OUR PLANET Global Appeal LOVE TV? SO DO WE!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
West Midlands Police and Crime Commissioner Register of Gifts And
West Midlands Police and Crime Commissioner Register of Gifts and Hospitality - Police and Crime Commissioner and Deputy Police and Crime Commissioner Note: This register contains details of declarations made by the PCC and DPCC and includes details of offers of gifts and hospitality not accepted Name Name of person or organisation Details of Gift or hospitality Estimate of value Date offer received Comments Funeral for Don Jones partner to Cllr Diana refreshments offered after Bob Jones Holl-Allen funeral £10.00 23/11/2012 declined passed to office staff for Bob Jones Harmeet Singh Bhakna Punjabi News Indian Sweets £5.00 23/11/2012 consumption Bob Jones Asian Business Forum Samosas and pakoras offered £7.00 28/11/2012 refreshments consumed Bob Jones Home office PCC welcome Buffet lunch provided £7.00 03/12/2012 refreshments consumed Bob Jones APPG on Polcing meeting Buffett and wine offered £10.00 03/12/2012 buffet consumed, wine declined Bob Jones Connect Public Affairs lunch buffet offered £12.00 04/12/2012 Buffet consumed Annual Karate Awards presentation Bob Jones evening food and drink offered £12.00 07/12/2012 food and drink declined invite to Brisitsh Police Symphony Orchestra BPSO accepted but ticket unavailable on Yvonne Mosquito Steria sponsors Proms night special £21.00 08/12/2012 the evening Gavin Chapman and John Torrie - Steria Invite to supper at Hotel du Vin Yvonne Mosquito sponsors flollowing BPSO Proms £30.00 08/12/2012 declined Christmas lunch and drink offered. Small comemorative food consumed, Alcohol declined, Bob -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
Parker Review
Ethnic Diversity Enriching Business Leadership An update report from The Parker Review Sir John Parker The Parker Review Committee 5 February 2020 Principal Sponsor Members of the Steering Committee Chair: Sir John Parker GBE, FREng Co-Chair: David Tyler Contents Members: Dr Doyin Atewologun Sanjay Bhandari Helen Mahy CBE Foreword by Sir John Parker 2 Sir Kenneth Olisa OBE Foreword by the Secretary of State 6 Trevor Phillips OBE Message from EY 8 Tom Shropshire Vision and Mission Statement 10 Yvonne Thompson CBE Professor Susan Vinnicombe CBE Current Profile of FTSE 350 Boards 14 Matthew Percival FRC/Cranfield Research on Ethnic Diversity Reporting 36 Arun Batra OBE Parker Review Recommendations 58 Bilal Raja Kirstie Wright Company Success Stories 62 Closing Word from Sir Jon Thompson 65 Observers Biographies 66 Sanu de Lima, Itiola Durojaiye, Katie Leinweber Appendix — The Directors’ Resource Toolkit 72 Department for Business, Energy & Industrial Strategy Thanks to our contributors during the year and to this report Oliver Cover Alex Diggins Neil Golborne Orla Pettigrew Sonam Patel Zaheer Ahmad MBE Rachel Sadka Simon Feeke Key advisors and contributors to this report: Simon Manterfield Dr Manjari Prashar Dr Fatima Tresh Latika Shah ® At the heart of our success lies the performance 2. Recognising the changes and growing talent of our many great companies, many of them listed pool of ethnically diverse candidates in our in the FTSE 100 and FTSE 250. There is no doubt home and overseas markets which will influence that one reason we have been able to punch recruitment patterns for years to come above our weight as a medium-sized country is the talent and inventiveness of our business leaders Whilst we have made great strides in bringing and our skilled people. -
Born and Bred 7 Clive Swift
Clive Swift Clive Swift is Reverend Brewer “Brewer lives life to the full,” explains Swift.“He knows all about the suffering and sadness in the world, and this makes him all the more determined to enjoy life. He likes a drink or two, follows the horses and dabbles in a bit of gambling, even winning a bob or two on occasion! He’s never married but he’s certainly had a few girlfriends, as he’s a bit of a ladies man. But the Bishop seems to know something about Brewer’s behaviour which is a cause for concern.” Reverend Brewer has seen a lot of life, so whenever anyone is in trouble or has a problem they go to him. “Brewer’s very sympathetic and wants life to be better for everyone. He would have been born towards the end of the 19th century and would have survived two world wars. He’s got lots of memories of the wars and is likely to have served in some capacity.” And he’s a popular resident in the village:“I think the character that Brewer is closest to is Mr Boynton, the shopkeeper.They are similar in age, although Boynton is self-educated whereas Brewer would have gone to university. But I think Brewer is sometimes a little bit hard on Wilf, the station- master, and in return Wilf doesn’t trust Brewer Clive Swift when they’re playing cards! Formerly married to writer Margaret Drabble, with whom he has three children – one of whom, “Brewer also has a great deal of respect for Arthur Joe, is a presenter on Gardener’s World. -
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (Eds.)
