Broadcasting

Total Page:16

File Type:pdf, Size:1020Kb

Broadcasting Broadcasting tpc zürich ag: sport studio; control room 1, 2, 3, VR1, VR2 Zurich, Switzerland TSR Télévision Suisse Romande Geneva, Switzerland References: AURUS & NEXUS/NEXUS STAR TVE Radio Televisión Espanola: A4 Studio, Studio 10 + 11 Madrid, Spain Antena 3 Madrid (TV) Madrid, Spain (9 Main Consoles) WDR Westdeutscher Rundfunk: »Philharmonic Hall«; dubbing studio Astro (Malaysian satellite television): HD Sport channel; U+V (2 Main Consoles); dubbing studio S (2 Main Consoles); FS con- TV Studio 1, 2, 3 Kuala Lumpur, Malaysia trol room AB, Studio E Cologne; Studio B1/2 Bocklemund; dubbing Anhui TV 1000 m² + 1200 m² Studio Hefei-Anhui, China Dusseldorf Germany (2 Main Consoles) studio 1 + 2 BBC Scotland: Studio A & C Glasgow, United Kingdom BR Bayerischer Rundfunk: FM 1, FM 3 (TV); Radio Studio 1 + 2, References: CRESCENDO & NEXUS/NEXUS BR Residenz Munich; FS Studio Franken Nuremberg, Germany STAR Canal 9 Valencia, Spain ASTRO: HD Sport channel, Arena Studio Kuala Lumpur, Malaysia CCTV: Hall 1 + Studio 9 Beijing, China (3 Main Consoles) (2 Main Consoles) Crow TV Studio Tokyo, Japan Anhui TV: 1000 m²- + 1200 m² studio Hefei-Anhui, China (2 Main Deutschlandradio Berlin, Cologne, Germany Consoles) Deutsche Welle TV: Audio-control room 3 Berlin, Germany CCTV: news studios 06 + 07 Beijing, China (7 Main Consoles) FM 802: Radio Osaka, Japan (4 Main Consoles) Hangzhou TV Hangzhou, China (3 Main Consoles) France 2: TV Studio C; News Studio Paris, France HR Hessischer Rundfunk: TV control room 2 Frankfurt/Main; Fuji TV: DAV Studio; Studio A Tokyo, Japan FS Kassel Kassel, Germany HSE24 Home Shopping Europe AG Ismaning, Germany (2 Main HBTV Hubei Broadcasting Group: news studio; 2000m² studio Consoles) Wuhan, China (2 Main Consoles) HR Hessischer Rundfunk: TV control room 1; TV TR 3 Frankfurt, HNTV Zhengzhou, China Germany JiangSu Broadcasting Corporation (JSBC) Nanjing, China MDR Mitteldeutscher Rundfunk: Audio-control room at the City M6: TV Studio Paris, France tower building; FS control room 2; TV control room 1 + 3 Leipzig, NDR: AKS 1 and 2 (Main- and Subcontrol room) Hamburg, Germany Germany (2 Main Consoles) NDR Norddeutscher Rundfunk: TV control room 3; Dubbing-control Plazamedia TV&Film Produktion Ismaning, Germany room 1 und 2 Hamburg; control room 2 Hanover; Audio-post produc- RTBF: Alveoles 2 & 3; TV-Studio 4; »Celulle de Diffusion« Brussels, tion Kiel, Schwerin, Hannover, Germany Belgium RAI: Studio TG2; Saxa 6; »Saxa Rubra TV3« Rome; Mechenate (4 Main RTM: Studio 4 & 5 Kuala Lumpur, Malaysia (2 Main Consoles) Consoles) Milano; Napoli, Italy SBT Sistema Brasileiro de Televisao Sao Paulo, Brazil (3 Main Radio Bremen Bremen, Germany (5 Main Consoles) Consoles) Rom TV Rome, Italy Sveriges Radio: Berwaldhall Stockholm, Sweden RTS Radiotelevisione