The Scarlet Plague
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Jack London's Female Watchers in the Game and the Abysmal Brute
The Familiar Uncommon Spectator: Jack London's Female Watchers In The Game and the Abysmal Brute Scott Emmert In recent decades, Jack London's significant contributions to American literature have gained an increasing amount of critical recognition. Among these acknowledged contributions is his status as the first "serious" writer of sports fiction in America. Biographer James Lundquist, for example, notes that London "was one ofthe first writers to take sports seriously as the raw material for novels and stories" (179), and critic Michael Oriard goes further, identify ing London the "father of American sports fiction" meant for adult readers (Dreaming 9). Specifically, London's accomplishments as a writer ofsports lit erature rest mainly on his boxing fiction. 1 As one biography puts it, "London virtually invented the modern prizefight story" (Labor and Reesman 157 n.7), this invention being represented by the short stories "A Piece ofSteak (1909) and "The Mexican" (1910) and by the short novels The Game (1905) and The Abysmal Brute (1913). Always mindful of his audience and of his sales, how ever, London crafted this inventive prizefight fiction so as not to offend his readers with the brutality ofboxing, a sport so violent and decadent that it was deemed unfit as a subject of serious literature until London "gave it literary respectability" (Oriard, Dreaming 9). When describing what happens inside the square ring, London seeks a measure of respectability for boxing by tempering his descriptions ofviolent action with a compassionate depiction ofhumanity. London's naturalistic box ing fictions, in the way of most naturalist stories, seek to evoke the reader's sympathy for protagonists at the mercy of fo~ces beyond their control. -
Jack London State Historic Park for School Groups
Jack London State Historic Park Self-Guided Tour Packet for School Groups Contents Introductions and Park Regulations 1 Map of Historic Sites 4 A Brief Biography of Jack London’s life 5 Chronological booklist 9 Beauty Ranch 10 The London’s Cottage 13 House of Happy Walls Museum 15 The Wolf House Ruins 17 Jack and Charmian’s Gravesite 19 Appendix (includes suggested lessons & 21 activities) Welcome to Jack London State Historic Park! Thank you for choosing our site as your field trip destination. At Jack London State Historic Park, we believe passionately in the power of learning through experience and know that first-hand encounters with history and the natural world can inspire and foster a desire for life-long learning. We want to support you and your efforts to create a memorable field trip for your students while you are here. This pre-visit guide is designed as a helpful resource for educators and contains maps and information about the park, as well as historical information on Jack London’s life and legacy. Each historical feature and building on the site has its own chapter of information and points of interest. In the appendix you will find a few suggested lessons and activities that enhance certain aspects of the park and speak to several learning standards. Park Video: Teachers and group leaders can watch 20-minute orientation video that describes features of the park including historic film footage and subtitles for the hearing impaired. You will find this video on Youtube at https://youtu.be/Xqa7xb0exes We hope these materials -
Jack London'ın Eserlerinde Sınıf Çatışması1
Jack London’un Eserlerinde Sınıf Çatışması Jack London’ın Eserlerinde Sınıf Çatışması1 Ogün NAZLI2 ORCID ID: 0000-0002-1230-6643 Öz: Bu çalışma ile Jack London’ın eserlerinde sınıfsal mücadeleler ve sınıf çatışmaları incelenmiş; işçi ve sermaye sınıfı arasındaki durumun gösterilmesi amaçlanmıştır. İşçi sınıfının sermaye sınıfı karşısında takındığı tavır, örgütlenme; sendikalaşma ve grevleri yaratarak çeşitli toplumsal hareketlere neden olmuştur. Bu iki sınıfın yüz yıllar boyunca çatışmasına neden olan faktörler London’ın eserlerinde, kapitalist sistem eleştirisi temeline dayandırılarak anlatılmıştır. Sanayi Devrimi’nin etkilerinin yoğun bir şekilde hissedildiği 19.yüzyılın sosyal ve ekonomik yapısını, o dönemin edebi eserlerinde inceleyebilmek oldukça mümkündür. Bu anlamda, işçi sınıfı içinde büyüyen Jack London’ın yaşamının ve eserlerinin incelenmesi, o dönem hakkında