Public Service in the Digital Environment: Theory and Practice
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Programmprofile Von Das Erste, ZDF, RTL, VOX, Sat.1 Und Prosieben Von Torsten Maurer, Anne Beier Und Hans-Jürgen Weiß*
Media 246 Perspektiven 5/2020 Ergebnisse der ARD/ZDF-Programmanalyse 2019 – Teil 1 Programmprofile von Das Erste, ZDF, RTL, VOX, Sat.1 und ProSieben Von Torsten Maurer, Anne Beier und Hans-Jürgen Weiß* Neukonzeption Der vorliegende Beitrag knüpft an die Strukturana- Kurz und knapp der kontinuierlichen lysen von öffentlich-rechtlichen und privaten Fern- • Die Programmstrukturanalyse wird als Sekundäranalyse der Programmforschung sehprogrammen an, die seit vielen Jahren von Udo AGF Programmcodierung durchgeführt. im Jahr 2019 Michael Krüger an dieser Stelle publiziert wurden. (1) • 2019 wurden sechs Sender untersucht: Das Erste, ZDF, RTL, VOX, Sie sind Teil der kontinuierlichen Fernsehprogramm- Sat.1 und ProSieben. forschung, die seit 1985 im Auftrag von ARD und ZDF durchgeführt wird. Die Methode der Programm- • Der Anteil der Informationsangebote am Gesamtprogramm lag bei analyse, die für das Untersuchungsjahr 2019 neu Das Erste und ZDF bei über 40 Prozent, bei den Privaten zwischen konzipiert wurde, wird in einem weiteren Beitrag 12 und 24 Prozent. ausführlich erläutert. (2) Im Fall der Strukturanalyse • Die journalistische Information wird quantitativ stark von Magazin- wurden gegenüber den bisherigen Erhebungen ver- sendungen geprägt. gleichsweise wenige methodische Veränderungen • Die Vielfalt der Sendungsformate ist bei Das Erste und ZDF vorgenommen: am größten. – Sie wird nach wie vor als Sekundäranalyse der Programmprotokolle und Programmcodierung der AGF Videoforschung durchgeführt. Strukturelle und empirische Rahmen- – Die Zahl der analysierten Programme wurde von bedingungen des Programmvergleichs fünf auf sechs erweitert: Hinzugekommen ist VOX, Im Rahmen der Programmstrukturanalyse werden die Rahmenbedingungen so dass nun jeweils zwei private Fernsehvollpro- sechs untersuchten Programme aus der Perspektive für öffentlich- gramme der RTL-Gruppe (RTL und VOX) und der des linearen Fernsehens analysiert und miteinander recht liche und ProSiebenSat.1-Gruppe (Sat.1 und ProSieben) verglichen. -
A Message That We All Share Title Sheet
A MESSAGE THAT WE ALL SHARE TITLE SHEET A message that we all share A research of the campaign ‘All that we share’ released in 2017 by TV 2 Denmark. In addition, an understanding of the Danish viewers' interaction with the message hereof and a view of the campaign in an international context. MASTER THESIS IN CULTURE, COMMUNICATION & GLOBALISATION 10th semester, June 2020. Aalborg University STUDENTS Cristian Voicu (20180685) Ida Marie Stenumgaard (20181122) SUPERVISOR Birthe Mousten Nielsen CHARACTERS: 281,574 PREFACE The thesis is made from an interest concerning a Danish TV networks’ decision to use the message of connectedness and diversity as part of their brand identity. We find is interesting to research why TV 2 decided to do this and further, how they did it. In addition to this, we want to see how the Danish consumers interact with this message and, given the large international response to the campaign and its message, we also want to investigate the international viewers' perception of the campaign. We want to give a special thanks to the 12 respondents and to Vicky Wassman Dahi who participated in our data collection and contributed with interesting and essential meanings and insights to our research. Further, we want to thank our supervisor, Birthe, for her perspectives and constructive feedback. We hope you enjoy the reading. Abstract Today companies employ increasingly more complex branding strategies as they try to keep up with the competition and with the evolving needs and behaviours of consumers. Brand managers are turning to using cultural or ideological principles as the core of their branding efforts. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
Power, Communication, and Politics in the Nordic Countries
POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES POWER, COMMUNICATION, POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES The Nordic countries are stable democracies with solid infrastructures for political dia- logue and negotiations. However, both the “Nordic model” and Nordic media systems are under pressure as the conditions for political communication change – not least due to weakened political parties and the widespread use of digital communication media. In this anthology, the similarities and differences in political communication across the Nordic countries are studied. Traditional corporatist mechanisms in the Nordic countries are increasingly challenged by professionals, such as lobbyists, a development that has consequences for the processes and forms of political communication. Populist polit- ical parties have increased their media presence and political influence, whereas the news media have lost readers, viewers, listeners, and advertisers. These developments influence societal power relations and restructure the ways in which political actors • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, & Lars Nord • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard communicate about political issues. This book is a key reference for all who are interested in current trends and develop- ments in the Nordic countries. The editors, Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, and Lars Nord, have published extensively on political communication, and the authors are all scholars based in the Nordic countries with specialist knowledge in their fields. Power, Communication, and Politics in the Nordic Nordicom is a centre for Nordic media research at the University of Gothenburg, Nordicomsupported is a bycentre the Nordic for CouncilNordic of mediaMinisters. research at the University of Gothenburg, supported by the Nordic Council of Ministers. -
Media Development 2019
MEDIA DEVELOPMENT 2019 DR Audience Research Department’s annual report on the development of use of electronic media in Denmark Content Intro · page 3 About value and volume Chapter 1 · page 5 Calm before the media storm Chapter 2 · page 13 Streaming toddlers Chapter 3 · page 16 The path through the streaming jungle Chapter 4 · page 20 A new generation’s music discovery Chapter 5 · page 24 The past media year Chapter 6 · page 27 Breaking news: The Danes still watch TV news Chapter 7 · page 31 Value in a new media reality Chapter 8 · page 34 Record many mature streamers Chapter 9 · page 38 Esports on the edge of the big breakthrough Chapter 10 · page 43 This app would like to send you notifications Chapter 11 · page 46 Women are from Kanal 4, Men are from TV3 Max 2019 About value and volume It buzzes and hums in the pockets of the Danes. The eternal battle for the users’ attention has gradually had the result that we have started removing the worst disturbances from our mobiles. Notifications may be a good thing as long as they provide value and are relevant, but it is also found that far from all disturbances are worth the attention. Because what is actually worth the time? BY DENNIS CHRISTENSEN When glancing at my mobile, the first thing I see is the breaking news about Brex- it. Before I even get to open the news, the notification is replaced by a reminder from my calendar about a meeting. Both Instagram and Twitter also want my atten- tion, and on Messenger I have received a message from my wife. -
Programmprofile Von Das Erste, ZDF, RTL, VOX, Sat.1 Und Prosieben Von Torsten Maurer, Matthias Wagner Und Hans-Jürgen Weiß*
Media 240 Perspektiven 4/2021 Ergebnisse der ARD/ZDF-Programmanalyse 2020 – Teil 1 Programmprofile von Das Erste, ZDF, RTL, VOX, Sat.1 und ProSieben Von Torsten Maurer, Matthias Wagner und Hans-Jürgen Weiß* Mit dem vorliegenden Beitrag wird die 2019 neu gorien dieser Strukturanalyse sind vor allem Pro- konzipierte ARD/ZDF-Programmanalyse für das Un- grammsparten und Sendungsformate, mit deren tersuchungsjahr 2020 fortgeschrieben. (1) In der seit Hilfe die Angebote der sechs Fernsehprogramme 1985 durchgeführten Langzeitstudie wurden von beschrieben und miteinander verglichen werden Anfang an die Programmstrukturen und mit zuneh- können. mender Differenzierung die Informationsangebote der Fernsehprogramme analysiert, die in Deutschland die Kurz und knapp größten Zuschauerreichweiten erzielen. Seit etwa 20 Jahren werden zwei separate Teilstudien zu die- • Der erste Teil der Programmanalyse 2020 belegt weitgehende sen beiden Forschungsschwerpunkten durchgeführt: Kontinuität bei den Strukturen der Fernsehprogramme. Die Programmstrukturen zunächst von fünf und seit • Auch die Coronakrise zeigt – auf das gesamte Jahr bezogen – nur 2019 von sechs Sendern werden im Rahmen einer geringe Effekte auf die Zusammensetzung der sechs untersuchten Jahresvollerhebung anhand der Programmprotokolle Programme. und Programmcodierung der AGF Videoforschung • Das deutliche Übergewicht der Informationsangebote in den untersucht (Teilstudie 1). Zusätzlich werden im Rah- öffentlich-rechtlichen Programmen gegenüber den privaten bleibt men einer vier Programmwochen umfassenden bestehen. Stichprobenerhebung Umfang, Struktur und Inhalte • Auffällig ist die Zunahme an aktuellen Sondersendungen in allen der Informationsangebote in vier Fernsehprogram- Programmen. men anhand von TV-Aufzeichnungen analysiert (Teil- • Die Analyse der Angebote nach Tagesabschnitten zeigt Unterschiede studie 2). Im Folgenden werden die Befunde der in der Programmpolitik der Sender. ersten Teilstudie zum Untersuchungsjahr 2020 vor- gelegt. -
