JOHN BARLEYCORN by Jack London (1876-1916)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The History of Measurements
Helicobacter pylori Some Historical Units of Measurement History of Measurement • Objects were initially measured for convenience, to aid commerce and prevent fraud. • The Egyptians among other civilizations were the first to begin recording measurements around 3200 BC. • Early measurement units were based on body parts or common objects. Historical Units of Length and their equivalence chart ➢ Digit: the breadth of a finger (Egyptian) ➢ Barleycorn: the length of a barleycorn seed ➢ Inch: the width of a man’s thumb or 3 barleycorns ➢ Foot: the length of a man’s foot ➢ Cubit: elbow to fingertip length (Egyptian) ➢ Yard: nose to fingertip length ➢ Mile: 5000 pedes (feet, Roman) ➢ League: 7500 pedes Historical Units of Mass/Volume and their equivalence chart ➢ Grain: the weight of a grain of wheat or barleycorn ➢ Pound (libra): ~5000 grains (Roman) or ~7000 grains (English) ➢ Talent: 100 libra ➢ Stone: 14 pounds (English/British) ➢ Troy Ounce: 1/12 of a pound ➢ Carat: weight of a carob seed The Cubit The cubit is the measure from your elbow to the tip of your middle finger when your arm is extended. The cubit was the measurement used by the Egyptians to build the pyramids. The Palm The palm is the width of your four fingers when they are placed together. The Fathom The fathom is the measure from fingertip to fingertip when your arms are stretched sideways as far as they will go. The fathom was used by sailors to measure the depth of water so that boats would not run aground. The Hand-span The hand-span is the measure from the tip of your pinky to the tip of your thumb when your hand is stretched out. -
The History of Measurements
Helicobacter pylori Some Historical Units of Measurement Historical Units of Length ➢ Digit: the breadth of a finger (Egyptian) ➢ Barleycorn: the length of a barleycorn seed ➢ Inch: the width of a man’s thumb or 3 barleycorns ➢ Foot: the length of a man’s foot ➢ Cubit: elbow to fingertip length (Egyptian) ➢ Yard: nose to fingertip ➢ Mile: 5000 pedes (feet, Roman) ➢ League: 7500 pedes Historical Units of Mass/Volume ➢ Grain: the weight of a grain of wheat or barleycorn ➢ Pound (libra): ~5000 grains (Roman) or ~7000 grains (English) ➢ Talent: 100 libra ➢ Stone: 14 pounds (English/British) ➢ Troy Ounce: 1/12 of a pound ➢ Carat: weight of a carob seed The Cubit The cubit is the measure from your elbow to the tip of your middle finger when your arm is extended. The cubit was the measurement used by the Egyptians to build the pyramids. The Palm The palm is the width of your four fingers when they are placed together. The Fathom The fathom is the measure from fingertip to fingertip when your arms are stretched sideways as far as they will go. The fathom was used by sailors to measure the depth of water so that boats would not run aground. The Hand-span The hand-span is the measure from the tip of your pinky to the tip of your thumb when your hand is stretched out. Hand-span was used to measure the height of horses. People still describe horses as being so many hands high. The Pace The pace is the measure of distance from one step to another. -
Metric Doodle Notes
METRICS Cornell Doodle Notes Sampler TEACHER NOTES These Cornell Doodle Notes combine two effective note-taking strategies and can be used to introduce or review the metric system. The notes are organized by an Essential Question at the top, Topic Questions along the left column, details/pictures in the right column, and a Sum It Up page at the end for students to practice their skills. They begin with a section that shows why the Imperial system is quite silly (especially for science!). Then, they present that 10 is the ‘magic number’ of the Metric system, and proceed to explain the S.I. Units of mass, length, fluid volume, and time, the prefixes, a mnemonic device to remember the prefixes, and then to explain how to convert between metric units. Cornell Notes are a note-taking strategy in which topic questions are written in a narrow left-hand column and definitions, explanations, and diagrams are filled in in the right-hand column. At the bottom of Cornell Notes, there is typically a section included for reflection on the lesson’s main points. See the example to the right. Doodle Notes (or Sketch Notes) are another note- taking strategy for which pictures and graphics activate the visual pathways of the brain, which helps with retention of information when compared to standard note-taking. Your visual learners will really benefit from seeing and coloring in the pictures aside the main points of the notes! My architect husband drew the graphics for these notes. We hope your students like them! Doodle Notes is a registered trademark used with permission. -
