Máire Messenger Davies
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Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
Delegate List 2014 Updated 20/06/2014
Delegate List 2014 Updated 20/06/2014 Series producer/ director - Angelo Abela Lime Pictures Children's Development Silas Adedotun Adekunle Founder Reach Robotics Miriam Al-asaly Student Sheffield Hallam University Comfort Alemoru Director Nutmeg Animations Philippe Alessandri Chief Executive Officer Télé Images Productions Michael Algar Producer Keg Kartoonz Amelia Alias PhD Student University of Edinburgh Catherine Alport Publicity Manager Pan Macmillan Valerie Ames Director of Production Kindle Entertainment Director and Partner Director Screentwist Digital Media Ltd Steven Andrew Creative Director The Foundation Thomas Archibald Kids Scheduler BT Senior Vice President, Finn Arnesen Hasbro International Distribution Keith Arrowsmith Partner CounterCulture LLP Paul Ashton Senior Film Executive Creative England Manager, Current Series, The Walt Disney Company Jo Aslett Disney Junior EMEA Sarah Aspinall Head of Kids BT Aubrey- Jake Student/ 3D Artist Sheffield College Bentley Agnes Augustin President & CEO Shaw Rocket Fund Jens Bachem Partner The Little Bog Partnership Naomi Bacon Digital Publicist Pan Macmillan Richard Badger Development Manager BBC Jamie Badminton Managing Director Karrot Entertainment Louise Bagnall Designer/ Director Cartoon Saloon Queen Mary, University of Tessa Bailey Student London Head of Animation Adam Bailey Cloth Cat Animation Development Tim Bain Writer Dynamite Entertainment Editor, Innovations and Howard Baker BBC Development Andrew Baker Consultant Andrew Baker Hannah Baldwin PA to Head of CBeebies BBC -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Mastermind and Celebrity Mastermind Invitation to Tender
BBC’s Mastermind and Celebrity Mastermind Invitation To Tender (ITT) 10 September 2018 Production of Mastermind and Celebrity Mastermind Contract for 2 years commencing with delivery in July 2019 ITT SUMMARY1 The BBC is inviting producers to tender for the production of Mastermind and Celebrity Mastermind. Mastermind and Celebrity Mastermind are long-running, successful BBC series at the heart of the BBC Two and BBC One schedules. The contract to produce Mastermind and Celebrity Mastermind is offered on a work-for-hire basis and all IP remains with the BBC. The contract, including 31 episodes of Mastermind and 10 episodes of Celebrity Mastermind per year, is for 2 years commencing with delivery in July 2019. John Humphrys will continue to present both shows. The current tariff for Mastermind and Celebrity Mastermind is an average of £36,0412 per episode or £2,955,362 for both series across the 2 years, funded by the BBC public service. The Production must remain Out of London, with a preference for one of the BBC’s centres for quiz content in Salford, Scotland or Northern Ireland. Schedule of key stages* ITT Published 10 September 2018 Tender eligibility closes 21 September 2018 Longlist notified 5 October 2018 Face to face meeting 19 October 2018 Tender submissions 14 November 2018 Shortlist notified 3 December 2018 Interviews 17 December 2018 TUPE Conversations 10 January 2019 Award decision announced 14 February 2019 Transmission from August 2019 * all dates are subject to change and Tenderers will be notified of any changes Tender eligibility Producers bidding on their own or in partnership will be considered. -
CQ January 1964.Pdf
This sign tells you you're de.rling u'ith l relirble. conscientiousbr.rsinessmen. har.rcl-pickccl as the finest in the land. it aiso tells you you're buying the linest amateur equipment aveilable. DEPEND ON IT ALABAMA tLLTNOtS NORTH CAROLINA - - FreckRadio & S!ppLyco Inc Birmingham- AckRadlo SUPPIY Co Chicago AmateurElectronic S!pply Ashevrlle - Wholesalers,lnc. HuntsviLle- ELecironlcwholesalers, Inc NewarkElectronics corporation WinstonSalem Electronic - N4obile- SpecialtyDistributing Co. Peorla KLausRadio & ElectricCompany oHlo Co. ALASKA INDIANA C eveland PloneerE eclronicSupply Fortl!ayne - BrownElectronics, Inc. Col!mbus UniversslServtce Anchorage- Y!kon RadioSupply, lnc lndianapolis- GtahamE ectronicsSulJply, Inc. Dayton- C!stomE ectroics lnc. -oledo pLI,or ARIZONA SouthBend - RadioDislributing co, lnc S" ( S-ppres In(. Phoerr^- So-tr*es'F lectrolic Devices towA OKLAHOMA T!cson- El iott Electronlcs,lnc CouncilBl!ffs - WorldRadlo Laboratorles, inc T! sa - Radrolnc - ARKANSAS Desllloines RadioTrade Supply C0 OREGON DeWitt- l\.4oory'sWholesale Radio Co. LOUISIANA Portlaid- Portand Radro S!PP Y Co. New0r eans- RadioParts. inc CALIFORNIA PENNSYLVANIA MARYLAND - Pa. Anah€im- HenryRadro, lnc. Ph ad€ipha Radiotlectr c SerliceCo. of Wheaton LjncleGeJrge s Redo HamS:a.k B!rllngame- AmradElectronlcs P ltsbr'gh CameradioComPanY D vLston.Eectron cs 0 strb!tofs n: ' LcngBeach - ScottRadlo SuPP Y, In.. Wyncot€ Ham B!ergef I os Argr,rs- HPnrYRadio Co. llc MASSACHUSETTS RHODE ISLAND i.r Rado Pfod!ctsSales, Inc. Boslon- DefilambroRadro Supp y Ln. ,l Pfovience W. H. EdwardsComPanY ll - ElmarE ectronics RadioShack CorP. oakland SOUTH DAKOTA I Rl!erside- MissionNam SuPP ies ReadinE- GrahamRadro 1nc :{ tlatertown BurghardtRadio S!pply SanD ego- westernRadio & TV SlpplyCo MICHIGAN Sar I a-. -
Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
BBC World Service Report by the Comptroller and Auditor General Presented to the BBC Trust Value for Money Committee, 14 June 2016
BBC World Service Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 14 June 2016 BRITISH BROADCASTING CORPORATION BBC World Service Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 14 June 2016 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty June 2016 © BBC 2016 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money review: BBC World Service In the four years to 2014-15 the government BBC Trust response cut core funding to the World Service by As the governing body of the BBC, the around 8% and, in response, the World Trust is responsible for ensuring that the Service reduced its annual expenditure by licence fee is spent efficiently and effectively. £46.8 million. Two thirds of these savings Value-for-money reviews like this one (almost £31 million) have been achieved are an integral part of the governance through greater efficiency and without framework through which the Trust fulfils an impact on audiences. For example, this responsibility. better integration with the BBC newsroom at Broadcasting House has created a The BBC Trust welcomes richer experience for both domestic and the National Audit Office’s international audiences while also saving conclusion that, through its money. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
February 2021 Kids Sales
AUSTRALIA FEBRUARY 2021 Flight of the Griffin: Rise of the Mythix 3 Anh Do, illustrated by Chris Wahl What happens when three ordinary teenagers discover they are destined to be … the Unicorn, the Minotaur, the Griffin? Description Enter the Griffin! The Unicorn, Minotaur and Griffin are united at last. Surely together they will be unstoppable! But the evil Collector is not going to give up without an epic fight, and not all the beasts of legend are on the side of good... Will our heroes finally fulfill their destiny? About the Author Anh Do is one of Australia's best-loved storytellers. His series, including Wolf Girl, E-Boy and WeirDo are adored by millions of kids around the country. Chris Wahl is an award-winning Australian illustrator and comic artist whose list of clients include Marvel, The Phantom, MAD magazine, Titan Comics, Lucasfilm and Hasbro. Price: AU $15.99 NZ $17.99 ISBN: 9781760876418 Format: B Package Type: PAPERBACK Dimensions: 198h x 128w mm Extent: 206 pages Bic1: General fiction (Children’s/Teenage) Bic2: <Table Missing> Author now living: Beecroft, Sydney A&U Children’s AD AUSTRALIA FEBRUARY 2021 Mythix 3-for-2 24 copy pack A&U Point of Sale Pack includes 8 copies each of Griffin, Minotaur and 8 free copies of Golden Unicorn plus POS for promotion in-store. Description Pack includes 8 copies each of Griffin, Minotaur and 8 free copies of Golden Unicorn plus POS for promotion in-store. About the Author Price: AU $255.84 NZ $287.84 ISBN: 9324551078082 Format: Pack Package Type: PACK Dimensions: 0h x 0w mm Extent: 0 pages Bic1: General fiction (Children’s/Teenage) Bic2: <Table Missing> Author now living: A & U Children AUSTRALIA FEBRUARY 2021 Mythix 3-for-2 12 Copy Pack A&U Point of Sale Pack includes 4 copies each of Griffin, Minotaur and 4 free copies of Golden Unicorn plus POS for promotion in-store. -
Dustbin Baby Free
