The Call of the Wild
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Problems with Strieber and the Key
PERISTALSIS: A DIGEST Vol. 143, No. 2, March 2017 Problems with Strieber and The Key HEINRICH MOLTKE THE EMPTY MAN A MÔMO IMPRINT ABSTRACT THE KEY by Whitley Strieber presents a conversation Strieber claims to have had with an otherworldly visitor offering a “new vision” of God and man along with previously unknown scientific knowledge and pre- dictions for the future. This article critically examines The Key and uses textual evidence from Strieber’s previous books, articles, and interviews to show that ideas purportedly originating with the visitor appear throughout Strieber’s previous work. This article notes that scientific assertions made in The Key, far from being new and unknown, draw on the popular scientific literature at around the time Strieber wrote The Key. This article also examines the controversy surrounding differences between The Key’s two published versions, suggesting that contrary to Strieber’s improbable claim that his 2001 text had been altered by “sin- ister forces” without his knowledge, Strieber authored the text of both editions. Strieber’s inability to notice the similarity between his own public statements and the “breathtakingly new” ideas presented by his visitor combined with his unsupportable charge of censorship against his own self-published book call into question his credibility as a bridge between intellectual culture and the experience of the otherworldly. ] Page numbers in parentheses ( ) refer to the 2001 Walker & Collier edition of The Key unless otherwise noted. Numbers in superscript with brackets [ ] link to end notes. Quotations from digital texts are sic erat scriptum. • © 2017 The Empty Man Ltd • VERSION 1.05 PERISTALSIS: A DIGEST VOL. -
Rosa Katz: Oral History Transcript
Rosa Katz: Oral History Transcript www.wisconsinhistory.org/HolocaustSurvivors/Katz. asp Name: Rachel (Rosa) Goldberg Katz (1924–2012) Birth Place: Lodz, Poland Arrived in Wisconsin: 1953, Oshkosh Project Name: Oral Histories: Wisconsin Survivors Rosa Katz of the Holocaust Biography: Rachel (Rosa) Goldberg Katz was born in Lodz, Poland, on May 6, 1924, to a well-to-do family with liberal Jewish beliefs. In 1935, her sister and brother-in-law immigrated to Palestine while the rest of the family remained in Poland. When the Germans occupied Lodz in 1939, 15-year-old Rosa was among the thousands of Jews crowded into the city's ghetto. Three years later, in July 1942, her mother was deported from the ghetto and never heard from again. In August 1944, the Lodz Ghetto was liquidated. Its starving residents, including Rosa, her father, brother, and sister-in-law, Hela, were all shipped to Auschwitz. There she was separated from her father and brother. She never saw them again. German officials mistakenly sent Rosa and hundreds of other Jewish women (instead of French prisoners) to work at the Krupp munitions factory in Berlin. For eight months, Rosa assembled delicate timepieces for German bombs. In March 1945, she was transferred to the death camp in Ravensbruck, Germany. The Swedish Red Cross liberated the camp within a month of her arrival. Its inhabitants were transported to Sweden where Rosa recuperated for several years. She married Bernard Katz there (also a survivor). In April 1948, they came to the U.S. Initially settling in North Carolina, the Katz family moved to Oshkosh, Wisconsin, in 1953. -
MAKE IT NEW. MAKE IT YOURS. PROFILE Volume 70, Number 1 January – February 2018
MAKE IT NEW. MAKE IT YOURS. PROFILE Volume 70, Number 1 January – February 2018 Subcontractor Spotlight: HVAC, Inc. Non-Profit Org. US Postage PAID Asheville, NC Permit No. 101 The Museum is pleased to highlight HVAC, Inc. as a Subcontractor Spotlight. Headquartered in Asheville, NC and Bristol, TN and an expert serving the region, HVAC, Inc. is a full service specialty mechanical contractor offering a -1717 full complement of building solutions. HVAC, Inc. company philosophy states 2 2880 828.253.3227 Asheville, NC P.O. Box 1717 “We believe in and support the communities in which we live and work. And ashevilleart.org we strive daily to improve anything and everything @ www.ashevilleart.org we can. Every project we do is special and we are mailbox innovators in mechanical problem solving.” Asheville Art Museum Assoc. Since 1986, HVAC has