svizzera: Studio 1 HD Lugano, Switzerland tpc zürich ag: Broadcasting Centre control room 21 and 22 Zurich, RTBF Brüssel: TV Studio 18 Brussels, Belgium Switzerland RTM: Studio 1, 2, 4, 5 Kuala Lumpur; Auditorium Perdana; Seremban, TSR Télévision Suisse Romande: studio sport; news studio Geneva, Malaysia Switzerland RSI - Radiotelevisione svizzera Lugano, Switzerland (2 Main TVE Radio Televisión Espanola: Teledeporte Barcelona, Spain Consoles) (2 Main Consoles) TAI Television: News Agency Warsaw, Poland TVP Telewizja Polska Krakow, Poland Television de Galicia Galicia, Spain (3 Main Consoles) Vatican Radio Vatican, Italy (2 Main Consoles) TVP Telewizja Polska: TV Studios 5, S1, S2, S4, S6, S7, S8 Warsaw, Videohouse: studio-control room Brussels, Belgium Poland (7 Main Consoles) VRT: Studio 3 Brussels, Belgium Page 1 / References Stagetec 06/2013 References AURUS, CRESCENDO, AURATUS, ON AIR 24, CANTUS, CINETRA, NEXUS, NEXUS STAR, RMC References: AURATUS & NEXUS MDR Mitteldeutscher Rundfunk TV centre Leipzig, Germany (3 Main Consoles) Astro TV: Studio 3 Kuala Lumpur, Malaysia Plazamedia Ismaning, Germany BR Bayerischer Rundfunk: Nuremberg, Germany Studio Franken RAI Radio Televisione Italiana: RS 1, RS 2, RS 3, RS 4 +RS 5; CBC Cologne Broadcasting Center: Cologne, control room 41 Studio C, Salario, Teatro dello vittorie; Nomentano 3, 4, 5 Rome; TV 2, Germany HSR Milano; Quirinale – the »Occasione Della Festa Nazionale della CCTV: Beijing, China (7 Main news studios 10 + 11; studios 11, 12, 13 Repubblica«; Italy Consoles) RAI Corp. New York, USA CJ E&M Brodcasting Centre Seoul, Korea RTL TV: TR 1 und TR 2 Cologne, Germany FFS Film- & Fernseh-Synchron Berlin, Germany (9 Main Consoles) RTBF Radio-Television Belge de la communaute Francaise TV: Henan: Zhengzhou, China TV Studio Radio Studio A, B Liège, Charleroi, Belgium HBTV Hubei Broadcasting Group: Wuhan, China news studio SFB Sender Freies Berlin TV centre T3 Berlin, Germany HSE24 Home Shopping Europe AG Ismaning. Germany SWR Südwestrundfunk: Studio Berg TBR 1, Berg TBR 2, Berg TBR 3 Moscovia Broadcasting Company Moscow, Russia and Berg TBR 5 Stuttgart, Germany OMTV - Olympic Marseille Football Team Marseille, France SWR Südwestrundfunk Produktionskomplex 1 Stuttgart, Germany PLAZAMEDIA: Sendeabwicklung Ismaning, Germany (2 Main SBC Swedish Broadcast Corporation Stockholm, Sweden Consoles) tpc zürich ag: Studio 6, 7, 8 and 9, Studio Vision 2002 Zurich, Radio Kuwait Kuwait (2 Main Consoles) Switzerland RTL Radio Paris, France (5 Main Consoles) RTM TV: Studio IBC; Studio 3 Kuala Lumpur, Studio Kuching Sarawak, Malaysia References: NEXUS/NEXUS STAR SBT Sistema Brasileiro de Televisao Sao Paulo, Brazil (4 Main All India Radio New Delhi, India Consoles) Antena 3 Radio Islas Baleares, Spain Tele M1 Aarau, Switzerland (2 Main Consoles) ASTRO (Malaysian satellite