DOCSLIB.ORG

Chronologie Des Compositeurs Et Des

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chronologie Des Compositeurs Et Des 1808-1869 : Albert Grisar CHRONOLOGIE DES COMPOSITEURS 1801-1854 : Albert Guillon ET DES PRINCIPAUX ÉCRIVAINS 1883-1946 : Albert Gumble ARTISTES SAVANTS LIBRETTISTES 1885-1978 : Albert Laurent 1897-1985 : Albert Moeschinger 1869-1937 : Albert Roussel 1875-1965 : Albert Schweitzer Classement alphabétique 1846-1918 : Albert Soubies 1941-____ : Albert Stephen 1807-1864 : A. de Rovray (Pier Angelo Fiorentino) 1841-1906 : Albert Vizentini 1764-1821 : A.F. Eler 1875-1959 : Albert William Ketelbey 1976-____ : Aaron Cassidy 1916-1996 : Alberto Bruni-Tedeschi 1900-1990 : Aaron Copland 1916-1983 : Alberto Ginastera 1960-____ : Aaron Jay Kernis 1897-1975 : Alberto Hemsi 1893-1958 : Aarre Merikanto 1813-1877 : Alberto Mazuccato 1749-1814 : abbé Georg Joseph Vogler 1864-1920 : Alberto Nepomuceno 1915-2003 : Abel Ehrlich 1967-____ : Alberto Posadas 1612-1686 : Abraham Calov 1471-1528 : Albrecht Dürer 1791-1868 : Achille d'Artois (Charles A. d'Artois de Bournonville) 735- 804 : Alcuin 1805-1868 : Adalbert Stifter 1940-____ : Alden Jenks 1220-1270 : Adam de Givenchy 1960-____ : Aldo Brizzi 1230-1286 : Adam de La Halle 1925-____ : Aldo Clementi 1445-1505 : Adam von Fulda 1951-____ : Alejandro Vinão 1843-1919 : Adelina Patti 1951-____ : Aleksander Lason 1814-1889 : Adolf von Henselt 1906-1995 : Alessandro Cicognini 1954-____ : Adolfo Nunez 1770-1834 : Alessandro Grazidi 1897-1980 : Adolph Deutsch 1669-1747 : Alessandro Marcello 1891-1971 : Adolph Weiss 1951-____ : Alessandro Melchiorre 1803-1856 : Adolphe Adam 1566-1638 : Alessandro Piccinini 1871-1955 : Adolphe Boschot 1660-1725 : Alessandro Scarlatti 1800-1884 : Adolphe de Leuven (comte Ribbing) 1956-____ : Alessandro Solbiati 1811-1899 : Adolphe d'Ennery 1642-1782 : Alessandro Stradella 1840-1911 : Adolphe Deslandres 1974-____ : Alex Hills 1804-1878 : Adolphe Frédéric Lindblad 1910-1991 : Alex North 1821-1889 : Adolphe Joseph Choler 1446-1506 : Alexander Agricola 1809-1869 : Adolphe Le Carpentier 1787-1851 : Alexander Alabieff 1835-1896 : Adolphe Leopold Danhauser 1813-1869 : Alexander Dargomyjski 1814-1894 : Adolphe Sax (Antoine Joseph) 1932-____ : Alexander Goehr 1820-1893 : Adolphe Valentin Sellenick 1864-1956 : Alexander Gretchaninov 1805-1892 : Adolphe Vogel 1883-1951 : Alexander Krein 1490-1562 : Adrian Willaert 1963-____ : Alexander Mihalic 1828-1898 : Adrien Barthe (Gratien Norbert) 1899-1977 : Alexander Nikolayevich Tchérépine 1807-1866 : Adrien François Servais 1872-1942 : Alexander von Zemlinsky 1520-1588 : Adrien Le Roy 1899-1968 : Alexander Weprik 1815-1883 : Adrien Louis Victor Boïeldieu 1834-1887 : Alexandre Borodine 1921-2006 : Adrienne Clostre 1770-1861 : Alexandre Boucher 1578-1640 : Agostino Agazzari 1740-1792 : Alexandre Dezède 1938-____ : Ahmed Essyad 1818-1869 : Alexandre Dreyschock 1892-1966 : Aimé Steck 1824-1895 : Alexandre Dumas (fils) 1170-1220 : Aimeric de Péguilhan 1802-1870 : Alexandre Dumas (père) 1953-____ : Ake Parmerud 1850-1938 : Alexandre Georges 1968-____ : Akiko Murakami 1685-1936 : Alexandre Glazounov 1953-____ : Akira Nishimura 1943-____ : Alexandre