Husbandry Guidelines for African Lion Panthera Leo Class
Husbandry Guidelines For (Johns 2006) African Lion Panthera leo Class: Mammalia Felidae Compiler: Annemarie Hillermann Date of Preparation: December 2009 Western Sydney Institute of TAFE, Richmond Course Name: Certificate III Captive Animals Course Number: RUV 30204 Lecturer: Graeme Phipps, Jacki Salkeld, Brad Walker DISCLAIMER The information within this document has been compiled by Annemarie Hillermann from general knowledge and referenced sources. This document is strictly for informational purposes only. The information within this document may be amended or changed at any time by the author. The information has been reviewed by professionals within the industry, however, the author will not be held accountable for any misconstrued information within the document. 2 OCCUPATIONAL HEALTH AND SAFETY RISKS Wildlife facilities must adhere to and abide by the policies and procedures of Occupational Health and Safety legislation. A safe and healthy environment must be provided for the animals, visitors and employees at all times within the workplace. All employees must ensure to maintain and be committed to these regulations of OHS within their workplace. All lions are a DANGEROUS/ HIGH RISK and have the potential of fatally injuring a person. Precautions must be followed when working with lions. Consider reducing any potential risks or hazards, including; Exhibit design considerations – e.g. Ergonomics, Chemical, Physical and Mechanical, Behavioural, Psychological, Communications, Radiation, and Biological requirements. EAPA Standards must be followed for exhibit design. Barrier considerations – e.g. Mesh used for roofing area, moats, brick or masonry, Solid/strong metal caging, gates with locking systems, air-locks, double barriers, electric fencing, feeding dispensers/drop slots and ensuring a den area is incorporated. -
Jack London, the Sailor
JACK LONDON, THE SAILOR The water around him beckoned Jack London at an early age. Growing up, mostly in Oakland, California, Jack London always had San Francisco Bay close by. This provided him the opportunity to experience adventures on the bay that inevitably led to adventures in far off waters. The main source for Jack London’s early experiences in sailing is found in his writing. The book John Barleycorn is the main source. Here he mentions sailing a skiff on the bay at age fourteen. The skiff was a large rowboat with a centerboard and a small sail. In San Francisco Bay the young London observed ships from foreign countries which triggered a yearning to experience the adventures he envisioned were to be found in other parts of the world. THE RAZZLE DAZZLE Jack London’s next sailing adventures were on the Razzle Dazzle, a sloop for which he paid oyster pirate, French Frank, three hundred dollars that he had borrowed from his wet nurse, Virginia Prentiss. With his own vessel, London now felt tremendously free and wasted no time in raiding the oyster beds with his one-man crew, Spider Healy. The oyster beds were on government land that had been taken over by the Southern Pacific Railroad and leased to oyster growers. London sailed the Razzle Dazzle until the mainsail burned, then he teamed up with young Scratch Nelson on his boat and continued as an oyster pirate. Eventually, London realized it was only a matter of time before he would be either caught or killed, so he agreed to become a deputy for the Fish Patrol operating out of Benicia. -
Autobiographical Explorations of Hobo Subculture
‘Such was the law of The Road’1 and Such were the Rules of The Text: Autobiographical Explorations of Hobo Subculture Joanne Hall Red Rocks Community College Lakewood, Colorado Perhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean – an ever-changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. – Jack London, The Road (p. 37). Jack London’s assessment of tramp-life suggests its movement, fluidity, dynamic nature and present-orientated temporal dimension. These sentiments, however, are but a whimsical side step, for the rest of The Road centralises the image of a masculine subculture with a complicated set of rules and ranks. Thus, the suggestion of fluidity clashes with the ‘laws’ that frame hobo experience, as represented by London’s text. Indeed, texts defining themselves as hobo autobiography demonstrate a number of structural similarities, suggesting that ideas of the romance or freedom of the road are, in fact, subservient to the repetitive, formulaic, mythic pattern of the subgenre. Yet, it is imperative to observe that while these texts are labelled as autobiography, charges of exaggeration and verbose storytelling could be levied against each of them. Indeed, their incorporation of tall tales dares the reader to question authenticity. However, instead of invalidating the claim to autobiography, this provides a springboard into multileveled issues of performance, creativity, artistry and authorship, succinctly linking with the myriad inter-textual references employed by the authors. -
