CURRICULUM VITAE Christopher J. Callahan Professor of French

Illinois Wesleyan University Tel: (309) 556-3094 Modern & Classical Languages & Literatures Fax: (309) 556-3284 1312 N. Park Street [email protected] Bloomington, IL 61701

Education PH.D. FRENCH LINGUISTICS. INDIANA UNIVERSITY. 1985. Dissertation: A Graphemic Study of the Lyric ; dir. Samuel N. Rosenberg. M.A. FRENCH. MIDDLEBURY COLLEGE AT U. OF PARIS X. 1976. Thesis: Le cadre matériel du XIIe siècle reflété dans l’art et la littérature; dir. Alexandre Micha. A.B. ROMANCE LANGUAGES. UNIVERSITY OF NOTRE DAME. 1975.

Teaching Experience Illinois Wesleyan University, 1989-present. Université Internationale d’Eté en Narbonnaise, 1994. University of Nebraska, 1985-1989. University of Notre Dame, 1984-1985. University of Louisville, KY, 1983-1984.

Publications Monographs ___ and John Haines. Genèse du français: de la diaspora normande au puy d’Arras, in progress.

Critical Editions ___, M.-G. Grossel, D.E. O’Sullivan. Les de Thibaut IV de Champagne, roi de Navarre. Paris: Honoré Champion (Champion Classiques), March 2018. ___ and S. N. Rosenberg. Les Chansons de Colin Muset. Textes et mélodies. Paris: Honoré Champion (Classiques Français du Moyen Age), 2005. ___ and S. N. Rosenberg. Les Chansons de Colin Muset en français moderne. Paris: Honoré Champion (Traductions des Classiques Français du Moyen Age), 2005.

Articles and Chapters ___ and D. E. O’Sullivan. “Melodic Variance in the Songs of Thibaut de Champagne.” Variants 12 (2016), 11-33. “Raillerie et sincérité dans le discours héroïque d’Aucassin et Nicolete.” Parodies Courtoises/Parodies de la Courtoisie. Eds. Margarida Madureira, Carlos Carreto, Ana Paiva Morais. Paris: Classiques Garnier, 2016, 47-58. “Collecting Trouvère Song at the Peripheries: The Lessons of Paris, BnF fr. 20050 (U) and Bern, Burgerbibliothek 389 (C).” Textual Cultures 8.2 (2013), 15-30. “A la défense des mélodies « marginales » chez les trouvères: le cas de Thibaut IV de Champagne,” Cahiers de recherches médiévales et humanistes 26.2 (2013), 69-90. “Pour une historique de la notion de genre dans le lyrisme de langue d’oïl: le témoignage des chan- sonniers,” La de trouvères – formes, registres, genres. Ed. Marie-Geneviève Grossel. Presses Universitaires de Valenciennes, 2012, 49-61.

