Vladimir Nabokov
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov" (2015)
Bates College SCARAB Honors Theses Capstone Projects Spring 5-2015 Reflections in the Author's Eye: Optics, Involution, and Artifice in the oN vels and Short Stories of Vladimir Nabokov Amelia J. Oliver Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Oliver, Amelia J., "Reflections in the Author's Eye: Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov" (2015). Honors Theses. 117. http://scarab.bates.edu/honorstheses/117 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Reflections in the Author's Eye: Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov An Honors Thesis Presented to The Faculty of the Departments of English and Russian Studies Bates College In partial fulfillment of the requirements for the Degree of Bachelor of Arts By Amelia Josephine Oliver Lewiston, Maine March 30, 2015 Table of Contents Introduction ......................................................................................................................... 5 Chapter I: ‘A Bleak Knoll With a Relentless View’ ......................................................... 12 Chapter II: Tracing Reality, Imagination, and Ocular Function ....................................... 44 Chapter III: The Double’s Reflection .............................................................................. -
Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Russian Faculty Research and Scholarship Russian 2009 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/russian_pubs Custom Citation Harte, Tim. "Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports," Nabokov Studies 12.1 (2009): 147-166. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/russian_pubs/1 For more information, please contact [email protected]. Tim Harte Bryn Mawr College Dec. 2012 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports “People have played for as long as they have existed,” Vladimir Nabokov remarked in 1925. “During certain eras—holidays for humanity—people have taken a particular fancy to games. As it was in ancient Greece and ancient Rome, so it is in our present-day Europe” (“Braitenshtreter – Paolino,” 749). 1 For Nabokov, foremost among these popular games were sports competitions. An ardent athlete and avid sports fan, Nabokov delighted in the competitive spirit of athletics and creatively explored their aesthetic as well as philosophical ramifications through his poetry and prose. As an essential, yet underappreciated component of the Russian-American writer’s art, sports appeared first in early verse by Nabokov before subsequently providing a recurring theme in his fiction. The literary and the athletic, although seemingly incongruous modes of human activity, frequently intersected for Nabokov, who celebrated the thrills, vigor, and beauty of sports in his present-day “holiday for humanity” with a joyous energy befitting such physical activity. -
Poetic Renewal and Reparation in the Classroom: Poetry Therapy, Psychoanalysis, and Pedagogy with Three Victorian Poets
POETIC RENEWAL AND REPARATION IN THE CLASSROOM: POETRY THERAPY, PSYCHOANALYSIS, AND PEDAGOGY WITH THREE VICTORIAN POETS A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Todd O. Williams December 2007 Dissertation written by Todd O. Williams B.A., Ohio University, 1998 M.A., University of New Mexico, 2001 Ph.D., Kent State University, 2007 Approved by Mark Bracher, Professor of English, Chair, Doctoral Dissertation Committee Ronald Corthell, Professor of English, Members, Doctoral Dissertation Committee Tammy Clewell, Associate Professor of English Gene Pendleton, Associate Professor of Philosophy Nancy Docherty, Professor of Psychology Accepted by Ronald Corthell, Chair, Department of English John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS List of Figures…………………………………………………………………….……….v List of Tables……………………………………………………………………………..vi Introduction: Poetry Therapy and its Relevance to the Classroom………………………..1 Part I: Poetic Renewal and Reparation Chapter I: Overcoming Defenses: Poetic Confrontation with the Ego………………….…8 Awareness through Poetry………………………………………………...8 Defenses as Obstacles……………………………………………………..9 Defense versus Coping..............................................................................13 Poetry the Anti-Defense……………………………………………….....18 II: Projective Identification in the Classroom I: Teacher/Student Dynamics……26 The Three Objects of the Classroom…………………………………….26 The Student/Teacher Relationship……………………………………….27 -
The Cambridge Companion to Nabokov Edited by Julian W
Cambridge University Press 052153643X - The Cambridge Companion to Nabokov Edited by Julian W. Connolly Frontmatter More information The Cambridge Companion to Nabokov Vladimir Nabokov held the unique distinction of being one of the most impor- tant writers of the twentieth century in two separate languages, Russian and English. Known for his verbal mastery and bold plots, Nabokov fashioned a literary legacy that continues to grow in significance. This volume offers a con- cise and informative introduction to the author’s fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer’s legacy, from his early contributions as a poet and short- story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov’s narrative strategies, the evolution of his worldview, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer’s life and a guide to further critical reading. © Cambridge University Press www.cambridge.org Cambridge University Press 052153643X - The Cambridge Companion to Nabokov Edited by Julian W. Connolly Frontmatter More information THE CAMBRIDGE COMPANION TO NABOKOV EDITED BY JULIAN W. CONNOLLY University of Virginia © Cambridge University Press www.cambridge.org Cambridge University Press 052153643X - The Cambridge Companion to Nabokov Edited by Julian W. Connolly Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521536431 C Cambridge University Press 2005 This book is in copyright. -