Knaifel 1932-____ : Akira Tamba 1830-1877 : Alexandre Lafitte 1939-____ : Akos Rozmann 1846-1916 : Alexandre Lavignac 1938-____ : Alain Abbott 1803-1856 : Alexandre Montfort 1934-____ : Alain Bancquart 1900-1973 : Alexandre Mossolov 1932-____ : Alain Bernaud 1949-____ : Alexandre Muellenbach 1954-____ : Alain Féron 1872-1915 : Alexandre Scriabine 1945-____ : Alain Louvier 1897-1986 : Alexandre Tansman 1934-____ : Alain Margoni 1799-1878 : Alexandre Théophile Joseph Tilmant 1928-2002 : Alain Vanzo 1965-____ : Alexandros Markéas 1930-____ : Alain Weber 1936-____ : Alexandru Hrisanide 1911-2000 : Alan Hovhaness 1914-1994 : Alexei Haieff 1905-1971 : Alan Rawsthorne 1949-____ : Alexina Louie 1865-1914 : Albéric Magnard 1838-1875 : Alexis de Castillon 1781-1804 : Albert Androt 1821-1854 : Alexis de Garaudé (fils) 1872-1951 : Albert Bertelin 1813-1875 : Alexis Jacob Azevedo 1872-1947 : Albert Campbell 1814-1846 : Alexis Roger 1913-1960 : Albert Camus 1864-1944 : Alfred Bachelet 1880-1955 : Albert Einstein 1877-1952 : Alfred Cortot 1895-1977 : André Malraux 1826-1893 : Alfred Deléhelle 1580-1645 : André Maugars 1912-1971 : Alfred Désenclos 1853-1929 : André Messager 1822-1863 : Alfred Dufresne 1741-1813 : André Modeste Grétry 1920-1999 : Alfred Goodman 1927-2004 : André Persiani 1870-1960 : Alfred Hill 1924-____ : André Popp 1832-1882 : Alfred Jaëll 1930-____ : André Prévin 1937-____ : Alfred Janson 1851-1926 : André Wormser 1911-1993 : Alfred Manessier 1470-1525 : Andrea Antico 1901-1970 : Alfred Newmann 1510-1586 : Andrea Gabrieli 1921-2005 : Alfred Reed 1741-1804 : Andrea Lucchesi 1905-1979 : Alfred Rode 1431-1506 : Andrea Mantegna 1934-1998 : Alfred Schnittke 1965-____ : Andrea Pensado 1839-1899 : Alfred Sisley 1784-1853 : André-Georges-Louis Onslow 1868-1937 : Alfred Solman 1645-1706 : Andreus Werckmeister 1883-1947 : Alfredo Casella 1939-____ : Andrew Carter 1922-1901 : Alfredo Piatti 1748-1821 : Andrew Law 1936-2005 : Alfredo Rodriguez 1954-____ : Andrew Poppy 1950-____ : Algirdas Martinaïtis 1962-____ : Andrew Toovey 1944-____ : Alison Bauld 1921-2007 : Andrew Walsh Imbrie 1864-1897 : Alix Fournier 1568-1634 : Andriano Bancheri 1966-____ : Alla Zagaykevych 1500-1562 : Andrien Petit Coclico 1943-____ : Allain Gaussin 1914-1991 : Andrzej Panufnik 1879-1964 : Alma Mahler (Schindler) 1566-1663 : Angelo Notari 1893-1973 : Alois Haba 1806-1871 : Anicet Bourgeois 1882-1967 : Alphonse Borchard 1723-1787 : Anna Amalia de Prusse 1805-1870 : Alphonse Gilbert 1917-2006 : Anna Marly 1804-1868 : Alphonse Leduc I 1965-____ : Anna Weesner 1844-1892 : Alphonse Leduc II 1791-1871 : Anne Louis Frédéric Emile Deschamps 1803-1875 : Alphonse Royer 1600-1668 : Annibal Gantez 1807-1879 : Alphonse Thys 1527-1575 : Annibale Padovano 1811-1879 : Alphonse Varney 1960-____ : Annie Gosfield 1230-1284 : Alphonse X Le Sage 1906-1988 : Antal Dorati 1929-____ : Alun Hoddinott 1945-____ : Anthony Braxton 1957-____ : Alvaro Carlevaro 1917-1993 : Anthony Burgess 1938-____ : Alvin Curran 1951-____ : Anthony Davis 1913-1973 : Alvin Etler 1934-____ : Anthony Gilbert 1811-1896 : Ambroise Thomas 1925-____ : Anthony Milner 1515-1585 : Ambrosius Lobwasser 1936-____ : Anthony Payne 1814-1875 : Amédée