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Transformation the Breakthrough Whitley Strieber
TRANSFORMATION THE BREAKTHROUGH WHITLEY STRIEBER On February 10, 1987, one of the most star tling and controversial books of our time was published: Whitley Strieber's Commu nion. In Communion, Whitley Strieber de scribed the shattering effects of an assault from the unknown-what seemed to be an encounter with intelligent nonhuman beings. Transformation is the chronicle of his effort to form a relationship with the unknown reality he has come to call"the visitors." After writing Communion, Whitley Strie ber firmly expected that his encounters with the "visitors" would end. They did not. At first he was desperate and terrified. He struggled frantically to push the visitors out of his life, to prove to himself that they were figments of his imagination, that they were anything but a reality separate from himself. He was finally forced to admit, because of their persistence and the undeniably intelli gent structure of their encounters with him, that they had to be a genuine mystery, an intelligence of unknown nature and origin. Whitley began to challenge his fear of the visitors, to try to confront them with objec tivity, in an effort to gain real insight into their impact on our lives. The more he did this, he found, the deeper and richer his ex perience became. Do the visitors represent a force that has been with mankind throughout history? Has it played an absolutely central role in alter ing human culture? Has a conscious force (continued on backflap) Book Club Edition TRANSFORMATI ON By Whitley Strieber As Author: Transformation Communion Wo lfof Shadows Catmagic Th e Night Church Black Magic The Hunger The Wolfen As Co-Author: Nature's End Wa rday Whitley Strieber TRANSFORMATION The Breakthrough BEECH TREE BOOKS WILLIAM MOR ROW New York Copyright C 1988 by Wilson & Neff, Inc. -
The Coming Global Superstorm
The Coming Global Superstorm The Coming Global Superstorm. Simon and Schuster, 2001. Art Bell, Whitley Strieber. 0743417410, 9780743417419. 272 pages. 2001 Killer tornadoes. Violent tropical storms. Devastating temperatures. Are these just the prelude to an unprecedented environmental disaster in our near future? Two of America's leading investigators of unexplained phenomena -- Art Bell, the top-rated late-night radio talk-show host, and Whitley Strieber, No. 1 New York Times bestselling author of Communion and the legendary Nature's End -- have made a shocking discovery based on years of research with top scientists and archaeologists from around the world. Now, they reveal what powerful interests are trying to keep hidden: rapid changes in the atmosphere caused by greenhouse gases have set humanity on an incredibly dangerous course toward a catastrophic change in climate in the immediate future. It will begin with a massive, unprecedented storm that will devastate the Northern Hemisphere. This will be followed by floods unlike anything ever seen before -- or perhaps a new Ice Age. They also unearth evidence that this has happened in the past -- in fact, that it has occurred regularly throughout geologic history, but so infrequently that our only record of the last such storm is contained in ancient myths and flood legends. From El Niño to the African droughts, to the shrinking of the polar ice caps, Bell and Strieber identify the warning signs to those willing to see. They point out that the Earth's regulatory system is like a rubber band: you can stretch it just so far before it snaps back -- with a vengeance. -
From Terror to Communion in Whitley Strieber’S Communion (1987)
%HWWHU+RUURUV)URP7HUURUWR&RPPXQLRQLQ:KLWOH\ 6WULHEHUV&RPPXQLRQ -HIIUH\-.ULSDO Social Research: An International Quarterly, Volume 81, Number 4, Winter 2014, pp. 897-920 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV For additional information about this article http://muse.jhu.edu/journals/sor/summary/v081/81.4.kripal.html Access provided by Fondren Library, Rice University (15 May 2015 16:12 GMT) Jeffrey J. Kripal Better Horrors: From Terror to Communion in Whitley Strieber’s Communion (1987) That I am in direct mind-to-mind touch with extraterres- trial intelligence systems has been obvious to me for some time, but what this means is not in any way obvious. These are new words to describe ancient experiences. Basically this is a religious experience, but also it is more because we are no longer a religious world. Philip K. Dick, letter to Claudia Bush, November 26, 1974 No, the visitors may very well be real. Quite real. But what are they, and what in their context does the word real actu- ally mean? I do not think that this is a question that will in the end admit itself to a linear and mechanistic answer. Whitley Strieber, Communion REAL MONstERS I cannot watch horror movies. I do not read horror novels. And yet I am constantly drawn to thinking about horror. As a student of the history of religions, how can I not be? How can I not think about the classic reli- social research Vol. 81 : No. 4 : Winter 2014 897 gious emotions of fear, terror, and dread, about the hair-raising phenom- enology of eeriness and the uncanny, about the ghost, the possession, and the haunting, about the centrality of death, dissociation, and dissolution in religious symbolism (and experience), about the cosmic violence of comparative eschatology, and—we cannot possibly avoid the fact—about the horrific spectacles of contemporary religious terrorism? Clearly, as Greg Mogenson has put it recently, for whatever else deity is or is not, “God is a trauma” (Mogenson 2005). -
