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CAP Trial Media Impact List
Media Impact List Altimetric link: https://www.altmetric.com/details/34003282 Newspapers: The Sun 06/03/18: https://www.thesun.co.uk/news/5741130/screening-for-prostate-cancer-psa-test-flawed-misses- deadly-tumours/ The Telegraph 06/03/18: https://www.telegraph.co.uk/news/2018/03/06/prostate-screening-saves-no-lives-may-do-harm- good/ The Daily Mail 06/03/18: http://www.dailymail.co.uk/health/article-5468889/Thousands-men-needlessly-treated-prostate- cancer.html http://www.dailymail.co.uk/wires/pa/article-5471399/Routine-prostate-cancer-tests-blunt-tool- causing-men-harm-says-study.html The Times 07/03/18: https://www.thetimes.co.uk/article/routine-prostate-tests-do-more-harm-than-good-j625jvcf2 The I 07/03/18: https://inews.co.uk/opinion/columnists/bill-turnbull-prostate-cancer-testing/ The Times (Reader Comment) 08/03/18: JPEG here: G:\Studies\CAP\Media\JAMA Paper 2018\JPEGS The Guardian Comment Is Free 13/03/18: https://www.theguardian.com/commentisfree/2018/mar/13/prostate-cancer-happy-diagnosis- operation The Guardian 16/03/2018: https://www.theguardian.com/society/2018/mar/16/why-we-need-to-talk-about-prostate-cancer Radio: Radio 4’s PM with Eddie Mair (broadcast at 5-6pm) 06/03/18 & 07/03/18 6/3 - from about 48mins - 53.10 mins. Helen Stokes-Lampard talking about CAP and the importance of public conversations about health. https://www.bbc.co.uk/programmes/b09tc4kf 7/3 - from about 46mins- 58mins. following on from previous day includes some members of the public speaking, Prof Christopher Eden and Helen Stokes-Lampard (around 51mins). -
East Tower Inspiration Page 6
The newspaper for BBC pensioners – with highlights from Ariel online East Tower inspiration Page 6 AUGUST 2014 • Issue 4 TV news celebrates Remembering Great (BBC) 60 years Bing Scots Page 2 Page 7 Page 8 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC TV news celebrates its 60th birthday Sixty years ago, the first ever BBC TV news bulletin was aired – wedged in between a cricket match and a Royal visit to an agriculture show. Not much has changed, has it? people’s childhoods, of people’s lives,’ lead to 24-hour news channels. she adds. But back in 1983, when round the clock How much!?! But BBC TV news did not evolve in news was still a distant dream, there were a vacuum. bigger priorities than the 2-3am slot in the One of the original Humpty toys made ‘A large part of the story was intense nation’s daily news intake. for the BBC children’s TV programme competition and innovation between the On 17 January at 6.30am, Breakfast Time Play School has sold at auction in Oxford BBC and ITV, and then with Channel 4 over became the country’s first early-morning TV for £6,250. many years,’ says Taylor. news programme. Bonhams had valued the 53cm-high The competition was evident almost ‘It was another move towards the sense toy at £1,200. immediately. The BBC, wary of its new that news is happening all the time,’ says The auction house called Humpty rival’s cutting-edge format, exhibited its Hockaday. -
Anne Karpf/The Sound of Home? Some Thoughts on How the Radio Voice Anchors, Contains and Sometimes Pierces (Pre-Print Version; Published in The
1 Anne Karpf/The sound of home? Some thoughts on how the radio voice anchors, contains and sometimes pierces (pre-print version; published in The Radio Journal, vol.11, no.1, April 2013, pp.59-73) Abstract This article argues that while psychoanalytic theory has been valuably employed by television, film and cultural studies, there has been no comparable 'psychoanalytic turn' in radio studies. It suggests that the concept of 'containment', as developed variously by Wilfred Bion and Esther Bick, might go some way to explain the powerful role that the voice of the radio presenter can play in the regular listener's internal world, with the capacity both to 'hold' the listener together, and to transform overwhelming fears into more manageable feelings. It argues that the disembodied radio voice does this partly because it recalls the prenatal power of the maternal voice, and partly through the temporal order that regular radio voices impose on the internal and external world. Both Second World War British radio catchphrases and Roosevelt's Fireside Chats are discussed in relation to their containment function. The article