A Note on Jack London and David Starr Jordan DAVIDH
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Autobiographical Explorations of Hobo Subculture
‘Such was the law of The Road’1 and Such were the Rules of The Text: Autobiographical Explorations of Hobo Subculture Joanne Hall Red Rocks Community College Lakewood, Colorado Perhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean – an ever-changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. – Jack London, The Road (p. 37). Jack London’s assessment of tramp-life suggests its movement, fluidity, dynamic nature and present-orientated temporal dimension. These sentiments, however, are but a whimsical side step, for the rest of The Road centralises the image of a masculine subculture with a complicated set of rules and ranks. Thus, the suggestion of fluidity clashes with the ‘laws’ that frame hobo experience, as represented by London’s text. Indeed, texts defining themselves as hobo autobiography demonstrate a number of structural similarities, suggesting that ideas of the romance or freedom of the road are, in fact, subservient to the repetitive, formulaic, mythic pattern of the subgenre. Yet, it is imperative to observe that while these texts are labelled as autobiography, charges of exaggeration and verbose storytelling could be levied against each of them. Indeed, their incorporation of tall tales dares the reader to question authenticity. However, instead of invalidating the claim to autobiography, this provides a springboard into multileveled issues of performance, creativity, artistry and authorship, succinctly linking with the myriad inter-textual references employed by the authors. -
Introduction : Modernity Beyond Salvage
Notes Introduction : Modernity beyond Salvage 1. For more on Crusoe as a “sole survivor,” see Stafford 56–82. For a discussion of Defoe’s pioneering role in the development of adventure fiction, see Cohen 59–98. 2. For a concise discussion of the post-apocalyptic aspects of postmodern thought, see Germanà and Mousoutzanis, “Introduction” 3–4. 3. For a discussion of postmodernity as “one moment within the long history of modernity,” see Felski 60. Beck also suggested this understanding of postmo- dernity in the 1980s when he wrote, “[T]he counter-modernistic scenario currently upsetting the world—new social movements and criticism of sci- ence, technology and progress—does not stand in contradiction of modernity, but is rather and expression of reflexive modernization beyond the outlines of industrial society” (11). 4. For an analysis of salvage in contemporary apocalyptic culture that is focused more exclusively on political economy, see Evan Calder Williams’s call for the development of a “salvagepunk” movement in Combined and Uneven Apocalypse (14–71). Interestingly, Williams and his collaborator, China Miéville, disavowed this “attempt to think lost social relations via relations to discarded objects” a year later at the launch for the book, claiming that as a social formation salvagepunk had already been co-opted by capitalism (Williams 62; Williams and Miéville). 5. Wagar defines “secular eschatology” as “a worldly study of world’s ends that ignores religious belief or puts the old visions to use as metaphors for modern anxiety” (4). Wagar’s chronology of this modern form of apocalyptic narrative begins somewhat later, with texts of the early nineteenth century, including Cousin de Grainville’s The Last Man: Or, Omegarus and Syderia, a Romance in Futurity (1805) and Shelley’s The Last Man (1826). -
Jack London: Master Craftsman of the Short Story
Utah State University DigitalCommons@USU Faculty Honor Lectures Lectures 4-14-1966 Jack London: Master Craftsman of the Short Story King Hendricks Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honor_lectures Part of the English Language and Literature Commons Recommended Citation Hendricks, King, "Jack London: Master Craftsman of the Short Story" (1966). Faculty Honor Lectures. Paper 29. https://digitalcommons.usu.edu/honor_lectures/29 This Presentation is brought to you for free and open access by the Lectures at DigitalCommons@USU. It has been accepted for inclusion in Faculty Honor Lectures by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. '/. ;>. /71- 33 UTAH STATE UNIVERSITY THIRTY-THIRD FACULTY HONOR LECTURE Jack London: Master Craftsman of the Short Story by KING HENDRICKS Head, Department of English and Journalism THE FACULTY ASSOCIATION UTAH STATE UNIVERSITY LOGAN, UTAH APRIL 1966 Jack London: Master Craftsman of the Short Story N NOVEMBER of 1898 Jack London, aged 22, sold his first short I story, "To the Man on Trail," to Overland Monthly for the sum of $5. Three months later The Black Cat magazine paid him $40 for "A Thousand Deaths." This was the beginning of a writing career that in 17 years was to produce 149 short stories, not including his tramping experiences which he published under the title of The Road, 19 novels, and a number of essays. If all were accumulated and published, they would fill 50 volumes. Besides this, he wrote a number of newspaper articles (war cor respondence, sports accounts, and sociological and socialistic essays), and thousands of letters. -