television): Studio 3; Arena Studio Tele 1 Luzern, Switzerland Kuala Lumpur, Press Suite Studios Cyberjaya, Malaysia VRT: news room, studio 1 Brussels, Belgium BBC Transmission Router London, United Kingdom WDR Westdeutscher Rundfunk HFK Bonn; Cologne (3 Main BBC North Manchester, United Kingdom Consoles); Essen (3 Main Consoles); Siegen (3 Main Consoles); BR Bayerischer Rundfunk: MAZ Komplex Munich; ASKS, DSKS, ZKS Wuppertal (3 Main Consoles); Aachen (3 Main Consoles); Sendezentrum Freimann, Germany Münster (3 Main Consoles); Bielefeld (3 Main Consoles); Cadena SER Madrid, Barcelona, Valencia, Spain Dortmund; Duisburg Germany Canal Mundo Radio Madrid, Spain Canal+: football world cup Paris, France References: ON AIR 24 & NEXUS/NEXUS 20th Century Fox LA, USA STAR CBC Cologne Broadcasting Center: control room 41 Cologne, Germany ABC Australian Broadcast Corporation Sydney, Australia CCTV: news studios 6, 7, 10, 11, 13 Beijing, China (35 Main Consoles) CBS New York, USA Al-Watan Radio Kuwait ESPN Bristol, LA, USA ASTRO (Malaysian satellite television): Press Suite Studios ETABETA Rome, Italy Cyberjaya, Malaysia (6 Main Consoles) Eurosport 2 Paris, France PLAZAMEDIA: Radio Sport Ismaning, Germany HR Hessischer Rundfunk Gießen, Fulda, Darmstadt, Wiesbaden, Radio Kuwait Kuwait Kassel, Germany Shanghai Education Television Shanghai, China HR Hessischer Rundfunk: tv main-control room + radio main-control XiaMen Radio Xiamen, China room; TR 3 Frankfurt, Germany IRT Project Hybnet Munich, Germany References: CANTUS & NEXUS/NEXUS M6 TV Studio Paris, France STAR MDR Mitteldeutscher Rundfunk Gewandhausanbindung Leipzig, Germany ABC TV Network Hollywood Los Angeles, USA NBC New York, USA BR Bayerischer Rundfunk: Gasteig, FM1/FM2, Studio 10; FM 3 (TV); NDR Norddeutscher Rundfunk Hörfunkbetriebszentrale Hamburg, Herkulessaal Munich, Germany Germany DW Deutsche Welle Berlin, Germany NHK Japanese Broadcasting Service Tokyo, Japan Flemish TV Brussels, Belgium n-tv Berlin, Germany HR Hessischer Rundfunk FS control room 3 Frankfurt, Germany ORB/DVB-FSZ Ostdeutscher Rundfunk Potsdam, Germany MCI Studio Berlin Berlin, Germany Page 2 / References Stagetec 06/2013 References AURUS, CRESCENDO, AURATUS, ON AIR 24, CANTUS, CINETRA, NEXUS, NEXUS STAR, RMC ORF: Landesstudio Eisenstadt, Austria, Landesstudio Dornbirn, Hunan Economic TV Hunan, China Austria Marinsky Theater St. Petersburg, Russia Onda Cero Radio Madrid, Spain Maioli HDTV OB Truck Ravenna, Italy Polskie Radio S.A. Warsaw, Poland NDR Norddeutscher Rundfunk TV Hamburg; FÜ3 Hanover, Portuguese Broadcasting Service Lisbon, Portugal Germany PTT Madrid, Spain Radio Bremen Ü1 Bremen, Germany Public Radio of the Ukraine Kiew, Ukraine RAI 2 Assi Rome, Italy RAI All news 24 Rome, Italy RAI HDTV Super OB Truck Milano, Italy RAI Roma TV3 Rome, Italy RTS UM3HD, UM1HD, HD2 Lugano, Switzerland