Achard 1953-____ : Anthony Powers 1822-1892 : Amédée Artus 1808-1877 : Antoine Amable Elie Elwart 1848-1929 : Amédée Dutacq 1958-____ : Antoine Bonnet 1790-1853 : Amédée Louis Joseph Rousseau de Beauplan 1460-1520 : Antoine Brumel 1831-1911 : Amédée Vandenheuvel 1430-1492 : Antoine Busnois 1884-1920 : Amedeo Modigliani 1713-1797 : Antoine Dauvergne 1867-1944 : Amy Marcy Cheney (Mme Beach) 1530-1581 : Antoine de Bertrand 1967-____ : An Chengbi 1473-1511 : Antoine de Févin 1855-1914 : Anatol Liadov 1925-____ : Antoine Duhamel 1888-1982 : Anatolii Nikolayevich Aleksandrov 1672-1745 : Antoine Forqueray 1945-____ : Anatolijus Senderovas 1509-1569 : Antoine Gardane 1956-____ : Anders Blomqvist 1906-1980 : Antoine Goléa 1955-____ : Anders Brødsgaard 1959-____ : Antoine Hervé 1947-____ : Anders Eliasson 1743-1834 : Antoine Laurent Baudron 1795-1881 : Anders Fryxell 1500-1551 : Antoine Lefèvre I 1957-____ : Anders Nordentoft 1808-1866 : Antoine Louis Clapisson 1796-1870 : André Alexandre Basset 1846-1925 : Antoine Taudou 1873-1960 : André Bloch 1932-1998 : Antoine Tisné 1925-1997 : André Boucourechliev 1653-1701 : Anton Andreas Schmelzer 1660-1744 : André Campra 1861-1906 : Anton Arenkij 1878-1925 : André Caplet 1824-1896 : Anton Bruckner 1919-____ : André Casanova 1781-1858 : Anton Diabelli 660- 740 : André de Crète 1770-1836 : Anton Reicha 1672-1749 : André Destouches 1829-1894 : Anton Rubinstein 1902-1995 : André François Marescotti 1735-1787 : Anton Schweitzer 1885-1966 : André Gailhard 1599-1641 : Anton Van Dick 1856-1926 : André Gedalge 1883-1945 : Anton von Webern 1905-1974 : André Jolivet 1430-1479 : Antonello de Messine 1886-1948 : André Laporte 1907-1973 : Antoni Szalowski 1913-____ : André Lavagne 1841-1904 : Antonin Dvorak 1882-1963 : André Lermyte 1850-1907 : Antonin Marmontel 1818-1897 : Antonio Bazzini 1828-1871 : Auguste Alphonse Edmond Meillet 1605-1669 : Antonio Bertali 1799-1979 : Auguste Barbereau 1922-____ : Antonio Bibalo 1828-1891 : Auguste Bazille 1670-1736 : Antonio Caldara 1668-1750 : Auguste Becker 1836-1896 : Antônio Carlos Gomes 1865-1937 : Auguste de Boeck 1623-1669 : Antonio Cesti 1825-1868 : Auguste de Gasperini 1500-1570 : Antonio de Cabezon 1795-1870 : Auguste Féréol 1750-1778 : Antonio Gallassi 1808-1884 : Auguste Franchomme 1730-1786 : Antonio Gaspare Sachini 1815-1888 : Auguste Francis Placet 1704-1742 : Antonio José Carlos de Seixas 1756-1829 : Auguste Friedrich Christoph Kollmann 1666-1740 : Antonio Lotti 1801-1869 : Auguste Joseph Tolbecque 1966-____ : Antonio Pileggi 1826-1892 : Auguste Lucien Dautresme 1724-1787 : Antonio Rodriguez de Hita 1813-1888 : Auguste Maquet 1750-1825 : Antonio Salieri 1795-1859 : Auguste Mathieu Panseron 1643-1737 : Antonio Stradivari 1810-1877 : Auguste Pilati 1800-1876 : Antonio Tamburini 1816-1888 : Auguste Placet 1678-1741 : Antonio Vivaldi 1841-1919 : Auguste Renoir 1971-____ : Antonio Zimmerman 1815-1899 : Auguste Rubé 1903-1978 : Aram Khatchatourian 1830-1919 : Auguste Tolbecque 1890-1966 : Arcady Dubensky 1806-1866 : Augustin Jules de Wailly 1653-1713 : Arcangelo Corelli 1861-1942 : Augustin Savard 1658-1709 : Arcangelo Corelli 1936-2003 : Augustinus Franz Kropfreiter -287 -212 : Archimède 1935-____ : Aulis Sallinen 1936-____ : Aribert Reimann 1968-____ : Avi Tchamni -384 -322 :
