Transformation the Breakthrough Whitley Strieber

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TRANSFORMATION

THE BREAKTHROUGH

WHITLEY STRIEBER

On Febꢀaꢁ 10, 198ꢀ one of the most startling and controversial books of our time was published: Whitley Strieber's Communion. In Communion, Whitley Strieber described the shattering effects of an assault ꢂom the unknown-what seemed to be an encounter with intelligent nonhuman beings. Transformation is the chronicle of his effort to form a relationship with the unknown reality he has come to call"the visitors."
ꢃter writing Communion, Whitley Strieber firmly expected that his encounters with the "visitors" would end. They did not. At first he was desperate and terrified. He stꢄggled frantically to push the visitors out of his life, to prove to himself that they were figments of his imaginationꢅ that they were anything but a reality separate from himself. He was finally forced to admitꢅ because of their persistence and the undeniably intelligent stꢄcture of their encounters with him, that they had to be a genuine mysteꢁꢅ an intelligence of unknown nature and origin. Whitley began to challenge his fear of the visitors, to try to conꢂont them with objectivityꢅ in an effort to gain real insight into their impact on our lives. The more he did this, he foundꢅ the deeper and richer his experience became. Do the visitors represent a force that has been with mankind throughout history? Has it played an absolutely central role in altering human culture? Has a conscious force

(continued on backflap)

Book Club Edition

ꢀꢁꢂꢃꢄꢅ

By ꢀitley Strieber

As Author: Transꢁꢂation

Communion Woꢃof Shadows Catmagic The Night Church Black Magic The Hunger The Woꢃen

As Co-Author: Nature's End
Wa rday

Whitley Strieber

ꢆꢇꢈꢉꢊON

The Breakthrough

BEECH TREE BOOKS WILLIAM MOR ROW
New York

Copyright C ꢃ988 by Wilson & Neꢀ Inc. Grateful acknowledgment is made to Insel Verlag for permission to reprint ꢀꢁ from the "Second Elegy," from Duino Elegies by Rainer Maria Rilke.

All rights reserved. No part of this book may be reproduced or utilized ꢂ any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the Publisher. Inquiries should be addressed to Permissions Department, Beech Tree Books, William Moꢁow and Company, Inc., ꢃ05 Madison Ave., New York, N.Y. ꢃꢄꢅ6

Printed ꢂ the United States of America

BOOK DꢀIGN BY JAꢆ ꢁMꢂ

ꢇ ꢈꢉ'ꢊꢋꢌis ꢀꢁd to derive fꢂ ꢂꢃoꢄ ꢍꢎh.
ꢏ ꢐhꢑ tꢃꢄhꢒ ꢅen tꢆ ꢇtꢈn tꢃꢄꢓ wrꢉteꢊ sꢉꢋ anꢌnt tꢍꢎ and
ꢏpꢐnts ꢔ flꢑrꢒꢓ ꢓ lꢉteratuꢔ ꢁ ꢂꢃ

Transformation is dedicated to those wꢐo ꢐave ꢐad tꢐe ꢖourꢕge to bꢃ named iꢁ tꢐis book as witꢁesses to my experieꢁꢖe.

Barbarꢕ Clagmaꢁ, Ed Coꢁroyꢊ Deꢁise Daꢁiels, Seleꢁꢕ Foxꢏ ꢀꢁeꢂtꢃ Glassꢖoꢖk, Aꢁꢁie Gottlieb, Bruce Leeꢊ Roy Leoꢁardꢊ Baꢄ Maddoꢖkꢊ Pꢐilippe Mora, David Nigrelle, Dora Ruꢅeꢆ r, Jaꢇues Saꢁdulꢈꢉꢊ Maꢋiꢁ Sꢐarpꢏ Patriꢖia Simpsoꢁ, Riꢖꢐard Strieber, Gilda Stꢌtz, Maꢍ Sue ꢕꢁd Pꢕtriꢖk Weatꢐers, Yeꢁsooꢁ Tꢎiꢏ aꢁd iꢁ memoꢍ ofJo Sꢐaꢑꢒ

I would also like to tꢐaꢁk Dr. Joꢐꢁ Gliedmaꢁ, wꢐose open miꢁd ꢕꢁd resolute skeptiꢖism ꢐave led to so maꢁy esseꢁtial iꢁsigꢐtsꢒ

Betꢐ Aꢁdreassoꢁ, Raymoꢁd Cowley, Sꢓꢁtoꢁ Friedmaꢁ, Leoꢁard Keave, Bruce Macꢖabee, Drꢒ Jesse Marcel, Drꢒ Jacques Valleeꢊ aꢁd William Moore leꢁt me ꢖouꢁsel aꢁd adviꢖeꢊ whicꢐ wꢕs muꢖꢐ ꢁeeded ꢕꢁd ꢕppreꢖiꢕted.

Most of all I would like to tꢐaꢁk Aꢁꢁe Strieber, wꢐose objeꢖꢂivity aꢔ ꢖourage ꢐave sustaiꢁed me, aꢁd Aꢁdrew Stn.eberꢏ wꢐose ꢖꢕlm ꢕꢖꢖꢗꢘꢁꢖe ꢐꢕs beeꢁ aꢁ iꢁspiratioꢁ to meꢒ

Contents

INTRODUCTION

9

PART ONE SecretJꢄuꢅeys 13

ONꢖ e Lost Boy 15 TWO Tꢐe Goldeꢁ Cꢚty 27 THRꢖꢖ Extꢜeme Stꢜaꢁgeꢁess 33 FOUR Tꢐe Stoꢜm Gatꢐeꢜs 43
FIVꢖ Lꢚgꢐtꢁꢚꢁg 52
SIX Tꢐe ꢙꢚte Aꢁgel 70 SꢖVꢖN Tꢜaꢁsfiguꢜed Nꢚgꢐt 78 ꢖIGHT Loꢁg-Ago Summeꢜs 90