Radio Caracol Bogota, Colombia RTBF Brussels HD OB truck hd8, HD OB truck hd22 Brussels, Radio Cope Madrid, Spain Belgium (2 Main Consoles) Radio 9 Valencia, Spain Sveriges Radio Stockholm, Sweden Radio France Paris, France tpc zürich ag HD XL2, HD 4 Zurich, Switzerland Radio Traffi c Paris, France TopVision Ü51, Ü2, Ü5 Berlin, Germany Radio Marca Madrid, Spain TSR Télévision Suisse Romande HD OB Truck 1 Geneva, RBB FS Schaltraum Berlin, Germany Switzerland Rom TV Rome, Italy TVE Televisión Espanola Unidad Movil F + G Madrid, Spain (2 Main RPP Radio Programas del Peru Peru Consoles) RTS Radiotelevisione svizzera: CCD, CDD Lugano, Switzerland TVP Telewizja Polska HDTV OB Truck Warsaw, Poland (3 Main RTL 2 Paris, France Consoles) RTL Fun Radio Paris, France Tamco Tokio, Japan RTL Studio Berlin, Germany VRT Flemish TV OB Truck K2 + K3 Brussels, Belgium (2 Main RTBF NOC Brussels, Belgium Consoles) SR Saarländischer Rundfunk main-control room FS Saarbrücken, VRT HD1 + HD2, M1 Brussels, Belgium (3 Main Consoles) Germany WDR Westdeutscher Rundfunk FÜ1, FÜ2, HD FÜ4, REP1 Cologne,
Recommended publications
  • I N H a L T S V E R Z E I C H N
    SWR BETEILIGUNGSBERICHT 2018 Beteiligungsübersicht 2018 Südwestrundfunk 100% Tochtergesellschaften Beteiligungsgesellschaften ARD/ZDF Beteiligungen SWR Stiftungen 33,33% Schwetzinger SWR Festspiele 49,00% MFG Medien- und Filmgesellschaft 25,00% Verwertungsgesellschaft der Experimentalstudio des SWR e.V. gGmbH, Schwetzingen BaWü mbH, Stuttgart Film- u. Fernsehproduzenten mbH Baden-Baden 45,00% Digital Radio Südwest GmbH 14,60% ARD/ZDF-Medienakademie Stiftung Stuttgart gGmbH, Nürnberg Deutsches Rundfunkarchiv Frankfurt 16,67% Bavaria Film GmbH 11,43% IRT Institut für Rundfunk-Technik Stiftung München GmbH, München Hans-Bausch-Media-Preis 11,11% ARD-Werbung SALES & SERV. GmbH 11,11% Degeto Film GmbH Frankfurt München 0,88% AGF Videoforschung GmbH 8,38% ARTE Deutschland TV GmbH Frankfurt Baden-Baden Mitglied Haus des Dokumentarfilms 5,56% SportA Sportrechte- u. Marketing- Europ. Medienforum Stgt. e. V. agentur GmbH, München Stammkapital der Vereinsbeiträge 0,98% AGF Videoforschung GmbH Frankfurt Finanzverwaltung, Controlling, Steuerung und weitere Dienstleistungen durch die SWR Media Services GmbH SWR Media Services GmbH Stammdaten I. Name III. Rechtsform SWR Media Services GmbH GmbH Sitz Stuttgart IV. Stammkapital in Euro 3.100.000 II. Anschrift V. Unternehmenszweck Standort Stuttgart - die Produktion und der Vertrieb von Rundfunk- Straße Neckarstraße 230 sendungen, die Entwicklung, Produktion und PLZ 70190 Vermarktung von Werbeeinschaltungen, Ort Stuttgart - Onlineverwertungen, Telefon (07 11) 9 29 - 0 - die Beschaffung, Produktion und Verwertung
    [Show full text]
  • Press Release Potsdam Declaration
    Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background.