Load more

Recommended publications
  • A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
    A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ VIOLIN ETUDES: A PEDAGOGICAL GUIDE A document submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2006 by Semi Yang [email protected] B.M., Queensland Conservatorium of Music, Griffith University, Australia, 1995 M.M., Queensland Conservatorium of Music, Griffith University, Australia, 1999 Advisor: Dr. Won-bin Yim Reader: Prof. Kurt Sassmannshaus Reader: Dr. Robert Zierolf ABSTRACT Studying etudes is one of the most essential parts of learning a specific instrument. A violinist without a strong technical background meets many obstacles performing standard violin literature. This document provides detailed guidelines on how to practice selected etudes effectively from a pedagogical perspective, rather than a historical or analytical view. The criteria for selecting the individual etudes are for the goal of accomplishing certain technical aspects and how widely they are used in teaching; this is based partly on my experience and background. The body of the document is in three parts. The first consists of definitions, historical background, and introduces different of kinds of etudes. The second part describes etudes for strengthening technical aspects of violin playing with etudes by Rodolphe Kreutzer, Pierre Rode, and Jakob Dont. The third part explores concert etudes by Wieniawski and Paganini.
    [Show full text]
  • Damiani Davide
    René MASSIS Agent artistique +33 6 80 57 94 62 +49 160 93835013 [email protected] 132 Boulevard Pereire 75017 Paris - France www.amo-massis.com Davide DAMIANI Baritone Italian baritone Davide Damiani studied voice, double bass, composition and orchestral conducting in Pesaro, Parma and Bologna. In 1992, he was assistant to Chief conductor Gustav Kuhn in Macerata, which earned him engagements in Italy and Europe. He made his debut as a baritone in a production of Don Giovanni in Tel Aviv. As a member of the Vienna Staatsoper company from 1995 to 1999, he performed in Madama Butterfly, Le Nozze di Figaro, L’Elisir d’Amore, Giordano’s Fedora with Placido Domingo and José Cura, Enescu’s Oedipe (recorded on CD) and Verdi’s Jerusalem with José Carreras conducted by Zubin Mehta (and broadcast on television). He has performed in Naples in L’Elisir d’Amore with Luciano Pavarotti ; in Turin, Cardiff, Palm Beach, Toronto and Verona in Don Giovanni ; in Palermo in Manon Lescaut ; in Genoa and Florence in The Rape of Lucretia ; in Ravenna, Catania and Modena in The Rake’s Progress ; in St. Gallen in Don Giovanni, L’Elisir d’Amore, Ariadne auf Naxos ; in Tokyo in Madama Butterfly and La Traviata ; in Tel- Aviv in Lucia di Lammermoor ; in Düsseldorf in Le Nozze di Figaro and Don Giovanni ; in Berlin and Bergamo in La Bohème ; in Cagliari in Granados’ Goyescas (recorded on CD) ; in Bologna in Fabio Vacchi’s Les oiseaux de passage and in Guido Turchi’s Exil ; in Bari in Piccinni’s Didon (recorded on CD) ; in Basel in Falstaff ; in Wexford in Mercadante’s Il Giuramento (recorded on CD) and in Rigoletto.
