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CURRICULUM VITAE 1. Name Michel-André R. Bossy Professor of Comparative Literature and French Studies 2. Education Ph.D., Comparative Literature, Yale University, 1971 Doctoral dissertation (1970): The Prowess of Debate: A Study of a Literary Mode 1100-1400 M. Phil., Comparative Literature, Yale University, 1968 A.B., English, Princeton University, 1965 3. Professional appointments Professor Emeritus of Comparative Literature and French Studies, Brown University, since 2010 Professor of Comparative Literature and French Studies, Brown University, 1988- 2010 Associate Professor of Comparative Literature and French Studies, Brown University, 1977-88 Assistant Professor of Comparative Literature and French Studies, Brown University, 1970-77 Instructor of French, Central Connecticut State College, 1969-70 4. Completed publications a. Books Lives and Legacies: An Encyclopedia of People Who Changed the World. Artists, Writers, and Musicians. Edited by Michel-André Bossy, Thomas Brothers, and John Craig McEnroe. Westport, Conn.: Oryx Press, 2001. Guiraut Riquier II, Special issue of TENSO 11.2 (1996). Guiraut Riquier, Special issue of TENSO 9.2 (1994). Medieval Debate Poetry: Vernacular Works. New York: Garland Press, 1987. b. Chapters in Books “Charles d’Orléans and the Wars of the Roses: Yorkist and Tudor Implications of British Library MS Royal 16 F ii.” In Shaping Courtliness in Medieval France: Essays in Honor of Matilda Tomaryn Bruckner. Ed. Daniel E. O’Sullivan and Laurie Shepard. Gallica 28. Cambridge: D. S. Brewer, 2013. 61-80. M.-A. Bossy / CV / Page 2 “L’épopée du Prince Noir : les rimes du héraut Chandos et la prose de Froissart.” In Mythes à la Cour, mythes pour la cour (Courtly Mythologies). Actes du XIIe Congrès de la Société internationale de littérature courtoise, 29 juillet-4 août 2007 (Universités de Lausanne et de Genève). Ed. Alain Corbellari, et al. Genève: Librairie Droz, 2010. 131-141. “Roland’s Migration from Anglo-Norman Epic to Royal French Chronicle History.” In Epic and History. Ed. David Konstan and Kurt Raaflaub. Malden, MA: Wiley- Blackwell, 2009. Pp. 293-309 (Chapter 17). Print ISBN 9781405193078. EBook ISBN 9781444315646. “Les Capétiens épiés par Guiraut Riquier.” In Scène, évolution, sort de la langue et de la littérature d’oc : Actes du VIIe Congrès international de l’Association Internationale d’Etudes Occitanes (Reggio Calabria-Messina, 7-13 juillet 2002). Ed. Rossana Castano, Saverio Guida, and Fortunata Latella. Roma: Viella, 2003. I: 143-55. “The Ins and Outs of Court: Guiraut Riquier’s Poetics of Ostracism.” In The Court Reconvenes: Selected Proceedings of the Ninth Triennial Congress of the International Courtly Literature Society. Ed. Barbara Altmann and Carleton Carroll. Woodbridge, Suffolk, UK: Boydell & Brewer, 2003. 275-84. “Donnant, donnant : les échanges entre Froissart et ses interlocuteurs à la cour de Gaston Phébus.” In Courtly Literature and Clerical Culture – Höfische Literatur und Klerikerkultur – Littérature courtoise et culture cléricale. Selected papers from the Tenth Triennial Congress of the International Courtly Literature Society. Ed. Christoph Huber and Henrike Lähnemann. Tübingen: Attempto Verlag, 2002. 29-38. “Alphonse le Sage et la compilation des œuvres de Guiraut Riquier.” In Rayonnement de la civilisation occitane à l’aube d’un nouveau millénaire. Ed. Georg Kremnitz et al. Vienna: Praesens Wissenschaftsverlag, 2001. 180-89. “Arms and the Bride: Christine’s Military Treatise as a Wedding Gift for Margaret of Anjou.” In Christine de Pizan and the Categories of Difference. Ed. Marilynn Desmond. Minneapolis: University of Minnesota Press, 1998. 