Annual Report and Accounts
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Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
Large-Print-Mag-Nov-19.Pdf
CHAPTER 11.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Talks at 4 16.11.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Art in the Bar Jon Pountney Waiting For The Light Until 14.02.20 ‘Waiting for the Light’ is a body of photographic works that capture a particular type of light; a harsh, acutely angled low sunlight that gives the scenes in Jon Pountney’s images a somewhat surreal and melancholy feel. -
Freedom of the Press 2005
FREEDOM OF THE PRESS 2005 FREEDOM OF THE PRESS 2005 A Global Survey of Media Independence EDITED BY KARIN DEUTSCH KARLEKAR FREEDOM HOUSE NEW YORK WASHINGTON, D.C. ROWMAN & LITTLEFIELD PUBLISHERS, INC. LANHAM BOULDER NEW YORK TORONTO OXFORD ROWMAN & LITTLEFIELD PUBLISHERS, INC. Published in the United States of America by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, MD 20706 www.rowmanlittlefield.com P.O. Box 317, Oxford OX2 9RU, United Kingdom Copyright © 2005 by Freedom House All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISSN 1551-9163 ISBN 0-7425-4028-6 (cloth : alk. paper) ISBN 0-7425-4029-4 (pbk. : alk. paper) Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Table of Contents Acknowledgments, vii The Survey Team, ix Survey Methodology, xvii Press Freedom in 2004, 1 Karin Deutsch Karlekar Global and Regional Tables, 11 Country Reports and Ratings, 19 Freedom House Board of Trustees, 225 About Freedom House, 226 Acknowledgments Freedom of the Press 2005 could not have been completed without the contributions of numerous Freedom House staff and consultants. The following section, entitled “The Survey Team,” contains a detailed list of writers and advisers without whose efforts and input this project would not have been possible. -
CPC Outreach Journal #661
USAF COUNTERPROLIFERATION CENTER CPC OUTREACH JOURNAL Maxwell AFB, Alabama Issue No. 660, 21 October 2008 Articles & Other Documents: From Beirut to 9/11 2 British Antiterror Experts Say U.S. Takes Wrong Path Lebanon’s Bloody Sunday The Philippines: America's Other War on Terrorism From the Beirut Bombing to 9/11 A Safer Nuclear Stockpile Why Do Terrorists Love to Strike Around Elections? New and Unnecessary Al-Qaeda is Watching the US Election Official Describes Secret Uranium Shipment On Al-Qaeda Web Sites, Joy Over U.S. Crisis, Support Air Force Seeks to Fix Nuke Mission For McCain Reactors for the Middle East Terror Websites Downed in Suspected Cyber Counter- Strike Stopping a Nuclear Tehran Expert Says Nuclear Terrorism is Not a Major Threat Iran is Job One Is it Really All Over for Al-Qaida? Huge New Biodefense Lab is Dedicated at Fort Detrick Saudi Arabia Puts 1,000 Al-Qaeda Suspects on Trial NATO Warships to Battle Piracy Afghanistan, Pakistan Agree on Co-op in Fighting Somali Piracy Shakes Confidence in Suez Canal Route Terrorism Welcome to the CPC Outreach Journal. As part of USAF Counterproliferation Center’s mission to counter weapons of mass destruction through education and research, we’re providing our government and civilian community a source for timely counterproliferation information. This information includes articles, papers and other documents addressing issues pertinent to US military response options for dealing with nuclear, biological and chemical threats and attacks. It’s our hope this information resource will help enhance your counterproliferation issue awareness. Established in 1998, the USAF/CPC provides education and research to present and future leaders of the Air Force, as well as to members of other branches of the armed services and Department of Defense. -
Model Course on the Safety of Journalists