    [Show full text]
  • Milan and Seregno
    MILAN AND SEREGNO LIDA EMILIANA MELETAKI VICTORIA MILIARAKI NIKOLETA XENAKI C’3 MILAN Milan is the capital of Lombardy and the second most populous city in Italy after Rome. It is located in the north- western section of the Po Valley, approximately halfway between the river Po to the south and the foothills of the Alps with the great lakes (Lake Como, Lake Maggiore, Lake Lugano) to the north, the Ticino river to the west and the Adda to the east. MUSEUMS Some of the most popular museums are: • Pinacoteca di Brera • The Last Supper • Fondazione Prada • Museo del Novecento • Mudec • Museo Civico di Storia Naturale di Milano • Museo Poldi Pezzoli • Villa Necchi Campiglio PINACOTECA DI BRERA FONDAZIONE PRADA MONUMENTS/LANDMARKS Santa Maria delle Grazie This church was built between 1466 and 1490 by Giuniforte Solari and later partly modified by Bramante who re- designed the apse, the Tribuna, the Cloister and the Old Sacristy. In the Refectory there is one of the most famous paintings of Leonardo da Vinci: the “Last Supper”. The works of the fresco started in 1495 and finished in 1498. Monumental Cemetery Carlo Maciachini built the Monumental Cemetery between 1863 and 1866 at Porta Volta. Villa Reale (Royal Villa) One of the most important Milanese neo- classical buildings, the Royal Villa, was built in 1790 by Leopoldo Pollak. It has been the residence of Napolen and Josephine and also of Eugene Beauharnais and the General Radetzky. Pilasters and columns decorate all the building that is surrounded by an English- style garden. The insides are finely decorated with candelabras, sculptures, frescoes and other decorations typical of Lombard neo- classicism.
    [Show full text]
  • De Vulgari Eloquentia
    The De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been produced by a practising poet, and the first to assert the intrinsic superiority of living, vernacular languages over Latin. Its opening consideration of language as a sign-system includes foreshadowings of twentieth-century semiotics, and later sections contain the first serious effort at literary criticism based on close ana- lytical reading since the classical era. Steven Botterill here offers an accurate Latin text and a readable English translation of the treatise, together with notes and introductory material, thus making available a work which is relevant not only to Dante's poetry and the history of Italian literature, but to our whole understanding of late medieval poetics, linguistics and literary practice. Cambridge Medieval Classics General editor PETER DRONKE, FBA Professor of Medieval Latin Literature, University of Cambridge This series is designed to provide bilingual editions of medieval Latin and Greek works of prose, poetry, and drama dating from the period c. 350 - c. 1350. The original texts are offered on left-hand pages, with facing-page versions in lively modern English, newly translated for the series. There are introductions, and explanatory and textual notes. The Cambridge Medieval Classics series allows access, often for the first time, to out- standing writing of the Middle Ages, with an emphasis on texts that are representative of key literary traditions and which offer penetrating insights into the culture of med- ieval Europe. Medieval politics, society, humour, and religion are all represented in the range of editions produced here.