236-56. “Afterword,” Transtextualities: Of Cycles and Cyclicity in Medieval French Literature. Ed. Sara Sturm-Maddox and Donald Maddox. Medieval and Renaissance Texts and Studies 149. Binghamton: State University of New York Press, 1996. 195-203. “Arnaut Daniel and the Lake of the Heart.” In The Scope of Words: In Honor of Albert S. Cook. Ed. Peter Baker, Sarah Webster Goodwin, and Gary Handwerk. New York: Peter Lang, 1991. 59-71. “The Elaboration of Female Narrative Functions in Erec et Enide.” In Courtly Literature: Culture and Context. Ed. Keith Busby and Erik Kooper. Amsterdam: John Benjamins, 1990. 23-38. c. Refereed Journal Articles M.-A. Bossy / CV / Page 3 “Cours méditerranéennes et politique d’empire dans le chansonnier de Guiraut Riquier,” Studi Mediolatini e Volgari 42 (1996) : 67-78. “Gender and Compilational Patterns in Troubadour Lyric: The Case of Manuscript N,” article co-authored with Nancy Jones, French Forum 21.3 (1996): 261-280. “The Trobar clus of Raimbaut d’Aurenga, Giraut de Bornelh, and Arnaut Daniel,” Mediaevalia 19.1 (1996): 203-219. “Twin Flocks: Guiraut Riquier’s Pastorelas and his Book of Songs,” TENSO 9.2 (1994): 149-176. “Cyclical Composition in Guiraut Riquier’s Book of Poems,” Speculum 66.2 (1991): 277-293. “Woman’s Plain Talk in Le Débat de l’omme et de la femme by Guillaume Alexis,” Fifteenth-Century Studies 16 (1990): 23-41. “Aimeric de Peguilhan’s Partimens,” Neuphilologische Mitteilungen 80.2 (1979): 123-132. “Medieval Debates of Body and Soul,” Comparative Literature 28.2 (1976): 144- 163. d. Non-Refereed Journal Articles “Preface,” Second special issue on the troubadour Guiraut Riquier, TENSO 11.2 (1996): 125-28. “Preface,” First special issue on the troubadour Guiraut Riquier, TENSO 9.2 (1994): 103-105. e. Book Reviews Jörg O. Fichte, Peter Stotz, Sebastian Neumeister, Roger Friedlein, Franziska Wenzel, and Holger Runow, eds., Das Streitgedicht im Mittelalter (Stuttgart: S. Hirzel Verlag, 2019) in H-Soz-Kult, 20.11.2019 – www.hsozkult.de/publicationreview/id/reb-28743. Rosalind Brown-Grant, Anne D. Hedeman, and Bernard Ribémont, eds., Textual and Visual Representations of Power and Justice in Medieval France: Manuscripts and Early Printed Books (Farnham, Surrey, UK, and Burlington, VT: Ashgate, 2015) in Speculum 92.3 (July 2017): 795-796. Catherine M. Jones, An Introduction to the Chansons de Geste. (Gainesville: University Press of Florida, 2014) in Speculum 90.4 (October 2015): 1124-1125. Sarah Kay, Parrots and Nightingales: Troubadour Quotations and the Development of European Poetry (Philadelphia: University of Pennsylvania Press, 2013), in SHARP News (Society for the History of Authorship, Reading and Publishing) 24.2 (2015): 20-21. Jan M. Ziolkowski and Bridget K. Balint (with Justin Lake, Laura Light, and Prydwyn Piper), eds. and trans., A Garland of Satire, Wisdom, and History: Latin Verse M.-A. Bossy / CV / Page 4 from Twelfth-Century France (Carmina Houghtoniensia) (Cambridge, Mass.: Houghton Library of the Harvard College Library: Distributed by Harvard University Press, 207), in H-France Review 11 (May 2011): 1-4 (No. 116) – http://www.h-france.net/vol11reviews/vol11no116Bossy.pdf. Rebecca Dixon and Finn E. Sinclair, eds., with Adrian Armstrong, Sylvia Huot and Sarah Kay, Poetry, eds., Knowledge and Community in Late Medieval France (Woodbridge, UK: D. S. Brewer, 2009), in H-France Review 10 (March 2010): 162-166 (No. 34) – http://www.h-france.net/vol10reviews/vol10no34bossy.pdf. Colin Muset, Les chansons de Colin Muset. Textes et melodies, ed. Christopher Callahan and Samuel N. Rosenberg (Paris: Champion, 2005) ; Colin Muset, Les chansons de Colin Muset traduites en français moderne, trans. Christopher Callahan and Samuel N. Rosenberg (Paris: Champion, 2005); Doss-Quinby, Eglal, Samuel N. Rosenberg, and Elizabeth Aubrey, The Old French Ballette: Oxford, Bodleian Library, MS Douce 308 (Genève: Droz, 2006), in Romance