2017 Model Course on Safety of Journalists Model Course on Safetyof Journalists Model Course on Safety of Journalists A Guide for Journalism Teachers in the Arab States Published by the United Nations Educational, Scientific and Cultural Organization (UNESCO), 7, place de Fontenoy, 75352 Paris 07 SP, France, and the International Federation of Journalists, IPC-Residence Palace, Rue de la Loi 155, B-1040 Brussels, Belgium © UNESCO and the International Federation of Journalists, 2017 ISBN 978-92-3-100223-6 This Publications is available in open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY- SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the author; they are not necessarily those of UNESCO and do not commit the Organization. Prepared by: Dr. Michael Foley, Ms. Clare Arthurs, Ms. Magda Abu-Fadil, Revised by: Revised by: Mr. George Awad, Mr. Ming Lim, Mr. Fackson Banda, Ms. Saorla McCabe, Mr. Mounir Zarour, Dr. Nisreen Abdallah, Mr. David Bivan Translation to Arabic: Dr. Hassana Rashid Cover photo: Shutterstock/annekhen Printed by UNESCO Regional Bureau - Beirut Printed in Beirut, Lebanon 2 Foreword Safety of Journalists: A Model Course for the Arab States is a significant instalment in our UNESCO Series on Journalism Education. -
See Last Year's As an Example
creativity is Contents Forewords 2-3 Fun Crew Ltd 14 Impossible Kids 15 Danny Lopez 2 Jollywise Media Ltd 16 Greg Childs and Sarah Baynes 3 Kanoti 17 Kerrupt Stop-Motion Animation 18 UK Delegate Companies 4-27 Kindle Entertainment Ltd 19 Little Lamb Media 20 Accorder Music Publishing 4 Lookman Ltd 21 Andrew Brenner 5 Mackinnon & Saunders 22 CHEEKY 6 Pesky 23 The Creative Garden 7 Plug-in Media Ltd 24 CSC Media Group 8 Smart Party 25 Davey Moore 9 The Children’s Media Conference 26 Digimania 10 The Show 4 Kids PLC 27 Dubit 11 Factory Transmedia Limited 12 Famous Flying Films 13 Contacts 28 From art to architecture; Film to Fashion, Wallace and Gromit british talent leads the world © Aardman Animations Limited 2011 www.ukti.gov.uk Networking opportunities sponsored by Impossible Kids Cover images: Top left: Famous Flying Films, Bottom left: Fun Crew Ltd, Bottom middle: Plug-in Media & Brown Bag Films, Bottom right: Little Lamb Media 2 UK@Kidscreen 2012 UK@Kidscreen 2012 3 Foreword Foreword By Danny Lopez By Greg Childs and Sarah Baynes We’re delighted to be leading the UK@Kidscreen delegation I am delighted to see so many of the UK’s outstanding companies to the KidScreen Summit on behalf of UK Trade & Investment. attending this year’s Kidscreen. Initiatives such as this are of great KidScreen provides an invaluable forum for companies in importance, as we can learn a great deal from each others’ skills this sector to promote their experience and expertise, take and expertise. advantage of networking opportunities and share ideas that will develop new business relationships. -
Writer, Librettist & Lyricist Miranda Writes Comedy and Drama for TV, St
Miranda Walker CV, November 2020 MIRANDA WALKER - Writer, Librettist & Lyricist Miranda writes comedy and drama for TV, stage and radio, as well as musicals (book and lyrics). Recent highlights have included GIGGLEBIZ for CBeebies, DIDDY TV for CBBC, a community opera libretto for Cheltenham Music Festival which is award nominated for a Royal Philharmonic Society Impact Award and musical FLY EDDIE FLY, about Olympic legend Eddie the Eagle, starring the man himself as interactive narrator. She has worked as a topical gag writer for BBC Radio 4 on flagship comedies THE NOW SHOW and THE NEWS QUIZ, and is the author of several children’s books. Before writing full-time, Miranda worked in early years, education and playwork, managing her own children’s day nursery and out of school club. She lectured in early years, worked as a nursery education inspector for Ofsted, won a National Excellence in Childcare Award and wrote several early years textbooks. She also worked in special education. She brings a joyful affinity with children to her work for young audiences. Miranda can also write about disability and visual-difference with an authentic voice and lived experience. 2017-2020 • GIGGLEBIZ sketch show, Series 5, CBeebies, writer. (Starring Justin Fletcher). • Dick and Dom’s TV parody sketch show DIDDY TV, Series 3 and 4, CBBC, writer. • Commissioned by Cheltenham Everyman Theatre to write a large-scale musical version (book and lyrics) of FLY EDDIE FLY, a comedy about Eddie the Eagle, for the main house. The real Eddie Edwards starred as the interactive narrator. Directed by Paul Milton. -
Transworld Fiction