Unidentified Flying Objects (Ufos). LC Science Tracer Bullet
DOCUMENT RESUME ED 342 671 SE 052 699 TITLE Unidentified Flying Objects (UFOs). LC Science Tracer Bullet. INSTITUTION Library of Congress, Washington, DC. Science and Technology DiV. REPORT NO ISSN-0090-5232; TB-91-1 PUB DATE Sep 91 NOTE 13p. AVAILABLE FROMScience and Technology Division, Library of Congress, 10 First Street, S.W., Washington, DC 20540 (free). PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01/PC01 -Plus Postage. DESCRIPTORS Books; Conference Proceedings; Periodicals; Publications; Reference Materials; Resource Materials; 'Space Sciences IDENTIFIERS %Unidentified Flying Objects ABSTRACT This guide lists information sources dealing with unidentified flying objects (UF0s). Not meant to be a comprehensive bibliography, this compilation is designedas the name of the series implies--to put the reader "on target." Included are: (1) subject headings used by the Library of Congress, under which publicationson this subject can be located in most card, book, and online catalogs; (2) books; (3) encyclopedias, handbooks, dictionaries, and directories; (4) bibliographies; (5) conference proceedings; (6) government publications; (7) abstracting and indexing services that index relevant journal articles and other literature; (6) periodicals that contain articles about unidentified flying objects; (9) representative periodical articles; (10) selected materials available in the Science Reading Room pamphlet box collection; and (11) addresses of additional sources of information. (KR) *******************S*************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** 57,5. LC Science Tracer Bullet Science Reference Section, Science and Technology Division Libraiy of Congress, 10 First Street, S.E., Washington, D.C. 20540 ISSN 0090-5232 UNIDENTIFIED FLYING OBJECTS (UFOs) TB 91-1 September 1991 SCOPE This guide lists information sources dealingwith unidentified flying objects (IMO. -
Shamanism and Alien Abductions : a Comparative Study
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2000 Shamanism and alien abductions : a comparative study Simon Brian Harvey-Wilson Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Social and Cultural Anthropology Commons Recommended Citation Harvey-Wilson, S. B. (2000). Shamanism and alien abductions : a comparative study. https://ro.ecu.edu.au/theses/1389 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1389 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Upk Bullard Pback Frontmatterrev2.Indd
© University Press of Kansas. All rights reserved. Reproduction and distribution prohibited without permission of the Press. Contents Acknowledgments vii Preface to the Paperback Edition ix List of Abbreviations xxiii Introduction: A Mystery of Mythic Proportions 1 1 Who Goes There? The Myth and the Mystery of UFOs 25 2 The Growth and Evolution of UFO Mythology 52 3 UFOs of the Past 97 4 From the Otherworld to Other Worlds 124 5 The Space Children: A Case Example 176 6 Secret Worlds and Promised Lands 201 7 Other Than Ourselves 229 8 Explaining UFOs: An Inward Look 252 9 Explaining UFOs: Something Yet Remains 286 Appendix: UFO-Related Web Sites 315 Notes 319 Select Bibliography 375 Index 399 An illustration section follows page 165 © University Press of Kansas. All rights reserved. Reproduction and distribution prohibited without permission of the Press. © University Press of Kansas. All rights reserved. Reproduction and distribution prohibited without permission of the Press. Acknowledgments I would like to thank Mary Castner, Mark Rodeghier, and Michael D. Swords for CUFOS, James Carrion for MUFON, Phyllis Galde for Fate magazine, Janet Bord for the Fortean Picture Library, and Richard F. Haines, whose help in providing illustrations for this book is greatly appreciated. I owe especial thanks to Jerome Clark and David M. Jacobs for reading the manu- script and devoting efforts above and beyond the call of duty to whip my unruly writ- ing into shape. A final thank-you goes to my long-suffering editor, Michael J. Briggs, who had to wait far too long for me to finish, but who did so with patience and always a helping hand. -
Transformation: Whitley Strieber's Paranormal Gnosis
