburg.de Editorial zwischen dem Ende der Herbstferien, dem tristen November und der dann auch schon unmittelbar be- vorstehenden Advents- und Weihnachtszeit scheinen die Tage immer schnell zu verfliegen – und bald ist das Jahr auch schon wieder vorüber. Es scheint sich nicht viel geändert zu haben – aber wenn man ins dieses Heft blickt, dann hat sich doch so Einiges ereignet. Beinah ein Nachklang auf 2019 sind die zwei Jubiläen des Jahres: Arp Schnitgers 300. Geburtstag wird mit einem Artikel über seine Orgeln in Portugal beleuchtet. Hätten Sie gedacht, wie euro- päisch dieser geniale Orgelbauer bereits damals dachte und handelte? Die Handelsbeziehungen der Hanse legten den Grund für kulturellen Austausch – Europa at it’s best. Hector Berlioz ist sicher vielen durch seine Symphonie fantastique ein Begriff. Dass er auch Kirchenmusik komponierte, zeigt unser Komponistenporträt. Leider geriet die Liturgiereform des II. Vaticanums in puncto Einführung der Muttersprache zum beinahe völligen Aus für das Lateinische. In unserem Bistum gibt es mit der Choralpflege in Kied- rich einen Ort, an dem man die erneuerte Liturgie regelmäßig in Latein noch erleben kann. Lesen Sie Gabriel Dessauers Plädoyer für die Muttersprache der Kirche. Brückenschlägen in die Gegenwart vergleichbar sind Uraufführungen, die im Bistum regelmäßig stattfinden, so im Zuge der Wiedereröffnung der Frankfurter Liebfrauen-Kirche und auch zum Jahrestag der Heiligsprechung von Katharina Kasper. (Ein Bericht hierüber folgt im ersten Heft 2020). Wie immer sind wir in der Redaktion auch dieses Mal wieder auf Ihre Meinung gespannt und freuen uns über Rückmeldungen, Anregungen und Wünsche. -
St John Passion, BWV 245 1 1
Johann Sebastian BACH ST JOHN PASSION Georg Poplutz Yorck Felix Speer Julia Kleiter BACHCHOR MAINZ Gerhild Romberger BACHORCHESTER MAINZ Daniel Sans Matthias Winckhler RALF OTTO Johann Sebastian CD 1 69:04 16c. Evangelist, Pilatus: Da sprach Pilatus zu ihnen 16d. Chorus: Wir dürfen niemand töten BACH Part One 32:30 16e. Evangelist, Pilatus, Jesus: (1685–1750) Auf daß erfüllet würde das Wort Jesu 3:58 St John Passion, BWV 245 1 1. Chorus: Herr, unser Herrscher 8:55 & 17. Choral: Ach großer König, groß zu allen Zeiten 1:22 (1749 version and 1725 version as appendix) 2 2a. Evangelist, Jesus: * 18a. Evangelist, Pilatus, Jesus: Jesus ging mit seinen Jüngern Da sprach Pilatus zu ihm Georg Poplutz (Evangelist), Tenor 2b. Chorus: Jesum von Nazareth! 18b. Chorus: Nicht diesen, sondern Barrabam! Yorck Felix Speer (Jesus), Bass [CD 1 2 4 0 ^ * ¡; CD 2 1 3] 2c. Evangelist, Jesus: Jesus spricht zu ihnen 18c. Evangelist: Barrabas aber war ein Mörder! 1:54 2d. Chorus: Jesum von Nazareth ( 19. Arioso (Baß): Betrachte, meine Seel, Principal soloists for arias and ariosi 2e. Evangelist, Jesus: Jesus antwortete 2:26 mit ängstlichem Vergnügen 2:15 Julia Kleiter, Soprano [CD 1 9; CD 2 9] • Gerhild Romberger, Alto [CD 1 7; CD 2 4] 3 3. Choral: O große Lieb, o Lieb ohn’ alle Maße 0:55 ) 20. Arie (Tenor): Erwäge, wie sein Daniel Sans, Tenor (Petrus) [CD 1 0 @ # ); CD 2 8 & *] 4 4. Evangelist, Jesus: blutgefärbter Rücken 7:22 Matthias Winckhler, Bass [CD 1 ( ¢; CD 2 6 ^] Auf daß das Wort erfüllet würde 1:05 ¡ 21a. -