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) RIPE @ 2007 NORDICOM From Public Service Broadcasting to Public Service Media From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) NORDICOM From Public Service Broadcasting to Public Service Media RIPE@2007 Gregory Ferrell Lowe & Jo Bardoel (eds.) © Editorial matters and selections, the editors; articles, individual con- tributors; Nordicom ISBN 978-91-89471-53-5 Published by: Nordicom Göteborg University Box 713 SE 405 30 GÖTEBORG Sweden Cover by: Roger Palmqvist Cover photo by: Arja Lento Printed by: Livréna AB, Kungälv, Sweden, 2007 Environmental certification according to ISO 14001 Contents Preface 7 Jo Bardoel and Gregory Ferrell Lowe From Public Service Broadcasting to Public Service Media. The Core Challenge 9 PSM platforms: POLICY & strategY Karol Jakubowicz Public Service Broadcasting in the 21st Century. What Chance for a New Beginning? 29 Hallvard Moe Commercial Services, Enclosure and Legitimacy. Comparing Contexts and Strategies for PSM Funding and Development 51 Andra Leurdijk Public Service Media Dilemmas and Regulation in a Converging Media Landscape 71 Steven Barnett Can the Public Service Broadcaster Survive? Renewal and Compromise in the New BBC Charter 87 Richard van der Wurff Focus on Audiences. Public Service Media in the Market Place 105 Teemu Palokangas The Public Service Entertainment Mission. From Historic Periphery to Contemporary Core 119 PSM PROGRAMMES: strategY & tacticS Yngvar Kjus Ideals and Complications in Audience Participation for PSM. Open Up or Hold Back? 135 Brian McNair Current Affairs in British Public Service Broadcasting. Challenges and Opportunities 151 Irene Costera Meijer ‘Checking, Snacking and Bodysnatching’. -
Large-Print-Mag-Nov-19.Pdf
CHAPTER 11.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Talks at 4 16.11.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Art in the Bar Jon Pountney Waiting For The Light Until 14.02.20 ‘Waiting for the Light’ is a body of photographic works that capture a particular type of light; a harsh, acutely angled low sunlight that gives the scenes in Jon Pountney’s images a somewhat surreal and melancholy feel. -
DATABANK INSIDE the CITY SABAH MEDDINGS the WEEK in the MARKETS the ECONOMY Consumer Prices Index Current Rate Prev
10 The Sunday Times November 11, 2018 BUSINESS Andrew Lynch LETTERS “The fee reflects the cleaning out the Royal Mail Send your letters, including food sales at M&S and the big concessions will be made for Delia’s fingers burnt by online ads outplacement amount boardroom. Don’t count on it SIGNALS full name and address, supermarkets — self-service small businesses operating charged by a major company happening soon. AND NOISE . to: The Sunday Times, tills. These are hated by most retail-type operations, but no Delia Smith’s website has administration last month for executives at this level,” 1 London Bridge Street, shoppers. Prices are lower at such concessions would been left with a sour taste owing hundreds of says Royal Mail, defending London SE1 9GF. Or email Lidl and other discounters, appear to be available for after the collapse of Switch thousands of pounds to its the Spanish practice. BBC friends [email protected] but also you can be served at businesses occupying small Concepts, a digital ad agency clients. Delia, 77 — no You can find such advice Letters may be edited a checkout quickly and with a industrial workshop or that styled itself as a tiny stranger to a competitive for senior directors on offer reunited smile. The big supermarkets warehouse units. challenger to Google. game thanks to her joint for just £10,000 if you try. Eyebrows were raised Labour didn’t work in the have forgotten they need Trevalyn Estates owns, Delia Online, a hub for ownership of Norwich FC — Quite why the former recently when it emerged 1970s, and it won’t again customers. -
Crossing the Line Between News and the Business of News: Exploring Journalists' Use of Twitter Jukes, Stephen
