Active Members Broadcasters Which Are Part of Prix Italia's History
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												Nhk World Tv | Asia 7 Days
NHK WORLD TV | ASIA 7 DAYS Home News TV Radio & Podcast Japanese Select language Lessons Corporate Info Sitemap Contact Us FAQ Home > TV > ASIA 7 DAYS TV Programs ASIA 7 DAYS TV Schedule TV Schedule View Full Schedule Program Info Archives How to Watch Other TV Program Anchors & Programs by Genre Reporters Program A-Z Sun. 14:10 - 14:40 (UTC) etc. FAQ Recommended Asia is a region of multiple ethnicities and What kind of channel is diverse culture. Each region has its own social NHK WORLD TV? / What structures and political systems, differs in the kind of channel is NHK stages of their development. ASIA 7 DAYS WORLD PREMIUM? / What wraps up major issues of Asia, in relation to is the difference between Hosted by Susumu Shimokawa the news occurred in that week. NHK WORLD TV and NHK English WORLD PREMIUM? NEWSLINE How Can I receive NHK Topics of the Week: Broadcasting every WORLD TV and NHK day on the hour WORLD PREMIUM? Mar. 27, Sun. 14:30 - 15:00 (UTC) etc. every hour Great Japan Quake: View from Asia Broadcast every day, FAQ List NEWSLINE provides Many foreigners from other parts of Asia are affected by the March 11 earthquake and detailed updates on the tsunami. Tens of thousands of Chinese, Filipinos and Thais live in the Tohoku disaster zone, ever-changing news in an easy-to-follow manner, where 25,000 people are so far believed dead or missing. For many of the foreign survivors -- focusing mainly on Japan workers, students and spouses -- the ordeal is far from over. - 
												
												Radni Materijal 8 Javni Mediji
! verzija od 20. siječnja 2015. Radni materijali za raspravu o medijskoj politici Republike Hrvatske 2015 – 2020 Prvi dio Nacionalni izvještaj o medijima Radni materijal 8 Javni mediji 1 Javni mediji ............................................................................................................ 3 Radni materijal 8. 1 - Hrvatska izvještajna novinska agencija .......................... 5 Opseg i struktura proizvodnje ......................................................................................... 5 Rad u Hini ....................................................................................................................... 7 Financije .......................................................................................................................... 8 Zakon o Hini .................................................................................................................. 13 Radni materijal 8. 2. - Hrvatska radiotelevizija ................................................. 16 Rad na HRT-u ............................................................................................................... 19 Financije ........................................................................................................................ 34 Zakoni o HRT-u ............................................................................................................. 54 Program HRT-a ............................................................................................................. 80 2 Javni mediji Nakon - 
												
												La Cadena SER En Facebook: Nuevas Estrategias De Interacción
Fonseca, Journal of Communication La Cadena SER en Facebook: nuevas estrategias de interacción con la audiencia Ramos del Cano, Fátima La Cadena SER en Facebook: nuevas estrategias de… ISSN: 2172-9077 LA CADENA SER EN FACEBOOK : NUEVAS ESTRATEGIAS DE INTERACCIÓN CON LA AUDIENCIA Cadena SER in Facebook: new interaction strategies with audience Fátima RAMOS DEL CANO Doctoranda. Profesora de Periodismo en la Universitat Jaume I de Castellón [email protected] BIBLID [(2172-9077)6,2013,111-134] Fecha de recepción del artículo: 04/05/2013 Fecha de aceptación definitiva: 22/05/2013 RESUMEN El actual contexto periodístico ha consolidado a las redes sociales como nuevas y determinantes herramientas de comunicación e interacción con los usuarios. En este sentido, este artículo tiene por objeto analizar de qué manera la tradicional participación de la audiencia en el medio radiofónico se ha visto afectada por su implantación, centrando nuestro objeto de estudio en el perfil de Facebook (la red de mayor audiencia en España y una de las más significativas a nivel internacional) de los programas informativos de la Cadena SER: "A Vivir que son dos días", "Hora 25", "Hoy por Hoy" y "La Ventana". Partiendo de la hipótesis de su infrautilización y aplicando el análisis de contenido, se ha estudiado la actividad de estos programas en sus cuentas de Facebook. Los resultados certifican cómo la emisora no potencia la interacción con los oyentes a través de sus redes sociales. La audiencia, sin embargo, sí que emplea estas plataformas para relacionarse entre sí. La llegada de este medio social, por tanto, ha favorecido y promocionado dinámicas de participación que, a diferencia de las tradicionales, no son impulsadas, ni canalizadas por el medio radiofónico sino por los propios oyentes. - 
												