97Th Infantry Division
Memoirs of WWII –97th Infantry Division It has been the experience of all veterans that time brings a blurring of detail, that memories are less exact after events, and that first hand recordings in print on the spot serve best to put down in black and white what happened. ~ Unknown writer. REFLECTIONS ON THE 97TH INFANTRY DIVISION On his 90th Birthday Brigadier General Sherman V Hasbrouck As Told to J.W. Redding 18th June 1988 PREFACE The 97th Infantry Division was originally organized in September, 1918, and saw action in France during WWI. It was demobilized 20 November of the same year and reconstituted as an organized reserve unit. The Division was reactivated 25 February 1943 at Camp Swift, Texas, under the command of Maj Gen Louis A Craig. Brig Gen Julien Barnes was the Division Artillery Commander. The 303d Inf Regt and the 303d FA Bn were the only units with the reactivated division that can boast of battle streamers from World War I. The Division went through basic and unit training at Camp Swift. It took their physical fitness test there. The artillery battalions took their AGF firing test at Camp Bowie, Texas. During the latter part of October, 1943, the Division departed Camp Swift for the Louisiana Maneuver area, spending the next 3 months in the field on division exercises. Following the Louisiana Maneuver period, the Division was transferred to Ft. Leonard Wood, Missouri where it continued with unit training. While at Ft Leonard Wood, Gen Craig was assigned to the command of the 23d Corps which he relinquished to take command of a combat division in Europe. -
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film Barbara Elisabeth Wyllie School of Slavonic and East European Studies, University College London For the degree of PhD 2 0 0 0 ProQuest Number: 10015007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015007 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Twentieth-century American culture has been dominated by a preoccupation with image. The supremacy of image has been promoted and refined by cinema which has sustained its place as America’s foremost cultural and artistic medium. Vision as a perceptual mode is also a compelling and dynamic aspect central to Nabokov’s creative imagination. Film was a fascination from childhood, but Nabokov’s interest in the medium extended beyond his experiences as an extra and his attempts to write for screen in Berlin in the 1920s and ’30s, or the declared cinematic novel of 1938, Laughter in the Dark and his screenplay for Stanley Kubrick’s 1962 film version of Lolita. -
Silent Love the Annotation and Interpretation of Nabokov’S the Real Life of Sebastian Knight
Silent Love The Annotation and Interpretation of Nabokov’s The Real Life of Sebastian Knight Silent Love The Annotation and Interpretation of Nabokov’s The Real Life of Sebastian Knight GERARD DE VRIES Boston 2016 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. © 2016 Academic Studies Press All rights reserved ISBN 978-1-61811-499-0 (cloth) ISBN 978-1-61811-500-3 (electronic) Book design by Kryon Publishing www.kryonpublishing.com On the cover: Portrait of R.S. Ernst, by Zinaida Serebriakova, 1921. Reproduced by permission of the Nizhnii Novgorod State Art Museum. Published by Academic Studies Press in 2016 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com For Wytske, Julian, Olivia, and Isabel. -
Martin Amis on Vladimir Nabokov's Work | Books | the Guardian
Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... The problem with Nabokov Vladimir Nabokov's unfinished novella, The Original of Laura, is being published despite the author's instructions that it be destroyed after his death. Martin Amis confronts the tortuous questions posed by a genius in decline Martin Amis The Guardian, Saturday 14 November 2009 larger | smaller Vladimir Nabokov in Switzerland, in about 1975. Photograph: Horst Tappe/Getty Images Language leads a double life – and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs (LOOK LEFT), and so on. Then you enter your study, where language exists in quite another form – as the stuff of patterned artifice. Most writers, I think, would want to go along with Vladimir Nabokov (1899-1977), when he reminisced in 1974: The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) by Vladimir Nabokov 304pp, Penguin Classics, £25 1 of 11 11/15/09 12:59 AM Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... Buy The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) at the Guardian bookshop ". I regarded Paris, with its gray-toned days and charcoal nights, merely as the chance setting for the most authentic and faithful joys of my life: the coloured phrase in my mind under the drizzle, the white page under the desk lamp awaiting me in my humble home." Well, the creative joy is authentic; and yet it isn't faithful (in common with pretty well the entire cast of Nabokov's fictional women, creative joy, in the end, is sadistically fickle). -
Revisiting the Double Topos in Vladimir Nabokov's Lolita