www.ssoar.info Crossing the line between news and the business of news: exploring journalists' use of Twitter Jukes, Stephen Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Jukes, S. (2019). Crossing the line between news and the business of news: exploring journalists' use of Twitter. Media and Communication, 7(1), 248-258. https://doi.org/10.17645/mac.v7i1.1772 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Media and Communication (ISSN: 2183–2439) 2019, Volume 7, Issue 1, Pages 248–258 DOI: 10.17645/mac.v7i1.1772 Article Crossing the Line between News and the Business of News: Exploring Journalists’ Use of Twitter Stephen Jukes Faculty of Media and Communication, Bournemouth University, Poole, BH12 5BB, UK; E-Mail: [email protected] Submitted: 7 September 2018 | Accepted: 4 January 2018 | Published: 21 March 2019 Abstract Anglo-American journalism has typically drawn a firm dividing line between those who report the news and those who run the business of news. This boundary, often referred to in the West as a ‘Chinese Wall’, is designed to uphold the inde- pendence of journalists from commercial interests or the whims of news proprietors. But does this separation still exist in today’s age of social media and at a time when news revenues are under unprecedented pressure? This article focuses on Twitter, now a widely used tool in the newsroom, analysing the Twitter output of 10 UK political correspondents during the busy party conference season. -
Irish Responses to Fascist Italy, 1919–1932 by Mark Phelan
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Irish responses to Fascist Italy, 1919-1932 Author(s) Phelan, Mark Publication Date 2013-01-07 Item record http://hdl.handle.net/10379/3401 Downloaded 2021-09-27T09:47:44Z Some rights reserved. For more information, please see the item record link above. Irish responses to Fascist Italy, 1919–1932 by Mark Phelan A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Supervisor: Prof. Gearóid Ó Tuathaigh Department of History School of Humanities National University of Ireland, Galway December 2012 ABSTRACT This project assesses the impact of the first fascist power, its ethos and propaganda, on key constituencies of opinion in the Irish Free State. Accordingly, it explores the attitudes, views and concerns expressed by members of religious organisations; prominent journalists and academics; government officials/supporters and other members of the political class in Ireland, including republican and labour activists. By contextualising the Irish response to Fascist Italy within the wider patterns of cultural, political and ecclesiastical life in the Free State, the project provides original insights into the configuration of ideology and social forces in post-independence Ireland. Structurally, the thesis begins with a two-chapter account of conflicting confessional responses to Italian Fascism, followed by an analysis of diplomatic intercourse between Ireland and Italy. Next, the thesis examines some controversial policies pursued by Cumann na nGaedheal, and assesses their links to similar Fascist initiatives. The penultimate chapter focuses upon the remarkably ambiguous attitude to Mussolini’s Italy demonstrated by early Fianna Fáil, whilst the final section recounts the intensely hostile response of the Irish labour movement, both to the Italian regime, and indeed to Mussolini’s Irish apologists. -
BBC Worldwide and ITV SVOD Service Britbox to Launch in Canada Early 2018
BBC Worldwide and ITV SVOD Service BritBox to Launch in Canada Early 2018 Service Will Feature Canadian Premieres of Compelling New Dramas Including Idris Elba’s ‘Five by Five,’ Jeff Pope's ‘The Moorside,’ and Jimmy McGovern's 'Reg,' SVOD Drama & Comedy Premieres ‘Maigret,’ ‘Broken,’ ‘Rev,’ ‘Mum,’ and ‘Inside No. 9,’ as Well as Season Premieres of Drama Favorites ‘Cold Feet’ and ‘Silent Witness’ Special ‘Now’ Category of Service to Offer Current Affairs Series ‘The Papers’ and ‘PMQ,’ along with Panel Show ‘QI,’ and Top UK Soaps ‘Casualty,’ ‘Emmerdale,’ and ‘Holby City’ as Soon as 24 Hours After UK Broadcast New York/London – Tuesday, December 12, 2017 – BritBox, the subscription video-on- demand (SVOD) streaming service from BBC Worldwide, the commercial arm of the BBC, and ITV, the UK’s biggest commercial broadcaster, will launch in Canada in early 2018. The service initially launched in the U.S. in March of this year. This unique streaming service will celebrate the very best of British TV, and offer the most comprehensive collection of British content in the market today. For