English Customary Weights and Measures
English Customary Weights and Measures Distance In all traditional measuring systems, short distance units are based on the dimensions of the human body. The inch represents the width of a thumb; in fact, in many languages, the word for "inch" is also the word for "thumb." The foot (12 inches) was originally the length of a human foot, although it has evolved to be longer than most people's feet. The yard (3 feet) seems to have gotten its start in England as the name of a 3-foot measuring stick, but it is also understood to be the distance from the tip of the nose to the end of the middle finger of the outstretched hand. Finally, if you stretch your arms out to the sides as far as possible, your total "arm span," from one fingertip to the other, is a fathom (6 feet). Historically, there are many other "natural units" of the same kind, including the digit (the width of a finger, 0.75 inch), the nail (length of the last two joints of the middle finger, 3 digits or 2.25 inches), the palm (width of the palm, 3 inches), the hand (4 inches), the shaftment (width of the hand and outstretched thumb, 2 palms or 6 inches), the span (width of the outstretched hand, from the tip of the thumb to the tip of the little finger, 3 palms or 9 inches), and the cubit (length of the forearm, 18 inches). In Anglo-Saxon England (before the Norman conquest of 1066), short distances seem to have been measured in several ways. -
A Standardized Ethogram for the Felidae: User Guide
A Standardized Ethogram for the Felidae: User Guide 1. Behaviors Researchers should start by selecting which base behaviors should be used depending on the specific aim of their study. The titles of the base behaviors are written in bold text. If unsure of which behaviors to observe, researchers may consult the behavioral categories list for suggestions of which behaviors to measure. Additional information about the base behaviors is located directly below the definitions. This information either explains the behavior in further detail, or states other behaviors that may accompany the base behavior being discussed. If appropriate, the researcher may choose to include the additional information within their definition. If a researcher wishes to combine some behaviors to be scored together, as opposed to separately as they appear in the ethogram, it may be helpful to consult the behavioral categories, or create a new category and state which behaviors will be categorized within it. Additionally, a researcher can pull other behaviors into their definition at any time if they are to be scored together, so long as it is stated. Table 1. A standardized ethogram for the Felidae including definitions for all base behaviors. Title Definition Allogroom Cat licks the fur of another cat’s head or body. - In human-cat studies, this can be scored when a cat licks a human. Arch Back Cat curves back upwards and stands rigidly. - May be accompanied by piloerection. Approach Cat moves toward (modifier) while looking at it. Attack Cat launches itself at (modifier) with extended forelegs and attempts to engage in physical combat. -
The Notion of Chance in the Narratives of Jack London and R. L. Stevenson
The Notion of Chance in the Narratives of Jack London and R. L. Stevenson Škunca, Iva Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:897345 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Iva Škunca The Notion of Chance in the Narratives of Jack London and Robert Louis Stevenson Submitted in partial fulfilment of the requirements for the B.A. in English Language and Literature and Italian Language and Literature at the University of Rijeka Supervisor: Sintija Čuljat PhD Rijeka, September 2017 ABSTRACT Both Jack London and Robert Louis Stevenson are famous for a variety of literary work they produced in a relatively short time span. As we can establish a link between the two vagabond authors who both sought an escape from the routine and the conventions of the societies they only seemingly belonged to, we can also establish a connection between some of their most brilliant works, mainly those characterised by elements of adventure fiction. This paper deals with the most prominent themes and motifs of the authors’ literary works, as well as the problems and conflicts which arise from the analysis of their work. TABLE OF CONTENTS INTRODUCTION ...................................................................................................................... 1 1.ROBERT LOUIS STEVENSON’S AND JACK LONDON’S LITERARY WORK ........... -