grown from eight to more than 100 dedicated, innovative, hard-working employees. The Asheville Art Museum is proud to have HVAC, Inc. team members working on the 5:00 p.m. installation of the critical heating, ventilation and cooling systems, which are a major component of the Museum new Museum. These new systems will provide the necessary climate-controlled environment to house rt A and showcase the Museum’s Permanent Collection HVAC, Inc. has been working hard and special exhibitions. the past few months installing critical mechanical and climate systems, a Sun. 1:00 – 5:00 p.m. 175 Biltmore Avenue Tues. – Sat. 10:00 a.m. major component of the new building. Collections Spotlight: [email protected] www.ashevilleart.org Asheville 2 South Pack Square | Under Construction My Big Black America, Wesley Clark On TheSlope For information call828.253.3227 The Asheville Art Museum is excited to have recently acquired a new work titled My Big Black America by artist Wesley Clark through its newly PERFORMANCES + WORKSHOP formed Acquisition Response Team (A.R.T.), a support network for acquiring exciting works of art that require Midday Music Break in the Gallery rapid funding and quick decision-making. -
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Il =' II I-·I·III--· I- I II · I -- - I --- L- Ir I , · -'--r- · I - I · I 2 CAZIING HOME FOR MONEY TUST GOT CHEAPER. r ^M~~rli~ftlilll~~l^Jinl~~lia~~iI~syilli^^ii~~~nj~ia~gjiiiTT^^~ Now there's a cheaper way to call home-or anywhere else. coin and collect calls. You can even use your Home Federal Just buy a Pre-Paid Phone Card at BASED ON A 3 MINUTE CALL FROM NEW YORK TO: Pre-Paid Phone Card for cellular a\ our branch on campus or your Pay Phone AT&T Home Federal phone calls and pagers. At a\ Credit Card Phone Card r- nearest Home Federal branch. Anywhere in the U.S. $5.50 $3.41 $0.75 Home Federal, you don't have France, Germany, Norway, $12.60 $7.44 $1.50 E You'll enjoy savings of 40-70% Sweden, Switzerland and U.K. to go far to call far-for less. Just Italy $19.50 $9.65 $2.25 IQ) on pay phone and credit card Korea $19.50 $8.78 $4.00 think of what you can do with O Brazil $11.30 $11.24 $4.00 O long distance rates, and 150%o on all that spare change. $.- 0 516-689-8900 Student Activities Center, Lower Level Monday-Friday 9:00AM-4:30PM, Thursdays 9:00AM-7:00PM di o c> (&I0 4-^0 <^ YOu DON'T HAVE To CO FAR To GET FAR:m * < $4 I;'eniber r)IC 31 CONVENIENT BRANCH LOCATIONS THROUGHOUT BROOKLYN, QUEENS, NASSAU, SUFFOLKAND STATEN ISLAND EQUALHOUSING LENDER k-I I 3 at lIving Pla za Sold~~~~~~~~~~~~~~1Sold OuJrsOut Jars of ClaClay ConerConcert L at Irin zt7a BY DIANA GINGO through the set with energy and strong lead Statesmant Editor _ _ vocals. -
Cedars, January 21, 2000 Cedarville College
Masthead Logo Cedarville University DigitalCommons@Cedarville Cedars 1-21-2000 Cedars, January 21, 2000 Cedarville College Follow this and additional works at: https://digitalcommons.cedarville.edu/cedars Part of the Journalism Studies Commons, and the Organizational Communication Commons DigitalCommons@Cedarville provides a platform for archiving the scholarly, creative, and historical record of Cedarville University. The views, opinions, and sentiments expressed in the articles published in the university’s student newspaper, Cedars (formerly Whispering Cedars), do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The uthora s of, and those interviewed for, the articles in this paper are solely responsible for the content of those articles. Please address questions to [email protected]. Recommended Citation Cedarville College, "Cedars, January 21, 2000" (2000). Cedars. 727. https://digitalcommons.cedarville.edu/cedars/727 This Issue is brought to you for free and open access by Footer Logo DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Cedars by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. January 21, 200 oe Stowell..................... 2 Drunk with Marty Ph.Ds......................3 .....................2 Senior Recitalists............. 4 Cedar Faces.................... 5 Well-oiled Honors Band...................7 machines Graves on Worship........... 8 ••••••••• a**** 5 Music Reviews................. 9 Flock flies north Women's Basketball........10 Men's Basketball............ 11 .................... 7 A CEDARVILLE COLLEGE STUDENT PUBLICATION Sidewalk Talk................. 12 CCM star Chris Rice performs on campus again Kristin Rosner but not the sophistication that Staff Writer often comes with the success that Rice has experienced lately. -