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (AUTOGRAPH AUCTION) Catalogue - Downloaded from UKAuctioneers.com Lot: 877 beneath the quotation. VG ELGAR EDWARD: (1857-1934) English Composer. A good Estimate: £80.00 - £100.00 printed score signed for The Dream of Gerontius (Op.38, 1900), First Edition published by Novello and Company Ltd., London, 1900. The tall 8vo edition has been specially bound in half blue Lot: 883 morocco with gilt title ('Nesta') to cover and gilt lettering to COATES ERIC: (1886-1957) English Composer, composed the spine. Signed by Elgar in dark fountain pen ink to the famous main title march of the film score to The Dam Busters preliminary blank with an A.M.Q.S. in his hand, two bars with (1954). Vintage signed and inscribed 4 x 6 photograph, a head words ('Praise etc.') beneath his signature. Dated Hereford, and shoulders study of Coates. Signed in dark fountain pen ink 1924, in his hand. Bearing two ownership signatures of N[esta]. to a light area of the image and dated February 1933 in his J. R. Clarke of Gloucester and Chester, one to the title page. hand. VG Rare in this form. Some light discoloration to the head of the Estimate: £100.00 - £120.00 covers and the spine faded, about VG Estimate: £400.00 - £600.00 Lot: 884 BRITTEN BENJAMIN: (1913-1976) English Composer. Vintage Lot: 878 signed postcard photograph of Britten in a head and shoulders SULLIVAN ARTHUR: (1842-1900) English Composer. -
Mozart 250 Years Collection 4-7 Brilliant Classics DVD Collection 8
92860 BCCatalogus06V4 21-12-2005 15:11 Pagina 3 CONTENTS Contents Page Mozart 250 Years Collection 4-7 Brilliant Classics DVD Collection 8-14 The Great Composers 8-10 Operas 11 Various 12-14 Brilliant Classics CD Collection 15-96 The Masterworks 15-16 Composers Albeniz/Von Weber 17-67 Various A - L 68-77 Various M - R 77-86 Various S - Z 86-88 Super Audio CD 89-92 Christmas 93 The Best of ..... Collection 94-96 92860 BCCatalogus06V4 21-12-2005 15:12 Pagina 4 INCLUDING FREE CD-ROM WITH TEXTS AND LIBRETTI 92860 BCCatalogus06V4 21-12-2005 15:12 Pagina 5 250 YEARS MOZART CD 2006: Mozart 250 Years January 27 2006 will be a memorable day. It is the 250th anniversary of Wolfgang Amadeus Mozart. Wolfgang Mozart was born in 1756 in Salzburg, Austria. His musical talents revealed themselves at a tender age. Well before his teens father Leopold took him and his likewise gifted older sister Nannerl on several tours through Europe. Soon he became a widely known and admired child prodigy of an unsurpassed class of his own. Already at eight years old his first music was being published. It was the beginning of an astonishing career. The sheer amount of music he wrote is, with hindsight, incredible and of high quality. Amadeus must have written very fast to manage composing the over 600 works he left to posterity. His manuscripts hardly contain any deletions. Mozart’s versatility is impressive too. He wrote anything from simple canons for keyboard to large-scale symphonies and operas on a great variety of librettos. -
Historymusicdepartment1 1
THE HARVARD UNIVERSITY DEPARTMENT OF MUSIC 1991 TO 2011 Compiled and Edited by Lesley Bannatyne 2015 John Knowles Paine Concert Hall. Photo by Shannon Cannavino. Cover photos by Kris Snibbe [Harvard News Office], HMFH Architects, Inc., Harvard College Libraries, Rose Lincoln [Harvard News Office] THE HARVARD UNIVERSITY DEPARTMENT OF MUSIC 1991 TO 2011 Compiled and Edited by Lesley Bannatyne Department of Music Harvard University Cambridge, Massachusetts 2015 Photographs in this volume were provided by the Department of Music unless otherwise noted. Articles are reprinted from the Department’s newsletters, Harvard Crimson and Harvard Gazette. © 2015 President and Fellows of Harvard University 2nd printing January 2017 All rights reserved. CONTENTS Preface vii Chapter One: The Chairs 1 Chapter Two: Undergraduate Studies 11 Chapter Three: Graduate Studies 23 Chapter Four: Musicology 33 Chapter Five: Ethnomusicology 51 Chapter Six: Theory 67 Chapter Seven: Composition 77 Chapter Eight: Performance 97 Chapter Nine: Conferences, Symposia, Colloquia, Lectures 111 Chapter Ten: Concert Highlights 119 Chapter Eleven: Eda Kuhn Loeb Music Library 127 Chapter Twelve: The