önemli çıkarımlar yapılmasına olanak sağlayacaktır. Çalışmada, Jack London’ın eserlerinde bahsettiği üzere emek ve sermaye arasındaki sınıf mücadelesi, kapitalist sistem eleştirisi kapsamında ele alınarak incelenecektir. Sanayi Devrimi’nin çalışan sınıf üzerinde neden olduğu olumsuz sonuçların belirlenmesi ve sınıf savaşımının ne gibi koşullar içerisinde oluştuğunun gözlemlenmesi amacıyla Jack London’ın; Demir Ökçe, Uçurum İnsanları, Martin Eden, Ay Vadisi, Yanan Günışığı, Dönek ve Meksikalı gibi önemli eserleri incelenecektir. Bunun yanında London’ın kaleme aldığı siyasi deneme ve makalelerine de başvurularak onun dünya görüşü hakkında önemli bilgilere ulaşılmıştır ve -
Jack London's Superman: the Objectification of His Life and Times
Jack London's superman: the objectification of his life and times Item Type text; Thesis-Reproduction (electronic) Authors Kerstiens, Eugene J. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 19:49:44 Link to Item http://hdl.handle.net/10150/319012 JACK LONDON'S SUPERMAN: THE OBJECTIFICATION OF HIS LIFE AND TIMES by Eugene J. Kerstiens A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of MASTER OF ARTS in the Graduate College, University of Arizona 1952 Approved: 7 / ^ ^ Director of Thesis date r TABLE OF OOHTEHTB - : ; : ■ ; ; : . ' . : ' _ pag® IHfRODUOTIOS a » 0 0 o o o » , » » * o a c o 0 0 * * o I FiRT I : PHYSICAL FORGES Section I 2 T M Fzontiez Spirit in- Amerioa 0 - <, 4 Section II s The lew Territories „,< . > = 0,> «, o< 11 Section III? The lew Front!@3?s Romance and ' Individualism * 0.00 0 0 = 0 0 0 13 ; Section IV g Jack London? Ohild of the lew ■ ■ '■ Frontier * . , o » ' <, . * , . * , 15 PART II: IDE0DY1AMI0S Section I : Darwinian Survival Values 0 0 0<, 0 33 Section II : Materialistic Monism . , <, » „= „ 0 41 Section III: Racism 0« « „ , * , . » , « , o 54 Section IV % Bietsschean Power Values = = <, , » 60 eoiOLDsioi o 0 , •0 o 0 0. 0o oa. = oo v 0o0 . ?e BiBLIOSRAPHY 0 0 0 o © © © ©© ©© 0 © © © ©© © ©© © S3 li: fi% O A €> Ft . -
Jack London - Free Online Library
Jack London - Free Online Library London's youth was marked by poverty. 3 many years later he left the girl and their a pair of daughters, eventually in order to marry Charmian Kittredge, an editor and outdoorswoman. I shall use my time. You can't watch for inspiration. Within 1894 he ended up being arrested in try what your woman says Niagara Falls as well as jailed with regard to vagrancy. Inside the midst of a bitter separation in 1904, London traveled to Korea as a correspondent for Hearst's newspapers to pay for the actual war among Russia and also Japan (1904-05). Within 1900 he married Elisabeth (Bess) Maddern; their house became a new battle field among Bess as well as London's mother Flora. He didn't stop trying even in the particular program of his travels along with drinking periods. His guide about the economic degradation in the poor, the People of the Abyss (1903), was a surprise achievement in the U.S. He died about November 22, 1916, officially of gastro-intestinal uremia. London had early built his system of producing a new every day quota regarding thousand words. He ended up being deserted by simply his father, "Professor" William Henry Chaney, an itinerant astrologer, along with raised within Oakland simply by his mother Flora Wellman, a new audio teacher along with spiritualist. London's very first novel, The Particular Son with the Wolf, appeared within 1900. Upon the particular voyage he started for you to write Martin Eden. His early stories appeared inside the Overland Month For You To Month along with Atlantic Monthly. -
Od Dżumy Do Eboli Sposób Przedstawienia Wybranych Chorób Zaraźliwych W Przykładowych Tekstach Literatury Popularnej
Od dżumy do Eboli Sposób przedstawienia wybranych chorób zaraźliwych w przykładowych tekstach literatury popularnej Od dżumy do Eboli Sposób przedstawienia wybranych chorób zaraźliwych w przykładowych tekstach literatury popularnej Edyta Izabela Rudolf Pracownia Literatury i Kultury Popularnej oraz Nowych Mediów Wrocław 2019 Seria „POPkultura – POPliteratura” Redaktor serii: Anna Gemra Recenzja naukowa: Monika Brzóstowicz-Klajn, Adam Mazurkiewicz Adiustacja, korekta: Zofia Smyk Projekt graficzny: Michał Wolski Skład, łamanie, projekt okładki: Agata Ceckowska Zdjęcie na okładce: Marta Nowakowska W składzie wykorzystano krój pisma Minion Pro Roberta Slimbacha. Tytuł został złożony krojem Ubuntu