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Determination of Merger Notification M/14/018
DETERMINATION OF MERGER NOTIFICATION M/14/018 - Sony / Step Topco (CSC Media) Section 21 of the Competition Act 2002 Proposed acquisition by Sony Corporate Services Europe Limited of Step Topco Limited, the holding company of CSC Media Group Limited Dated 28 July 2014 Introduction 1. On 1 July 2014, in accordance with section 18(1)(b) of the Competition Act 2002 (“the Act”), the Competition Authority (“the Authority”) received notification of a proposed transaction whereby Sony Corporate Services Europe Limited (“Sony Europe”) would acquire Step Topco Limited, the holding company of CSC Media Group Limited (together “CSC Media”). 2. On 2 July 2014, pursuant to section 23(1) of the Act, the Authority forwarded a copy of the notification to the Minister for Jobs, Enterprise and Innovation and published notice of the notification on its website, indicating that the proposed transaction was a “media merger”. The Undertakings Involved The Acquirer 3. Sony Corporation is the parent of the Sony group of companies, headquartered in Tokyo, Japan and operates in several segments worldwide, including electronics, electronic games and game consoles, entertainment services and financial services. 4. Sony Europe, incorporated in the United Kingdom, is a wholly-owned and controlled indirect subsidiary of Sony Corporation 1 which currently has eight (8) television channels available on the island of Ireland (with an additional four channels on a one hour time-delay / time- shift): i. Sony Entertainment Television (Sony Entertainment Television +1) ii. More>Movies (More>Movies +1) iii. Sony Movie Channel (Sony Movie Channel +1) iv. Movies4Men (Movies4Men +1) v. Sony Entertainment Television Asia vi. -
SPT Networks Business Development Overview January 2013
SPT Networks Business Development Overview January 2013 Deal Summary ($ in MM) Est. FY14 Valuation Cash # Deal Description of Opportunity Description of Potential Transaction (1) Outlay Asia Pacific / India Acquisition of Maa TV gives SPE an instant foothold in Southern Acquire 53% stake in Maa TV for 1 Maa TV India and provides a platform to launch local language versions of $205 $107.4 $113M MSM channels in the region Dori Media Group’s Acquisition of the Indonesian channels would increase SPT’s Acquire 25-50% stake in DMG’s $6.8 - 2 Indonesian $27 - $31 presence in Indonesia Indonesian channels for $6.8 - $15.5M $15.5 Channels Asia Dramatic Channel (ADC) would be an attractive channel to Asia Dramatic add to the portfolio in Japan: 1) increase distribution of ADC, 2) Transfer 100% of ADC from So-net 3 Channel (ADC) / $2 - $4 $2 - $4 Entertainment So-net complement SET ONE and 3) strengthen ties with Korean programming partners Launch channel in Late Summer/ Fall 4 SET Australia Launch first fully owned channel in Australia TBD $9 2013 EMEA Acquisition allows SPT to establish a European beachhead for Acquire 51% of Vidzone for $5.6M 5 Vidzone Digital Networks and Crackle and gain distribution scale and (SPT also assumes $3M in net debt; a $14 $8.6 leverage with platform partners cash outflow) GNAM / Space Investment would allow SPT to establish an immediate market Invest $2.0 - $4.8M for 25-51% stake $2.0 - 6 $6 - $8 Power presence in the Middle East in Space Power $4.8 Acquisition would allow SPT to establish an immediate market e2 -
ASCEND SEIS 2019 Fund
ASCEND SEIS 2019 Fund INFORMATION MEMORANDUM FUND ADVISORS Investment Advisor: Ascension Ventures Ltd (CRN: 07766902) whose registered office is at 20 Air Street, 4th Floor, London, W1B 5AN. Manager: Larpent Newton & Co Limited (CRN: 01330622) whose registered office is at Steane Grounds Farm, Steane, Brackley, Northamptonshire, NN13 5NP or Ascension Ventures Ltd as soon as it becomes authorised by the FCA. Tax Advisor: Fiscability UK Limited (CRN: 08021486) whose registered office is at Swallowfield, Moat Lane, Prestwood, Buckinghamshire, HP16 9DF. Legal Advisor: Harper James Solicitors, Units 2-5 Velocity Tower, 1 St Mary’s Square, Sheffield, South Yorkshire, S1 4LP. Regulatory Advisor: Enterprise Incubator & Consultancy, 1-6 Speedy Place, Cromer Street, London, WC1H 8BU. Administrator and Custodian: Reyker