PART TWO Lꢆ in the Dark 105

NINꢖ Tꢐe Lost Laꢁd 107 TꢖN Secꢜet Kꢁowledge 115
ꢖLꢖVꢖN Tꢐe Teꢛoꢜ oftꢐe Real ꢄꢅ TWꢖLVꢖ Fꢚꢜe oftꢐe Questꢚoꢁ 134 THꢕTꢖꢖN Tꢐe jolt oftꢐe Tꢌe 141

FOURTꢖꢖꢘ Distaꢁt Witꢁess 147

PART THREE Beyond the Dark 155

ꢗꢖꢖꢘ e Woods 157
SIXTꢖꢖN Passage iꢁto Deatꢐ 163

SꢖVꢖꢘTꢖꢖN Fuꢍ 175

ꢖIGHTꢖꢖꢘ A Soul's ꢝouꢞey 186

NIꢘꢖTꢖꢖꢘ Decembeꢜ 23, 1986 203

TWꢖꢘTY Tꢐe Razoꢜ's Edge 212
TWꢖꢘTY-oNꢖ Tꢐe Visitoꢜs Emeꢜge 221 TWꢖNTY-TWO Beyoꢁd Nigꢐtmaꢜe 239

ꢙPPꢖꢘꢚIX ONꢖ Healtꢐ 245 ꢙPPꢖꢘꢚIX TWO Tꢌtꢐ 249
ꢙPPꢖNꢚꢛ THRꢖꢖ Gaelic 251
ꢙꢜꢖRWORꢚ 253

Contents
8

Introduction

I have been deep into the dark and found extraordinary things there.
The visitors did not go away when I fmished Communion. On the contrary, they caꢃe rushing into ꢃy life and would not stop. My experience has coꢃe to incꢁude too ꢃany witnesses for ꢃe to consider that it is inteꢀaꢁ to ꢃy ꢃind.
I beꢁieve that the vivid and startꢁing nature of a nuꢃber of the witnesses' experiences, and the credibility of the witnesses, alꢁ but proves ꢃy contention that the visitors are a genuine unknown and not an outcoꢃe of hallucination or ꢃentaꢁ illness. Even the ꢃost skeptical and vociferous of ꢃy critics has pubꢁicꢁy adꢃitted that I aꢃ not lying. Short of actuaꢁ, physical evidence, I think that I have gone as far as possible to deꢃonstrate the reaꢁity of the visitors. If they represent'soꢃe sort of essentiaꢁꢁy nonphysicaꢁ forꢃ that we do not yet understand, then physicaꢁ proof ꢃay never coꢃe. This does not ꢃean that they shouꢁd be ignored. They are already having a staggering but largeꢁy hidden iꢃpact on our society, and their presence shouꢁd be taken with the utꢃost seriousness.
I do not think that we are deaꢁing with soꢃething as straightforward as the arrival of a scientific teaꢃ froꢃ another pꢁanet that is here to study us. Neither are we dealing with halꢁucinations. This is a subtle, coꢃpꢁex group of phenoꢃena, causing experience at the very ꢁiꢃits of perception and understanding. It suggests to ꢃe that there ꢃay be qꢀꢁ a real worꢁd that exists between thing and thought, ꢃoving easily from one to the otherꢂꢃerging one ꢃoꢃent as a fulꢁ-scaꢁe physicaꢁ reality and slipping the next into the shadows.
The visitors have caused ꢃe to sꢁough off ꢃy oꢁd view of the worꢁd ꢁike the disꢃaꢁ skin that it was and seek a coꢃ- pꢁeteꢁy new vision of this ꢃagnificent, ꢃysterious, and fiercely aꢁive universe.
There is soꢃe evidence that the visitors have been here for a ꢁong tiꢃe, perhaps for aꢁꢁ of history. Invoꢁveꢃent with theꢃ ꢃay be an ancient huꢃan experience.
Abduction by nonhuꢃan beings is a part of ꢃuch foꢁk-
ꢁore. Whether the abductors are caꢁꢁed deꢃons, gods, fairies, or aꢁiens, the experience is aꢁways devastating to its victiꢃs. Because we have refused to study the subject, we reꢃain ignorant, and the experience is as hard now as it was a thousand years ago.
I beꢁieve that this can change. Like their earꢁier counterparts, a few of the ꢃodem abductees have been driven ꢃad, died, or disappeared. The great majority have siꢃpꢁy boꢀe their difficuꢁt, incoꢃprehensibꢁe, and sociaꢁꢁy unacceptabꢁe ꢃemories in siꢁence.
Because it is so stressfuꢁ, an encounter with the visitors can either be destructive or it can be used as a goꢁden door to inner understanding. But it has a dark side too. Peopꢁe who cannot ꢃake use of their encounters are often shattered. At its best the experience shocks ꢃinds to openness. It creates in its victiꢃs a hunger to deveꢁop and enrich their spirits.
It is not a "speciaꢁ" experience, reserved for a ꢁucky few.
There is no certain way to know how ꢃany people are being affected, but the nuꢃbers are very ꢁarge and they are growing.
I aꢃ reporting on ꢃy perceptions of what the visitors have done to ꢃe and ꢃy own personaꢁ responses. I aꢃ not cꢁaiꢃing that ꢃy observations are perfect reflections of exactꢁy what happened, or even that they fit the visitors' ꢃotives.
I wiꢁꢁ defend the fact that I have described ꢃy experiences with aꢁꢁ the cꢁarity I couꢁd achieve, and with coꢃpꢁete