    [Show full text]
  • Violin Repertoire List
    Violin Repertoire List In reverse order of difficulty (beginner books at top). Please send suggestions / additions to [email protected]. Version 1.1, updated 27 Aug 2015 ​ List A: (Pieces in 1st position & basic notation) ​ Fiddle Time Starters Fiddle Time Joggers Fiddle Time Runners Fiddle Time Sprinters The ABCs of Violin Musicland Violin Books Musicland Lollipop Man (Violin Duets) Abracadabra - Book 1 Suzuki Book 1 ABRSM Grade Book 1 VIolinSchool Editions: Popular Tunes in First Position ● Twinkle Twinkle Little Star ● London Bridge is Falling Down ● Frère Jacques ● When the Saints Go Marching In ● Happy Birthday to You ● What Shall We Do With the Drunken Sailor ● Ode to Joy ● Largo from The New World ● Long Long Ago ● Old MacDonald Had a Farm ● Pop! Goes the Weasel ● Row Row Row Your Boat ● Greensleeves ● The Irish Washerwoman ● Yankee Doodle Stanley Fletcher, New Tunes for Strings, Book 1 2 Step by Step Violin Play Violin Today String Builder Violin Book One (Samuel Applebaum) A Tune a Day I Can Read Music Easy Classical Violin Solos Violin for Dummies The Essential String Method (Sheila Nelson) Robert Pracht, Album of Easy Pieces, Op. 12 Doflein, Violin Method, Book 1 Waggon Wheels Superstudies (Mary Cohen) The Classical Experience Suzuki Book 2 Stanley Fletcher, New Tunes for Strings, Book 2 Doflein, Violin Method, Book 2 Alfred Moffat, Old Masters for Young Players D. Kabalevsky, Album Pieces for 1 and 2 Violins and Piano *************************************** List B: (Pieces in multiple positions and varieties of bow strokes) ​ Level 1: Tomaso Albinoni Adagio in G minor Johann Sebastian Bach: Air on the G string Bach Gavotte in D (Suzuki Book 3) Bach Gavotte in G minor (Suzuki Book 3) Béla Bartók: 44 Duos for two violins Karl Bohm www.ViolinSchool.org | [email protected] | +44 (0) 20 3051 0080 ​ ​ ​ 3 Perpetual Motion Frédéric Chopin Nocturne in C sharp minor (arranged) Charles Dancla 12 Easy Fantasies, Op.86 Antonín Dvořák Humoresque King Henry VIII Pastime with Good Company (ABRSM, Grade 3) Fritz Kreisler: Berceuse Romantique, Op.
    [Show full text]
  • The Art of Music :A Comprehensive Ilbrar
    1wmm H?mi BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT or Hetirg W, Sage 1891 A36:66^a, ' ?>/m7^7 9306 Cornell University Library ML 100.M39 V.9 The art of music :a comprehensive ilbrar 3 1924 022 385 342 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022385342 THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editor-in-Chief DANIEL GREGORY MASON Columbia UniveTsity Associate Editors EDWARD B. HILL LELAND HALL Harvard University Past Professor, Univ. of Wisconsin Managing Editor CESAR SAERCHINGER Modem Music Society of New Yoric In Fourteen Volumes Profusely Illustrated NEW YORK THE NATIONAL SOCIETY OF MUSIC Lillian Nordica as Briinnhilde After a pholo from life THE ART OF MUSIC: VOLUME NINE The Opera Department Editor: CESAR SAERCHINGER Secretary Modern Music Society of New York Author, 'The Opera Since Wagner,' etc. Introduction by ALFRED HERTZ Conductor San Francisco Symphony Orchestra Formerly Conductor Metropolitan Opera House, New York NEW YORK THE NASTIONAL SOCIETY OF MUSIC i\.3(ft(fliji Copyright, 1918. by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Bights Reserved] THE OPERA INTRODUCTION The opera is a problem—a problem to the composer • and to the audience. The composer's problem has been in the course of solution for over three centuries and the problem of the audience is fresh with every per- formance.