also explores the radio as a transitional space, as defined by Donald Winnicott, through which it can constitute listeners into an 'imagined community'. It ends by reflecting on the impact of the angry voice of 2 the 'shock-jock' which, it suggests, amplifies rather than contains overwhelming feelings.1 Contributor's details Anne Karpf is Reader in Professional Writing and Cultural Inquiry at London Metropolitan University. A journalist, broadcaster and radio critic of The Guardian for seven years, her books include 'The Human Voice' (Bloomsbury, 2006; Ehrenwirth, 2007; Autrement, 2008; Soshisha, 2008). -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
BBC AR Front Part 2 Pp 8-19
Executive Committee Greg Dyke Director-General since Jana Bennett OBE Director of Mark Byford Director of World customer services and audience January 2000, having joined the BBC Television since April 2002. Service & Global News since research activities. Previously as D-G Designate in November Responsible for the BBC’s output October 2001. Responsible for all European Director for Unilever’s 1999. Previously Chairman and Chief on BBC One, BBC Two, BBC Three the BBC’s international news and Food and Beverages division. Former Executive of Pearson Television from and BBC Four and for overseeing information services across all media positions include UK Marketing 1995 to 1999. Former posts include content on the UKTV joint venture including BBC World Service radio, Director then European Marketing Editor in Chief of TV-am (1983); channels and the international BBC World television and the Director with Unilever’s UK Food Director of Programmes for TVS channels BBC America and BBC international-facing online news and Beverages division and (1984), and Director of Programmes Prime. Previously General Manager sites. Previously Director of Regional Chairman of the Tea Council. (1987), Managing Director (1990) and Executive Vice President at Broadcasting. Former positions and Group Chief Executive (1991) at Discovery Communications Inc. include Head of Centre, Leeds and Carolyn Fairbairn Director of London Weekend Television. He has in the US. Former positions include Home Editor Television News. Strategy & Distribution since April also been Chairman of Channel 5; Director of Production at BBC; Head 2001. Responsible for strategic Chairman of the ITA; a director of BBC Science; Editor of Horizon, Stephen Dando Director of planning and the distribution of BBC of ITN, Channel 4 and BSkyB, and and Senior Producer on Newsnight Human Resources & Internal services. -
MAGIC BOX Booklet 28/3/03 5:38 Pm Page 2
MAGIC BOX booklet 28/3/03 5:38 pm Page 2 Northern Ireland Northern Ireland Contacts BBC Information 08700 100 222* Text phone for people who are deaf or have a hearing impairment is: 08700 100 212 Celebrating 50 years of BBC Television in Northern Ireland *Calls charged at national rate and may be recorded BBC NI Accountability Department 028 90 338 210 BBC NI Archive at the Ulster Folk and Transport Museum 028 90 428 428 Email: [email protected] For information on how to obtain tickets for BBC recordings, please log on to bbc.co.uk/ni/tickets Credits With thanks to: Mark Adair, Nan Magee, Lisa Kelso, Keith Baker, Grainne Loughran, Lynda Atcheson, Peter Johnston, Margaret McKee,Tracey Leavy, Caroline Cooper, Joanne Wallace, Paul McKevitt,Veronica Hughes,Tony Dobbyn, Robin Reynolds, Rory O’Connell, Stephen Douds, Geraldine McCourt, Rachael Moore, Information and Archives BBC NI, Pacemaker and NewCreation.com MAGIC BOX booklet 28/3/03 5:38 pm Page 4 The Magic Box – Celebrating 50 years of BBC Television in Northern Ireland Television was one of the most socially important production effort in drama, news, sport, education and innovations of the 20th Century. Its arrival helped shrink entertainment. Today's knowledge economy and the world, and to enlarge our understanding of its information society, and our creative industries, owe much complexity.What began as a tiny and experimental affair to Northern Ireland’s television pioneers. quickly became a dominant means of communication.The The Magic Box is a touring exhibition to celebrate magic box of television was transformed from an 50 years of BBC television in, for and about Northern expensive luxury, with limited programming and even Ireland. -
Why Is Junk Food So Addictive?