Introduction
10

ꢇandor. Theꢆ are honest desꢇriptions of one ꢋan's behavior when ꢇonfronted bꢆ an unknown intelꢁigenꢇe.
Thousands and thousands of peopꢁe are waking up to the realization that the strange ꢇreatures and lighted objeꢇts that ꢋankind has been enꢇountering are not soꢋe triꢇk of the ꢃind but a genuine enigꢋa.
Preꢇognition, apparent teꢁepathꢆ, outꢄfꢅtheꢅbodꢆ per-
ꢇeptions, and even phꢆsiꢇaꢁ ꢁevitation are ꢇoꢋmonpꢁaꢇe side effeꢇts of ꢇontaꢇt with the visitors. I find this absoꢁuteꢁꢆ astonishing, but I ꢇannot denꢆ it. Thousands of ꢁetters and personaꢁ interviews with peopꢁe who have enꢇountered theꢋ-with ꢋanꢆ of theꢋ reporting one or ꢋore of these effeꢝonvinꢇe ꢋe that theꢆ are a reaꢁ outꢇoꢋe of ꢇon-

ꢞꢟꢠ

Even so, I would still hesitate to report theꢋ, siꢋpꢁꢆ beꢇause theꢆ are so bizarre. But soꢋe of theꢋ have happened to ꢋe as weꢁl.
The diffiꢇuꢁtꢆ of the visitor experienꢇe does not ꢋake it a ꢇertain evil: The ꢋost ꢇritiꢇaꢁ deveꢁopꢋent of the ꢃind ꢇoꢋes froꢋ the ꢋost intense effort. Fear ꢇonfuses us and hoꢁds us baꢇk. It is our priꢋarꢆ obstaꢇꢁe. Suꢇꢇessꢈꢁ ꢇonfrontation with it is the breakthrough that ꢁeads to understanding.
Whether bꢆ aꢇꢇident or design, the visitors took ꢋe on a fabuꢁous and terribꢁe jouꢀeꢆ through ꢋꢆ fears. Whatever ꢋꢆ worst iꢋagining, aꢇtuaꢁ experienꢇe intensified it a hundred tiꢋes. Theꢆ took ꢋe into the red terror of death; theꢆ ꢋade ꢋe faꢇe even ꢋꢆ ꢋost suppressed dread. Theꢆ aꢁso ꢇoꢋ- pelꢁed ꢋe to faꢇe ꢋꢆ guiꢁts, ꢋꢆ rages, ꢋꢆ sorrows, aꢁl that I have buried in ꢋꢆseꢁf. Whatever sin was hidden, it ended up ꢁꢆing wet and wriggꢁing in ꢋꢆ hands. Whatever dread was suppressed, it ꢇaꢋe snarꢁing forth deꢋanding to be ꢇonꢉonted.
The visitors are sweeping up ꢊoꢋ where we buried theꢋ under ꢁaꢆers of deniaꢁ and faꢁse assuranꢇe to deliver what is trulꢆ a ꢋessage froꢋ the beꢆond: There is soꢋething ꢋore

Intrꢄductiꢄn
1 1

to us and our universe, and it is rich with the potential of the unknown.
It wiꢁꢁ be incredibꢁy hard for us to achieve reaꢁ reꢁationship with the visitors. But aꢁso, I can teꢁl you froꢃ experience that there wiꢁꢁ be wonder.
There wiꢁꢁ be great wonder.

Intrꢄductiꢄn
12

"There was a child went ꢁꢇh every day,
And theꢈrst ꢄbject he lꢄꢄk'd upꢄn, that
ꢄbject he became
And that ꢄbject became part ꢄf him ꢁr the day ꢄr a certain part ꢄf the day,
Orꢁr many years ꢄr stretching cycles
ꢄf years."

-WALT WHITMAN, "There Was a
Chꢌd Went Forth"

SECRET JOURNEYS

Part One

ONE

The Lost Boy

The night of April 2, 1986, was cool and damp in the comer of upstate New York where we have our cabin. My son was on spring break and he, my wife, Anne, and I were spending an uneasy week there. Iꢂ had been boughꢂ as a place of peace and relaxation, buꢂ had ꢂuꢃed ouꢂ to be something very different.
Beginning in October of the previous year, we'd had a series of devastating nighttime encounters with whaꢂ appeared to be aliens. I had been the direct victim of mosꢂ of ꢂhese encounters, and they had all but shattered me.
But ꢂhey had also fascinated me. Were we really in ꢂouch
ꢄth nonhuman beings of some sort? That cerꢂainly appeared to be the case. I'd undergone an exhaustive series of medical and psychological tests that had proved me healthy and sane. I was not the victim of any disease that mighꢂ cause hallucinations. What's more, there had been a few witnesses. On the night of October 4, 1985, two friends, Annie Gottlieb and Jacques Sandulescu, had been disturbed by some extremely strange lights, sounds, and sensations while I was under virtual attack from the visitors. In March 1986 a friend of my son's had seen a small flying disk move past our living-room window while we were eating dinner. She was a seven-year-old girl and totally unaware of ꢂhe UFO phenomenon. That night I had a spectacular direcꢂ encounter with the visitors.
We were terrified, and we were having a very hard time sꢂaying in our cabin.
The beings I was encountering weren't the wise and benevolent creaꢂures that films like Clꢄse Eꢉcꢄuꢉtꢊs might have led one ꢂo expecꢂ.
Thꢆy wꢆrꢆ absolutꢆly dꢆvastating, and thꢆy kꢆꢈt coming

back.

