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Od Dżumy Do Eboli Sposób Przedstawienia Wybranych Chorób Zaraźliwych W Przykładowych Tekstach Literatury Popularnej
Od dżumy do Eboli Sposób przedstawienia wybranych chorób zaraźliwych w przykładowych tekstach literatury popularnej Od dżumy do Eboli Sposób przedstawienia wybranych chorób zaraźliwych w przykładowych tekstach literatury popularnej Edyta Izabela Rudolf Pracownia Literatury i Kultury Popularnej oraz Nowych Mediów Wrocław 2019 Seria „POPkultura – POPliteratura” Redaktor serii: Anna Gemra Recenzja naukowa: Monika Brzóstowicz-Klajn, Adam Mazurkiewicz Adiustacja, korekta: Zofia Smyk Projekt graficzny: Michał Wolski Skład, łamanie, projekt okładki: Agata Ceckowska Zdjęcie na okładce: Marta Nowakowska W składzie wykorzystano krój pisma Minion Pro Roberta Slimbacha. Tytuł został złożony krojem Ubuntu Daltona Maaga. Druk: Sowa-Druk na Życzenie www.sowadruk.pl tel. 022 431–81–40 © Copyright by Pracownia Literatury i Kultury Popularnej oraz Nowych Mediów ISBN: 978-83-94-66562-3 Pracownia Literatury i Kultury Popularnej oraz Nowych Mediów Instytut Filologii Polskiej Uniwersytet Wrocławski pl. Nankiera 15b 50–140 Wrocław Spis treści Wprowadzenie 7 O epidemii – rozważania na temat definicji 8 Medycyna, historia, kultura 10 Literatura contra epidemia 19 Między plagą a epidemiologią 33 Część I. Zanim odkryto zarazek 33 Antyk 33 Dziennik roku zarazy 35 Wieki średnie 36 Wiek XIX: Ostatni człowiek 39 Maski śmierci 58 Mikroskopijni sojusznicy 69 Część II. Wiek XX: wiek zdarzeń 73 Ostatni świadek 73 Podsumowanie 79 Mikroby ze światów swoich i obcych 85 Śmierć nadejdzie z nieba – lata siedemdziesiąte XX wieku 87 „Andromeda” znaczy śmierć 102 Podsumowanie 112 -
Autobiographical Explorations of Hobo Subculture
‘Such was the law of The Road’1 and Such were the Rules of The Text: Autobiographical Explorations of Hobo Subculture Joanne Hall Red Rocks Community College Lakewood, Colorado Perhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean – an ever-changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. – Jack London, The Road (p. 37). Jack London’s assessment of tramp-life suggests its movement, fluidity, dynamic nature and present-orientated temporal dimension. These sentiments, however, are but a whimsical side step, for the rest of The Road centralises the image of a masculine subculture with a complicated set of rules and ranks. Thus, the suggestion of fluidity clashes with the ‘laws’ that frame hobo experience, as represented by London’s text. Indeed, texts defining themselves as hobo autobiography demonstrate a number of structural similarities, suggesting that ideas of the romance or freedom of the road are, in fact, subservient to the repetitive, formulaic, mythic pattern of the subgenre. Yet, it is imperative to observe that while these texts are labelled as autobiography, charges of exaggeration and verbose storytelling could be levied against each of them. Indeed, their incorporation of tall tales dares the reader to question authenticity. However, instead of invalidating the claim to autobiography, this provides a springboard into multileveled issues of performance, creativity, artistry and authorship, succinctly linking with the myriad inter-textual references employed by the authors. -
Download Ebook ^ Moon-Face and Other Stories
MM9JVTXJWSBE Book ~ Moon-Face and Other Stories (Dodo Press) (Paperback) Moon-Face and Oth er Stories (Dodo Press) (Paperback) Filesize: 4.04 MB Reviews Great eBook and beneficial one. It is packed with wisdom and knowledge You wont really feel monotony at at any time of your respective time (that's what catalogs are for relating to if you check with me). (Maiya Kozey) DISCLAIMER | DMCA EYPY4T5EDMT6 ~ Doc \\ Moon-Face and Other Stories (Dodo Press) (Paperback) MOON-FACE AND OTHER STORIES (DODO PRESS) (PAPERBACK) To download Moon-Face and Other Stories (Dodo Press) (Paperback) PDF, remember to access the web link below and save the ebook or have access to other information which are related to MOON-FACE AND OTHER STORIES (DODO PRESS) (PAPERBACK) book. Dodo Press, United Kingdom, 2007. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. -
Introduction : Modernity Beyond Salvage