Analysis of Jack London's Novels
3rd International Multidisciplinary Scientific Conference on Ingenious Global Thoughts Hosted from Kuala Lumpur, Malaysia https://conferencepublication.com May 31st 2021 ANALYSIS OF JACK LONDON’S NOVELS Alimova Shahnoza Yaxshibayevna Tashkent State Technical University the branch of Termez Jack London’s (January 12, 1876 ‟ November 22, 1916) fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for invention, that in his writing he would have to be an interpreter of the things that are, rather than a creator of the things that might be. Accordingly, he drew his plots, characters, themes, and settings from real-life experiences and published accounts. London’s career as a novelist began shortly after the turn of the twentieth century with the publication of A Daughter of the Snows. It ended nineteen novels later with the posthumous publication of The Assassination Bureau, Ltd. in 1963. The novels vary widely in length, subject matter, and (especially) artistic quality, for while London could write bold, violent,Analysis „ Jack London’s fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for invention, that in his writing he would have to be an interpreter of the things that are, rather than a creator of the things that might be. Accordingly, he drew his plots, characters, themes, and settings from real-life experiences and published accounts. London’s career as a novelist began shortly after the turn of the twentieth century with the publication of A Daughter of the Snows. -
The Call of the Wild
THE CALL OF THE WILD BY JACK LONDON 7^WYS`f7Taa]e COPYRIGHT INFORMATION Book: The Call of the Wild Author: Jack London, 1876–1916 First published: 1903 The original book is in the public domain in the United States and in most, if not all, other countries as well. Readers outside the United States should check their own countries’ copyright laws to be certain they can legally download this ebook. The Online Books Page has an FAQ which gives a summary of copyright durations for many other countries, as well as links to more official sources. (Links will open in a new window.) This PDF ebook was created by José Menéndez. CONTENTS I. INTO THE PRIMITIVE II. THE LAW OF CLUB AND FANG III. THE DOMINANT PRIMORDIAL BEAST IV. WHO HAS WON TO MASTERSHIP V. THE TOIL OF TRACE AND TRAIL VI. FOR THE LOVE OF A MAN VII. THE SOUNDING OF THE CALL I INTO THE PRIMITIVE “Old longings nomadic leap, Chafing at custom’s chain, Again from its brumal sleep Wakens the ferine strain.” UCK did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide- B water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost. -
The Scarlet Plague
^,>%mjr^m- \J JlTL K^ ^ JL^'o/^e4||ib^ CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Digitized by Microsoft® __ Cornell University Library PS 3523.058S2 3 1924 021 764 158 Digitized by Microsoft® This book was digitized by Microsoft Corporation in cooperation witli Cornell University Library, 2008. You may use and print this copy in limited quantity for your personal purposes, but may not distribute or provide access to it (or modified or partial versions of it) for revenue-generating or other commercial purposes. Digitized by Microsoft® THE SCARLET PLAGUE Digitized by Microsoft® THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO - DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON BOMBAY CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO Digitized by Microsoft® Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021764158 Digitized by Microsoft® ALL THE WORLD SEEMED y'ltAPPED IN FLAMES Digitized by Microsoft® The Scarlet Plague BY JACK LONDON AUTHOR OF "THE SEA WOLF," "THE CALL OF THE WILD," "THE MUTINY OF THE ELSINORE," ETC. ILLUSTRATED BY GORDON GRANT Tgtin gatfe THE MACMILLAN COMPANY All fights reserved Digitized by Microsoft® Copyright, 1912, By jack LONDON. Copyright, 1913, By the star CO. Copyright, 1915, By jack LONDON. Set up and electrotyped. Published May, 19x5. I^otiiiooti $ngg J. S. Gushing Oo. — Berwick & Smith Co. Norwood, Mass., IT.S.A. Digitized by Microsoft® THE SCARLET PLAGUE Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® Digitized by Microsoft® THE SCARLET PLAGUE I THE way led along upon what had once been the embankment of a railroad. -
Jack London's Works by Date of Composition