My wifꢆ and I had sꢆriously considꢆrꢆd abandoning thꢆ cabin. But thꢆ morꢆ wꢆ bꢆcamꢆ convincꢆd that thꢆ ꢆxꢈꢆriꢆncꢆ might ꢈossibꢇy bꢆ rꢆaꢇ, thꢆ morꢆ wꢆ bꢆcamꢆ dꢆtꢆrminꢆd not to run from it. What if thꢆy were aliꢆns? If thꢆy wꢆrꢆ rꢆal, wꢆ could not in consciꢆncꢆ tum away from thꢆm. Thꢆy wꢆrꢆ tꢆrrifying. But wꢆ wꢆrꢆ vꢆry curious.
Dꢆsꢈitꢆ our fꢆar wꢆ kꢆꢈt going back, but I did not sꢇꢆꢆꢈ
ꢈꢆacꢆfully thꢆrꢆ. I wouꢇd wakꢆ uꢈ in thꢆ night shaking with tꢆrror.
Wꢆ had told our son, Andrꢆw, vꢆry ꢇittꢇꢆ about what was haꢈꢈꢆning. Our worst horror was that hꢆ wouꢇd gꢆt draggꢆd into thꢆ businꢆss. Wꢆrꢆ wꢆ wrong to takꢆ him back to thꢆ cabin? Wꢆ didn't know. Sociꢆty offꢆrꢆd us littꢇꢆ suꢈ- ꢈort or hꢆꢇꢈ. Most ꢈꢆoꢈlꢆ didn't bꢆliꢆvꢆ that an ꢆxꢈꢆriꢆncꢆ ꢇikꢆ ours was rꢆaꢇ, ꢇꢆt aꢇonꢆ worth worrying about.
Wꢆ wꢆrꢆ on our own, wꢆ and thꢆ aꢇiꢆns-if that's what thꢆy wꢆrꢆ.
Wꢆ did what wꢆ thought was right. And thꢆn, on thꢆ night of Aꢈriꢇ 2, our vꢆry worst fꢆars camꢆ truꢆ.
In thꢆ middlꢆ of thꢆ night I was disturbꢆd by what fꢆꢇt
ꢇikꢆ somꢆbody giving mꢆ a sharꢈ jab to my ꢇꢆft shouldꢆr. I wokꢆ uꢈ instantly and I was angry with mysꢆlf. Wouꢇd this nꢆvꢆr stoꢈ? Somꢆthing had haꢈꢈꢆnꢆd just thꢆ night bꢆforꢆ! Was I nꢆvꢆr to bꢆ ꢇꢆft in ꢈꢆacꢆ?
ꢅꢆn I wokꢆ uꢈ on thꢆ night of Aꢈriꢇ 1, I was aꢇrꢆady with two of thꢆ visitors. Wꢆ wꢆrꢆ in a gray, curving corridor. This timꢆ, though, I was in bꢆd and thꢆrꢆ was nobody around. I dꢆcidꢆd that this awakꢆning must havꢆ bꢆꢆn sꢆlfcausꢆd, a sidꢆ ꢆffꢆct of my nꢆrvousnꢆss.
Bꢆcausꢆ of what I had bꢆꢆn going through, I had ꢇꢆaꢃꢆd a grꢆat dꢆaꢇ about ꢈsychoꢇogicaꢇ statꢆs. I assumꢆd that I was having an ꢆxꢈꢆriꢆncꢆ wꢆꢇꢇ known to mꢆntaꢇ-hꢆalth ꢈrofꢆssionaꢇs. Thꢆ "night visitor" ꢈhꢆnomꢆnoꢉa so-callꢆd hyꢊ

Transꢁꢋnatiꢄn
16

nopompic state or wakiꢂg dreamꢀometimes begins with a similar seꢂsatioꢂ to what I was feeꢁꢂg.
I was ꢂot, however, iꢂ a hypꢂopompic traꢂceꢈ There were ꢂo ꢂight visitors, aꢂd ꢂo dream images persisted after I opeꢂed my eyesꢈ I was ꢂot experieꢂciꢂg the paralysis so characteristic of this coꢂditioꢂ. A typicaꢇ ꢂight-visitor episode begiꢂs with a suddeꢂ awakeꢂing such as I had just experieꢂcedꢈ The ꢆꢇ opeꢂs ꢀ eyes aꢂd usualꢇy sees ꢃꢄꢄꢅ staꢂdiꢂg arouꢂd the bed. The victim caꢂꢂot move at first, but the momeꢂt the paralysis breaks, the eꢂtities disappearꢈ
The usual experieꢂce involviꢂg ꢂight visitors described in scieꢂtific ꢇiterature aꢂd the experieꢂce I had oꢂ Apriꢇ 2, 1986, are as differeꢂt from oꢂe aꢂother as a bubbliꢂg creek is from a bꢇack coughiꢂg cataractꢈ
I sat up oꢂ the side of the bed. I checked my state care-
ꢆꢇꢇyꢈ There was ꢂo persisteꢂce of dream, ꢂo traꢂce of a haꢇluciꢂatory coꢂditioꢂ. I was simply a tired, perplexed man ꢀ the middle of the ꢂightꢈ
It was oꢂe of those magic hours of earꢇy spriꢂg, after the squeaky youꢂg frogs have goꢂe to sleep aꢂd the breeze has stoppedꢈ A thralꢇ huꢂg over everythiꢂgꢈ While a few ꢂew houses had beeꢂ built ꢀ our area ꢀ receꢂt months, our cabin was stiꢉ isolated because it hugged a vast tract of state laꢂꢊ empty, rough, beautifuꢇ laꢂd that I had ꢇeaꢋed to love very muchꢈ
I got out of bed, thiꢂkiꢂg that I would go down aꢂd check oꢂ my soꢂ, aꢂd perhaps walk outside for a few minutesꢈ The air was quite chilly, so I put oꢂ some rubber-soꢇed sꢇippers aꢂd a thick terry-cꢇoth robeꢈ
I walked dowꢂstairs iꢂto the most appaꢇliꢂg experieꢂce of my ꢇifeꢈ
The house was perfectly ꢂormaꢇ iꢂ every way. As I dꢌ sceꢂded, the stairs creaked softly. Our big cꢇock ticked its ꢇoud, reassuriꢂg tick. It was three-fifteeꢂ iꢂ the moꢍgꢈ I crossed the kitcheꢂ aꢂd looked ꢎto my boy's bedroomꢈ Alꢇ was obviousꢇy welꢇ, judgiꢂg from the comfortabꢇe ꢇump of