Transformation Whitley Strieber’s Paranormal Gnosis David G. Robertson ABSTRACT: American horror novelist Whitley Strieber’s account of an apparent ‘‘alien abduction’’ in Communion: A True Story (1987) was instrumental in bringing the abductee narrative into popular culture. Despite his ongoing engagement with mainstream ufology, in this article I argue that Strieber’s experiences are more representative of a broader paranormal category, here defined discursively. I first examine this claim through an assessment of Strieber’s career, particularly how his experi- ence transformed his understanding of the nature of reality and brought him to challenge epistemic norms more broadly. Then, through ethno- graphic fieldwork, I consider whether this pattern repeated itself among subscribers at Strieber’s 2012 Dreamland Festival in Nashville. I find that, in many cases, the paranormal experience acted as a catalyst for a larger questioning of epistemic norms—in short, a paranormal gnosis. KEYWORDS: Whitley Strieber, paranormal, alien abduction, gnosis [A]ngels do not convey messages; they change those they address. What they transfer is not an information content, but a new container. They don’t bring maps offering some hold to beings starved of knowledge—they transform their interlocutors. What they convey are not telegrams but persons.1 n May 2012, I traveled to Nashville to participate in the Dreamland Festival hosted by novelist and radio host Whitley Strieber, who I probably is best known for Communion: A True Story. The popular 1987 account of an alleged alien abduction was instrumental in bringing Nova Religio: The Journal of Alternative and Emergent Religions, Volume 18, Issue 1, pages 58–78. -
In the Flesh: Authenticity, Nationalism, and Performance on the American Frontier, 1860-1925
IN THE FLESH: AUTHENTICITY, NATIONALISM, AND PERFORMANCE ON THE AMERICAN FRONTIER, 1860-1925 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jefferson D. Slagle, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Chadwick Allen, Adviser Professor Jared Gardner ________________________________ Professor Susan S. Williams Adviser English Graduate Program Copyright by Jefferson D. Slagle 2006 ABSTRACT Representations of the frontier through the early twentieth century have been subject to two sets of critical criteria: the conventional aesthetic expectations of the particular genres and forms in which westerns are produced, and the popular cultural demand for imitative “authenticity” or faithfulness to the “real west.” “In the Flesh” probes how literary history is bound up with the history of performance westerns that establish the criteria of “authenticity” that text westerns seek to fulfill. The dissertation demonstrates how the impulse to verify western authenticity is part of a post-Civil War American nationalism that locates the frontier as the paradigmatic American socio-topography. It argues westerns produced in a variety of media sought to distance themselves from their status as art forms subject to the critical standards of particular genres and to represent themselves as faithful transcriptions of popular frontier history. The primary signifier of historicity in all these forms is the technical ability to represent authentic bodies capable of performing that history. Postbellum westerns, in short, seek to show their audiences history embodied “in the flesh” of western performers. “In the Flesh” is therefore divided into two sections: the first analyzes performance westerns, including stage drama, Wild West, and film, that place bodies on display for the immediate appraisal of audiences. -
The Call of the Wild
THE CALL OF THE WILD BY JACK LONDON 7^WYS`f7Taa]e COPYRIGHT INFORMATION Book: The Call of the Wild Author: Jack London, 1876–1916 First published: 1903 The original book is in the public domain in the United States and in most, if not all, other countries as well. Readers outside the United States should check their own countries’ copyright laws to be certain they can legally download this ebook. The Online Books Page has an FAQ which gives a summary of copyright durations for many other countries, as well as links to more official sources. (Links will open in a new window.) This PDF ebook was created by José Menéndez. CONTENTS I. INTO THE PRIMITIVE II. THE LAW OF CLUB AND FANG III. THE DOMINANT PRIMORDIAL BEAST IV. WHO HAS WON TO MASTERSHIP V. THE TOIL OF TRACE AND TRAIL VI. FOR THE LOVE OF A MAN VII. THE SOUNDING OF THE CALL I INTO THE PRIMITIVE “Old longings nomadic leap, Chafing at custom’s chain, Again from its brumal sleep Wakens the ferine strain.” UCK did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide- B water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost. -
Place Images of the American West in Western Films