The Z Cal Young MiddleINGER School Spring Term, 2019 Why is Junk Food so Addictive? By Laurel Bonham Have you ever gone to a chip bag just for concentrated salt added to food to enhance flavor. one chip and came back with way more than one? MSG produces a savory but salty taste when You’re not the only one. 53.12% of Americans eat added to food ,which excites your taste buds and 1-3 cans of Pringles in 30 days! That’s over half of stimulates the release of brain chemicals called the people in the U.S.! Most people know that junk neurotransmitters. The pleasant taste of MSG food is well junk. Even people who eat junk food and the release of neurotransmitters are thought aren’t fooled. They know it’s not healthy but what to be the basis for mild levels of addiction. MSG they don’t know is that it has released something makes food salty and it is cheap to make so that called dopamine in their brain. Dopamine is a they can put more of it and it will make people buy chemical that is released in the brain when you more of it because its addictive. MSG is extremely “reward” yourself. You can “reward” yourself by bad for you. Some side effects of MSG are doing pretty much anything. For example when severe headaches, sweating excessively, muscle you go on your phone that is a “reward” for your weakness, and numbness. brain. Eating junk food is just as bad as tobacco is Why do holidays encourage eating for the brain. -
Discourses on Public Library Cuts: an Analysis of Media Representations of Public Library Campaigns
WHAT DO WE STAND TO LOSE? DISCOURSES ON PUBLIC LIBRARY CUTS: AN ANALYSIS OF MEDIA REPRESENTATIONS OF PUBLIC LIBRARY CAMPAIGNS. A study submitted in partial fulfilment of the requirements for the degree of Master of Arts in Librarianship at THE UNIVERSITY OF SHEFFIELD by KATHRYN FLETCHER September 2011 ii Acknowledgements I would like to thank the following people for their involvement in this project: Barbara Sen, for her guidance and support. My family, for their encouragement. iii Abstract Background. The campaigns against library cuts formed the background to this dissertation. Library professionals have expressed concern over the helpfulness of some of the media coverage of the campaigns to the public library cause, and the researcher was interested in exploring whether this concern was legitimate. Aims. The aim of this dissertation was to analyse national newspaper coverage of public libraries generated by the campaigns. An initial objective was to determine the extent and scope of coverage of the campaigns over a sample period. The second (and primary) objective was to identify key discourses in the library debate, and to determine the key actors involved in constructing these discourses. A final objective was to consider the implications of the findings of the study for public library services of the future. Methods. Data was collected from a search of national newspapers on the Lexis Library News database. A sample of 68 articles was collected, 55 of which were deemed suitable for in-depth analysis. A mixed methods approach to analysis was taken, with the researcher employing reciprocal content analysis (quantitative) and situational analysis (qualitative). -
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Archived BBC public responses to complaints 2014 The One Show, BBC One, 14 January 2014 Complaint We have received complaints about Paul O'Grady's appearance on the One Show on 14 January. Some viewers felt that his views on benefit reform were not adequately challenged. BBC's Response The One Show is a topical magazine programme which occasionally reports on prominent news stories. Following media coverage of the debate around Channel Four's Benefits Street, The One Show asked members of the public for their views on the programme. A variety of opinions were heard from all sides of the debate. Following this, and in keeping with One Show tradition, the presenters discussed the issues raised with that day's studio guest, Paul O'Grady. Paul was clearly identified as a Labour supporter, and he was challenged on how he would reduce the benefits bill. Paul's views were forthright, and on reflection more could have been done to put them into context, but it is important to note that balance can be achieved across a number of programmes, and this is a subject that the One Show has covered before and hopes to revisit again in the future. EastEnders, BBC One, 14 January 2014 Complaint We received complaints from some viewers who were unhappy with a comment made by Shabnam during EastEnders on 14 January 2014. The BBC's response EastEnders has a rich history of tackling social issues. The show does not advocate racism or intolerance in any way; in fact it seeks to challenge these negative views. -
Inside Story of the Chaotic Struggle for Afghanistan Ben Anderson