The Song of the Lark I
HE ONG OF THE ARK T S L BY WILLA CATHER © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor This PDF eBook was produced in the year 2010 by Tantor Media, Incorporated, which holds the copyright thereto. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. -
Excerpts from Popular Books by Jack London the Call of the Wild Chapter I
Excerpts from Popular Books by Jack London The Call of the Wild Chapter I. Into the Primitive “Old longings nomadic leap, Chafing at custom’s chain; Again from its brumal sleep Wakens the ferine strain.” Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost. Figure 1: Jack London, 1905. Photo: Public White Fang Domain Chapter I—The Trail of the Meat Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light. A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of a laughter more terrible than any sadness—a laughter that was mirthless as the smile of the sphinx, a laughter cold as the frost and partaking of the grimness of infallibility. -
A Graduate Recital in Voice
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2014 A graduate recital in voice Brent M. Smith University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2014 Brent M. Smith Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Smith, Brent M., "A graduate recital in voice" (2014). Dissertations and Theses @ UNI. 258. https://scholarworks.uni.edu/etd/258 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by BRENT M. SMITH 2014 All Rights Reserved A GRADUATE RECITAL IN VOICE A Recital Abstract Submitted in Partial Fulfillment of the Requirements for the Degree Master of Music Brent M. Smith University of Northern Iowa May 2014 THIS RECITAL ABSTRACT BY: Brent M. Smith ENTITLED: A Graduate Recital in Voice has been approved as meeting the thesis requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. John Hines, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. Jean McDonald, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Korey Barrett, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Michael J. Licari, Dean, Graduate College THIS RECITAL BY: Brent M. Smith ENTITLED: A Graduate Recital in Voice DATE OF RECITAL: March 3, 2014 has been approved as meeting the recital requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. -
Manifestations S01 E14: Change
Manifestations S01 E14: Change Intro Music - Breathe, by Chill Carrier https://chillcarrier.bandcamp.com/ Voiceover: Manifestations is a podcast of the Ostium Network Voiceover: Time is not linear, but our story is. Please join us ... on our journey. We, are Manifestations. Music becomes dramatic then fades out Episode background music is a fast and percussive electric piano - Burst, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ Alan - I took some time to get a shower and have a fresh change of clothes. [two beat alarm sound begins] I’m just tying my boots when I’m startled by a strange noise. It’s not loud, but it’s shrill and repeating. If this is their idea of an alarm, it certainly has my attention. Alan - I check the phone for any notices. The only thing I see is a glyph marked “QILA.” I touch it and a message opens, it tells me there’s an incident in the medical section. [alarm sound ends] The anomalies are awake. Security measures have been taken. There’s also a map and instructions on how I can get there. Alan - I grab Thomas’ shoulder bag and head for the door. There’s no one in the hall. I make it to the elevator, down to the main floor and across to a set of stairs. I’m 3 floors down before I see anyone else. They look at me strange, but keep going about their business. I’m a fellow employee afterall. Episode background music is tense, synth, somewhat muted - Nova, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ Alan - One more level down and I take a door out into a long hallway. -
Autobiographical Explorations of Hobo Subculture