    [Show full text]
  • Und Audiovisuellen Archive As
    International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d'Archives Sonores et Audiovisuelles (I,_ '._ • e e_ • D iasa journal • Journal of the International Association of Sound and Audiovisual Archives IASA • Organie de I' Association Internationale d'Archives Sonores et Audiovisuelle IASA • Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark,The British Library National Sound Archive, 96 Euston Road, London NW I 2DB, UK. Fax 44 (0)20 7412 7413, e-mail [email protected] The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and IOOGBP for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP I 57Euros. Le IASA Journal est publie deux fois I'an etdistribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations annuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionels. Les numeros precedentes (a partir de 1971) du IASA Journal sont disponibles sur demande. Ceux qui ne sont pas membres de I'Association peuvent obtenir un abonnement du IASA Journal pour I'annee courante au coOt de 35GBP I 57 Euro.
    [Show full text]
  • Susanne Brahms
    Susanne Brahms Dokumentarische Fernseharbeiten 2017 Geschichte im Ersten: Unsere Städte nach ´45: Bomben und Bausünden ARD 45 Min. Unsere Städte nach ´45: Abriss und Protest ARD 45 Min. 2016 Unsere Geschichte: Als Hollywood in der Heide lag. NDR 45 Min. 2015 Geschichte im Ersten: Namibia. Eine Heimat, zwei Welten ARD 45 Min. 2015 Geschichte im Ersten: Bremerhavens Auswandererkai. Die Columbuskaje (mit Michaela Herold) ARD 45 Min. 2015 Unter Deutschen Dächern: Handicap NDR/RB 30 Min. 2014 Anschlag auf dem Bremer Hauptbahnhof 1974 RB 29 Min. 2014 Geschichte im Ersten: Hitlers U-Boot Bunker ARD 45 Min. 2014 Unsere Geschichte: Als die Amerikaner in den Norden kamen (mit Michaela Herold) NDR/RB 45 Min. 2013 Bremen 1939 in Farbe Radio Bremen 30 Min. 2013 Unsere Geschichte: Als Tante Emma Konkurrenz bekam (mit Michaela Herold) NDR/RB 45 Min. 2012 Unsere Geschichte: Als die A1 in den Norden kam (mit Michaela Herold) NDR/RB 45 Min. 2007 150 Jahre Norddeutscher Lloyd (mit Michaela Herold) NDR/RB 45 Min. 2005 Bremer Freiheit. Geschichte Bremens im 19. und 20. Jahrhundert (mit Michaela Herold) NDR/RB 90 Min. 2003 Begegnungen in Kabul (mit Rene Schulthoff) RB 20 Min. 2003 Tote auf Reisen. Bestattungskultur in Deutschland (mit Michaela Herold) NDR/RB 45 Min. und 30 Min. 2003 Die lustigen Weiber von Ulan Bator. Eine deutsche Oper in der Mongolei (mit Michaela Herold) NDR/RB 45 Min. 2002 Das Bremer Rathaus: So wohnt die Macht (mit Michaela Herold) NDR/RB 45 Min. 2002 Moderne Hanseaten. Die Erben der Hanse (mit Michaela Herold) ARTE 60 Min. 2000 Das Bambüddel.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • The Public Service Broadcasting Culture
    The Series Published by the European Audiovisual Observatory What can you IRIS Special is a series of publications from the European Audiovisual Observatory that provides you comprehensive factual information coupled with in-depth analysis. The expect from themes chosen for IRIS Special are all topical issues in media law, which we explore for IRIS Special in you from a legal perspective. IRIS Special’s approach to its content is tri-dimensional, with overlap in some cases, depending on the theme. terms of content? It offers: 1. a detailed survey of relevant national legislation to facilitate comparison of the legal position in different countries, for example IRIS Special: Broadcasters’ Obligations to Invest in Cinematographic Production describes the rules applied by 34 European states; 2. identifi cation and analysis of highly relevant issues, covering legal developments and trends as well as suggested solutions: for example IRIS Special, Audiovisual Media Services without Frontiers – Implementing the Rules offers a forward-looking analysis that will continue to be relevant long after the adoption of the EC Directive; 3. an outline of the European or international legal context infl uencing the national legislation, for example IRIS Special: To Have or Not to Have – Must-carry Rules explains the European model and compares it with the American approach. What is the source Every edition of IRIS Special is produced by the European Audiovisual Observatory’s legal information department in cooperation with its partner organisations and an extensive The Public of the IRIS Special network of experts in media law. The themes are either discussed at invitation-only expertise? workshops or tackled by selected guest authors.