“In a princedom by the sea”: Revisiting the double topos in Vladimir Nabokov’s Lolita Rudolf Sárdi, South Mediterranean University, Tunis, Tunisia Abstract Over the past three decades considerable scholarly attention has been paid to the works of Vladimir Nabokov, who has become one of the most widely disputed figures of twentieth- century American and Russian literature (partially) due to his verbal pyrotechnics and stylistic extravaganzas. For a long time, these attributes of his fiction were somewhat misguidedly viewed as the quintessence of the Nabokovian universe. In his fiction, Vladimir Nabokov has made extensive use of the double topos. While he is known to have used the double for parodic purposes, the present paper diverts from the traditional mode of interpretation by attempting to answer what motivated the author to develop a particular liking for the doppelganger, which he stoutly labelled as a “frightful bore.” It will be claimed that Nabokov’s force of circumstances and his conviction in a metaphysical and textual “otherworld” propelled him to revivify the double as a literary theme. It will be demonstrated that Lolita abounds in various forms of doubling; most importantly, Nabokov repeatedly alludes to Edgar Allan Poe, whose “Annabel Lee” recurs in the novel as a central rhetorical, framing, ordering, and fictionalizing device, illuminating the all- pervasive nature of the “otherworld” that moves the novel’s earlier interpretations to yet another dimension. Keywords: doppelgänger, literary tradition, displacement, parody, repetition, “otherworld” Introduction It is trotting out a hoary old literary chestnut that Vladimir Nabokov harbored a strong animus against the traditional topos of the doppelgänger in his fiction. -
Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2011 Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009 Juan Martinez University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, American Material Culture Commons, and the Literature in English, British Isles Commons Repository Citation Martinez, Juan, "Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1459. http://dx.doi.org/10.34917/3476293 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. NABOKOVILIA: REFERENCES TO VLADIMIR NABOKOV IN BRITISH AND AMERICAN LITERATURE AND CULTURE, 1960-2009 by Juan Martinez Bachelor of -
1. See Strong Opinions (New York: Mcgraw Hill, 1974) Pp. 51-52, 302 (Hereafter SO)
Notes 1 Introduction 1. See Strong Opinions (New York: McGraw Hill, 1974) pp. 51-52, 302 (hereafter SO). 2. See John Bayley, Selected Essays (Cambridge: Cambridge University Press, 1984), p. 175. 3. SO, p. 98. 4. SO, p. 184 (see also SO, p. 155). Malcolm Bradbury's lucid distinctions between two views of postmodernism have helped organize the argu ment in this paragraph. See his Saul Bellow (London: Methuen, 1982), pp. 16-18. 5. Contingency, [rony, and Solidarity (Cambridge: Cambridge University Press, 1989), p. 161, n. 26. 6. SO, p. 114. 2 Lives of a Young Emigre: Mary, Glory, and The Gift 1. All page references are to the American hardback editions, except where indicated: the page reference of the Russian original precedes the one to the translation. 2. See Arthur C. Danto, Nietzsehe as Philosopher (New York: Macmillan, 1965), pp. 209-13. 3. Speak, Memory: An Autobiography Reuisited (New York: Putnam, 1966), p.219. 4. For a useful summary of the distinguishing features of the Romantic movement, see Cedric Watts, APreface to Keats (London: Longman, 1985), pp. 74-75. 5. Brian Boyd, Vladimir Nabokov: The Russian Years (Princeton, NJ.: Princeton University Press, 1990), p. 361. The theme of the transcendent realm is explored in Boyd's two-volume biography and in Vladimir Alexandrov's Nabokov's Otherworld (Princeton, NJ.: Princeton University Press, 1991), two recent publications that should prove indispensable for readers of N abokov's work. 6. Those interested in Nabokov's life at Cambridge should consult Speak, Memory, Chapter 13, and Nabokov: The Russian Years, pp. 166-95, but there is also the delightful 'Universitetskaya poema [University 126 Notes 127 Poem]', Sovremennye Zapiski, 33 (1927), pp. -
Doktori Disszertáció Világok És Másvilágok Vladimir Nabokov
DOKTORI DISSZERTÁCIÓ VILÁGOK ÉS MÁSVILÁGOK VLADIMIR NABOKOV MŰVEIBEN SÁRDI RUDOLF 2013 Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar DOKTORI DISSZERTÁCIÓ SÁRDI RUDOLF VILÁGOK ÉS MÁSVILÁGOK VLADIMIR NABOKOV MŰVEIBEN WORLDS AND WORLDS APART IN VLADIMIR NABOKOV’S FICTION Az Irodalomtudományi Iskola vezetője: Dr. Kállay Géza DSc, egyetemi tanár A Modern Angol és Amerikai Irodalom Doktori Program vezetője: Dr. Péter Ágnes DSc, egyetemi tanár A bizottság elnöke: Dr. Hetényi Zsuzsa DSc, egyetemi tanár Hivatalosan felkért bírálók: Dr. Takács Ferenc PhD, egyetemi docens Dr. Pellérdi Márta PhD, egyetemi docens A bizottság további tagjai: Dr. Friedrich Judit CSc, egyetemi docens, a bizottság titkára Dr. Goldmann Márta PhD, főiskolai docens Dr. Kenyeres János CSc, egyetemi docens Dr. Gellért Marcell PhD, főiskolai docens Témavezető: Dr. Farkas Ákos PhD, habilitált főiskolai docens DOCTORAL DISSERTATION by Rudolf Sárdi Worlds and Worlds Apart in Vladimir Nabokov’s Fiction A doctoral dissertation submitted to the Faculty of Humanities of Eötvös Loránd University, Budapest in fulfillment of the requirements for the degree of Doctor of Philosophy by Rudolf Sárdi in 2013 Fall Semester Supervised by Dr. Ákos Farkas, Associate Professor Department of English Studies School of English and American Studies Modern English and American Literature Doctoral Program Doctoral School of Literature Headed by Prof. Dr. Géza Kállay Faculty of Humanities Eötvös Loránd University Budapest, Hungary Certificate of Research I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work.