FREE DUSTBIN BABY PDF Jacqueline Wilson,Nick Sharratt | 240 pages | 27 Mar 2007 | Random House Children's Publishers UK | 9780552556118 | English | London, United Kingdom Dustbin Baby () directed by Juliet May • Reviews, film + cast • Letterboxd Dustbin Baby helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Dustbin Baby by Jacqueline Wilson. Dustbin Baby by Jacqueline Wilson. April Showers so called because of her birth date, April 1, and her tendency to burst into tears at the drop of a hat was unceremoniously dumped in a Dustbin Baby bin when she was only a few hours old. Her young life has passed by in a blur of ever-changing foster homes but Dustbin Baby she enters her teens she decides it is time to find out the truth about her real family. Get A Copy. Paperbackpages. Published October 1st by Corgi Childrens first published September More Details Original Title. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Dustbin Babyplease sign up. Did April find her mother? Navika This answer contains spoilers… view spoiler [No, she found Frankie and got a phone. Donya Do not think so but I Dustbin Baby read it to know Dustbin Baby happend in the real end. See all 4 questions about Dustbin Baby…. -
The City and County of Cardiff, County Borough Councils of Bridgend, Caerphilly, Merthyr Tydfil, Rhondda Cynon Taf and the Vale of Glamorgan
THE CITY AND COUNTY OF CARDIFF, COUNTY BOROUGH COUNCILS OF BRIDGEND, CAERPHILLY, MERTHYR TYDFIL, RHONDDA CYNON TAF AND THE VALE OF GLAMORGAN AGENDA ITEM NO THE GLAMORGAN ARCHIVES JOINT COMMITTEE 16 September 2016 REPORT FOR THE PERIOD 1 June – 31 August 2016 REPORT OF: THE GLAMORGAN ARCHIVIST 1. PURPOSE OF REPORT This report describes the work of Glamorgan Archives (GA) for the period 1 June to 31 31 August. 2. BACKGROUND As part of the agreed reporting process the Glamorgan Archivist updates the Joint Committee quarterly on the work and achievements of the service. Members are asked to note the content of this report. 3. ISSUES A. MANAGEMENT OF RESOURCES 1. Staff Maintain establishment An extension has been agreed for Kate Boddy’s sabbatical leave. A full-time temporary Records Assistant has been recruited to cover her absence. Rebecca Head, previously employed through Cardiff Works in Cardiff Council’s Library Service, will be in post from 5 September. Laura Russell, Archivist, returned from maternity leave. Hannah Price, Archivist, returns in September on reduced hours. Funding has ended for Andrew Booth, former CLOCH trainee, who has been employed on a continuation project. He has returned as a volunteer undertaking indexing and digitisation tasks. 4 Continue skill sharing programme During the quarter 51 volunteers and work experience placements contributed 1647 hours to the work of the Office. Of these, 31 came from Cardiff, 11 from the Vale of Glamorgan, 6 from Bridgend, 2 from Rhondda Cynon Taf, and 1 from Caerphilly. Tours were provided for 4 prospective volunteers. A new placement has been arranged through Quest Supported Employment Agency. -
Age Really IS Just a Number!
Age really IS just a number! Age really IS just a number! Caerphilly is probably best known for its cheese, but a project set up to look at stereotypes of younger and older people has found that people from Caerphilly and across the United Kingdom are really cheesed off with how they are portrayed. Age is Just a Number! is a local campaign in Caerphilly that has attracted interest from across Wales and beyond. The campaign aims to promote better understanding, improve tolerance, and help bridge the generation gap between older and younger people. The campaign uses powerful, positive pictures submitted by Caerphilly residents. The overarching aim of Age is just a number! is to encourage orgnaisations and the Media to use more positive images, which in time it will begin to break down some of the negative stereotypes people have of younger and older people. THE CAMPAIGN The campaign started in 2010 with a photographic competition themed “We are not as bad as you think we are!” to help find a stock of positive images that would challenge current stereotypes of young and old alike. The competition was followed up with questionnaires that attracted over 650 responses from every part of Wales and across the United Kingdom. The results showed that people are very clear in their views on the impact of stereotypes and how they make them feel as individuals. When people were asked whether negative stereotypes influence our perceptions of age and a staggering 95% agreed. Negative stereotypes influence people's opinion of Age 100 80 95 60 40 5 20