    [Show full text]
  • European Citizen Information Project FINAL REPORT
    Final report of the study on “the information of the citizen in the EU: obligations for the media and the Institutions concerning the citizen’s right to be fully and objectively informed” Prepared on behalf of the European Parliament by the European Institute for the Media Düsseldorf, 31 August 2004 Deirdre Kevin, Thorsten Ader, Oliver Carsten Fueg, Eleftheria Pertzinidou, Max Schoenthal Table of Contents Acknowledgements 3 Abstract 4 Executive Summary 5 Part I Introduction 8 Part II: Country Reports Austria 15 Belgium 25 Cyprus 35 Czech Republic 42 Denmark 50 Estonia 58 Finland 65 France 72 Germany 81 Greece 90 Hungary 99 Ireland 106 Italy 113 Latvia 121 Lithuania 128 Luxembourg 134 Malta 141 Netherlands 146 Poland 154 Portugal 163 Slovak Republic 171 Slovenia 177 Spain 185 Sweden 194 United Kingdom 203 Part III Conclusions and Recommendations 211 Annexe 1: References and Sources of Information 253 Annexe 2: Questionnaire 263 2 Acknowledgements The authors wish to express their gratitude to the following people for their assistance in preparing this report, and its translation, and also those national media experts who commented on the country reports or helped to provide data, and to the people who responded to our questionnaire on media pluralism and national systems: Jean-Louis Antoine-Grégoire (EP) Gérard Laprat (EP) Kevin Aquilina (MT) Evelyne Lentzen (BE) Péter Bajomi-Lázár (HU) Emmanuelle Machet (FR) Maria Teresa Balostro (EP) Bernd Malzanini (DE) Andrea Beckers (DE) Roberto Mastroianni (IT) Marcel Betzel (NL) Marie McGonagle (IE) Yvonne Blanz (DE) Andris Mellakauls (LV) Johanna Boogerd-Quaak (NL) René Michalski (DE) Martin Brinnen (SE) Dunja Mijatovic (BA) Maja Cappello (IT) António Moreira Teixeira (PT) Izabella Chruslinska (PL) Erik Nordahl Svendsen (DK) Nuno Conde (PT) Vibeke G.
    [Show full text]
  • Cadavre Exquis Forking Paths from Surrealism to Interactive Film
    THE FORKING PATHS – INTERACTIVE FILM AND MEDIA Editors: Bruno Mendes da Silva Jorge Manuel Neves Carrega CIAC – Centro de Investigação em Artes e Comunicação da Universidade do Algarve FCHS – Universidade do Algarve, Campus de Gambelas, 8005-139 Faro www.ciac.pt | [email protected] ISBN: 978-989-9023-53-6 ISBN (versão eletrónica): 978-989-9023-54-3 Cover: Bloco D Composition, pagination and graphic organization: Juan Manuel Escribano Loza ALL RIGHTS RESERVED FOR THE AUTHORS © 2021 Copyright by Bruno Mendes da Silva and Jorge Manuel Neves Carrega This publication is funded by national funds through the project “UIDP/04019/2020 CIAC” of the Foundation for Science and Technology. Claudia Giannetti is a researcher specialized in contemporary art, aesthetics, media art and the relation between art, science and technology. She is a theoretician, writer and exhibitions curator. For 18 years she war director of institutions and art centres in Spain, Portugal and Germany, including MECAD\ Media Centre of Art & Design (Barcelona) and the Edith- Russ-Haus for Media Art (Oldenburg, Germany). She has curated more than hundred exhibitions and cultural events in international museums. She was Professor in Spanish and Portuguese universities for the past two decades, and visiting professor and lecturer worldwide. She performs the function of adviser in several international multimedia and media art projects. Giannetti has published more than 160 articles and fifteen books in various languages, including: Ars Telemati- ca –Telecomunication, Internet and Cyberspace (Lisbon, 1998; Barcelona, 1998); Aesthetics of the Digital –Syntopy of Art, Science and Technology (Barcelona, 2002; New York/Vienna, 2004; Lisbon, 2011); The Capricious Reason in the 21st Cen- tury: The avatars of the post-industrial information society (Las Palmas, 2006); The Discreet Charm of Technology (Madrid/ Badajoz, 2008); AnArchive(s) – A Minimal Encyclopedia on Archaeology and Variantology of the Arts and Media (Olden- burg, 2014); Image and Media Ecology.