												PORTO, PORTUGAL June 21St to 23Rd, 2001
CIRCOM REGIONAL CONFERENCE REPORT PORTO, PORTUGAL June 21st to 23rd, 2001 PRIX CIRCOM REGIONAL 2001 Copro workshops CR Conference 2001 Report on the Television Journalism Workshop file:///D|/CIRCOM/WWW/2001/1.html (1 of 2) [25.3.2003 10:48:45] CIRCOM REGIONAL This year's Annual Conference of Circom Regional was hosted by RTP, the Portuguese national broadcaster, in Porto, the 2001 European capital of culture. The city presented itself to the more than 250 participants from all over Europe at its best, providing them excellent facilities for their work and sessions, as well as cultural top-events, food and wine worth to be remembered, spotless sunshine,… The RTP staff excelled as a brilliantly efficient, as well as polite and hospitable team. file:///D|/CIRCOM/WWW/2001/1.html (2 of 2) [25.3.2003 10:48:45] CIRCOM regional . PORTO 2001 CONFERENCE REPORT Thursday, June 21, 2001 9.30 - 10.30 OPENING CEREMONY Responsible: Djalme Neves, RTP, CR Vice-President, Portugal Speakers: Lefty Kongalides, CR President, Greece Nuno Cardoso, Mayor of Porto, Portugal Dr. Pacheco Pereira, Vice-President of the European Parliament Dr. Teresa Lago, Chair of Porto 2001 - European Capital of Culture Dr. Joao Carlos Silva, President of RTP, Portugal Mr. Djalme Neves and Dr. Joao Carlos Silva initially warmly welcomed all participants and Mr. Silva shortly presented RTP, the Portuguese public service broadcaster and its activities. Mr. Nuno Cardoso, Mayor of Porto described Porto as a liberal city with a dynamic television scene. He also stated that regional television has an important role in the future of the audio- visual industry. - 
												
												Giovanni Ridolfi RAI – Technological Strategies
Global Forum - Shaping the future Venezia, 5-6 November 2007 “Towards HDTV and beyond …” Giovanni Ridolfi RAI – Technological Strategies Strategie Tecnologiche 1 Summary 9From TV to HDTV 9Technological developments 9Value chain impacts 9Beyond HDTV Strategie Tecnologiche 2 TV is a long-standing improving technology Berlin Olympic games (1936): 180 rows HD BBC (1937): 405 rows NTSC (1949): 525 rows PAL (1963): 625 rows SD HDTV: 1000 rows Strategie Tecnologiche 3 HDTV facts 9 Spatial resolution: ) 576 x 768 → 1080 x 1920 9 Wide format: ) 4/3 → 16/9 9 Rich audio: 9 Uncompressed = 1.5Gbps ) Stereo → Multichannel 9 Compressed 9 Stability of images: ) MPEG-2 = 18 Mbps ) MPEG-4 AVC = 9 Mbps ) 25 → 50 fps ) Interlaced → progressive HDTV experience requires high bandwith and new equipments to be really enjoyed ! Strategie Tecnologiche 4 Public Broadcasters are supposed to pioneer technology 9 In early 80s RAI pioneered HDTV production: ) 1983: “Arlecchino” (cinematography by Vittorio Storaro); ) 1986: “Giulia and Giulia” (directed by Peter Del Monte); 9 In 1986, RAI and NHK jointly performed technical tests and demonstrations with early HDTV system; 9 In 1990 (Italia-90 World Soccer Cup) RAI transmitted 17 games in HDTV with the first digital compression system via satellite (joint project Rai Research Center – Telettra)); 9 In 2006 (Turin Olympic Winter Games) RAI was the first worldwide broadcaster to transmit HDTV and Mobile TV combined on a single digital terrestrial channel. Strategie Tecnologiche 5 RAI for HDTV now 9 High quality productions, - 
												