NEWORLD O PUBLICATIONS Spring & Summer 2012 Oneworld Highlights Page 2 Page 6 Page 8 Page 10 Page 12 Page 16 Page 18 Page 24 Page 25 Page 30 Page 31 Page 36 Contents Contents Coming Soon 2 New in Paperback 24 Recently Released 30 Coping With 37 Beginner’s Guides 38 Select Backlist 40 Contacts 46 For more information visit www.oneworld-publications.com 2 Coming Soon This Flawless Place Between Bruno Portier A beautiful, modern-day reimagining of The Tibetan Book of the Dead, one of the world’s most influential and treasured spiritual texts Evoking inspirational classics like The Alchemist, This Flawless Place Between is a transcendent story about the end of life. It is a story of love, of the choices we make and the paths we walk, and how the great divide that we have built between the living and those that have passed is no divide at all. Fiction On an isolated stretch of road in the Tibetan About the Author: • UK: April 2012 mountains, a motorbike skids off the road. Bike and Bruno Portier is a writer, photographer, and • US: May 2012 riders spin over the edge, plunging into a ravine. A • Hardback documentary maker. He Tibetan peasant hurries to help, but while the young • B Format travelled around Asia • 208 pages husband tries in vain to save his wife’s life, the stranger for twelve years before • £10.99/$16.95 focuses on guiding her spirit along the new path it undertaking a PhD in social anthropology and writing • 9781851688500 must take. So begins a cathartic journey that carries this, his first novel. -
BBC Public Complaints Responses 2016.Pdf
Archived BBC public responses to complaints 2016 BBC News, Coverage of the death of David Bowie, 12 January 2016 Complaint We received complaints from viewers and listeners who felt there was too much coverage of David Bowie’s death during BBC News programmes and bulletins. Response from BBC News David Bowie was by common consent one of our greatest pop stars who attracted a global following. He appealed across the ages and was one of the most influential musicians of his time. His death was both sudden and unexpected, his illness not revealed to anyone but a tight circle of friends. Our coverage tried to reflect his stature as a musician whose capacity for invention changed the shape of the industry, and the shock at his death around the world. Question Time, BBC One, 14 January 2016 Complaint We received complaints from viewers who felt the panel had a right wing bias. Response from Question Time Over the course of a series Question Time aims to achieve balance and hear from a range of voices. Each programme usually consists of one senior politician from both the Labour and Conservative party, as well as representatives from other political parties. The rest of the panel is made of political commentators, journalists, and other public figures that add a different perspective and represent a range of viewpoints across the series. We also aim to ensure that each episode has a divergent and broad range of views from the panel on the likely topics that our audience wish to raise. David Dimbleby moderates the debate to ensure panellists are given the opportunity to make their views known in a fair way. -
Summer 2021 Module Catalogue
LONDON INTERNATIONAL SUMMER PROGRAMME MODULE CATALOGUE 2021 Introduction Welcome to the London International Summer Programme Module Catalogue 2021. The international summer programme offers students the option of studying modules from an introductory level to a more advanced level, in a given subject area. Students opting to study for the entire six-week session will take two modules in total, whilst students participating on only the three week session will take one module. Module Credits All credits obtained during the international summer school will be awarded via an official academic transcript from the University of Westminster with each module being worth 20 UK credits, which normally equates to 4 US or 10 ECTS credits. All modules must be taken on a credit-bearing basis and students will not have the option to audit any module on offer. Module Levels At the University of Westminster, modules are validated at a level corresponding to a particular year of study. The levels used are: • Level 4, which is equivalent to the 1st year of an undergraduate degree • Level 5, which is equivalent to the 2nd year of an undergraduate degree • Level 6, which is equivalent to the 3rd year of an undergraduate degree The levels used at the University of Westminster may be different to the overseas systems that you are used to. This should be taken into consideration when making module choices. Some overseas institutions (e.g. US and Japanese universities) consider the first year of their undergraduate degrees to be the equivalent to a foundation year of UK university undergraduate degree. Therefore, University of Westminster modules at Level 4 may be considered to be equivalent to modules taken in the second year of undergraduate degrees in the US and Japan.