Daltona Maaga. Druk: Sowa-Druk na Życzenie www.sowadruk.pl tel. 022 431–81–40 © Copyright by Pracownia Literatury i Kultury Popularnej oraz Nowych Mediów ISBN: 978-83-94-66562-3 Pracownia Literatury i Kultury Popularnej oraz Nowych Mediów Instytut Filologii Polskiej Uniwersytet Wrocławski pl. Nankiera 15b 50–140 Wrocław Spis treści Wprowadzenie 7 O epidemii – rozważania na temat definicji 8 Medycyna, historia, kultura 10 Literatura contra epidemia 19 Między plagą a epidemiologią 33 Część I. Zanim odkryto zarazek 33 Antyk 33 Dziennik roku zarazy 35 Wieki średnie 36 Wiek XIX: Ostatni człowiek 39 Maski śmierci 58 Mikroskopijni sojusznicy 69 Część II. Wiek XX: wiek zdarzeń 73 Ostatni świadek 73 Podsumowanie 79 Mikroby ze światów swoich i obcych 85 Śmierć nadejdzie z nieba – lata siedemdziesiąte XX wieku 87 „Andromeda” znaczy śmierć 102 Podsumowanie 112 -
2011 Edition 1 the Morpheus Literary Publication
The Morpheus 2011 Edition 1 The Morpheus Literary Publication 2011 Edition Sponsored by the Heidelberg University English Department 2 About this publication Welcome to the Fall 2011 edition of the Morpheus, Heidelberg University’s student writing magazine. This year’s issue follows the precedents we established in 2007: 1) We publish the magazine electronically, which allows us to share the best writing at Heidelberg with a wide readership. 2) The magazine and the writing contest are managed by members of English 492, Senior Seminar in Writing, as an experiential learning component of that course. 3) The publication combines the winning entries of the Morpheus writing contest with the major writing projects from English 492. Please note that Morpheus staff members were eligible to submit entries for the writing contest; a faculty panel judged the entries, which had identifying information removed before judging took place. Staff members played no role in the judging of the contest entries. We hope you enjoy this year’s Morpheus! Dave Kimmel, Publisher 3 Morpheus Staff Emily Doseck................Editor in Chief Matt Echelberry.............Layout Editor Diana LoConti...............Contest Director Jackie Scheufl er.............Marketing Director Dr. Dave Kimmel............Faculty Advisor Special thanks to our faculty judges: Linda Chudzinski, Asst. Professor of Communication and Theater Arts; Director of Public Relations Major Dr. Doug Collar, Assoc. Professor of English & Integrated Studies; Assoc. Dean of the Honors Program Dr. Courtney DeMayo, Asst. Professor of History Dr. Robin Dever, Asst. Professor of Education Tom Newcomb, Professor of Criminal Justice and Political Science Courtney Ramsey, Adjunct Instructor of English Heather Surface, Adjunct Lecturer, Communication and Theater Arts; Advisor for the Kilikilik Dr. -
Autobiographical Explorations of Hobo Subculture
‘Such was the law of The Road’1 and Such were the Rules of The Text: Autobiographical Explorations of Hobo Subculture Joanne Hall Red Rocks Community College Lakewood, Colorado Perhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean – an ever-changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. – Jack London, The Road (p. 37). Jack London’s assessment of tramp-life suggests its movement, fluidity, dynamic nature and present-orientated temporal dimension. These sentiments, however, are but a whimsical side step, for the rest of The Road centralises the image of a masculine subculture with a complicated set of rules and ranks. Thus, the suggestion of fluidity clashes with the ‘laws’ that frame hobo experience, as represented by London’s text. Indeed, texts defining themselves as hobo autobiography demonstrate a number of structural similarities, suggesting that ideas of the romance or freedom of the road are, in fact, subservient to the repetitive, formulaic, mythic pattern of the subgenre. Yet, it is imperative to observe that while these texts are labelled as autobiography, charges of exaggeration and verbose storytelling could be levied against each of them. Indeed, their incorporation of tall tales dares the reader to question authenticity. However, instead of invalidating the claim to autobiography, this provides a springboard into multileveled issues of performance, creativity, artistry and authorship, succinctly linking with the myriad inter-textual references employed by the authors. -
The Iron Heel