    [Show full text]
  • Jahresbericht 2011
    Jahresbericht 2011 Inhalt Vorworte 4 Rechtliche Verhältnisse im Berichtszeitraum 8 Gesetz über den Hessischen Rundfunk 9 Satzung des Hessischen Rundfunks 16 Die Organe des Hessischen Rundfunks 22 Ausschüsse des Rundfunkrats 27 Ausschuss des Verwaltungsrats 29 Redaktioneller Teil Der hr kurz und knapp 30 Jahresbericht Fernsehen 2011 32 Jahresbericht Hörfunk 2011 48 Jahresbericht Multimedia 2011 62 Preise und Auszeichnungen 70 Lagebericht und Jahresabschluss Lagebericht 72 Vermögensrechnung 82 Ertrags- und Aufwandsrechnung 84 Anhang 85 Beteiligungen 93 Anlagenspiegel 94 Abrechnung des Finanzplans 96 Abrechnung des Ertrags- und Aufwandsplans 98 3 2011 war ein erfolgreiches Jahr für den hr Wir gehen in das letzte Jahr der alten, geräte- bezogenen Rundfunkgebühr. Alle 16 Landtage haben 2011 den Rundfunkänderungsstaats- vertrag ratifiziert, der neue Rundfunkbeitrag kommt im Jahr 2013. Es gilt dann die einfache Regel: eine Wohnung, ein Beitrag. Das neue Finanzierungssystem umfasst alle Verbrei- tungswege wie TV, Radio, Computer und Smartphone, das Gerät spielt also keine Rolle mehr. Für die Akzeptanz des neuen Rundfunk- beitrags ist auch die Akzeptanz bei den Menschen von entscheidender Bedeutung. In dieser Hinsicht stehen wir als hr gut da. Unser Programmerfolg beim hessischen Publikum wächst seit drei Jahren stetig. Wenn man in Hessen die Frage stellt, wer in den vergange- nen 14 Tagen ein Angebot des hr genutzt hat, bekommt man von 86 Prozent der Hessen die Antwort: „Ich!“ 4,7 Millionen Menschen haben in den letzten zwei Wochen ein Radiopro- gramm des hr gehört, hr-fernsehen geschaut oder waren auf einer unserer Online- oder Videotextseiten. Das hr-fernsehen setzte seinen Erfolgskurs fort. Das Rekordergebnis von 2010 beim Jahres-Marktanteil von 6,5 Prozent wurde wieder erreicht.