FICTION CATALOGUE JANUARY - JUNE 2020 1 Who Did You Tell? From the Sunday Times bestselling author of The Rumour Lesley Kara You thought your darkest secret was safe. You were wrong. The addictive new stand alone psychological thriller from the bestselling author of The Rumour. Every town has its secrets. Lesley Kara knows them all . From the author of 2019's biggest crime thriller debut, The Rumour, comes an addictive new novel . It’s been 192 days, seven hours and fifteen minutes since her last drink. Now Astrid is trying to turn her life around. Having reluctantly moved back in with her mother, in a quiet seaside town away from the temptations and painful memories of her life before, Astrid is focusing on her recovery. She's going to meetings. Confessing her misdeeds. Making amends to those she's wronged. But someone knows exactly what Astrid is running from. And they won't stop until she learns that some mistakes can't be corrected. Some mistakes, you have to pay for . January 2020 9781787630055 Lesley Kara is an alumna of the Faber Academy ‘Writing a £12.99 : Hardback Novel’ course. She lives on the North Essex coast. Her first 400 pages novel, The Rumour, was a Sunday Times Top 10 Bestseller. Her second novel, Who Did You Tell?, is out soon. 2 Mix Tape Jane Sanderson This is a love story to rival the very best. Caught up in the nostalgia for first love and the type of music that they don't make any more, Mix Tape asks the biggest question of all: what if 'what could have been' is still to come? ‘A lovely novel, delicately drawn, with characters that really linger in the mind and memory. -
Delegates Brochure 2020
©ALTTitle Animation Address DM Ltd ‘Monty & Co’ © 2019 Pipkins Productions Limited The Snail and the Whale ©Magic Light Pictures Ltd 2019 Bigmouth Elba Ltd Clangers: © 2019 Coolabi Productions Limited, Smallfilms Limited and Peter Firmin © Tiger Aspect Productions Limited 2019 UK@Kidscreen delegation organised by: 2020 Tuesday 7 July 2020, Sheffield UK The CMC International Exchange is the place to meet UK creatives, producers and service providers. • Broadcasters, co-producers, funders and investors from across the world are welcome to this focused market day. • Meetings take place in one venue on one day (7 July 2020). • Writers, IP developers, producers of TV and digital content, service providers, UK kids’ platforms and distributors are all available to take meetings. • Bespoke Meeting Mojo system is used to upload profiles in advance, present project information and request meetings. • Discover innovative, fresh content, build new partnerships and access the best services and expertise. • Attend the world’s largest conference on kids’ and youth content, 7-9 July 2020 in Sheffield www.thechildrensmediaconference.com • For attendance, please contact [email protected] UK@Kidscreen 2020 3 ContentsTitle Forewords 4-5 Kelebeck Media Nicolette Brent KidsCave Studios Sarah Baynes Kids Industries UK Delegate Companies 6-52 Kids Insights 3Megos KidsKnowBest Acamar Films King Banana TV ALT Animation Lightning Sprite Media Anderson Entertainment LoveLove Films Beyond Kids Bigmouth Audio Lupus Films Cloth Cat Animation Magic Light -
They Have Been Watching
30 August 2002 They have been Watching Broadcasters Provision of Children’s and Young People’s TV from 1952 to 2002 Jamie Cowling and Kirsty Lee Summary From Bill and Ben to the Tweenies the broadcasting landscape has changed beyond recognition. In 1952 television was limited to the BBC monopoly providing programmes that the public ought to watch. In 2002 digital broadcasting, in theory, provides an a la carte menu of channels to suit every taste. Children and young people watch around eighteen hours of television per week1. In some multi- channel homes children and young people can choose from over seven dedicated channels. Over 40 per cent of children’s and young people’s viewing in multi- channel homes is of the non-terrestrial broadcasters. As we move towards digital switchover what has been the impact of increasing choice of channel been on the provision of the different genres of children’s and young people’s programming? Has there been a reduction in the diversity of genres available to children and young people over the years, replaced by an endless diet of animation? How have the public service broadcasters responded to competition from the non-terrestrial channels? Has the increase in total hours available to children and young people led to more imported programmes and repeats? Our research examines the provision of children’s and young people’s programming from Bill and Ben to the Tweenies. Our analysis enables us to examine the choice of programmes available to children and young people across channels and the diversity of genres provided. -