Securities plc (CRN: 01747595) whose registered office is at 17 Moorgate, London, EC2R 6AR. Nominee: Reyker Nominees Limited (CRN: 02056221) whose registered office is at 17 Moorgate, London, EC2R 6AR (or any other controlled and wholly owned nominee used by Reyker Securities plc). ASCEND SEIS 2019 FUND 2 INFORMATION MEMORANDUM Contents Fund Advisors 2 Notice To Investors 4 Part One: Overview 7 Part Two: Key Terms 9 Part Three: SEIS Tax Relief 11 Part Four: Ascension Team & Advisors Overview 13 Part Five: Ascension Investment Thesis 19 Part Six: Ascension Track Record (As Of January 2019) 23 Part Seven: Fund Infrastructure 26 Part Eight: Timetable & How To Apply 30 Part Nine: Fee Structure 31 Part Ten: Risk Factors 33 Definitions 37 ASCEND SEIS 2019 FUND 3 INFORMATION MEMORANDUM Notice to Investors This Information Memorandum is dated 1st January, 2019. Certain terms used in this Information Memorandum are defined elsewhere in this Information Memorandum. -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Sanction 113 (19) Trace UK World Ltd
Sanction 113 (19) Trace UK World Ltd Sanction: Decision by Ofcom Sanction: to be imposed on Trace UK World Ltd For material broadcast on Starz on 11 March 2018 at 14:301. Ofcom’s Sanction Decision against: Trace UK World Ltd (“Trace” or “the Licensee”) in respect of its service Starz (Ofcom TLCS licence TLCS001648BA/4). For: Breaches at the time the licence for Starz was held by CSC Media Group Limited (“CSC”)2 of the BCAP Code: The UK Code of Broadcast Advertising (“the BCAP Code”) in respect of: Rule 1.2: “Advertisements must be prepared with a sense of responsibility to the audience and to society”. Rule 4.2: “Advertisements must not cause serious or widespread offence against generally accepted moral, social or cultural standards”. Rule 4.8: “Advertisements must not condone or encourage harmful discriminatory behaviour or treatment. Advertisements must not prejudice respect for human dignity”. Decision: To direct the Licensee to broadcast a statement of Ofcom’s findings on a date and in a form to be determined by Ofcom. 1 As detailed in Broadcast and On Demand Bulletin 363 (https://www.ofcom.org.uk/__data/assets/pdf_file/0020/122960/issue-363-broadcast-on-demand- bulletin.pdf), 8 October 2018 (“the Breach Decision”). 2 CSC, a subsidiary of Columbia Pictures Corporation Ltd (“Columbia Pictures”) held the licence for Starz until 1 April 2018, at which time, following approval by Ofcom, the licence was transferred to Colombia Pictures. The latter held the licence until 14 December 2018, when following approval by Ofcom, the licence for Starz was transferred to Trace, the current licensee. -
Supplemental Information of the Consolidated Financial Results for FY2016 Q4
Supplemental Information of the Consolidated Financial Results for the Fourth Quarter Ended March 31, 2017 2016 年度第 4 四半期連結業績補足資料 April 28, 2017 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization by segment セグメント別減価償却費及び償却費 3 ■ Amortization of film costs 繰延映画製作費の償却費 3 ■ Restructuring charges by segment セグメント別構造改革費用 4 ■ Period-end foreign exchange rates 期末為替レート 4 ■ Inventory by segment セグメント別棚卸資産 4 ■ Film costs (balance) 繰延映画製作費(残高) 4 ■ Long-lived assets by segment セグメント別固定資産 4 ■ Goodwill by segment セグメント別営業権 5 ■ Research and development expenses by segment セグメント別研究開発費 5 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 5 ■ Additions to long-lived assets excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額 6 ■ Depreciation and amortization excluding Financial Services 金融分野を除くソニー連結の減価償却費及び償却費 6 ■ Unit sales of key products 主要製品販売台数 6 Pictures Segment Supplemental Information (English only) 7 ■ Pictures Segment Aggregated U.S. Dollar Information 7 ■ Motion Pictures 7 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 Home Entertainment titles released - Select Home Entertainment titles to be released ■ Television Productions 9 - Television Series with an original broadcast on a U.S. linear network - Television Series with a new season to premiere on a U.S. linear network - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a digital platform - Television Series with a new season to premiere on a digital platform - Television Series with an original broadcast on a non-U.S. -