“Dame polyvalente, glissement registral et contrafacture chez Thibaut de Champagne.” Le Moyen Age 118.3 (2012), 581-594. “ Songs in Trouvère Codices: Mouvance in the Transmission of Courtly Lyric,” Variants 9 (2012), 31-48. “Beyond the Realm of the Living: Rewriting Chivalric Values from Chrétien’s Perceval to Gautier de Coinci’s Marian Lyric,” Cultures courtoises en mouvement. Eds. Isabelle Arseneau and Francis Gingras. Presses de l'Université de Montréal, 2011, 94-104. “Thibaut de Champagne and Disputed Attributions: the Case of MSS Bern, Burgerbibliothek 389 (C) and Paris, BnF fr. 1591 (R),” Textual Cultures 5.1 (2010), 111-132. ___ and S.N. Rosenberg. “Réponse à la « Contribution à l’étude du chansonnier de Colin Muset » de Dominique BILLY, Romania, 126.1-2 (2008): 239-244. “Subjective Identity and Collective Conscience in the Songs of Colin Muset,” Dialogism and Lyric Self-Fashioning: Bakhtin and the Voices of a Genre. Ed. Jacob Blevins. Susquehanna University Press, 2008, 97-112. “La tradition manuscrite et le rôle de la musique pour appréhender la personnalité poétique de Colin Muset,” Les Chansons de langue d’oïl. L’Art des trouvères. Eds. Marie-Geneviève Grossel and Jean-Charles Herbin. Presses universitaires de Valenciennes, 2008, 21-33. “Tracking Robin, Marion and the Virgin Mary: Musical/Textual Interlace in the Pastourelle ,” “Chançon Legiere a Chanter.” Studies on Old French Literature in honor of Samuel N. Rosen- berg. Eds. Karen Fresco and Wendy Pfeffer. Birmingham, AL: Summa Publications, 2007, 293- 308. “Christine de Pizan’s Dit de la pastoure, Pastoral Poetry, and the Poetics of Loss,” Le Moyen Français 59:2 (2006), 23-34. “Hybrid Discourse and Performance in the Old French Pastourelle,” French Forum 27.1 (2002), 1-22. “Lyric Discourse and Female Vocality: On the Unsilencing of Silence,” Arthuriana, 12.1 (2002): 123-131. “Canon Law, Primogeniture and the Marriage of Ebain and Silence,” Romance Quarterly, 49.1 (2002): 12-20. “Music in Medieval Medical Practice: Speculations and Certainties,” College Music Symposium 40 (2000), pp. 151-164. “A l’ombre du jongleur disparu. La grammaire de la performance dans deux romans lyrico-narratifs dérimés.” Revue des langues romanes CI (1997): 2, 211-233. “Interpolating the Musical Text of the Lyric Interpolations: the Roman de Guillaume de Dole and the Trouvère Manuscript Tradition.” Essays in Medieval Studies 8 (1991), 43-58. "The Evolution of the Lyric Insertion in 13th Century Narrative." Essays in Medieval Studies 7 (1990), 29-40. “Aspects de la scriptologie des chansonniers français des XIIIe et XIVe siècles.” Revue Belge de Philologie et d'Histoire LXVIII (1990): 3, 680-697. “A la recherche du urtext dans la poésie lyrique du Moyen Age.” La naissance du texte. Actes du colloque. Paris: Editions du CNRS, 1987, 217-220. “Prosodic Structure and the Domain of Assimilatory Rules in Old French.” Current Issues in Linguistic Theory, v. 26, 1984. Amsterdam: John Benjamins, 343-354.

Accepted for Publication ____ and Daniel O’Sullivan. “Thibaut de Champagne.” Routledge Medieval Encyclopedia Online, RMEO-D-18-00090, 2019. ____ and John Haines. “L’évolution du chansonnier de Thibaut de Champagne.” In “Qui dit tradition dit faute?” La faute dans les corpus chantés du Moyen Âge et de la Renaissance. Ed. Christelle Chaillou, forthcoming. ____, M.-G. Grossel, W. Hudson, D .E. O’Sullivan.“Thibaut de Champagne au XXIe siècle: l’édition de trouvère dans son contexte culturel.” Actes du colloque de Rome Philologie et Musicologie. Des sources a l’interprétation poético-musicale. Ed. Christelle Chaillou, Oreste Floquet. Paris: Classiques Garnier, forthcoming. English translation of Raymond Feraud’s La Vida de Sant Honorat, ll. 3860-4020. A Benedictine Reader. Eds Maureen M. O’Brien and Hugh Feiss, OSB. Cistercian Publications, forthcoming.

Articles in Progress _____ and Joseph Plazak. “Trouvère Music in the 21st Century, a Quantitative Analytical Approach.”