The Iron Heel Jack London **The Project Gutenberg Etext of The Iron Heel by Jack London** #39 in our series by Jack London Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Iron Heel by Jack London January, 1998 [Etext #1164] **The Project Gutenberg Etext of The Iron Heel by Jack London** *****This file should be named irnhl10.txt or irnhl10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, irnhl11.txt. VERSIONS based on separate sources get new LETTER, irnhl10a.txt. This etext was prepared by Donald Lainson, [email protected]. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do NOT keep these books in compliance with any particular paper edition, usually otherwise. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. -
{PDF} the Star Rover Ebook Free Download
THE STAR ROVER PDF, EPUB, EBOOK Jack London,Lorenzo Carcaterra | 352 pages | 29 Jan 2004 | Random House USA Inc | 9780812970043 | English | New York, United States The Star Rover by Jack London: | : Books He weighed one hundred and seventy pounds and was in good health. I weighed under ninety pounds, was blind as a bat from the long darkness, and had been so long pent in narrow walls that I was made dizzy by large open spaces. Really, mime was a well-defined case of incipient agoraphobia, as I quickly learned that day I escaped from solitary and punched the guard Thurston on the nose. I struck him on the nose and made it bleed when he got in my way and tried to catch hold of me. And so they are going to hang me. It is the written law of the State of California that a lifetimer like me is guilty of a capital crime when he strikes a prison guard like Thurston. Surely, he could not have been inconvenienced more than half an hour by that bleeding nose; and yet they are going to hang me for it. And, see! This law, in my case, is ex post facto. It was not a law at the time I killed Professor Haskell. It was not passed until after I received my life- sentence. And this is the very point: my life-sentence gave me my status under this law which had not yet been written on the books. And it is because of my status of lifetimer that I am to be hanged for battery committed on the guard Thurston. -
The Notion of Chance in the Narratives of Jack London and R. L. Stevenson
The Notion of Chance in the Narratives of Jack London and R. L. Stevenson Škunca, Iva Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:897345 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Iva Škunca The Notion of Chance in the Narratives of Jack London and Robert Louis Stevenson Submitted in partial fulfilment of the requirements for the B.A. in English Language and Literature and Italian Language and Literature at the University of Rijeka Supervisor: Sintija Čuljat PhD Rijeka, September 2017 ABSTRACT Both Jack London and Robert Louis Stevenson are famous for a variety of literary work they produced in a relatively short time span. As we can establish a link between the two vagabond authors who both sought an escape from the routine and the conventions of the societies they only seemingly belonged to, we can also establish a connection between some of their most brilliant works, mainly those characterised by elements of adventure fiction. This paper deals with the most prominent themes and motifs of the authors’ literary works, as well as the problems and conflicts which arise from the analysis of their work. TABLE OF CONTENTS INTRODUCTION ...................................................................................................................... 1 1.ROBERT LOUIS STEVENSON’S AND JACK LONDON’S LITERARY WORK ........... -
Download Ebook ^ Moon-Face and Other Stories
MM9JVTXJWSBE Book ~ Moon-Face and Other Stories (Dodo Press) (Paperback) Moon-Face and Oth er Stories (Dodo Press) (Paperback) Filesize: 4.04 MB Reviews Great eBook and beneficial one. It is packed with wisdom and knowledge You wont really feel monotony at at any time of your respective time (that's what catalogs are for relating to if you check with me). (Maiya Kozey) DISCLAIMER | DMCA EYPY4T5EDMT6 ~ Doc \\ Moon-Face and Other Stories (Dodo Press) (Paperback) MOON-FACE AND OTHER STORIES (DODO PRESS) (PAPERBACK) To download Moon-Face and Other Stories (Dodo Press) (Paperback) PDF, remember to access the web link below and save the ebook or have access to other information which are related to MOON-FACE AND OTHER STORIES (DODO PRESS) (PAPERBACK) book. Dodo Press, United Kingdom, 2007. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today.