UK@Kidscreen Delegation Organised By: Contents
© Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time. -
1 UK@Kidscreen 2014
1 UK@Kidscreen 2014 Organised by 3 UK@Kidscreen 2014 Contents Forewords 5-7 Fun Crew Ltd 28 Danny Lopez 5 Gateley LLP 29 Greg Childs and Sarah Baynes 6 Happy Films 30 HIT Entertainment 31 HoHo Entertainment 32 UK Delegate Companies 8-49 Kickback Media Ltd 33 1973 Films 8 Kindle Entertainment 34 Absolutely Cuckoo 9 Lion Television 35 Accorder Music Publishing 10 Magic Light Picture 36 Adobe Systems Europe Ltd. 11 MIDAS 37 Beakus 12 MCC Media 38 Beyond Distribution 13 Plug-in Media 39 Bigmouth Audio Ltd 14 Pluto Entertainments Ltd 40 Blue-Zoo Productions 15 Saffery Champness 41 Bob & Co 16 Saltbeef Productions 42 Box of Frogs Media 17 Serious Lunch Ltd 43 Bright Box Creative 18 SyncScreen.tv and The Little Big Partnership 44 CAKE 19 The Children’s Media Conference 45 CHF Entertainment Ltd 20 The Creative Garden 46 Coolabi Limited 21 Tinyworld 47 Cutlass Productions Ltd 22 Walker Productions 48 Darrall Macqueen 23 World of Wishes 49 Dog Ears Ltd 24 Dominic Macdonald 25 Dot to Dot Productions 26 Contacts 50 Factory Transmedia 27 Main image: Mike the Knight (© 2013 HIT (MTK) / Nelvana Limited) Top: Ella Bella Bingo (August Media Holdings / Kool Produktions) Middle: Room on the Broom Bottom left: Bookaboo Bottom middle: Puffin Rock Bottom right: Absolute Genius with Dick & Dom Truth0389_CMCKidscreen Ad 21/1/14 12:15 pm Page 1 cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 2,3 &4JULY 2014SHEFFIELD UK CONTENT INDUSTRIES The number of children born every minute Welcome to the world of children and children’s content at CMC 2014. -
Global Licensors, the Exclusiven Annual Compilation and Retail
MAY 2011 VOLUME 14 NUMBER 2 ® TOP GL OB AL LIC EN SO RS This exclusive report ranks the world’s largest licensors and spotlights hundreds of the hottest properties that are driving sales of licensed merchandise at all the major retailers around the globe. Sponsored by TOP GL OB AL LIC EN SO RS S R O S The Top 125 Global Licensors, the exclusiveN annual compilation and retail E C I sales ranking of the world’s largestL licensed brands from License! Global, L A reveals continued growth andB consumer demand for the hottest merchandise O L G from entertainmentG properties to fashion brands to corporate icons to sports leagues and franchises. By Tony Lisanti isney Consumer Products once again ranked as the No. The top three global licensors by major sectors are as follows: 1 global licensor reporting $28.6 billion in retail sales of Entertainment–DCP, WBCP and Marvel; Dlicensed merchandise worldwide in 2010, up from $27.2 Apparel–Iconix Brand Group, Phillips-Van Heusen and Cherokee; billion in 2009. DCP’s Toy Story franchise, influenced by box office Toy/Character–Mattel, Sanrio and Hasbro; success and merchandise demand for Toy Story 3, was the most Sports–Major League Baseball, Collegiate Licensing and National dominant property of the year at retail generating $2.4 billion in Football League; retail sales. DCP believes that Cars 2 could have a similar impact in Corporate Brands (non-apparel, non-automotive)–Westinghouse, the marketplace this year. Electrolux and Sunkist. DCP’s retail sales do not include Marvel Entertainment, a wholly The top ranked non-U.S. -
Delegates Brochure 2020
©ALTTitle Animation Address DM Ltd ‘Monty & Co’ © 2019 Pipkins Productions Limited The Snail and the Whale ©Magic Light Pictures Ltd 2019 Bigmouth Elba Ltd Clangers: © 2019 Coolabi Productions Limited, Smallfilms Limited and Peter Firmin © Tiger Aspect Productions Limited 2019 UK@Kidscreen delegation organised by: 2020 Tuesday 7 July 2020, Sheffield UK The CMC International Exchange is the place to meet UK creatives, producers and service providers. • Broadcasters, co-producers, funders and investors from across the world are welcome to this focused market day. • Meetings take place in one venue on one day (7 July 2020). • Writers, IP developers, producers of TV and digital content, service providers, UK kids’ platforms and distributors are all available to take meetings. • Bespoke Meeting Mojo system is used to upload profiles in advance, present project information and request meetings. • Discover innovative, fresh content, build new partnerships and access the best services and expertise. • Attend the world’s largest conference on kids’ and youth content, 7-9 July 2020 in Sheffield www.thechildrensmediaconference.com • For attendance, please contact [email protected] UK@Kidscreen 2020 3 ContentsTitle Forewords 4-5 Kelebeck Media Nicolette Brent KidsCave Studios Sarah Baynes Kids Industries UK Delegate Companies 6-52 Kids Insights 3Megos KidsKnowBest Acamar Films King Banana TV ALT Animation Lightning Sprite Media Anderson Entertainment LoveLove Films Beyond Kids Bigmouth Audio Lupus Films Cloth Cat Animation Magic Light -