Recordings Pastourelle from the French . BYU: The Chaucer Studio, 2011. with The Evelyn Consort, under the direction of Scott Ferguson. La Farce de Maistre Pierre Pathelin. BYU: The Chaucer Studio, 2009. Cast: Pathelin – C. Callahan; Guillemette – J. Grimbert; Guillaume – D. O’Sullivan; Thibaut L’agnelet – J. Hurlbut; Judge – S.N. Rosenberg Or dient et content et fabloient: Four Centuries of Old French Verse. BYU: The Chaucer Studio, 2007. Readers: C. Callahan, J. Grimbert, D. O’Sullivan, S.N. Rosenberg, H. Washburn.

Conferences Refereed presentations ____ and John Haines. “La partie ancienne du chansonnier de Thibaut de Champagne.” 1er Congrès Franco-Italien ‘Philologie et Musicologie’, Saint-Guilhem-le-Désert, May 21-24, 2017. “Shifting our Horizon of Expectations: Love Service in the Devotional Contrafacta of Jacques de Cambrai.” 52nd International Congress on Medieval Studies, Western Michigan Universeity, May 11-14, 2017. “Debate Poetry as Courtly Entertainment.” 15th Triennial Congress of the International Courtly Literature Society. University of Kentucky, July 24-29, 2016. “Thibaut de Champagne au XXIe siècle: l’édition de trouvère dans son contexte culturel.” International Colloquium Philologie et Musicologie. Des sources a l’interprétation poético- musicale. Università La Sapienza, Rome, June 18-20, 2015. “Melodic Structure and the Art of Memory in the Songs of Thibaut de Champagne.” 50th International Congress on Medieval Studies, Western Michigan University, May 14-17, 2015. “La Variété et la Variance Mélodiques chez Thibaut de Champagne.” 10th Conference of the European Society for Textual Scholarship, Ecole Normale Superieure, Paris, November 20-22, 2013. Paper co-written with Daniel E. O’Sullivan and delivered by DO’S. “Satire et sincérité dans le discours héroïque d’Aucassin et Nicolete.” 14th Congress of the International Courtly Literature Society, University of Lisbon, July 22-27, 2013. “Material Philological Approaches to Editing Medieval Lyric – a Roundtable.” 17th International Conference of the Society for Textual Scholarship, Loyola University, Chicago, March 6-9, 2013. “Hearing Thibaut de Champagne from the Wings or The Future Shape of Lyric Editions.” 47th International Congress on Medieval Studies, Western Michigan University, May 10-13, 2012. “ in the Age of Enlightenment: Perceptions and Receptions.” 35th Mid-America Medieval Association Conference, University of Missouri-Kansas City, February 26, 2011. “Beyond the Realm of the Living: Rewriting Chivalric Values from Chrétien’s Perceval to Gautier de Coinci’s Marian Lyric.” 13th Congress of the International Courtly Literature Society, Bibliothèque Nationale du Québec, Montréal, July 25-31, 2010. “Pour une historique de la notion de genre dans le lyrisme de langue d’oïl: le témoignage des chansonniers.” Registre, Genres, Formes: secondes rencontres valenciennoises consacrées à la lyrique d’oïl, l’art des trouvères, Université de Valenciennes et du Hainaut-Cambrésis, May 28- 29, 2010. “ in Northern France: of Macaronic Texts and Melodic Unica.” 6th International Conference of the European Society for Textual Scholarship, Royal Flemish Academy for Science and the Arts, Brussels, November 17-19, 2009. “Thibaut de Champagne and the Question of Attribution: a Re-examination.” 35th St. Louis Conference on Manuscript Studies, St. Louis University, October 17-18, 2008. “Contrafacture and Intergeneric Citation in Trouvère Lyric.” 43rd International Congress on Medieval Studies, Western Michigan University, May 8-11, 2008. “L’ente organisatrice: la dame hybride chez Thibaut de Champagne.” 12th Congress of the International Courtly Literature Society, Geneva, CH, July 29-August 4, 2007. “Translatio Theobaldi. Thibaut de Champagne as Exemplar of Enlightenment-Era Approaches to the Trouvères.” 