Notes Introduction : Modernity beyond Salvage 1. For more on Crusoe as a “sole survivor,” see Stafford 56–82. For a discussion of Defoe’s pioneering role in the development of adventure fiction, see Cohen 59–98. 2. For a concise discussion of the post-apocalyptic aspects of postmodern thought, see Germanà and Mousoutzanis, “Introduction” 3–4. 3. For a discussion of postmodernity as “one moment within the long history of modernity,” see Felski 60. Beck also suggested this understanding of postmo- dernity in the 1980s when he wrote, “[T]he counter-modernistic scenario currently upsetting the world—new social movements and criticism of sci- ence, technology and progress—does not stand in contradiction of modernity, but is rather and expression of reflexive modernization beyond the outlines of industrial society” (11). 4. For an analysis of salvage in contemporary apocalyptic culture that is focused more exclusively on political economy, see Evan Calder Williams’s call for the development of a “salvagepunk” movement in Combined and Uneven Apocalypse (14–71). Interestingly, Williams and his collaborator, China Miéville, disavowed this “attempt to think lost social relations via relations to discarded objects” a year later at the launch for the book, claiming that as a social formation salvagepunk had already been co-opted by capitalism (Williams 62; Williams and Miéville). 5. Wagar defines “secular eschatology” as “a worldly study of world’s ends that ignores religious belief or puts the old visions to use as metaphors for modern anxiety” (4). Wagar’s chronology of this modern form of apocalyptic narrative begins somewhat later, with texts of the early nineteenth century, including Cousin de Grainville’s The Last Man: Or, Omegarus and Syderia, a Romance in Futurity (1805) and Shelley’s The Last Man (1826). -
Pandemic Fear and Literature
Pandemic Fear and Literature: Observations from Jack London’s The Scarlet Plague [Announcer] This program is presented by the Centers for Disease Control and Prevention The Scarlet Plague, originally published by Jack London in 1912, was one of the first examples of a post-apocalyptic fiction novel in modern literature. Set in a ravaged and wild America, the story takes place in 2073, sixty years after the spread of the Red Death, an uncontrollable epidemic that depopulated and nearly destroyed the world of 2013. One of the few survivors, James Howard Smith, alias “Granser,” tells his incredulous and near-savage grandsons how the pandemic spread in the world and about the reactions of the people to contagion and death. Even though it was published more than a century ago, The Scarlet Plague feels contemporary because it allows modern readers to reflect on the worldwide fear of pandemics, a fear that remains very much alive. By exploring the motif of the plague, a consistent and well-spread theme in literature, London’s novel is part of a long literary tradition, inviting the reader to reflect on the ancestral fear of humans toward infectious diseases. In the ancient world, plague and pestilence were rather frequent calamities, and ordinary people were likely to have witnessed or heard vivid and scary reports about their terrible ravages. When plague spread, no medicine could help, and no one could stop it from striking; the only way to escape was to avoid contact with infected people and contaminated objects. The immense fright was also fueled by a belief in the supernatural origin of pandemics, which were often believed to be provoked by offenses against divinities. -
Jack London: Master Craftsman of the Short Story
Utah State University DigitalCommons@USU Faculty Honor Lectures Lectures 4-14-1966 Jack London: Master Craftsman of the Short Story King Hendricks Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honor_lectures Part of the English Language and Literature Commons Recommended Citation Hendricks, King, "Jack London: Master Craftsman of the Short Story" (1966). Faculty Honor Lectures. Paper 29. https://digitalcommons.usu.edu/honor_lectures/29 This Presentation is brought to you for free and open access by the Lectures at DigitalCommons@USU. It has been accepted for inclusion in Faculty Honor Lectures by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. '/. ;>. /71- 33 UTAH STATE UNIVERSITY THIRTY-THIRD FACULTY HONOR LECTURE Jack London: Master Craftsman of the Short Story by KING HENDRICKS Head, Department of English and Journalism THE FACULTY ASSOCIATION UTAH STATE UNIVERSITY LOGAN, UTAH APRIL 1966 Jack London: Master Craftsman of the Short Story N NOVEMBER of 1898 Jack London, aged 22, sold his first short I story, "To the Man on Trail," to Overland Monthly for the sum of $5. Three months later The Black Cat magazine paid him $40 for "A Thousand Deaths." This was the beginning of a writing career that in 17 years was to produce 149 short stories, not including his tramping experiences which he published under the title of The Road, 19 novels, and a number of essays. If all were accumulated and published, they would fill 50 volumes. Besides this, he wrote a number of newspaper articles (war cor respondence, sports accounts, and sociological and socialistic essays), and thousands of letters. -
ABSTRACT Jack London Is Not Just an Author of Dog Stories. He Is