    [Show full text]
  • Prog14 29 Maggio Canto
    Mercoledì 29 maggio 2019 Milano, Palazzina Liberty Dario Fo e Franca Rame CONCERTO ORE 19 Raffaele Sargenti, Liquid preludes* per voce sola (2018) Elisa Bonazzi, soprano Alessandro Solbiati, Tre Lieder su George (2006) per voce e pianoforte Valentina Piovano, soprano Gerardo De Pasquale, Silenzi irregolari* (2018) per due voci femminili Giulia Zaniboni e Felicita Brusoni, soprani Daniele Bravi, Lettere dal manicomio. Il lamento del Tasso (2009) per voce e pianoforte - Giulia Zaniboni, soprano Stefano Gervasoni, Tre canzoni popolari (2011/14) per voce, pianoforte e assistente - Maria Eleonora Caminada, soprano; Federica Passoni, assistente Yuko Ito, pianoforte CONCERTO ORE 21 Maurizio Azzan, Aria(e). Tre studi sull’aura* (2018) per voce, percussioni e dispositivo elettroacustico - Anna Piroli, soprano Pasquale Corrado, Lahmer (2011) per voce e percussioni Felicita Brusoni, soprano Federico Gardella, An die Nacht ( 2010) per voce femminile e un percussionista - Elisa Bonazzi, soprano Antonio Magnatta, percussioni Mauricio Kagel, Der Turm zu BaBel, Melodien für eine Solostimme** (2002) Elisa Bonazzi, Felicita Brusoni, Maria Eleonora Caminada, Anahita Malakooti, Valeria Matrosova, Gaia Mattiuzzi, Federica Passoni, Valentina Piovano, Anna Piroli, Giulia Zaniboni, Ilaria Zuccaro, soprani * prima esecuzione assoluta ** prima esecuzione italiana I due concerti di questa sera concludono il Call for Young Perfermers di canto che si è svolto nell’ambito di IDEA-International Divertimento EnsemBle Academy sotto la guida del soprano Alda Caiello. CONCERTO DELLE ORE 19 Raffaele Sargenti, Liquid preludes per voce sola (2018) I Liquid Preludes sono una momentanea “cristallizzazione vocale” in forma concertistica dei contenuti espressivi di #liquidOpera, organismo artistico ibrido e in continuo divenire (per info vedere: https://gruppo222.wixsite.com/liquidopera).
    [Show full text]
  • The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000
    The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000: A Performative and Analytical Study, with a Catalogue Raisonné of the Extant Works Analytical Study: The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000: A Study of Instrumental Techniques, Forms and Genres, with a Catalogue Raisonné of the Extant Corpus By Brandon Philip Jones ORCHID ID# 0000-0001-9083-9907 Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy July 2018 Faculty of Fine Arts and Music The University of Melbourne ABSTRACT The Conservatoire de Paris concours were a consistent source of new literature for the trumpet and cornet from 1835 to 2000. Over this time, professors and composers added over 172 works to the repertoire. Students and professionals have performed many of these pieces, granting long-term popularity to a select group. However, the majority of these works are not well-known. The aim of this study is to provide students, teachers, and performers with a greater ability to access these works. This aim is supported in three ways: performances of under-recorded literature; an analysis of the instrumental techniques, forms and genres used in the corpus; and a catalogue raisonné of all extant contest works. The performative aspect of this project is contained in two compact discs of recordings, as well as a digital video of a live recital. Twenty-six works were recorded; seven are popular works in the genre, and the other nineteen are works that are previously unrecorded. The analytical aspect is in the written thesis; it uses the information obtained in the creation of the catalogue raisonné to provide an overview of the corpus in two vectors.
    [Show full text]
  • Escola Francesa De Clarinete José Eduardo Guerra Viana
    MESTRADO MÚSICA - INTERPRETAÇÃO ARTÍSTICA Clarinete Escola Francesa de Clarinete José Eduardo Guerra Viana SETEMBRO/2017 ESMAE ESCOLA SUPERIOR DE MÚSICA E ARTES DO ESPETÁCULO POLITÉCNICO DO PORTO MESTRADO MÚSICA - INTERPRETAÇÃO ARTÍSTICA M Clarinete Escola Francesa de Clarinete José Eduardo Guerra Viana Projeto apresentado à Escola Superior de Música e Artes do Espetáculo como requisito parcial para obtenção do grau de Mestre em Música – Interpretação Artística, especialização Sopros, Clarinete Professor Orientador Nuno Fernandes Pinto SETEMBRO/2017 2 Dedico este trabalho aos meus pais, ao meu irmão e aos amigos pelo incansável apoio. iii Agradecimentos Ao meu pai, à minha mãe e ao meu irmão pelo incondicional apoio, carinho e paciência, que nunca lhes poderei retribuir. À restante família, que sempre me apoiou. A todos os meus amigos e um especial agradecimento ao Diogo Taveira, pela sua amizade e ajuda incansável. Aos professores Luís Santos e Michel Arrignon, que para além de todo o conhecimento que me transmitiram no clarinete e na música, transmitiram valores para a vida toda. Por último, ao professor Nuno Pinto, que para além de meu professor, orientador e referência clarinetística, é um amigo que irei preservar. iv Resumo Este trabalho propõe entender as bases e as características representativas da Escola Francesa de Clarinete. É composto por uma contextualização do Conservatório de Paris, desde os seus Professores às obras escritas para o Concours de Prix, que tanta influência teve sobre esta Escola. São, também, abordados dois momentos marcantes na evolução organológica do clarinete realizado por Ivan Müller e Hyacinthe Klosé. Neste trabalho é também apresentada uma breve análise sobre quatro obras que espelham esta Escola.