10th Cardiff Conference on Translation in the Middle Ages, Lausanne, CH, July 17- 21, 2007. “La tradition manuscrite et le rôle de la musique dans l’appréhension de Colin Muset.” International conference La lyrique en langue d’oïl, l’art des trouvères; Université de Valenciennes et du Hainaut-Cambresis, November 16-17, 2006. “Lyric Space as Mediator of Difference: The Didactic Dimensions of Performance for Medieval and Modern Audiences.” Romance Studies Colloquium, University of Oregon, October 19-21, 2006. “The Castelain de Couci and Performance: on the Circularity of Narrative and Lyric.” 41st International Congress on Medieval Studies, Western Michigan University, May 4-7, 2006. “Following Saint Augustine to the Letter? The Portrayal of the Plinian Races in Umberto Eco’s Baudolino.” 27th Plymouth Medieval and Renaissance Forum, Plymouth, NH, April 28-29, 2006. “Tracking Robin, Marion and the Virgin Mary: Musical/Textual Interlace in the Pastourelle Motet.” 39th International Congress on Medieval Studies, Western Michigan University, May 6-9, 2004. “Was Chrétien Indeed a Jongleur? Evidence from the Lyric Side.” 25th Medieval-Renaissance Forum, Plymouth State University (NH), April 16-17, 2004. “Christine de Pisan’s Dit de la Pastoure and the Poetics of Loss.” 37th International Congress on Medieval Studies, Western Michigan University, May 2-5, 2002. “The Rhetoric of Muse-icianship in the Poetry of Colin Muset.” 35th International Congress on Medieval Studies, Western Michigan University, May 4-7, 2000. “Canon Law, Primogeniture, and the Marriage of Ebain and Silence.” South Central Modern Language Association, University of Memphis, Oct. 29-30, 1999. “Lyric Discourse and Female Vocality. On the Unsilencing of Silence.” Conference The Maiden Knight. The Roman de Silence and the Romance Tradition, The University of Oregon, April 24- 26, 1998. “Between Boethius and Agrippa: Interpolating Medieval Medical Music.” 7th Sewanee Medieval Colloquium, The University of the South, April 4-5, 1997. “Narrative Layering and the Polyphonic Settings of the Old French Pastourelle.” 30th International Congress on Medieval Studies, WMU, May 4-7, 1995. “From Pastourelle to Pastorale: the Quest for the Bucolic Idyll in the 14th and 15th Centuries. Conference Peripheral Visions: Reading the Margins in the Middle Ages, The University of Oregon, April 7-10, 1994. “Narrativity in Lyric and Lyric Narratives: The Sociology of Hybrid Texts in the High Middle Ages.” 28th International Congress on Medieval Studies, Western Michigan University, May 6-9, 1993. “The ‘Voix du Conte’ and the ‘Voix du Texte’ in Late Medieval Prose Romance.” 27th International Congress on Medieval Studies, Western Michigan University, May 7-10, 1992. “From Presentation to Interpretation: the Pragmatics of Dérimage.” Given at the 45th Annual Kentucky Foreign Language Conference, University of Kentucky, April 23-25, 1992. “The Conventions of Narrative Prose and the Songs of the Roman de la violette and the Roman du castelain de Couci.” Illinois Medieval Association, Monmouth College, February 22, 1992. “The Grammar of Performance in the Prose Reworkings of Romances with Lyric Interpolations.” International Colloquium Music and Narrative in Medieval Romance, The Newberry Library, Chicago, Illinois, October 4-5, 1991. “Interpolating the Musical Text of the Lyric Interpolations: the Roman de Guillaume de Dole and the Trouvère Manuscript Tradition.” Illinois Medieval Association, Northeastern Illinois University, February 23, 1991. “The Evolution of the Lyric Insertion in 13th Century Narrative.” Illinois Medieval Association, Eastern Illinois University, February 24, 1990. “The la'azim of the Medieval French Yeshivas and their Contribution to Old French Dialectology.” 18th Linguistic Symposium on Romance Languages, University of Illinois, April 7-9, 1988. “A la recherche du urtext dans la poésie lyrique du Moyen Age.” International Colloquium La naissance du texte, Centre National de Recherche Scientifique, Paris, Sept. 23-25, 1987. “Prosodic Structure and the Domain of Assimilatory Rules in Old French.” 12th Linguistic Symposium on Romance Languages, Pennsylvania State University, April 7-10, 1982.