Hacia Una Reforma Integral Dei Sector De La Televisión En Espana Towards Integral Reforms of the Sector of the Television in Spain
Hacia una reforma integral dei sector de la televisión en Espana Towards integral reforms of the sector of the television in Spain Marta Roei Profesora de Políticas y Estrategias de la programación audiovisual, Facultadde Ciencias Socialesy de la Comunicación, Universidad Católica San Antonio de Murcia. Coordinadora dei programa de dOdorado en Ciencias de la Comunicación. Correo eledrónico: [email protected] Resumo Neste artigo tenta-se oferecer uma visão panorâmica sobre o setor da televisão generalista na Espanha. Há duas grandes considerações: um primeiro bloco explanatório sobre as origens da televisão e de sua evolução até 2004, com uma incidência especial na configuração da televisão, do serviço público e na desregulamentação do setor. E um segundo bloco são explicadas as reformas implantadas na televisão espanhola a partir de 2004, periodo que coincide com uma mudança eleitoral. Palavras-chave: Políticas da televisão, Espanha, televísão digital, índices de televisão. Introducción particular para cada ámbito de cobertura (Écija, 2005: 26). EI 14 de marzo de 2004, tras En este artículo se pretende unas elecciones democráticas ofrecer una visión panorámica condicionadas por los atentados acerca deI sector de la televisión I terroristas en Madrid deI ll-M , el generalista en Espana. Se han Partido Socialista Obrero Espanol planteado dos grandes apartados: un (PSOE) presidido por José Luís primer bloque explicativo sobre los Rodríguez Zapatero se hace con el orígenes de la televisión y su gobiemo en Espana, tras ocho anos evolución hasta 2004, haciendo de gobiemo Popular deI conservador especial incidencia en la José María Aznar. 1 EI 11 de marzo de 2004 ha configuración de la televisión como pasado ya a la historia de Espana Desde entonces, el nuevo servicio público y en la desregulación como 11-M. -
Herefore Block Exempted
EFTA ESA Surveillance Authority Brussels, 13 December 2019 Case No: 82920 Document No: 1093911 Discovery Networks Norway AS Advokatfirmaet Wiersholm AS Attn: Thomas Naalsund Postboks 1400 Vika 0115 Oslo Norway By registered mail Subject: Alleged unlawful aid to TV 2 Dear Mr. Naalsund, 1 Summary (1) The EFTA Surveillance Authority ("the Authority”) informs you that, having assessed the agreement between the Ministry of Culture and TV 2 AS ("TV 2”), under which TV 2 is granted compensation for providing public broadcasting services ("the measure”), the Authority concludes that the measure falls under the SGEI Decision1 and is therefore block exempted. Consequently, your complaint is rejected as unfounded. (2) The Authority has based its assessment on the following considerations. 2 Procedure (3) By letter dated 12 December 2018,2 Discovery Networks Norway AS ("the complainant” or "Discovery”) lodged a complaint against the measure. (4) The Norwegian authorities submitted their comments to the complaint by letter dated 19 February 2019.3 1 Commission Decision 2012/21/EU of 20 December 2011 on the application of Article 106(2) of the Treaty on the Functioning of the European Union to State aid in the form of public service compensation granted to certain undertakings entrusted with the operation of services of general economic interest (OJ L 7, 11.1.2012, p. 3). Referred to at point 1h of Annex XV to the EEA Agreement, see EEA Joint Committee Decision No 66/2012 of 30.3.2012. 2 Document No 1043260. 3 Document No 1053237. ■_________________________________________________________________________ Rue Belliard 35, B-1040 Brussels, tel: +32 2 286 18 11, www.eftasurv.int Page 2 EFTA Surveillance Authority (5) The Authority requested information from the Norwegian authorities by letter dated 2 April 2019,4 and the Norwegian authorities replied on 14 June 2019.5 (6) The Authority discussed the case with the Norwegian authorities in a video conference on 15 May 2019 and at the annual package meeting in Oslo on 27 September 2019. -
2010 Twitter: #PE10 #TVD01