    [Show full text]
  • Accademia Nazionale Di Santa Cecilia
    Santa Cecilia di Nazionale Accademia Accademia Nazionale di Santa Cecilia Bilancio di missione / Bilancio di esercizio Annuario 2015 Bilancio 2015 Accademia Nazionale di Santa Cecilia Bilancio di missione / Bilancio di esercizio Annuario 2015 Volume a cura di Federico Ribechi Fotografie diMusacchio & Ianniello tranne quelle alle pp. 161 e 162 Progetto grafico e impaginazioneVenti caratteruzzi ©2016 Accademia Nazionale di Santa Cecilia - Fondazione Tutti i diritti riservati Indice 9 Michele dall’Ongaro 74 Evoluzione prevedibile della gestione 11 Antonio Pappano 75 Fatti di rilievo avvenuti dopo la chiusura dell’esercizio 13 Ciro Visco 75 Altre informazioni 76 Il bilancio dell’esercizio al 31/12/2015 14 Una scelta di valore 76 Stato patrimoniale attivo 78 Stato patrimoniale passivo 18 Identità sociale dell’Accademia 79 Conto economico 19 Una storia lunga quattro secoli 81 Conto consuntivo 2015 in termini di cassa 19 Le origini 81 Nota integrativa 20 L’evoluzione normativa 120 Relazione del Collegio dei Revisori 22 L’Accademia Nazionale di Santa Cecilia oggi 134 Relazione della società di revisione 24 L’Auditorium Parco della Musica 136 Il valore aggiunto della Fondazione 26 La missione 26 La diffusione dell’arte musicale 140 Il valore sociale 27 La valorizzazione del proprio patrimonio storico 140 Il valore prodotto in numeri e la catena del valore 27 L’educazione musicale della collettività 146 La diffusione dell’arte musicale 27 La formazione professionale dei quadri artistici 146 La stagione sinfonica 27 La valorizzazione dei propri complessi
    [Show full text]
  • An Essay in Carnal Musicology
    Boccherini’s Body Boccherini’s Body An Essay in Carnal Musicology Elisabeth Le Guin UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2006 by Elisabeth Le Guin Library of Congress Cataloging-in-Publication Data Le Guin, Elisabeth, 1957– Boccherini’s body : an essay in carnal musicology / Elisabeth Le Guin. p. cm. Includes bibliographical references and index. isbn 0-520-24017-0 (cloth : alk. paper) 1. Boccherini, Luigi, 1743–1805—Criticism and interpretation. 2. Music—Interpretation (Phrasing, dynamics, etc.) I. Title. ml410.b66l4 2006 780'.92—dc22 2005023224 Manufactured in the United States of America 13 12 11 10 09 08 07 06 10987654321 This book is printed on Natures Book, which contains 50% post-consumer waste and meets the minimum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper).8 But what do my cold and exaggerated expressions mean, my lines without character and without life, these lines that I have just traced, one on top of the other? Nothing, nothing at all; one must see the thing. Mais que signifient mes expressions exagérées et froides, mes lignes sans caractères et sans vie, ces lignes que je viens de tracer les unes au-dessus des autres? Rien, mais rien du tout; il faut voir la chose.
    [Show full text]