UNIVERSIDAD DE CUENCA ABSTRACT Jack London is not just an author of dog stories. He is according to some literary critics, one of the greatest writers in the world. His stories are read worldwide more than any other American author, alive or dead, and he is considered by many as the American finest author. This work presents Jack London as a man who is valiant, wise, adventurous, a good worker, and a dreamer who tries to achieve his goals. He shows that poverty is not an obstacle to get them. His youth experiences inspire him to create his literary works. His work exemplifies traditional American values and captures the spirit of adventure and human interest. His contribution to literature is great. We can find in his collection of works a large list of genders like AUTORAS: María Eugenia Cabrera Espinoza Carmen Elena Soto Portuguéz 1 UNIVERSIDAD DE CUENCA novels, short stories, non-fiction, and autobiographical memoirs. These genders contain a variety of literary styles, adventure, drama, suspense, humor, and even romance. Jack London gets the materials of his books from his own adventures; his philosophy was a product of his own experiences; his love of life was born from trips around the world and voyages across the sea. Through this work we can discover that the key of London's greatness is universality that is his work is both timely and timeless. Key Words: Life, Literature, Work, Contribution, Legacy. AUTORAS: María Eugenia Cabrera Espinoza Carmen Elena Soto Portuguéz 2 UNIVERSIDAD DE CUENCA INDEX ACKNOWLEDGMENTS DEDICATIONS INDEX ABSTRACT INTRODUCTION CHAPTER ONE: JACK LONDON´S BIOGRAPHY 1.1 Childhood 1.2 First success 1.3 Marriage 1.4 Death CHAPTER TWO: WORKS 2.1 Short stories 2.2 Novels 2.3 Non-fiction and Autobiographical Memoirs 2.4 Drama AUTORAS: María Eugenia Cabrera Espinoza Carmen Elena Soto Portuguéz 3 UNIVERSIDAD DE CUENCA CHAPTER THREE: ANALYSIS OF ONE OF LONDON´S WORKS 1.1 “The Call of the Wild 1.2 Characters 1.3 Plot 1.4 Setting CHAPTER FOUR: LONDON´S LEGACY 1. -
February 2021. New Acquisitions F O R E W O R D
FEBRUARY 2021. NEW ACQUISITIONS F O R E W O R D Dear friends & colleagues, We are happy to present our first catalogue of the year in which we continue to study Russian and Soviet reality through books, magazines and other printed materials. Here is a list of contents for your easier navigation: ● Architecture, p. 4 ● Women Studies, p. 19 ● Health Care, p. 25 ● Music, p. 34 ● Theatre, p. 40 ● Mayakovsky, p. 49 ● Ukraine, p. 56 ● Poetry, p. 62 ● Arctic & Antarctic, p. 66 ● Children, p. 73 ● Miscellaneous, p. 77 We will be virtually exhibiting at Firsts Canada, February 5-7 (www.firstscanada.com), andCalifornia Virtual Book Fair, March 4-6 (www.cabookfair.com). Please join us and other booksellers from all over the world! Stay well and safe, Bookvica team February 2021 BOOKVICA 2 Bookvica 15 Uznadze St. 25 Sadovnicheskaya St. 0102 Tbilisi Moscow, RUSSIA GEORGIA +7 (916) 850-6497 +7 (985) 218-6937 [email protected] www.bookvica.com Globus Books 332 Balboa St. San Francisco, CA 94118 USA +1 (415) 668-4723 [email protected] www.globusbooks.com BOOKVICA 3 I ARCHITECTURE 01 [HOUSES FOR THE PROLETARIAT] Barkhin, G. Sovremennye rabochie zhilishcha : Materialy dlia proektirovaniia i planovykh predpolozhenii po stroitel’stvu zhilishch dlia rabochikh [i.e. Contemporary Workers’ Dwellings: Materials for Projecting and Planned Suggestions for Building Dwellers for Workers]. Moscow: Voprosy truda, 1925. 80 pp., 1 folding table. 23x15,5 cm. In original constructivist wrappers with monograph MB. Restored, pale stamps of pre-war Worldcat shows no Ukrainian construction organization on the title page, pp. 13, 45, 55, 69, copies in the USA. -
A Note on Jack London and David Starr Jordan DAVIDH
A Note on Jack London and David Starr Jordan DAVIDH. DICKASON In a recent study in this magazine of the literary in- terests of David Starr Jordan’ the suggestion was made that this eminent authority in the field of science was of direct influence in shaping the philosophy of the American real- istic writer, Jack London. Inasmuch as the three major biographers of London overlook or minimize this fact, a brief amplification of the data may be justified. Even a casual reading of Jack London’s chief autobio- grahpical novels, The Road, John Barleycorn, and Martin Eden-as well as the perusal of the majority of his tales of adventure, struggle, and brute force-makes it obvious that their author was a hearty proponent of the scientific con- cepts of Darwin, as elaborated by Spencer and others. Time and again occur such phrases as “the iron facts of biology,” or “the savage interpretation of biological facts” ; and as London rides over the peaceful acres of his ranch in the Valley of the Moon he sees even there “the merciless and infinite waste of natural selection,” and about him hears the murmur and hum of “the gnat-swarm of the living, piping for a little space its thin plaint of troubled air.” As the historian of his own mental development he mentions par- ticularly the tremendous effect on his thought of Spencer’s First Principles, through which “all the hidden things were laying their secrets bare” as the “master-kev of life, evolu- tion,” opened difficult doors.2 Mrs. Jack London elaborates upon her husband’s early efforts at self-directed educationJ after his adventures at sea, on the road with Kelly’s army, and in the Klondike. -