TV DOCUMENTARY 01 Leuven Hulp At the beginning of 2009 a number of prisoners from the Leuven Help auxiliary prison in Leuven took part in a theatre workshop. The improvisations and rehearsals within the prison walls were filmed over a period of three months, culminating in a performance in front Belgium of an audience. For three months prisoners were filmed, often day and night - including in the cells, in which they were locked up 22 hours a day. The viewers are thus privileged witnesses of the day-to-day life of Entering organisation: Nico, Bogdan, Dilges, Christos, Peter, Antonio and Ali. They see Vlaamse Radio- en Televisieomroep - VRT them as they walk round the prison courtyard, as they go about the Contact: Franky Audenaerde tasks they are given to do and in their cells. They see them during Email: [email protected] the day, but also during the long nights. They observe their troubled relationship with the outside world, their often hopeless situations Author/s: and their survival strategies. Joeri Weyn, Yoohan Leyssens, Luc Haekens As a viewer you are constantly subjected to a conflict of feelings: on Directors: Joeri Weyn, Yoohan Leyssens, Luc Haekens the one hand you empathise with the person, on the other hand you Camera: Joeri Weyn & Yoohan Leyssens cannot avoid the reprehensible, often violent deeds of the criminal. Commissioning editor: Michel Vanhove Nico says to theatre-maker Thomas, ‘You often say ‘experienced’ but Email: [email protected] you should see it as ‘committed’. Dilges raps in his cell, ‘You know, Production company: Woestijnvis but you do it anyway, yo’. -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Broadcasting
Broadcasting tpc zürich ag: sport studio; control room 1, 2, 3, VR1, VR2 Zurich, Switzerland TSR Télévision Suisse Romande Geneva, Switzerland References: AURUS & NEXUS/NEXUS STAR TVE Radio Televisión Espanola: A4 Studio, Studio 10 + 11 Madrid, Spain Antena 3 Madrid (TV) Madrid, Spain (9 Main Consoles) WDR Westdeutscher Rundfunk: »Philharmonic Hall«; dubbing studio Astro (Malaysian satellite television): HD Sport channel; U+V (2 Main Consoles); dubbing studio S (2 Main Consoles); FS con- TV Studio 1, 2, 3 Kuala Lumpur, Malaysia trol room AB, Studio E Cologne; Studio B1/2 Bocklemund; dubbing Anhui TV 1000 m² + 1200 m² Studio Hefei-Anhui, China Dusseldorf Germany (2 Main Consoles) studio 1 + 2 BBC Scotland: Studio A & C Glasgow, United Kingdom BR Bayerischer Rundfunk: FM 1, FM 3 (TV); Radio Studio 1 + 2, References: CRESCENDO & NEXUS/NEXUS BR Residenz Munich; FS Studio Franken Nuremberg, Germany STAR Canal 9 Valencia, Spain ASTRO: HD Sport channel, Arena Studio Kuala Lumpur, Malaysia CCTV: Hall 1 + Studio 9 Beijing, China (3 Main Consoles) (2 Main Consoles) Crow TV Studio Tokyo, Japan Anhui TV: 1000 m²- + 1200 m² studio Hefei-Anhui, China (2 Main Deutschlandradio Berlin, Cologne, Germany Consoles) Deutsche Welle TV: Audio-control room 3 Berlin, Germany CCTV: news studios 06 + 07 Beijing, China (7 Main Consoles) FM 802: Radio Osaka, Japan (4 Main Consoles) Hangzhou TV Hangzhou, China (3 Main Consoles) France 2: TV Studio C; News Studio Paris, France HR Hessischer Rundfunk: TV control room 2 Frankfurt/Main; Fuji TV: DAV Studio; Studio A Tokyo, -
Dreamhack Signs Three-Year Agreement for ESL Pro Tour with TV 2
DreamHack signs three-year agreement for ESL Pro Tour with TV 2 Denmark TV2 Denmark has acquired Danish rights to DreamHack and ESL’s CS:GO tournament circuit, ESL Pro Tour, for 2020-2023 STOCKHOLM – Today, DreamHack and ESL (both part of Modern Times Group MTG AB) announced that TV2 Denmark has acquired the Danish rights to the companies’ joint Counter-Strike: Global Offensive (CS:GO) tournament circuit, ESL Pro Tour, which was announced earlier this year. TV 2 Denmarks acquisition follows a partnership between DreamHack, ESL, and TV 2 Denmark initiated at the beginning of 2019 and includes DreamHack’s renowned CS:GO tournaments DreamHack Open and DreamHack Masters. The agreement is a three-year deal starting in 2020 and expiring February 2023, thus bringing the recently announced ESL Pro Tour in Counter-Strike: Global Offensive (CS:GO) to a broad Danish audience. "It is very important to us that the viewers at home get just as great an experience as the on-site audience when watching DreamHack Open and DreamHack Masters", said Peter Nørrelund, co-CEO, DreamHack. "Over this past year, TV 2 Denmark has shown that they are able to provide the Danish audience with just that, a great experienced based on a combination of their high-quality production, a dedicated team, and our content. We are therefore excited to announce this new agreement which will make TV 2 Denmark the go-to source for DreamHack CS:GO content until 2023. This is a strong testament to the attractiveness of the new ESL Pro Tour, which has the potential to revolutionize the world of competitive esports, and significantly lower barriers for advertisers and broadcasters to engage with esports as a channel to reach their key audiences." As part of the agreement TV 2 has platform-neutral exclusive rights in the Danish language.