decades, BBC and ITV have produced iconic British television series, and now Canadians will be able to access these programs in a single, curated service allowing fans to find the classic shows they love and discover new hit series. The BritBox proposition will feature: • An array of drama premieres never-before-seen in Canada, including Five by Five, produced by and starring Golden Globe® winner and Oscar® nominee Idris Elba (Luther), and the critically acclaimed series The Moorside, starring Gemma Whelan (Game of Thrones) and Siobhan Finneran (Downton Abby), and Reg, Jimmy McGovern's International Emmy® nominated and RTS winning drama starring Tim Roth (Twin Peaks) and Anna Maxwell Martin (Philomena). -
Awards for Excellence in Journalism 2020
Awards for Excellence in Journalism National Council for the Training of Journalists AWARDS FOR EXCELLENCE IN JOURNALISM 2020 HOSTED BY Awards for Excellence in Journalism The NCTJ Awards for Excellence recognise and reward the best journalism students, apprentices and trainees. With quality training at the heart of the NCTJ, these awards highlight the achievements of individuals with promising journalism careers ahead of them. Congratulations to all of our winners, and to everyone who has been commended and highly commended for this year’s awards. INNOVATION OF THE YEAR In times of great change in the media industry, this award aims to encourage and recognise innovation in journalism education and training. Launched in 2017, the Innovation of the Year Award recognises the unique contribution NCTJ centres make to the education and training of journalists on accredited courses. It is open to centres that have improved upon – or extended beyond – current expectations of best practice in education and training. News Associates WINNER News Associates is our winner for the course team's efforts in adapting teaching styles and exercises for remote learning, which was described by the judges as ‘impressive, innovative and pioneering’. The whole team kept morale up for students by encouraging themed fancy dress in lessons, online shorthand study groups in the evening and Zoom yoga session run by a part-time student. Staff, alumni and students offered their top tips for working from home via social media and the online journalism workshops were very successful. University of Brighton HIGHLY COMMENDED Highly commended is the University of Brighton for its virtual exchange with the University of Florida. -
Charlotte George Writer, Director - Drama / Comedy /Film / Kids (Live Action) Agent: Jean Kitson - [email protected]
Charlotte George Writer, Director - Drama / Comedy /Film / Kids (live action) Agent: Jean Kitson - [email protected] Link to showreel, clips and website here Working in both the UK and Australia, Charlotte has worked continuously as a director and writer, making more than 100 short films, as well as directing broadcast TV and developing feature film and original TV projects. In 2011 she was the online director for Series 3 of EastEnders: E20 (BBC3) and made behind-the-scenes content for the flagship drama. That same year she wrote and directed a new online drama series aimed at teenage fathers, Me and My Dad, for award-winning website YoungDads.TV and later directed a soap opera written by young people, Dead Ends, for Nick Hornby’s literacy charity Ministry of Stories. Charlotte has directed the Electronic Press Kit for many high-profile drama series. This included slotting into crews and creating original behind-the-scenes material, as well as both formal and on-set cast interviews. Charlotte also took part in the Channel 4/Directors UK scheme for women directors on Hollyoaks and then went on to direct 4 episodes, before taking time out earlier this year to have a baby. As a writer, Charlotte has a feature film in development, Bird, with Underground Films in Dublin, supported by the Irish Film Board, as well as a TV comedy with Urban Myth/Guilty Party, Invisible, along with other original projects. Charlotte excels in exploring difficult subject matters but with wit and warmth. Her aim is to write and direct high quality, entertaining fictionalised projects, which have the potential to introduce new audiences to characters and situations they might not otherwise encounter.