Building 143 Appendices 151 Index 307 Music Department, 1992 Music Department picnic, late 1990s Appendices i. Music Department Faculty 151 ii. Biographical Sketches of Senior Professors, Lecturers & Preceptors 165 iii. Donors 175 iv. Teaching Fellows 179 v. Curriculum 183 vi. Fromm Commissions 207 vii. Recipients of the PhD degree 211 viii. Faculty Positions Held by Former Graduate Students 217 ix. Recipients of Department Awards and Fellowships 221 x Recipients of the AB degree and Honors Theses 227 xi. Visiting Committees 239 xii. Conferences, Colloquia, Symposia, Lectures 241 xiii. Concerts and Special Events 255 xiv. -
EASTER with NAXOS MUSIC of the PASSION of CHRIST Easter with Naxos
EASTER WITH NAXOS MUSIC OF THE PASSION OF CHRIST Easter with Naxos The events of Christ’s Passion have been marked in artistic triumphs over the centuries, not least in music which has a treasure trove of works devoted to the sequence of the action. Just as the Easter story moves from darkness to light, so the works describing it represent the full spectrum of genres and resources. In this catalogue – which also includes titles from Naxos’ affiliated labels – you’ll find masterpieces representative of all musical styles: from Bach’s Passion settings to the Requiems of Mozart, Dvořák and Verdi, plus the more contemporary utterances of works. You’ll also see recordings of instrumental music, such as Messiaen’s L’Ascension, Gubaidulina’s Sieben Worte, and Haydn’s Seven Last Words in its piano version. CONTENTS Naxos Titles Listing by Composer...................................................................................................3 Collections ................................................................................................................15 Audiovisual Products ................................................................................................16 Affiliated Labels Belvedere .................................................................................................................17 Capriccio ..................................................................................................................18 Dynamic ...................................................................................................................23 -
Arnold Van Mill
Kammersänger ARNOLD VAN MILL 1921 - 1996 Hunding, Rome 1961 Adraan van der Tang juni 2010 INLEIDING De naam Arnold van Mill zal bij menige liefhebber, bekend met alle facetten van de operawereld, als van de zangkunst in het algemeen van de eerste eerste decennia van de tweede helft van de twintigste eeuw, nog steeds een vertrouwde klank hebben. Hoewel zijn loopbaan zich voornamelijk heeft afgespeeld in operatheaters buiten Nederland, konden zijn verrichtingen door de berichtgeving in onze dagbladen goed worden gevolgd. Zijn succesvolle deelname aan een concours in Genève bracht hem de eerste internationale erkenning. Teruggekeerd uit Heilbronn in 1945 en na te zijn opgetreden in enkele opera- uitvoeringen en concerten in Den Haag en Rotterdam, besloot hij zijn krachten te gaan meten op het internationale muziekconcours voor jonge musici dat in september/oktober 1946 in Genève zou worden gehouden. Officieel werd hem aan deviezen de som van 10 francs toegestaan, wat precies genoeg zou zijn om het inschrijfgeld te betalen. Hij wist, mede met behulp van Zwitserse particulieren, na veel moeite net genoeg geld los te krijgen om zijn logies te kunnen betalen. Voor alle categorieën hadden zich een kleine 700 deelnemers aangemeld. De eisen waren zeer hoog, hetgeen wel blijkt uit het feit dat onze beide violisten Krebbers en Olof de eindronden niet eens hebben gehaald. De jury voor zang bestond uit onze in Zwitserland woonachtige landgenote Mia Brun-Peltenburg, Senta Erd, Rose Féart, Robert Denzler, Charles Panzéra, Bernhard Paumgartner en Raffaele Tenaglia. Arnold van Mill werd voor zijn prestaties in stukken van Bach (verplicht werk een aria uit ‘Kantate Nr 70’), Schubert (‘Der Wanderer’), Carissimi, Fauré en Verdi een gedeelde tweede prijs toegekend, samen met de Zwitser Mollet, doch de jury kende uitdrukkelijk de ‘eerste tweede prijs’ toe aan onze landgenoot. -