Analysis of Jack London's Novels
3rd International Multidisciplinary Scientific Conference on Ingenious Global Thoughts Hosted from Kuala Lumpur, Malaysia https://conferencepublication.com May 31st 2021 ANALYSIS OF JACK LONDON’S NOVELS Alimova Shahnoza Yaxshibayevna Tashkent State Technical University the branch of Termez Jack London’s (January 12, 1876 ‟ November 22, 1916) fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for invention, that in his writing he would have to be an interpreter of the things that are, rather than a creator of the things that might be. Accordingly, he drew his plots, characters, themes, and settings from real-life experiences and published accounts. London’s career as a novelist began shortly after the turn of the twentieth century with the publication of A Daughter of the Snows. It ended nineteen novels later with the posthumous publication of The Assassination Bureau, Ltd. in 1963. The novels vary widely in length, subject matter, and (especially) artistic quality, for while London could write bold, violent,Analysis „ Jack London’s fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for invention, that in his writing he would have to be an interpreter of the things that are, rather than a creator of the things that might be. Accordingly, he drew his plots, characters, themes, and settings from real-life experiences and published accounts. London’s career as a novelist began shortly after the turn of the twentieth century with the publication of A Daughter of the Snows. -
Seawolf Press Announces the Publication of the Jack London 100Th Anniversary Collection
Contact: For Robert Etheredge Immediate Release [email protected] 925-255-3728 February 14, 2018 SeaWolf Press Announces the Publication of the Jack London 100th Anniversary Collection ORINDA, CA – February 14, 2018 - SeaWolf Press is proud to announce the comple- tion of the publication of all 50 books from the well-known American author Jack London. The 100th Anniversary Collection honors Jack London’s death in 1916. The text and illustrations are taken from the fi rst editions, and the covers are replicas of the fi rst edition covers. Jack London’s Life Jack London lived a life of extremes while becoming the best known author in the world. Raised in a working class family in Oakland, California, he was primarily self-taught. His adventurous life provided material for his stories, articles, and books. Known for his realistic writing, his life experiences are revealed in every book. He spent time as a teenage oyster pirate on San Francisco Bay, sailed on a sealing schooner, train-hopped the country as a hobo, scrambled for gold in the Klondike, sailed the Pacific, and was heavily involved in socialism. His dream house in Glen Ellen burned to the ground the day it was finished. A well-known Socialist, his death was observed by a cease-fire for a day during the Russian Revolution. Wide range of subjects The collection highlights the wide range of subjects that London wrote about during his life- time. He fi rst gained fame for his stories of the Klondike gold rush, such as “Call of the Wild” and “White Fang”. -
SPECIAL COLLECTIONS: Inventory
SPECIAL COLLECTIONS: Inventory UNIVERSITY LIBRARY n SONOMA STATE UNIVERSITY n library.sonoma.edu Jack London Collection Pt. 1 Box and Folder Inventory Photocopies of collection materials 1. Correspondence 2. First Appearances: Writings published in magazines 3. Movie Memorabilia (part 1) 4. Documents 5. Photographs and Artwork 6. Artifacts 7. Ephemera 8. Miscellaneous Materials Related to Jack London 9. Miscellaneous Materials Related to Carl Bernatovech Pt. 2 Box and Folder Inventory Additional materials 1. Published books: First editions and variant editions, some with inscriptions. 2. Movie Memorabilia (part 2) Series 1 – Correspondence Twenty-six pieces of correspondence are arranged alphabetically by author then sub-arranged in chronological order. The majority of the correspondence is from Jack and Charmian London to Mr. Wiget, the caretaker of their ranch in Glen Ellen, or to Ed and Ida Winship. The correspondence also includes one love letter from Jack to Charmian. Series 2 – First Appearances: Writings published in magazines Magazines often provided the first appearances of Jack London’s short stories and novels in serialized form. For example, The Call of the Wild first appeared in the Saturday Evening Post in June of 1903. It was then published later that same year by the Macmillan Company. Studying first appearances in magazines gives the researcher the opportunity to analyse textual changes that occurred over time and provides an opportunity to view the original illustrations. In several instances, Jack London specifically chose the illustrator for his stories. The collection contains two hundred and thirty-seven of Jack London’s magazine publications, both fiction and non-fiction, including many first appearances.