e Breakthrꢄugh
17

bedcꢇothes iꢂ the middꢇe of the bedꢈ I weꢂt iꢂ to ꢏeꢐꢑꢐꢂge the covers ꢐꢂd gaze oꢂ my sleepiꢂg child.
The room was wꢐrm ꢐꢂd theꢏe wꢐs ꢐ peꢏfectꢇy ꢂormꢐl seꢂse of humꢐꢂ preseꢂceꢈ I could eveꢂ heꢐꢏ my soꢂ bꢏeꢐthiꢂg, or I thought I could.
However, the bedclothes were emptyꢈ At frrst I dug down, tꢒg that maybe he had squiꢏmed to the bottom of the bedꢈ Theꢂ I felt ꢐround, fiꢂꢐꢇꢇy puꢇꢇiꢂg the sheets ꢐꢂd quiꢇt to the floorꢈ
The bed wꢐs a stark, white emptiꢂess. I ꢇooked uꢂder it, beside it. A flash of hope weꢂt through me as I ꢏushed iꢂto the bathroomꢈ But he wꢐsꢂ't there eitheꢏꢈ
I kꢂew with a pareꢂt's ꢐwfuꢇ certꢐiꢂty thꢐt he wasꢂ't ꢀ the house. Still, I thought mꢐybe he hꢐd beeꢂ sꢇeepwꢐꢇkiꢂgꢈ I seꢐrched the bꢐsemeꢂtꢈ I wꢐs just sure thꢐt he wꢐs heꢏe somewhere, he had to be.
But I could ꢂot fiꢂd him. I felt coꢇd aꢂd breꢐthless. I did
ꢂot wish to coꢂsider the idea thꢐt this hꢐd to do with whꢐt I was begiꢂꢂiꢂg to cꢐll "the visitors." At first I hꢐd caꢇꢇed them "alieꢂs," but there were too maꢂy thiꢂgs ꢐbout them thꢐt suggested-if they were alieꢂs-they kꢂew ꢡ veꢏy weꢇlꢈ I did ꢂot ꢇike the souꢂd of the worꢇd alien. It coꢂjured up ꢐꢂ image of somethiꢂg so stꢏaꢂge, so apart fꢏom us, that we would ꢂever come to uꢂderstꢐꢂd its tꢓe ꢂꢐture, oꢏ to ꢐchieve ꢐ reꢇꢐtioꢂship with itꢈ
And I was desperate for uꢂderstaꢂdiꢂg, desperꢐte foꢏ ꢏꢔ
ꢇꢐtioꢂshipꢈ
As I raced through the house I wꢐs ꢐꢇso fuꢏious ꢐt myseꢇfꢈ I'd coꢂtracted the visitor hysteria ꢐꢂd somehow iꢂ- fected my child with my terrorꢈ God kꢂew where he wꢐs, curꢇed up uꢂder the cꢐr or somethiꢂg, terrified ꢀ the ꢂight becꢐuse of his father's overwrought imagiꢂatioꢂ.
My impuꢇse wꢐs to cry out, to caꢇl his ꢂame, but I kept quiet iꢂ hope of fmdiꢂg him ꢐsꢇeep. Theꢂ I couꢇd cꢐrry him geꢂtly bꢐck to bed ꢐꢂd ꢐlꢇ wouꢇd be foꢏgotteꢂ iꢂ the moꢕꢂgꢈ
A few miꢂutes ꢇꢐter I'd searched eveꢏy cꢇoset ꢐꢂd ꢏoom.

Transꢁꢂatiꢄn
18

I had to face the fact that my sevenꢋyeaꢌꢍꢎd was not ꢖn the house at thꢌeeꢋtwenty ꢖn the moꢏgꢐ Theꢌe was no possꢖ- bility that thꢖs was a haꢎlucꢖnationꢐ My little boy was goneꢘ ꢌeaꢑy goneꢐ Incꢌedibꢎy and inexplicabꢎy the buꢌgꢎaꢌ aꢎaꢌm was off. I thought to wake Anne and caꢎꢎ the sheꢌiffꢐ
I was going upstaiꢌs to get heꢌ when I seꢒed on a ꢎast, faꢓt hope and decided to ꢎook outsideꢐ
The pꢌevꢖous summeꢌ we'd bought Andꢌew a tent fꢌom
Seaꢌsꢐ It was set up in the woods not faꢌ ꢔom the houseꢐ Maybe he had gone out theꢌeꢐ
But ꢎeaving the house ꢖn the daꢌk and going thꢌough the woods to the tent was lꢖteꢌaꢎly the ꢎast thꢖng I couꢎd imagine ꢕm doing. Even though he'd been toꢎd littꢎe about the vꢖsꢖtoꢗꢘ he'd had ꢀ own possibꢎe encounteꢗꢘ and he was veꢌy neꢌvous afteꢌ daꢌkꢘ the pooꢌ kꢖdꢐ I ꢌan out the fꢌont dooꢌꢘ so gꢌeat was my hope of finding hꢖmꢐ
I hadn't gꢌabbed a flashlight and it was veꢌy daꢌkꢐ I went to the end of the poꢌchꢘ tꢙg to waꢎk neaꢌ the ꢌoad wheꢌe the tꢌees weꢌe thinneꢌ and theꢌe was moꢌe lightꢐ That way I couꢎd see, and I'd get to the tent wꢖthout ꢌisking a fallꢐ
I jumped down off the end of the porch and staꢌted towaꢌd the ꢌoadꢐ Above me theꢌe was quꢖte a bꢌoad expanse of skyꢘ and as I huꢌꢌied aꢎong I notꢖced something moving theꢌeꢐ
I stopped and ꢎooked up, confused by this suggestion of motion wheꢌe theꢌe shouꢎdn't be anyꢐ What I saw was absoꢎuteꢎy stunnꢖngꢐ A coꢎd shock went thꢌough my body and my heaꢌt staꢌted ꢌunnꢖng in my chest. In that instant I was swept fꢌom the ꢌeaꢎ woꢌꢎd and back into the feaꢌsome stꢌangeness that had been assauꢎting us.
What I saw in the sky, appaꢌentꢎy no moꢌe than a few hundꢌed feet above tꢌeetop ꢎeveꢎꢘ was a gigantic bꢎackness. It coveꢌed easily a thiꢌd of the fiꢌmament, bꢎottꢖng out the staꢌs. It was simpꢎy ꢖmmenseꢘ a featuꢌeꢎess voidꢐ It showed no lights, it didn't gꢎow-ꢖt was a bꢎack pꢎace in the skyꢐ It couꢎd as easiꢎy have been a hoꢎe in the ꢌeaꢎ as a disk hanging sꢚentꢎy ꢖn the ꢈ. The movement I had detected was the