Philology 62.2 (Fall 2008): 198-202. Sarah Kay, The Place of Thought: The Complexity of One in Late Medieval French Didactic Poetry (Philadelphia: University of Pennsylvania Press, 2007), in H- France Review 8 (Sept. 2008): 496-499 (No. 123) – www.h- france.net/vol8reviews/vol8no123bossy.pdf. Peter T. Ricketts and Alan Reed, Concordance of Medieval Occitan: COM2 (Turnhout: Brepols, 2005, CD-ROM). Romance Philology 61.1 (2007): 122-124. Elizabeth W. Poe, Compilatio: Lyric Texts and Prose Commentaries in Troubadour Manuscript H (Vat. Lat. 3207) (Lexington, KY: French Forum Publishers, 2000), in Speculum 78.2 (2003): 587-589. Simon Gaunt and Sarah Kay, eds., The Troubadours: An Introduction (Cambridge: Cambridge University Press, 1999), in Speculum 77.2 (2002): 532-534. Christine de Pizan, Le livre du corps de policie, ed. Angus J. Kennedy (Paris: Honoré Champion, 1998), in Speculum 75 (2000): 678-679. William E. Burgwinkle, Love for Sale: Materialist Readings of the Troubadour Razo Corpus (New York and London: Garland, 1997), in The Medieval Review 98.06.14 –https://scholarworks.iu.edu/journals/index.php/tmr/article/view/14618/20736. Simon Gaunt, Gender and Genre in Medieval French Literature (Cambridge: Cambridge University Press, 1995), Speculum 73.3 (1998): 848-850. Matilda Tomaryn Bruckner, Laurie Shepard, and Sarah White, ed. and trans., Songs of the Women Troubadours, (New York: Garland, 1995), in TENSO 13.1 (1997): 61-66. Peter Haidu, The Subject of Violence: The “Song of Roland” and the Birth of the State (Bloomington: Indiana University Press, 1993), in Modern Language Quarterly 56.1 (1995): 97-99. Claude Régnier, ed., Aliscans, 2 vols. (Paris: Honoré Champion, 1990), in Mediaevistik 5 (1992): 335-336. Marguerite Duras, Emily L., trans. Barbara Bray (New York: Pantheon, 1989), in The Providence Sunday Journal, May 17, 1989: H-17. M.-A. Bossy / CV / Page 5 Philippe Ménard, Les fabliaux: Contes à rire du moyen âge (Paris: Presses Universitaires de France,
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  • Jean Bodel, Colin Muset, Adam De La Halle Y Rutebeuf

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    www.ahlm.es ACTES DEL X CONGRES INTERNACIONAL DE L'ASSOCIACIÓ HISPÁNICA DE LITERATURA MEDIEVAL Edició a cura de Rafael Alemany, Josep Lluis Martos i Josep Miquel Manzanaro Volum III INSTITUI INTERUNIVERSITARI DE FILOLOGIA VALENCIANA «SYMPOSIA PHILOLOGICA», 12 Alacant, 2005 www.ahlm.es Asociado Hispánica de Literatura Medieval. Congrés (lOé. 2003. Alacant) Actes del X Congrés Internacional de l'Associació Hispánica de Literatura Medieval / edició a cura de Rafael Alemany, Josep Lluis Martos i Josep Miquel Manzanaro. - Alacant : Institut Interuniversitari de Filologia Valenciana, 2005. - 3 v. (1636 pp.) ; 23,5 X 17 cm. - (Symposia philologica ; 10, 11 i 12) Ponències en català, castellà i gallee ISBN: 84-608-0302-3 (84-608-0303-1, V. i; 84-608-0304-X, V. ii; 84-608-0305-8, V. iii) 1. Literatura medieval - Historia i crítica - Congresos. 2. Literatura española - Anterior a 1500 - Historia y crítica - Congresos. I. Alemany, Rafael. II. Martos, Josep Lluis. III. Manzanaro, Josep Miquel. IV. Título. V. Serie. 821.134.2.09"09/14"(063) Director de la col-lecció: Josep Martines © Els autors © D'aquesta edició: Instituí Interuniversitari de Filología Valenciana Primera edició: maig de 2005 Portada: Lloreng Pizà IMustració de la coberta: Taulell amb escena de torneig (1340-1360), Museu Municipal de TAlmodí, Xàtiva Imprimeix: TÀBULA Diseño y Artes Gráficas ISBN (Volum III): 84-608-0305-8 ISBN (Obra Completa): 84-608-0302-3 Dipósit legal: A-519-2005 La publicado d'aquestes Actes del X Congrés Internacional de l'Associació Hispánica de Literatura Medieval ha comptât amb el finançament de l'Acció Especial BFF2002-11132-E del Ministerio de Ciencia y Tecnología.