‘Such was the law of The Road’1 and Such were the Rules of The Text: Autobiographical Explorations of Hobo Subculture Joanne Hall Red Rocks Community College Lakewood, Colorado Perhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean – an ever-changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. – Jack London, The Road (p. 37). Jack London’s assessment of tramp-life suggests its movement, fluidity, dynamic nature and present-orientated temporal dimension. These sentiments, however, are but a whimsical side step, for the rest of The Road centralises the image of a masculine subculture with a complicated set of rules and ranks. Thus, the suggestion of fluidity clashes with the ‘laws’ that frame hobo experience, as represented by London’s text. Indeed, texts defining themselves as hobo autobiography demonstrate a number of structural similarities, suggesting that ideas of the romance or freedom of the road are, in fact, subservient to the repetitive, formulaic, mythic pattern of the subgenre. Yet, it is imperative to observe that while these texts are labelled as autobiography, charges of exaggeration and verbose storytelling could be levied against each of them. Indeed, their incorporation of tall tales dares the reader to question authenticity. However, instead of invalidating the claim to autobiography, this provides a springboard into multileveled issues of performance, creativity, artistry and authorship, succinctly linking with the myriad inter-textual references employed by the authors. -
The Call of the Wild Extract
The Call of the Wild and Other Stories The Call of the Wild and Other Stories Jack London Illustrations by Ian Beck ALMA CLASSICS AlmA ClAssiCs an imprint of AlmA books ltd 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom www.almaclassics.com ‘The Call of the Wild’ first published in 1903; ‘Brown Wolf’ first pub- lished in 1906; ‘That Spot’ first published in 1908; ‘To Build a Fire’ first published in 1908 This edition first published by Alma Classics in 2020 Cover and inside illustrations © Ian Beck, 2020 Extra Material © Alma Books Ltd Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-844-1 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents The Call of the Wild and Other Stories 1 The Call of the Wild 3 Brown Wolf 107 That Spot 127 To Build a Fire 139 Notes 159 Extra Material for Young Readers 161 The Writer 163 The Book 165 The Characters 167 Other Animal Adventure Stories 169 Test Yourself 172 Glossary 175 The Call of the Wild and Other Stories THE CALL OF THE WILD 1 Into the Primitive Old longings nomadic leap, Chafing at custom’s chain; Again from its brumal sleep Wakens the ferine strain.* uCk did not reAd the newspapers, or he would B have known that trouble was brewing – not alone for himself, but for every tidewater dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. -
Text Complexity Analysis of the Call of the Wild by Jack London
Text Complexity Analysis of The Call of the Wild by Jack London the story and require the reader to think globally as well as reflect on one’s own personal philosophy of life. Since many consider this novel to be an autobiography of Qualitative Measures London’s own philosophy and life experiences, it is recommended that a reasonable amount of time be devoted to examination of London’s personal life and how he was Levels of Meaning/Purpose: impacted by the following 19th century philosophers: Englishmen Charles Darwin, The novel has multiple levels of meaning as well as multiple levels to the storyline. with his theory of “the struggle for existence” and Herbert Spencer with “only the Set primarily in Alaska during the Klondike Gold Rush of 1896-97, the main character strong survive,” and German, Freidrich Nietsche, with his “might makes right” Buck, a 140 pound dog, was kidnapped from a civilized life in California and sent philosophy. north to learn to survive in the hostile Northland as a sled dog. It is during these struggles that he must learn to adapt to the harsh realities of survival in his new environment. QuaQualitativentitative Measures Measures The lexile is 1010 which is 7.8 grade level. Structure: The story is told chronologically, using the 3rd person omniscient point of view. This is significant because the characters are primarily dogs. This allows a greater sense of realism to the story, and the dogs begin to assume many human qualities. Reader-Task Considerations Though somewhat unconventional because the protagonist is not human, this book can be viewed as a coming of age novel since Buck needs to complete a It is recommended that this novel be used in eighth grade because of the complexity transformation of setting, lifestyle, and personal morality to survive.