												A Natale E in Ocasione Della Campagna Mediaset
OSSERVATORIO DI PAVIA - DONO E DINTORNI NELL’INFORMAZIONE IN ITALIA Analisi delle notizie di: TG1 20.00, TG2 20.30 TG319.00, TG4 18.55, TG5 20.00, Studio Aperto, 18.30, TG LA7 19.55 IN 12 MESI Notizie rilevate 0,34% del totale 56.823 NOTIZIE REGISTRATE 198 PERTINENTI PICCHI DI ATTENZIONE A NATALE E IN OCASIONE DELLA CAMPAGNA MEDIASET LA FABBRICA DEL SORRISO LUGLIO 2015 – GIUGNO 2016 Fonte: OSSERVATORIO DI PAVIA OSSERVATORIO DI PAVIA - DONO E DINTORNI NELL’INFORMAZIONE IN ITALIA Analisi delle notizie di: TG1 20.00, TG2 20.30 TG319.00, TG4 18.55, TG5 20.00, Studio Aperto, 18.30, TG LA7 19.55 14000 11896 L’AGENDA: 12000 56.823 NEWS GENERALI 198 NEWS SUL DONO IL DONO 10000 È TRASVERSALE 9100 AI VARI TEMI DELLA 8000 7691 AGENDA DEI TELEGIORNALI 6277 6000 5563 IL DONO 4999 SUPERA LA SOGLIA 140 D E L L A N O T I Z I A B I L I T À 120 4000 P R E V A L E N T E M E N T E 100 115 AL TRAINO DI: 80 2030 Totale 2000 60 QUESTIONI 40 1299 982 SOCIALI 20 21 29 12 SPETTACOLO, 0 0 CRONACA SCIENZE E SALUTE Cronaca Cronaca Economia LUGLIO 2015 – GIUGNO 2016 Politica interna Politica Scienza e Salute Fonte: OSSERVATORIO DI PAVIA Ambiente e natura Ambiente e natura Costume e società Costume Cultura, Spettacolo, Spettacolo, Cultura, Condizioni del tempo Condizioni Esteri e politica estera Esteri e politica estera Questioni Sociali e Legali Questioni Sociali e Legali OSSERVATORIO DI PAVIA - DONO E DINTORNI NELL’INFORMAZIONE IN ITALIA Analisi delle notizie di: TG1 20.00, TG2 20.30 TG319.00, TG4 18.55, TG5 20.00, Studio Aperto, 18.30, TG LA7 19.55 Distribuzione - 
												
												Memoria 2010
MEMORIA 2010 ASOCIACIÓN DE FIBROMIALGIA Y SÍNDROME DE FATIGA CRÓNICA DE SALAMANCA (AFIBROSAL) ÍNDICE I. AFIBROSAL: IDIOSINCRASIA DE LA ASOCIACIÓN Y NUEVA SEDE p.5 II. ACTIVIDADES DESARROLLADAS p.6 II.1. TERAPIA COGNITIVO CONDUCTUAL p.6 II.2. TALLER DE MEMORIA p.10 II.3. FISIOTERAPIA p.15 II.4. YOGA p.17 II.5. CURSO DE INICIACIÓN A LA INFORMÁTICA p.20 II.6. MUSICOTERAPIA p.22 II.7. REFLEXOTERAPIA p.26 II.8. NATACIÓN TERAPEÚTICA p.28 II. 9. TALLER DE MANUALIDADES p.31 II. 10. OSTEOPATÍA p. 33 2 II. 11. RISOTERAPIA p. 35 II.12. SERVICIO DE APOYO PSICOLÓGICO p. 42 II.13. PROGRAMA DE PREVENCIÓN DE LA DEPENDENCIA p. 44 III. VIDA ASOCIATIVA p. 45 IV. CONGRESOS Y JORNADAS p. 49 V. FEDERACIÓN CASTELLANO-LEONESA DE FIBROMIALGIA Y SÍNDROME DE FATIGA CRÓNICA (FFISCYL) p. 61 VI. NOTICIAS p. 62 VII. SERVICIO DE ATENCIÓN AL PÚBLICO p. 66 VIII. SERVICIO DE INFORMACIÓN DE SERVICIOS SOCIALES p. 70 IX. SERVICIO DE PRENSA Y DOCUMENTACIÓN p. 71 X. CONVENIOS p. 72 3 XI. BIBLIOTECA p.73 XII. DIVULGACIÓN Y PUBLICIDAD DE LA ASOCIACIÓN p.75 XIII. COLABORADORES p.76 XIV. RECURSOS p.77 XV. AGRADECIMIENTOS p.78 4 I. AFIBROSAL: IDIOSINCRASIA DE LA ASOCIACIÓN AFIBROSAL, en su objetivo constante de lograr una mejora de la calidad de vida de las personas con fibromialgia y/o con síndrome de fatiga crónica, ofrece una serie de actividades destinadas a conseguir esta finalidad al tiempo que proporciona a los afectados una atención individualizada según sus necesidades de atención psicológica. Durante el año 2010 las actividades ofrecidas por la Asociación se han incrementando debido al aumento de su número de socios/as y de las demandas formuladas por estos. - 
												