Invited presentations “ as Didactic Mirror in the Compilational Program of Paris, BN, fr. 12581.” Haec sunt instrumenta bonorum operum. A Symposium on Medieval Manuscript Studies. University of Mississippi, April 10, 2012. “Les masques de l’oralité dans les romans lyrico-narratifs dérimés du XVe siècle.” Lecture given to a graduate seminar in medieval poetry at McGill University, March 27, 2012. “Genre et dialogue intertextuel dans les chansonniers français tardifs (Arras, BM 657; Rome Vat. Reg. lat. 1470; Oxford, Bodléienne. Douce 308; Paris, BN, fr. 12581).” Symposium Qui se ressemble s’assemble–Formes brèves et mise en recueil au Moyen Age. Université du Québec à Montréal, March 24, 2012. “Thibaut de Champagne: Vie et poétique d’un prince trouvère.” Pre-concert lecture for the Boston Camerata given in Reims, France, June 24, 2011, as part of the 800th anniversary celebrations of Reims Cathedral. “The Social Fabric of Medieval Courtly Lyric.” Lecture given to the Medieval Studies Program, University of Mississippi, February 15, 2010. “L’insertion lyrique dans la poésie narrative du XIIIe siècle.” Lecture given to a graduate seminar on medieval poetry at the Université de Nantes, France, May 2, 1996. “The Role of Semiotics in the Study of Medieval Literature.” Round Table presented at the 5th Annual Conference of the Medieval Association of the Midwest, September 29-30, 1989, Newberry Library, Chicago.

On-campus presentations “Polyphonic Poetry: The Ars Antiqua Motet and the Gothic Spirit.” January 21, 2000. With Scott Ferguson and Men’s Schola – Faculty Colloquium. “Monastic Approaches to Medicine in the 11th and 12th Centuries.” February 28, 2000 – Religion Department Colloquium. “Blurring the Lines between Work, Text, and Performance: the Medieval Text Editor’s Conceptual Playground.” December 2, 2002 – Non-org. “Bird Song and Battle Cry. Onomatopoeic Writing in the French Renaissance Chanson,” with Scott Ferguson, Collegiate Choir Director. April 6, 1998 – Non-org. “Music in Medieval Medical Practice.” December 2, 1996 – Non-org. “Webpages and Teaching.” January 14, 1998 - Curriculum development, sponsored by The Mellon Center.