Bbc Response to “The Future of Children's Television
BBC RESPONSE TO “THE FUTURE OF CHILDREN’S TELEVISION PROGRAMMING” 1. Introduction and summary 1.1. The BBC welcomes Ofcom’s discussion paper of the 3rd October 2007 and the opportunity to engage in debate around the importance of provision of UK-originated television programming for children. 1.2. Children’s programming is among the most important content the BBC produces. At its best, children’s television is a model for public service broadcasting – it has been informing, educating and entertaining millions of British children for 60 years. 1.3. The BBC plays a unique and central role in the provision of Children’s TV programming in the UK. The BBC’s level of investment is far higher than any other provider in the UK broadcasting market, its reach and quality perception is higher than any other broadcaster, and the contribution that the BBC makes to the UK’s creative industries in this area is well recognised. It is a training ground for producers; a standard setter in terms of programme quality; a model for other providers in terms of diversity and on-screen portrayal; and a trailblazer on the web and multi-platform. 1.4. Through a unique range of UK-produced output, BBC Children’s contributes to all the BBC’s public purposes, providing dedicated programmes which engage and inspire children and encourage them to participate and interact with broadcast content. The output provides positive role models of children for children, and through programmes like Newsround, opens children’s eyes and minds to the world around them. Television can help children to understand themselves and their role in the world, and through moments of silliness and humour help children to relax and laugh out loud. -
CHF Media Fund IM
INFORMATION MEMORANDUM Version 2 www.chfenterprises.co.uk CHF MEDIA FUND IMPORTANT NOTICE The CHF Media Fund is a Complying Fund and so is not a UCIS. This means that the CHF Media Fund is not subject to the marketing restrictions introduced by the Financial Conduct Authority (“FCA”) in respect of “non-mainstream pooled investments” and can be marketed to retail clients. Key risks are explained on pages 30 to 35 of this Information Memorandum and should be carefully considered. This document describes arrangements by which Investors who wish to make venture capital investments in Seed EIS and EIS qualifying companies which carry on the business of developing, producing and monetising family and children’s entertainment shows or concepts have appointed Sapia Partners LLP, a limited liability partnership registered in England and Wales with the registered number OC354934 and whose registered office is at 134 Buckingham Palace Road, London SW1W 9SA (the “Manager”) to act as their common discretionary investment fund manager and to manage the investments which are made on their behalf. The Manager is authorised by the FCA to act as an investment fund manager; its FCA registration number is 550103. In connection with its discretionary investment management services, the Manager will be advised by CHF Enterprises Limited, an English private limited company with the registered number 08321672 and with its registered address at 2 Hurle Road, Clifton, Bristol, BS8 2SY (“CHF Enterprises”). These arrangements constitute the CHF Media Fund. This document constitutes a financial promotion relating to the CHF Media Fund and is both issued and approved by the Manager for the purposes of section 21 of the Financial Services and Markets Act 2000 (“FSMA”).