												PRIX ITALIA 2016 Curriculum Vitae of Jury Member NAME and SURNAME NATASA VUKAS-STANOJKOVSKI COUNTRY CROATIA ORGANISATION H
PRIX ITALIA 2016 Curriculum Vitae of Jury Member NAME AND SURNAME NATASA VUKAS-STANOJKOVSKI COUNTRY CROATIA ORGANISATION HRT – HRVATSKA RADIOTELEVIZIJA TITLE JOURNALIST/EDITOR/HOST – CULTURE PROGRAM JURY TV PERFORMING ARTS Nataša Vukas-Stanojkovski was born in 1972 in Pula, Croatia. She graduated with a major in comparative literature and phonetics at the University of Zagreb. She has been working as a journalist and editor at Croatian Radiotelevision (HRT) since 1999 in the Program for Culture and Arts, covering film festivals, music, art, theater and literary events. In 2014, she became editor of the renowned and only film show “Posebni dodaci” on HTV, hosting prominent film critics and artists. The show has hosted great film authors like Istvan Szabo, Volker Schlondorff and others. PRIX ITALIA 2016 Curriculum Vitae of Jury Member NAME AND SURNAME VERONIKA SLAMOVA COUNTRY CZECH REPUBLIC ORGANISATION CTV TITLE EXECUTIVE PRODUCER DEPARTMENT OF MUSIC - THEATRE AND CHILDREN'S PROGRAMMING JURY TV PERFORMING ARTS 1994-2001 FAMU Film School - film management 1998-2012 Freelance Production Manager - feature films/international productions (working with Terry Gilliam, Brian Helgeland, Luc Besson etc.) since 2013 Ceska Televize; Executive Producer - documentaries, music and performing arts, children programming; Dramaturgy – documentaries. PRIX ITALIA 2016 Curriculum Vitae of Jury Member NAME AND SURNAME CORALIE PETIT COUNTRY FRANCE ORGANISATION ARTE FRANCE TITLE POST-PRODUCTION MANAGER JURY TV PERFORMING ARTS Since 2006: Post-production manager - ARTE France Performing Arts 2001 - 2006: Post-production manager for severals ARTE France departments (society documentary, cinema...) 1994 - 2001: Production assistant for HISTOIRE PARALLELE - History: documentary/series for ARTE 1988 – 1993: Production assistant for institutional programms 1985 - 1988: University Paris Sorbonne - Audio visual. - 
												
												Increased Transparency and Efficiency in Public Service Broadcasting
Competition Policy Newsletter Increased transparency and efficiency in public service AID STATE broadcasting. Recent cases in Spain and Germany (1) Pedro Dias and Alexandra Antoniadis Introduction The annual contribution granted to RTVE was made dependent upon the adoption of measures Since the adoption of the Broadcasting Communi- to increase efficiency. The Spanish authorities cation in 200, the Commission followed a struc- commissioned a study on the financial situation tured and consistent approach in dealing with of RTVE which revealed that the — at the time numerous complaints lodged against the financ- — existing workforce exceeded what was neces- ing of public service broadcasters in Europe. It sary for the fulfilment of the public service tasks. reviewed in particular the existing financing Agreement could be reached between the Span- regimes and discussed with Member States meas- ish authorities, RTVE and trade unions on a sig- ures to ensure full compliance with the EU State nificant reduction of the workforce through early aid rules. The experience has been positive: Sev- retirement measures. The Spanish State decided to eral Member States have either already changed or finance these measures, thus alleviating RTVE of committed themselves to changing the financing costs it would normally have to bear. The savings rules for public service broadcasters to implement in terms of labour costs and consequently pub- fundamental principles of transparency and pro- lic service costs of RTVE exceeded the financial portionality (2). burden of the Spanish State due to the financing of the workforce reduction measures. The Com- The present article reviews the two most recent mission approved the aid under Article 86 (2) EC decisions in this field which are examples of Treaty, also considering the overall reduction of increased efficiency and transparency in public State aid to the public service broadcaster (). - 
												
												Nordic Drama
NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22. - 
												
												Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. - 
												
												European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36