  • Troubadours NEW GROVE

    Troubadours NEW GROVE

    Troubadours, trouvères. Lyric poets or poet-musicians of France in the 12th and 13th centuries. It is customary to describe as troubadours those poets who worked in the south of France and wrote in Provençal, the langue d’oc , whereas the trouvères worked in the north of France and wrote in French, the langue d’oil . I. Troubadour poetry 1. Introduction. The troubadours were the earliest and most significant exponents of the arts of music and poetry in medieval Western vernacular culture. Their influence spread throughout the Middle Ages and beyond into French (the trouvères, see §II below), German, Italian, Spanish, English and other European languages. The first centre of troubadour song seems to have been Poitiers, but the main area extended from the Atlantic coast south of Bordeaux in the west, to the Alps bordering on Italy in the east. There were also ‘schools’ of troubadours in northern Italy itself and in Catalonia. Their influence, of course, spread much more widely. Pillet and Carstens (1933) named 460 troubadours; about 2600 of their poems survive, with melodies for roughly one in ten. The principal troubadours include AIMERIC DE PEGUILHAN ( c1190–c1221), ARNAUT DANIEL ( fl c1180–95), ARNAUT DE MAREUIL ( fl c1195), BERNART DE VENTADORN ( fl c1147–70), BERTRAN DE BORN ( fl c1159–95; d 1215), Cerveri de Girona ( fl c1259–85), FOLQUET DE MARSEILLE ( fl c1178–95; d 1231), GAUCELM FAIDIT ( fl c1172–1203), GUILLAUME IX , Duke of Aquitaine (1071–1126), GIRAUT DE BORNELH ( fl c1162–99), GUIRAUT RIQUIER ( fl c1254–92), JAUFRE RUDEL ( fl c1125–48), MARCABRU ( fl c1130–49), PEIRE D ’ALVERNHE ( fl c1149–68; d 1215), PEIRE CARDENAL ( fl c1205–72), PEIRE VIDAL ( fl c1183–c1204), PEIROL ( c1188–c1222), RAIMBAUT D ’AURENGA ( c1147–73), RAIMBAUT DE VAQEIRAS ( fl c1180–1205), RAIMON DE MIRAVAL ( fl c1191–c1229) and Sordello ( fl c1220–69; d 1269).
  • Authors and Other Persons Connected with the Songs Symbols: * Not Listed in SR L Lai , Mentioned in the Poem R Rondeau 7 Aseription by a Modern Seholar S

    Authors and Other Persons Connected with the Songs Symbols: * Not Listed in SR L Lai , Mentioned in the Poem R Rondeau 7 Aseription by a Modern Seholar S

    74 Authors and Other Persons Connected with the Songs Symbols: * not listed in SR L lai , mentioned in the poem r rondeau 7 aseription by a modern seholar s. see (7)questionable aseription A * Abbé de Vieoigne 1021 ' * Abélard, Pierre L 1 Adam de Givenei 62(7),62',541,625,665,815,959,11 08--L2-1,3 * Adam de la Bassée 317-2,423-3,554-3, 669-3,960-2,1169-3,1206-6 L29-2,35-3--R35 Adam de la Halle 36,87-1 /2,89--147,66,93,96--207,50,85,86,90--354,366,384 410,20,42' ,95--520' ,27,62,95,99--615,19,32,72,75,700--704,21,79 812,15,22,26--916,23,60-1,71 ,87,89--1 018,33,44,51--1124,52,53,62 1219 * Adam de St.Vietor L92 * Adam de Wailli 26' * Adam Esturion Belemote 26' * Ade de Persan(Perçain) L38' * Adeline de Nanteuil L38' Adenarde, darne d'--s. Oudenarde, darne d' Aélis--s. also Alix * Aélis 742',786' * Aélis, eomtesse de Chartres 1079' ,1134'7 * Aélis, eomtesse de Clermont L38' * Aélis de Gallardon (Garlandon) L38' * Aélis de Moneeaux L38' * Aélis de Montmoreney et Montfort L38' * Aélis de Roleis(Reuilly) L38' * Aélis de Trie L38' * Agnès de Cresonsart L38' * Agnès de Trieot(Trieeoe) L38' * Agnes play 203-5 Alart de C(h)ans 220-1,298-1,394-1 * Albert(et) de Sestarto(Sisteron) 457,L4-3 * Alens de Challon, li 943-1 * Alix, eomtesse de Chartres 1079' * Alix, dame de Couti, wife of Raoull, seigneur de Couei L38' * Alix de Champagne, rO'ine 1 054-1' Alos, comte d'-s.