    [Show full text]
  • Wir Fördern Film DER BAYERISCHE RUNDFUNK BEIM FILMFEST MÜNCHEN 2018 28
    Wir fördern Film DER BAYERISCHE RUNDFUNK BEIM FILMFEST MÜNCHEN 2018 28. JUNI – 7. JULI br.de/film br.de/mediathek #ffmuc DER NEUES BAYERISCHE RUNDFUNK DEUTSCHES BEIM FILMFEST FERNSEHEN MÜNCHEN Schon von Beginn an ist der Bayerische Rundfunk mit seinen Highlights auf dem FILMFEST MÜNCHEN vertreten – eine enge Zusammenarbeit mit Tra dition. Dieses Jahr zeigen wir sieben Produktionen: die Gesellschaftssatire Der große Rudolph, die Tragikomödie Nichts zu verlieren, das Drama Sieben Stunden, die Spiel filme Wackersdorf und Alles ist gut sowie in der Reihe Hommage Philip Gröning Mein Bruder heißt Robert und ist ein Idiot. Und auch ein neues junges Serienhighlight gibt es: Mit Servus Baby setzt der Bayerische Rundfunk seine große Serientra di- tion fort – mit den ganz typischen, sympathischen, aber auch tragischen Charakteren, die unsere Serien auszeichnen. Der große Rudolph Wie immer ist das FILMFEST MÜNCHEN eine gute Gelegen- BR, ARD Degeto, ORF, WDR heit, mit Ihnen ins Gespräch zu kommen und zu hören, was Regie: Alexander Adolph Sie erwarten, was Sie bewegt und was Ihnen gefällt. Darauf freue ich mich ganz besonders! Samstag 30.6. 17.00 Uhr Gasteig Carl-Orff-Saal Mittwoch 4.7. 10.00 Uhr HFF AudimaxX Ich wünsche Ihnen gute Unterhaltung und ganz besondere Filmmomente! Sendetermin: Herbst 2018 im Ersten Dr. Reinhard Scolik, BR-Fernsehdirektor 03 DER DER NEUES BAYERISCHE NEUES BAYERISCHE RUNDFUNK RUNDFUNK DEUTSCHES BEIM DEUTSCHES BEIM FILMFEST FILMFEST FERNSEHEN MÜNCHEN FERNSEHEN MÜNCHEN Nichts zu verlieren Sieben Stunden BR, ORF BR, Arte Regie: Wolfgang Murnberger Regie: Christian Görlitz Samstag 30.6. 19.30 Uhr City 1 Dienstag 3.7. 20.30 Uhr City 1 Sonntag 1.7.
    [Show full text]
  • Xix Congreso De Directivos Cede
    XIX CONGRESO DE DIRECTIVOS CEDE PATROCINADORES INSTITUCIONALES Desde Valencia para toda España PATROCINADORES EL TIEMPO DEL LIDERAZGO TRANSFORMADOR COLABORADORES ENTIDADES ADHERIDAS CON LA COLABORACIÓN DE XIX CONGRESO DE DIRECTIVOS CEDE. XIX CONGRESO DE DIRECTIVOS Valencia , 21 octubre 2020 XIX CONGRESO DE DIRECTIVOS CEDE Desde Valencia para toda España XIX CONGRESO DE DIRECTIVOS CEDE Desde Valencia para toda España XIX CONGRESO DE DIRECTIVOS CEDE - VALENCIA ÍNDICE 2 ÍNDICE 4 Presentación 6 Comités del Congreso 8 Recepción de Bienvenida El Congreso 12 • Bienvenida • Los retos de la economía española • Una visión desde EE.UU. • Tendencias geopolíticas que influyen en la agenda empresarial • Innovación como reto de las empresas • Una visión desde Europa • Cómo afrontar la transformación de las organizaciones • Una visión desde Asia • Diálogo: El papel de las empresas frente a la crisis provocada por la COVID-19 • Visión sobre la situación actual y perspectivas de futuro • Diálogo: Visión sobre la situación actual y perspectivas de futuro • Sesión internacional • Acto de Clausura 116 Encuentro de Jóvenes “Talento en Crecimiento” 122 Índice de ponentes y moderadores 133 Entidades integradas a la Fundación CEDE 3 XIX CONGRESO DE DIRECTIVOS CEDE - VALENCIA PRESENTACIÓN CEDE PRESENTA EL LIBRO DEL CONGRESO “EL TIEMPO DEL LIDERAZGO TRANSFORMADOR” La Fundación CEDE-Confederación convirtiéndose en el evento de referencia Española de Directivos y Ejecutivos para la cúpula empresarial del país. actualmente agrupa a 36 asociaciones, En esta ocasión fue la ciudad de formadas por más de 155.000 directivos, Valencia, la que acogió la XIX edición del con la voluntad de ofrecer un espacio Congreso anual CEDE, bajo el lema ‘El común que fomente la excelencia en tiempo del liderazgo transformador’.
    [Show full text]