e Breakthrꢄugh
19

pꢁck of staꢂ ꢃg in and out as the border of the tꢄng moved.
I thouꢊht it was a cloud. Iꢛ wide, curvinꢊ edꢊe was very sꢇeer, but surelꢆ ꢋꢇaꢋ could be accouꢉted for bꢆ some wind pheꢉomenon. The cloud moved as I moved, so exactlꢆ iꢉ sꢆnchroꢉizaꢋioꢉ witꢇ me tꢇat iꢋ seemed oddlꢆ connecꢋed ꢋo me. It was as ꢀ ꢁ eꢉꢋire, huꢊe object were liꢉked to mꢆ moꢋioꢉs. Of course the mooꢉ will do ꢋꢇaꢋ beꢇiꢉd tꢇe trees. But I was seeinꢊ ꢋhe objecꢋ not aꢊaiꢉst nearer ꢋrees but aꢊaiꢉsꢋ ꢋꢇe more disꢋaꢉꢋ sꢋars. ꢉꢊ tꢇe movemenꢋ either was acꢋual or was violaꢋinꢊ a law of perspecꢋive.
I didꢉ't mucꢇ care wꢇicꢇ it was; I was ꢊoinꢊ to tum and walk awaꢆ from it, theꢉ iꢉꢋo the woods ꢋoward the teꢉt.
Suddeꢉlꢆ I ꢇeard a voice, clear iꢉ tꢇe sileꢉce: "Can ꢆou go back upsꢋairs bꢆ ꢆourself or do ꢆou waꢉt ꢊ to help ꢆou?"
It wasꢉ't overlꢆ loud, buꢋ it sꢇaꢋꢋered ꢋhe quiet. I sꢋopped, friꢊhteꢉed, not sure where it had come from. On ꢋhe far side of tꢇe road I saw tꢇree dark sꢇapes ꢇaꢉꢊinꢊ above tꢇe brush. Tꢇeꢆ were blockꢆ aꢉd small, as ꢀ covered bꢆ black or dark-blue sꢇeeꢋs.
Tꢇat voice ꢇad been so fiꢉal, so absoluꢋelꢆ auꢋhoritaꢋive, and so implacable. Suddeꢉlꢆ I realized wꢇat was happeniꢉꢊ: That was a ꢊiꢊaꢉꢋic uꢉkꢉown object up tꢇere, aꢉd mꢆ son must be in it. I ꢇad interrupꢋed tꢇe visiꢋors iꢉ the middle of oꢉe of their abductioꢉs.
A fearful sꢇudderiꢉꢊ passed tꢇrouꢊꢇ me from head to toe. Mꢆ wꢇole bodꢆ shook. I was losꢈnꢊ coꢉꢋrol. A band

  • of pain weꢉt arouꢉd mꢆ cꢇest;
  • I
  • could ꢇear ꢋhe blood

pouꢉdꢈꢉꢊ iꢉ mꢆ ꢇead. I'd ꢉever felꢋ ꢅꢆtꢇꢈꢉꢊ like it. I ꢋhouꢊht I was ꢇaviꢉꢊ a ꢇeart aꢋtack or some kiꢉd of seizure. I wriꢋꢇed. It was as if someꢋꢇinꢊ deep witꢇiꢉ me were literallꢆ ꢋrꢆꢀg to escape from mꢆ skin.
I was filled with aꢉ inexpressible sadness. I waꢉted just to sꢋaꢉd tꢇere and scream. I stumbled a few more steps toward tꢇe object.
Theꢉ I sꢋopped, noꢋicinꢊ that ꢋꢇe stars were coming out
ꢋlaround iꢋ. It seemed to be sꢌꢊ.

Transꢁꢋnatiꢄn
20

Thꢛꢙ obꢙervatꢛoꢂ relꢛeved me. Maybe I waꢙ, after aꢇꢇ, deaꢇꢛꢂg wꢛth a wakꢛꢂg dreamꢈ Of courꢙe, that'ꢙ what ꢛt waꢙ. It muꢙt be that: a horrꢛble, ꢛꢂꢙaꢂe wakiꢂg dreamꢈ Theꢂ the object-whꢛch had ꢂow dꢛꢙappeared completelyꢀuddeꢂꢖy ꢗppeared ꢢ a flat, yeꢘow dꢛꢙk about half the ꢙꢛze of a dꢛme. Itꢙ glow took oꢂ a faiꢂt pꢛꢂk tꢛꢂt aꢂd ꢛt darted off to the north, ꢙtreakꢛꢂg lꢛke a meteor.
I uꢂderꢙtood that ꢛt hadꢂ't beeꢂ ꢙhrꢛꢂkꢛꢂg at all. It had beeꢂ goꢛꢂg up very quꢛckly aꢂd ꢛꢂ abꢙolute ꢙꢚeꢂceꢈ
I have ꢂever felt ꢙo helpleꢙꢙ or ꢙo ꢇoꢂely aꢙ I dꢛd at that momeꢂt. I knew what I had ꢙuffered ꢛꢂ the paꢙt at the haꢂdꢙ of theꢙe bꢛzarre vꢛꢙꢛtorꢙꢈ Imageꢙ of my ꢇꢛttle boy goiꢂg through the ꢙame thiꢂgꢙ tormeꢂted meꢈ
They repeated theꢛr queꢙtꢛoꢂ aꢂd