BACH CHOR.Indd
BACH DE MAINZ CORA ORAL BACH DE MAINZ Z CORAL BACH DE MA MAINZ CORAL BACH D RAL BACH DE MAINZ C BACH DE MAINZ CORA AL BACH DE MAINZ CO ADO ORQUESTRA FILA TRA FILARMÔNICA DA ICA DA RENÂNIA – PAL NIA – PALATINADO OR ÔNICA DA RENÂNIA – P OTTO RALF OTTO RAL RALF OTTO RALFRA OTTO TO RALF OTTO RALF O ALF OTTO RALF OTTO TO RALF OTTO RALF O A Telefônica aproxima você das pessoas e do melhor da cultura. Telefônica. Patrocinadora dos Concertos da Sociedade de Cultura Artística. TELEFONIA FIXA TELEFONIA CELULAR INTERNET SOLUÇÕES PARA EMPRESAS REDE DE TRANSMISSÃO INTERNACIONAL GUIA DE PRODUTOS E SERVIÇOS CONTACT CENTER PESQUISA E DESENVOLVIMENTO ENGENHARIA DE SEGURANÇA FUNDAÇÃO www.telefonica.com.br 14029_2CONCERT210X280.indd 1 3/20/06 12:19:39 PM CORAL BACH DE MAINZ ORQUESTRA FILARMÔNICA DA RENÂNIA – PALATINADO RALF OTTO REGÊNCIA HÉLÈNE GUILMETTE SOPRANO MECHTHILD GEORG MEZZO-SOPRANO DANIEL SANS TENOR KLAUS MERTENS BAIXO apoio patrocínio 14029_2CONCERT210X280.indd 1 3/20/06 12:19:39 PM CCORALORAL BBACHACH DDEE MMAINZAINZ o diversifi cado panorama da música coral da Alemanha, o Coral Bach de Mainz encontra-se há décadas entre os mais importantes ensembles vocais do país, pelo cultivo não apenas da N herança musical de Johann Sebastian Bach, como também de toda a música vocal erudita de alto nível de exigência escrita do século XVI até nossos dias. Em tempos recentes, o Coral Bach de Mainz vem registrando notável e amplo desenvolvimento, que se refl ete no crescente prestígio internacional de sua música. O Coral foi fundado em 1955 por Diethard Hellmann, discípulo de Günther Ramin, organista e regente do Coro da Igreja de São Tomás, em Leipzig. -
Ars Artem Salvat ENGLISH TEXT with the SUPPORT of the PRESIDENT of the ITALIAN REPUBLIC
ANNO SACERDOTALE E VIII FESTIVAL INTERNAZIONALE DI MUSICA E ARTE SACRA Ars Artem Salvat ENGLISH TEXT WITH THE SUPPORT OF THE PRESIDENT OF THE ITALIAN REPUBLIC AND UNDER THE AUSPICES OF the Senate the Chamber of Deputies the President of the Council of Ministers the Ministry of Cultural Heritage and Activities the Pontifical Council for Culture the Pontifical Commission for the Cultural Heritage of the Church the Latium Regional Council the Prefect of Rome the City of Rome the Province of Rome the Roman Chamber of Commerce the Italian State Tourist Board ENIT 13 ott. 2008 Basilica di S. Paolo fuori le Mura 220 THE 8TH INTERNATIONAL FESTIVAL OF SACRED MUSIC AND ART IS DEDICATED TO THE PRIESTS IN THE YEAR OF PRIESTS ESTABLISHED BY POPE BENEDICT XVI FROM JUNE 19, 2009 TO JUNE 11, 2010 To be completely enthralled by Christ! This was the goal of the entire life of Saint Paul, to whom we looked throughout the Pauline Year now ending; this was the goal of the entire ministry of the Curé of Ars, whom we shall invoke in particular during this Year for Priests; may it also be the primary goal for each and every one of us. Certainly, to be ministers at the service of the Gospel, study and careful, ongoing pastoral and theological formation are useful and necessary, but even more necessary is that “knowledge of love” which can only be learned in a “heart to heart” encounter with Christ. For it is he who calls us to break the bread of his love, to forgive sins and to guide the flock in his name.