Jack London's Works by Date of Composition By James Williams The following chronological listing is an aid to further research in London studies. Used with other sources it becomes a powerful means to clarify the obscurities and confusions surrounding London's writing career. The rationale for including the following titles is two-fold. First, all novels and all stories listed in Russ Kingman, "A Collector's Guide to Jack London" have been included. I chose Kingman's list rather than Woodbridge's bibliography because the former is easier to use for this purpose and is as reliable as the latter. In addition, stories, sketches, and poems appear in the following list that were not published by London but are significant because they give us a fuller idea of the nature of London's work at a particular time. This is especially true for the first years of his writing. A few explanations concerning the sources are necessary. I have been conservative in my approximations of dates that cannot be pinpointed exactly. If, for example, a story's date of composition cannot be verified, and no reliable circumstantial evidence exists, then I have simply given its date of publication. Publication dates are unreliable guides for composing dates and can be used only as the latest possible date that a given story could have been written. One may find out if the date given is a publication date simply by checking to see if the source is Woodbridge, the standard London bibliography. If the source used is JL 933-935, then the date is most likely the earliest date London sent the manuscript to a publisher. -
The Life of Jack London: Unsettled Childhood, Finding Identity, Dealing with Success, Hardships, and Dreams
THE LIFE OF JACK LONDON: UNSETTLED CHILDHOOD, FINDING IDENTITY, DEALING WITH SUCCESS, HARDSHIPS, AND DREAMS I. Flora Wellman in San Francisco Daughter of Marshall Daniel Wellman, known as” The Wheat King” of Massillon, Ohio. Flora was age 3 when mother died, typhoid fever at age 13, ran away at age 16 to her sister for a few years, left Ohio after the Civil War, went to Seattle at age 30 to board with former mayor of Springfield, Ohio, and his wife. It was in their home she met William Chaney, astrologer, 22 years older. She and Chaney separately went to San Francisco in 1874. Life with William Chaney She lived with Chaney for about a year, assisting him with lectures, until she became pregnant. Chaney said Flora had been having sex with two other men, because he was impotent. They argued, she tried suicide causing uproar in city, he left town. She had her baby with the name John Griffith Chaney on the birth certificate. Chaney offered a different account of the “suicide.” John London Flora was not able to nurse, so a wet nurse, Virginia Prentiss, who had just lost her baby, was able to provide the precious milk. Jack lived in the Prentiss household until he could be weaned. Virginia’s husband, Alonzo, knew a fellow carpenter named John London. This connection is how Flora met and married John and gave little “Jack” his new last name. Virginia called him “Jackie” which is probably the reason Jack London took on the name. As Jack grew up the Prentiss' were part of his family. -
The Fiction of Jack London
1 The Fiction of Jack London: A Chronological bibliography Compiled and Annotated by DALE L.WALKER The University of Texas at El Paso Original Research and Editing by JAMES E. SISSON III Berkeley, California Updated Research and Editing by Daniel J. Wichlan Pleasant Hill, California 2 TABLE OF CONTENTS Foreword 3 Introduction (Revised) 6 Key to Collections 10 Chronological Bibliography 12 Books by Jack London 48 Jack London: A Chronology 51 Appendix 54 Index 56 Selected Sources 64 3 FOREWORD TO THE NEW EDITION Through the assistance of the late Russ Kingman, the great Jack London authority and long- time friend, I made contact by correspondence with James E. Sisson III, in 1970. I had asked Russ for advice on who I could contact on questions about some of London’s hard-to-find short fiction. "Jim Sisson is the guy," said Russ. Sisson, a Berkeley, California, researcher, was very helpful from the outset and his encyclopedic knowledge of London’s work quickly resolved my questions. In subsequent correspondence I learned that Sisson felt London’s short stories were not adequately treated in Jack London: A Bibliography, compiled by Hensley Woodbridge, John London and George H. Tweney (Georgetown, CA: Talisman Press, 1966). He complained that the stories were buried among magazine articles, chapters from The Cruise of the Snark, The Road, and other nonfiction works, all lost in a welter of foreign language translations including Latvian, Finnish, Turkoman, and Ukrainian. He also claimed that many of London’s stories were missing from Woodbridge, remaining buried in obscure and long-defunct magazines, uncollected in book form. -