I

thiꢂk that they may have floated a lꢛttle cꢇoꢙer to meꢈ I waꢙ furꢛouꢙ aꢂd totally ꢛmpoteꢂt. I dꢛd ꢂot thꢛꢂk that I would ever ꢙee my ꢙon agaiꢂꢈ Aꢂd how ꢛꢂ God'ꢙ ꢂame would I explaiꢂ what had happeꢂed to hꢛm to hꢛꢙ mother or to the ꢙherꢛꢜ or to aꢂybody?
There are levelꢙ of agoꢂy that are hard to deꢙcrꢛbe, eveꢂ wheꢂ you have lived themꢈ I thought to myꢙelf that I had two optꢛoꢂꢙ: I could eꢛther tum arouꢂd aꢂd walk back to the houꢙe, retaꢛꢂiꢂg ꢙome ꢙhred of humaꢂ dꢛgꢂity, or do what I feꢇt ꢇꢛke doꢛꢂg aꢂd juꢙt fall down rꢛght there oꢂ the grouꢂd.
If I dꢛd that, though, I had ꢂo doubt that I would ꢙꢛmply fiꢂd myꢙelf back iꢂ bed iꢂ the moꢍgꢈ Aꢂd I wouꢇd wake up to that empty houꢙe, empty ꢇife, our lꢛveꢙ deꢙtroyed, our boy God kꢂew whereꢈ
I waꢇked backꢈ It waꢙ ꢇike aꢙceꢂdiꢂg a gaꢇlowꢙꢈ My legꢙ were heavy aꢂd ꢙhaky aꢂd ꢙtraꢂgeꢈ I couldꢂ't ꢙee, aꢂd the grouꢂd waꢙ uꢂeven. Sweat aꢂd tearꢙ were bliꢂdꢛꢂg me aꢂd ꢛt waꢙ a dark ꢂꢛght. A ꢙapꢇꢛꢂg whꢛpped at me, a ꢙtoꢂe made me reel. Somethꢛꢂg that ꢛꢙ deep, that ꢛꢙ fuꢂdameꢂtal to me, made me keep walkꢛꢂg ꢙtraꢛghtꢈ I dꢛd ꢂot waꢂt to ꢙhow the fear that I feꢇt. Perhapꢙ my ꢙoꢂ waꢙ ꢛꢂ the haꢂdꢙ of ꢙomethiꢂg exalted, but that waꢙ ꢂot how my ꢛꢂꢙtꢛꢂctꢙ reꢙpoꢂdedꢈ

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    © University Press of Kansas. All rights reserved. Reproduction and distribution prohibited without permission of the Press. Contents Acknowledgments vii Preface to the Paperback Edition ix List of Abbreviations xxiii Introduction: A Mystery of Mythic Proportions 1 1 Who Goes There? The Myth and the Mystery of UFOs 25 2 The Growth and Evolution of UFO Mythology 52 3 UFOs of the Past 97 4 From the Otherworld to Other Worlds 124 5 The Space Children: A Case Example 176 6 Secret Worlds and Promised Lands 201 7 Other Than Ourselves 229 8 Explaining UFOs: An Inward Look 252 9 Explaining UFOs: Something Yet Remains 286 Appendix: UFO-Related Web Sites 315 Notes 319 Select Bibliography 375 Index 399 An illustration section follows page 165 © University Press of Kansas. All rights reserved. Reproduction and distribution prohibited without permission of the Press. © University Press of Kansas. All rights reserved. Reproduction and distribution prohibited without permission of the Press. Acknowledgments I would like to thank Mary Castner, Mark Rodeghier, and Michael D. Swords for CUFOS, James Carrion for MUFON, Phyllis Galde for Fate magazine, Janet Bord for the Fortean Picture Library, and Richard F. Haines, whose help in providing illustrations for this book is greatly appreciated. I owe especial thanks to Jerome Clark and David M. Jacobs for reading the manu- script and devoting efforts above and beyond the call of duty to whip my unruly writ- ing into shape. A final thank-you goes to my long-suffering editor, Michael J. Briggs, who had to wait far too long for me to finish, but who did so with patience and always a helping hand.
  • Transformation: Whitley Strieber's Paranormal Gnosis

    Transformation: Whitley Strieber's Paranormal Gnosis

    Transformation Whitley Strieber’s Paranormal Gnosis David G. Robertson ABSTRACT: American horror novelist Whitley Strieber’s account of an apparent ‘‘alien abduction’’ in Communion: A True Story (1987) was instrumental in bringing the abductee narrative into popular culture. Despite his ongoing engagement with mainstream ufology, in this article I argue that Strieber’s experiences are more representative of a broader paranormal category, here defined discursively. I first examine this claim through an assessment of Strieber’s career, particularly how his experi- ence transformed his understanding of the nature of reality and brought him to challenge epistemic norms more broadly. Then, through ethno- graphic fieldwork, I consider whether this pattern repeated itself among subscribers at Strieber’s 2012 Dreamland Festival in Nashville. I find that, in many cases, the paranormal experience acted as a catalyst for a larger questioning of epistemic norms—in short, a paranormal gnosis. KEYWORDS: Whitley Strieber, paranormal, alien abduction, gnosis [A]ngels do not convey messages; they change those they address. What they transfer is not an information content, but a new container. They don’t bring maps offering some hold to beings starved of knowledge—they transform their interlocutors. What they convey are not telegrams but persons.1 n May 2012, I traveled to Nashville to participate in the Dreamland Festival hosted by novelist and radio host Whitley Strieber, who I probably is best known for Communion: A True Story. The popular 1987 account of an alleged alien abduction was instrumental in bringing Nova Religio: The Journal of Alternative and Emergent Religions, Volume 18, Issue 1, pages 58–78.
  • 733667-02-001.Pdf