PLACE IMAGES OF THE AMERICAN WEST IN WESTERN FILMS by TRAVIS W. SMITH B.S., Kansas State University, 2003 M.A., Kansas State University, 2005 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of Geography College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Abstract Hollywood Westerns have informed popular images of the American West for well over a century. This study of cultural, cinematic, regional, and historical geography examines place imagery in the Western. Echoing Blake’s (1995) examination of the novels of Zane Grey, the research questions analyze one hundred major Westerns to identify (1) the spatial settings (where the plot of the Western transpires), (2) the temporal settings (what date[s] in history the Western takes place), and (3) the filming locations. The results of these three questions illuminate significant place images of the West and the geography of the Western. I selected a filmography of one hundred major Westerns based upon twenty different Western film credentials. My content analysis involved multiple viewings of each Western and cross-referencing film content like narrative titles, American Indian homelands, fort names, and tombstone dates with scholarly and popular publications. The Western spatially favors Apachería, the Borderlands and Mexico, and the High Plains rather than the Pacific Northwest. Also, California serves more as a destination than a spatial setting. Temporally, the heart of the Western beats during the 1870s and 1880s, but it also lives well into the twentieth century. The five major filming location clusters are the Los Angeles / Hollywood area and its studio backlots, Old Tucson Studios and southeastern Arizona, the Alabama Hills in California, Monument Valley in Utah and Arizona, and the Santa Fe region in New Mexico. -
I I I I I I I I I I I I I I I I
I Thesis/Dissertation Sheet I Australia's -1 Global UNSW University I SYDN�Y I Surname/Family Name Dempsey Given Name/s Claire Kathleen Marsden Abbreviation for degree as give in the University calendar MPhil Faculty UNSW Canberra I School School of Humanities and Social Sciences Thesis Title 'A quick kiss in the dark from a stranger': Stephen King and the Short Story Abstract 350 words maximum: (PLEASE TYPE) There has been significant scholarly attention paid to both the short story genre and the Gothic mode, and to the influence of significant American writers, such as Edgar Allan Poe, Nathaniel Hawthorne and H.P. Lovecraft, on the evolution of these. However, relatively little consideration appears to have been offeredto the I contribution of popular writers to the development of the short story and of Gothic fiction. In the Westernworld in the twenty-firstcentury there is perhaps no contemporary popular writer of the short story in the Gothic mode I whose name is more familiar than that of Stephen King. This thesis will explore the contribution of Stephen King to the heritage of American short stories, with specific reference to the American Gothic tradition, the I impact of Poe, Hawthorneand Lovecrafton his fiction, and the significance of the numerous adaptations of his works forthe screen. I examine Stephen King's distinctive style, recurring themes, the adaptability of his work I across various media, and his status within American popular culture. Stephen King's contribution to the short story genre, I argue, is premised on his attention to the general reader and to the evolution of the genre itself, I providing as he does a conduit between contemporary an_d classic short fiction. -
Whitley Strieber and the Paradigm of Doom by Dream’S End, 2007
Whitley Strieber and the Paradigm of Doom By Dream’s End, 2007 Part 1 In 1954 nine-year-old Whitley Strieber entered an “Unknown Country” where missing time, ghostly apparitions and visitors claiming to be from outer space are the norm. Many of these childhood memories remained veiled behind a wall of amnesia until much later, though snippets of his bizarre early life experiences stayed within conscious memory. Those memories, and particularly his later “abduction experiences” made famous in his book Communion, would solidify and popularize an emerging mythos: The aliens are here. They are gray. They need to manipulate our genetic material. They are scary as hell but we should love them. The world as we know it is about to end. Originally, I started writing an article about how Strieber was one of the disinformation artists tasked with spreading the “meme” of the little gray men. But as I looked closer, it became very clear that something else was going on. For example, there were many Nazi scientists relocated via Project Paperclip to air force bases in San Antonio, a fact I learned from Strieber’s own website. And that Strieber claimed to have some memories of more earthly, MKULTRA style abuse at one of these airforce bases I also learned on his site.i But one thing Strieber has not written about is that during the years of his “secret school” experiences as a child, one of the central scientists in MKULTRA was stationed at Lackland Airforce Base just ten miles or so from the location of Strieber’s childhood home and the “Olmos Basin” area of San Antonio that figured prominently in his experiences.