O8rv6 [Read Free] the Road Online
o8rv6 [Read free] The Road Online [o8rv6.ebook] The Road Pdf Free Jack London *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #8090530 in Books 2016-07-10Original language:English 9.00 x .28 x 6.00l, .39 #File Name: 153521404X124 pages | File size: 47.Mb Jack London : The Road before purchasing it in order to gage whether or not it would be worth my time, and all praised The Road: 2 of 2 people found the following review helpful. A Great Read on the Life of a HoboBy L. N. HoweLeave it to .com to inform me of books I didn't know existed. Until I looked up "free books," I didn't know about Jack London's "The Road." it's about his days riding the rails in the late 1800s, when he was in his late teens. It's fascinating and tells all about what it was like to be a hobo in those days before there were automobiles, but some of the the great transcontinental railroads had been constructed across the US and Canada.A hobo, strictly speaking, was a tramp who rode the rails. It helped, as London explains, to be in the prime of health, and at this time of his life, London was. He describes how the train men were constantly forcing the hobos off the trains and the tricks the hobos used to sneak back on. He tells about towns where the hobos stopped and the secret signs they left for one another (where someone would give them a free meal or lodging, for instance). -
Jack London's California
JONAH RASKIN alf-a-dozen or so black-and-white photos of Jack Jack London, second London in Carmel tell a little-known story about H one of California’s most exuberant literary land- from right, on rare The Valley scapes. In one of the photos (all of them were taken by occasion, away from his Arnold Genthe), London sits on the beach with three of : his closest friends, among them the New York–born poet typewriter with three of of the Moon George Sterling, who moved to California in !"#$, sold Jack London’s real estate, and then became a bohemian. London bor- his closest friends, George rowed from Sterling’s raucous life to create the volatile Bittersweet character of Russ Brissenden, who commits suicide in Sterling, Mary Austin, the !#$# novel Martin Eden (Sterling himself would in Valentine to fact commit suicide, but not until !#%&). That same black- and James Hopper at the and-white photo by Genthe includes James Hopper, who beach in Carmel, 1907 California attended UC Berkeley with London for a semester in !"#&, and Mary Austin, the author of The Land of Little Rain, a paean to the wildness of the American Southwest that courtesy: UC Berkeley Bancroft Library was published in !#$', the same year as The Call of the Wild, the novel that won London international renown. In another photo, London and Sterling wear goofy swimming suits and look as though they’re a couple of modern-day Merry Pranksters. Then, too, there’s the photo of London Two wild and crazy guys: and his wife, Charmian, holding James Hopper’s college football jersey with Hopper himself and Sterling in the “Jack London, known to crowd. -
JOHN BARLEYCORN by Jack London (1876-1916)
JOHN BARLEYCORN by Jack London (1876-1916) 1913 CHAPTER I It all came to me one election day. It was on a warm California afternoon, and I had ridden down into the Valley of the Moon from the ranch to the little village to vote Yes and No to a host of proposed amendments to the Constitution of the State of California. Because of the warmth of the day I had had several drinks before casting my ballot, and divers drinks after casting it. Then I had ridden up through the vine-clad hills and rolling pastures of the ranch, and arrived at the farm-house in time for another drink and supper. "How did you vote on the suffrage amendment?" Charmian asked. "I voted for it." She uttered an exclamation of surprise. For, be it known, in my younger days, despite my ardent democracy, I had been opposed to woman suffrage. In my later and more tolerant years I had been unenthusiastic in my acceptance of it as an inevitable social phenomenon. "Now just why did you vote for it?" Charmian asked. I answered. I answered at length. I answered indignantly. The more I answered, the more indignant I became. (No; I was not drunk. The horse I had ridden was well named "The Outlaw." I'd like to see any drunken man ride her.) And yet--how shall I say?--I was lighted up, I was feeling "good," I was pleasantly jingled. "When the women get the ballot, they will vote for prohibition," I said. "It is the wives, and sisters, and mothers, and they only, who will drive the nails into the coffin of John Barleycorn----" "But I thought you were a friend to John Barleycorn," Charmian interpolated.