The History of Measurements
Helicobacter pylori Measurement Measurement • the assignment of numbers to objects or events • a type of quantitative observation made with a measuring instrument • includes both a number and a unit • units of measurement are essentially arbitrary: people make them up and then agree to use them Measuring is an important part of everyday life! What can we measure? And how? • Length ✓ Ruler • Distance on land ✓ Measuring Chain/Tape • Depth of water ✓ Sonar (echo sounder) • Mass ✓ Weighing scale • Temperature ✓ Thermometer • Time ✓ Clock, timer • Light ✓ Photometer • Electric current ✓ Ammeter • Color ✓ Spectrometer How good is the measurement? • Accuracy is how close a measured value is to the actual (true) value. • Precision is how close the measured values are to each other (repeatability and reproducibility). ? ? ? ? • Bias is a built-in (systematic) error which makes all measurements wrong by a certain amount. History of Measurement • Objects were initially measured for convenience, to aid commerce and prevent fraud. • The Egyptians among other civilizations were the first to begin recording measurements around 3200 BC. • Early measurements were based on body parts or common objects. Problems with Early Measurement Units 1. People have different sized body parts, as well as there is a variety among common objects like grains... Grain, India Wheat Barleycorn 2. …so measurements are not accurate, especially when dealing with fractions and multiples… SOLUTION: Standard Measurement Systems! What is a System of Measurement? A system of measurement is a collection of units of measurement and rules relating them to each other. • Must have base units defined for all major quantities that need to be measured (example: a foot). -
Introduction : Modernity Beyond Salvage
Notes Introduction : Modernity beyond Salvage 1. For more on Crusoe as a “sole survivor,” see Stafford 56–82. For a discussion of Defoe’s pioneering role in the development of adventure fiction, see Cohen 59–98. 2. For a concise discussion of the post-apocalyptic aspects of postmodern thought, see Germanà and Mousoutzanis, “Introduction” 3–4. 3. For a discussion of postmodernity as “one moment within the long history of modernity,” see Felski 60. Beck also suggested this understanding of postmo- dernity in the 1980s when he wrote, “[T]he counter-modernistic scenario currently upsetting the world—new social movements and criticism of sci- ence, technology and progress—does not stand in contradiction of modernity, but is rather and expression of reflexive modernization beyond the outlines of industrial society” (11). 4. For an analysis of salvage in contemporary apocalyptic culture that is focused more exclusively on political economy, see Evan Calder Williams’s call for the development of a “salvagepunk” movement in Combined and Uneven Apocalypse (14–71). Interestingly, Williams and his collaborator, China Miéville, disavowed this “attempt to think lost social relations via relations to discarded objects” a year later at the launch for the book, claiming that as a social formation salvagepunk had already been co-opted by capitalism (Williams 62; Williams and Miéville). 5. Wagar defines “secular eschatology” as “a worldly study of world’s ends that ignores religious belief or puts the old visions to use as metaphors for modern anxiety” (4). Wagar’s chronology of this modern form of apocalyptic narrative begins somewhat later, with texts of the early nineteenth century, including Cousin de Grainville’s The Last Man: Or, Omegarus and Syderia, a Romance in Futurity (1805) and Shelley’s The Last Man (1826). -
Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (With P
Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship January 2012 Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (with P. Heald) Christopher J. Buccafusco IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Evidence Commons, and the Intellectual Property Law Commons Recommended Citation Christopher J. Buccafusco, Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (with P. Heald), 28 Berkeley Tech. L.J. 1 (2012). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/148 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco. & Paul J. Heald ABSTRACT According to the current copyright statute, in 2018, copyrighted works of music, film, and literature will begin to transition into the public domain. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Accordingly, the next few years will witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works.