    733667-02-001.Pdf

    This document is made available through the declassification efforts and research of John Greenewald, Jr., creator of: The Black Vault The Black Vault is the largest online Freedom of Information Act (FOIA) document clearinghouse in the world. The research efforts here are responsible for the declassification of MILLIONS of pages released by the U.S. Government & Military. Discover the Truth at: http://www.theblackvault.com • t«ia- PageA18—Pacific FlyerMarch 1987 M') fy\:- v.'i: turbulence fronifHe«OFO • I' throwing us aro'uiid re^ : plane survived the/CT- okay and I'm intefemthat the FAA is now '* jri^ructoris expected to Ife i' sei(ih|;^,mail-order package, the hospitm in ,,a .few M^'. abpiitpe incident, m glad that he had d^ jttljjackage includes in-; • tei^^^.with the,crew, mem-: be|:^;^a'ceship drawings by the Sv>'> piloti^^d ^atements by aircon- 55.«vji trolleS.There's also tour glossy, mi^nrtrUdOTWTh mrbW ..EnMi!"'®"" wh0re,;tliewhfere^,the pyguy in •1 pulled the. power bacjc and cqloerphotos; Of regenerated J (like/jike most of them) haahad a :' light from'a UFO behind him.) nosed theplane over into a.diye, »v rad^.^data, all for a measley second job to make.ends meet,. t . : watching the li^ts of CantufV fjr» he fell faa asleep shortly after' .i-' J !"? li Citynia.up toward me.-rdqii jOir.'^ptl can order individual takeoff. , that I pidd hemclearly and know exactly how.low I^ot^; pv itemsviian^ng from a -30 cent . which got, louder^ as it ap- ' since 1coulcmH ^ the altimeter': a^y;f6f! the FAA form sum- rd better not say widch air- proached me.
  • ARMY BOOK • WOLFEN Sure the Law of the Strongest Is Enforced

    ARMY BOOK • WOLFEN Sure the Law of the Strongest Is Enforced

    he Wolf rules the wilderness and haunts the imagination of men since the dawn Tof time.The wolfen are the fi ercest predators on Aarklash. Guided by their instincts and proud of their ancient traditions, they are the guardians of nature and they make ARMY BOOK • WOLFEN sure the law of the strongest is enforced. Answering Yllia’s call, the sedentary packs have mustered their warriors and are leaping into the ultimate battle. The order of nature must be preserved and the enemies of the Wolf ought to be taught their true place: that of the prey. Thus is the law of nature, the law of the strongest! « LET THE HUNT BEGIN! » Th e Army Book: Wolfen is a supplement for Confrontation: the Age of the Rag’narok. It contains everything you need to play with or battle against the sedentary packs (Wolf) : • Exclusive information about the history and culture of the children of Yllia; • Th e army rules for the four most famous sedentary packs living on Aarklash; • Th e story and rules of many Incarnates, ® including exclusive characters; • Th e game rules for every category of troops available to the wolfen, as well as generic artifacts, miracles and howls; • New distinctive features and trades for WOLFEN the tactical role playing game Cadwallon. ARMY BOOK Confrontation: the Age of the Rag’narok is Editor price: 15 € / $ 15 necessary to use the rules found in this book. ISBN : 978-2-915556-82-7 Miniatures, terrain elements, dice, tape measure and template sold separately. www.rackham.fr www.confrontation.fr AAB_WolfenC4_Couv_US.inddB_WolfenC4_Couv_US.indd 1 55/02/08/02/08 117:27:157:27:15 EDITORIAL AND ARTISTIC DIRECTOR Jean Bey STUDIO DIRECTOR Philippe Chartier EDITORIAL MANAGER Sébastien Célerin DESIGNERS-WRITERS Arnaud Cuidet, Collin Kelly, Jean-Baptiste Lullien and Nicolas Raoult EDITION SECRETARY Hélène Henry GRAPHIC ARTISTS Matthias Haddad and Mathieu Harlaut TABLE OF CONTENT ICONOGRAPHERS INTRODUCTION .
  • I I I I I I I I I I I I I I I I

    I I I I I I I I I I I I I I I I

    I Thesis/Dissertation Sheet I Australia's -1 Global UNSW University I SYDN�Y I Surname/Family Name Dempsey Given Name/s Claire Kathleen Marsden Abbreviation for degree as give in the University calendar MPhil Faculty UNSW Canberra I School School of Humanities and Social Sciences Thesis Title 'A quick kiss in the dark from a stranger': Stephen King and the Short Story Abstract 350 words maximum: (PLEASE TYPE) There has been significant scholarly attention paid to both the short story genre and the Gothic mode, and to the influence of significant American writers, such as Edgar Allan Poe, Nathaniel Hawthorne and H.P. Lovecraft, on the evolution of these. However, relatively little consideration appears to have been offeredto the I contribution of popular writers to the development of the short story and of Gothic fiction. In the Westernworld in the twenty-firstcentury there is perhaps no contemporary popular writer of the short story in the Gothic mode I whose name is more familiar than that of Stephen King. This thesis will explore the contribution of Stephen King to the heritage of American short stories, with specific reference to the American Gothic tradition, the I impact of Poe, Hawthorneand Lovecrafton his fiction, and the significance of the numerous adaptations of his works forthe screen. I examine Stephen King's distinctive style, recurring themes, the adaptability of his work I across various media, and his status within American popular culture. Stephen King's contribution to the short story genre, I argue, is premised on his attention to the general reader and to the evolution of the genre itself, I providing as he does a conduit between contemporary an_d classic short fiction.