Book Reviews. Wright, Monica L., Norris J. Lacy, and Rupert T. Pickens, eds. Moult a sans et vallour. Studies in Medieval French Literature in Honor of William W. Kibler. Amsterdam: Rodopi, 2012. The French Review 88.3 (2015), 233-234. Doss-Quinby, Eglal, Marie-Geneviève Grossel, and Samuel N. Rosenberg. “Sottes chansons contre Amour”: parodie et burlesque au Moyen-Age. Paris: Honoré Champion, 2010. The Medieval Review [online] 11.07.04. Smith, Geri L. The Medieval French Pastourelle Tradition: Poetic Motivations and Generic Transformations. Gainesville: The University Press of Florida, 2009. The French Review 83.6 (2010), 1344-1345. Dell, Helen. Desire by Gender and by Genre in Trouvere Lyric. Cambridge: D.S. Brewer, 2008. The French Review 83.3 (2010), 651-652. Aubrey, Elizabeth, ed. Poets and Singers. On Latin and Vernacular Monophonic Song. Padstow: Ashgate, 2009. Encomia 31 (2009), 18-20. Maddox, Donald and Sarah-Sturm Maddox, eds. Parisian Confraternity Drama of the Fourteenth Century. Turnhout: Brepols, 2008. Encomia 31 (2009), 47-49. Doss-Quinby, Eglal, Roberta L. Krueger and E. Jane Burns, eds. Cultural Performances in Medieval France. Cambridge: D.S. Brewer, 2007. Encomia 29-30 (2008-09), 18-20. Krause, Kathy M. and Alison Stones. Gautier de Coinci, Miracles, Music, and Manuscripts. Turnhout: Brepols, 2006. Catholic Historical Review, 94.3 (2008), 570-572. Taylor, Jane H. M. The Making of Poetry. Late Medieval Poetic Anthologies. Turnhout: Brepols, 2007. The Medieval Review [online] 08.03.22. Rosenberg, Samuel N., Eglal Doss-Quinby and Elizabeth Aubrey. The Old French Ballette. Geneva, Droz, 2006. Textual Cultures 2.1 (2007), 155-157. O’Sullivan, Daniel E. Marian Devotion in Thirteenth-Century French Lyric. Toronto: U. Toronto Press, 2005. Encomia 27 (2005), 62-64. Haines, John. Eight Centuries of Troubadours and Trouvères. Cambridge: Cambridge UP, 2004. Encomia 27 (2005), 41-43. Minnis, Alastair. Magister Amoris. The Roman de la Rose and Vernacular Hermeneutics. , 2001. Romance Quarterly 52.2 (2005), 164-166. Jewers, Caroline. Chivalric Fiction and the History of the Novel. University Press of Florida, 2000. The Medieval Review [online] 01.09.04. ISSN: 1096-746X Rosalind Field, ed. Tradition and Transformation in Medieval Romance. Cambridge: D.S. Brewer, 1999. The Medieval Review [online]. 00.05.08. ISSN: 1096-746X . Academic Recognition NEH grant to co-direct, with William Hudson in 2018 a Summer Seminar for College Teachers entitled Courtly Lyric in the Medieval French tradition. Poetry as performance. Phi Kappa Phi Academic Honor Society, 2014. Phi Beta Delta, Honor Society for International Scholars, 2007. Pi Delta Phi, National French Honor Society, 2000. Seven IWU Artistic and Scholarly Development Grants, 1991-2011. Illinois Humanities Council Grant for a symposium and the Healing Arts, Illinois Wesleyan University, October 18-19, 2000. Texas A & M University Center for Humanities Research Prize for the best SCMLA paper in the category New Historical Literary Studies, 1999. Certified Oral Proficiency Tester, American Council on the Teaching of Foreign Languages, 1991. Certified Translator, American Translators Association, 1988.

Professional Activities and Service Study in France Committee, Fulbright US Student Screening Program, 2013-2016. Consultant and lecturer for The Boston Camerata, Les Flâneries Musicales de Reims, 2011. Visited and evaluated IES and CIEE French-language programs in France, 1996, 2008, 2011. Secretary-Treasurer of the International Courtly Literature Society–North American Branch, 2010-. Bibliographical contributor for Encomia, The Bibliographical Bulletin of the International Courtly Literature Society, 2005-. Court Interpreter for McLean County, Illinois, 2004-. Simultaneous Translator for academic conferences, University of Notre Dame (1997, 2001, 2013). Prepared French translation of sales brochure for IBM’s Network Station Now, March, 1997. Organized and chaired sessions at seven academic conferences, 1995-2014. Reader for University Press of Florida (2000) and Edwin Mellon Press (2007). NEH Seminar “The Poetics of Sign and Discourse in the Middle Ages.” Eugene Vance, The Newberry Library, June 18-August 10, 1989.

Memberships American Association of Teachers of French International Courtly Literature Society Society for Textual Scholarship European Society for Textual Scholarship