They Have Been Watching
30 August 2002 They have been Watching Broadcasters Provision of Children’s and Young People’s TV from 1952 to 2002 Jamie Cowling and Kirsty Lee Summary From Bill and Ben to the Tweenies the broadcasting landscape has changed beyond recognition. In 1952 television was limited to the BBC monopoly providing programmes that the public ought to watch. In 2002 digital broadcasting, in theory, provides an a la carte menu of channels to suit every taste. Children and young people watch around eighteen hours of television per week1. In some multi- channel homes children and young people can choose from over seven dedicated channels. Over 40 per cent of children’s and young people’s viewing in multi- channel homes is of the non-terrestrial broadcasters. As we move towards digital switchover what has been the impact of increasing choice of channel been on the provision of the different genres of children’s and young people’s programming? Has there been a reduction in the diversity of genres available to children and young people over the years, replaced by an endless diet of animation? How have the public service broadcasters responded to competition from the non-terrestrial channels? Has the increase in total hours available to children and young people led to more imported programmes and repeats? Our research examines the provision of children’s and young people’s programming from Bill and Ben to the Tweenies. Our analysis enables us to examine the choice of programmes available to children and young people across channels and the diversity of genres provided. -
Invisible Children: Children's Media, Diversity, and Forced Migra:On
Invisible Children: Children’s Media, Diversity, and Forced Migra:on Symposium, 14th September 2018, 10.30-17.15 Anatomy Museum, King’s College LonDon Programme Outline • 10:30-11:00: Registra/on/Coffee Tea • 11:00-11:45: SESSION ONE – Arab-European Dialogue about Children’s Screen Content in an Era of Forced Migra=on: Outcomes and Observa=ons • 11:45-12:45: SESSION TWO – Diversity in Children’s Screen Content: Why it MaDers • 12:45-13:35: Lunch • 13:35-13:45: PRESENTATION – Crea=vity of Children at Pipka Refugee Camp, Lesvos • 13:45-14:45: SESSION THREE – Arab Perspec=ves on Media, Children, Forced Migra=on and Diversity • 14:45-16.00: SESSION FOUR – Producer Perspec=ves on Media Representa=on, Children, Migra=on and Diversity • 16:00-16:30: Coffee/Tea • 16:30-17:15: SESSION FIVE – Next Steps www.euroarabchildrensmedia.org Twi3er: @EuroArabCM #EuroArabChildrensMedia SESSION ONE Arab-European Dialogue about Children’s Screen Content in an Era of Forced Migration: Outcomes and Observations Speakers • Chair: Shakuntala Banaji, London School of Economics • Jeane2e Steemers, King’s College London • Naomi Sakr, University of Westminster • Chris7ne Singer, King’s College London Dialogue and Engagement Our objectives for this AHRC Project To alert Europeans to the media needs, wants and experiences of young Arabic- speaking migrant children To create space for dialogue between h?ps://euroarabchildrensmedia.org European and Arab stakeholders. To identify effective regulation, financing, production and advocacy Twi?er: practice @EuroArabCM To demonstrate how children’s rights are fundamental to children’s future participation as citizens To prompt further research into how screen media can help migrant children develop their identities in new environments Missed Opportunities Dominance of imported anima/on Diversity issues in local content “[On TV] adults are always present in the world of children- instruc:ng, teaching and direc:ng.” F.