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Final Website Delegate List 2017
Delegate List Updated 27th August 2017 First Name Surname Company Lucy Acfield Guinness World Records Sara Acworth Zeamu Music Patrick Adam The Eggleys Lindsey Adams Daily Madness Productions Rick Adams Rick Adams Productions Folake Adigun Nickelodeon Ivan Agenjo Peekaboo Animation Metsamarja Aittokoski Sun In the Eye Productions Lisa Akhurst DNA Creative Ltd waed al ghabra Sheffield Hallam University Madawi Alahmad University of Sheffield Margret Albers Association for the Promotion of German Milly Ali Timeline Television Shazia Ali Mint Research Ltd Foz Allan Bryncoed Productions Ltd Jo Allen CBBC Ollie Alsop Serious Lunch/Eye Present Vanessa Amberleigh CBeebies Val Ames Kindle Entertainment Xiaomei An The University of Sheffiled Steven Andrew Zodiak Kids Nicola Andrews Keshet International UK Ltd Chris Andrews CA Dev Valentina Andries University of Edinburgh Tom Angell Tom Angell Ltd Laura Annis Blue Zoo Productions Laverne Antrobus Tavistock and Portman NHS Trust Rhodri ap Dyfrig S4C Will Appiah Digital Shoguns Thomas Archibald BT Ben Armstrong BBC Finn Arnesen Hasbro Studios Helen Arntsen Blue Zoo Keith Arrowsmith The Children's Media Conference Nihal Arthanayake BBC Abhi Arya Sandbox Corrina Askin Corrina Askin Films Leigh Aspin BBC Sarah Aspinall Virgin Media Martin Athanasiou I'm Hungry Studios Isabella Atkin Volunteer Tessa Atkins Small Fry Animation Lucy Atkinson BBC Jonathan Attenborough Lost My Name Ros Attille BBC Ami Aubrey The Children's Media Conference Jake Aubrey-Bentley Freelance Lauren Auty Finger Industries Tristan -
Information Memorandum
INFORMATION MEMORANDUM Version 5 www.chfenterprises.co.uk CHF MEDIA FUND IMPORTANT NOTICE Key risks are explained on pages 30 to 35 of this Information Memorandum and should be carefully considered. This Information Memorandum is provided for the purpose of providing certain information about investment in the CHF Media Fund (the “Fund” or the “CHF Media Fund”). This document describes arrangements by which Investors who wish to make venture capital investments in Seed EIS and EIS qualifying companies which carry on the business of developing, producing and monetising family and children’s entertainment shows or concepts have appointed Sapia Partners LLP, a limited liability partnership registered in England and Wales with the registered number OC354934 and whose registered office is at 134 Buckingham Palace Road, London SW1W 9SA (the “Manager”) to act as their common discretionary investment fund manager and to manage the investments which are made on their behalf. The Manager is authorised by the FCA to act as an investment fund manager; its FCA registration number is 550103. In connection with its discretionary investment management services, the Manager will be advised by CHF Enterprises Limited, an English private limited company with the registered number 08321672 and with its registered address at 2 Hurle Road, Clifton, Bristol, BS8 2SY (“CHF Enterprises”). These arrangements constitute the CHF Media Fund. This document constitutes a financial promotion relating to the CHF Media Fund and is both issued and approved by the Manager -
See Last Year's As an Example
creativity is Contents Forewords 2-3 Fun Crew Ltd 14 Impossible Kids 15 Danny Lopez 2 Jollywise Media Ltd 16 Greg Childs and Sarah Baynes 3 Kanoti 17 Kerrupt Stop-Motion Animation 18 UK Delegate Companies 4-27 Kindle Entertainment Ltd 19 Little Lamb Media 20 Accorder Music Publishing 4 Lookman Ltd 21 Andrew Brenner 5 Mackinnon & Saunders 22 CHEEKY 6 Pesky 23 The Creative Garden 7 Plug-in Media Ltd 24 CSC Media Group 8 Smart Party 25 Davey Moore 9 The Children’s Media Conference 26 Digimania 10 The Show 4 Kids PLC 27 Dubit 11 Factory Transmedia Limited 12 Famous Flying Films 13 Contacts 28 From art to architecture; Film to Fashion, Wallace and Gromit british talent leads the world © Aardman Animations Limited 2011 www.ukti.gov.uk Networking opportunities sponsored by Impossible Kids Cover images: Top left: Famous Flying Films, Bottom left: Fun Crew Ltd, Bottom middle: Plug-in Media & Brown Bag Films, Bottom right: Little Lamb Media 2 UK@Kidscreen 2012 UK@Kidscreen 2012 3 Foreword Foreword By Danny Lopez By Greg Childs and Sarah Baynes We’re delighted to be leading the UK@Kidscreen delegation I am delighted to see so many of the UK’s outstanding companies to the KidScreen Summit on behalf of UK Trade & Investment. attending this year’s Kidscreen. Initiatives such as this are of great KidScreen provides an invaluable forum for companies in importance, as we can learn a great deal from each others’ skills this sector to promote their experience and expertise, take and expertise. advantage of networking opportunities and share ideas that will develop new business relationships. -
1 UK@Kidscreen 2014
1 UK@Kidscreen 2014 Organised by 3 UK@Kidscreen 2014 Contents Forewords 5-7 Fun Crew Ltd 28 Danny Lopez 5 Gateley LLP 29 Greg Childs and Sarah Baynes 6 Happy Films 30 HIT Entertainment 31 HoHo Entertainment 32 UK Delegate Companies 8-49 Kickback Media Ltd 33 1973 Films 8 Kindle Entertainment 34 Absolutely Cuckoo 9 Lion Television 35 Accorder Music Publishing 10 Magic Light Picture 36 Adobe Systems Europe Ltd. 11 MIDAS 37 Beakus 12 MCC Media 38 Beyond Distribution 13 Plug-in Media 39 Bigmouth Audio Ltd 14 Pluto Entertainments Ltd 40 Blue-Zoo Productions 15 Saffery Champness 41 Bob & Co 16 Saltbeef Productions 42 Box of Frogs Media 17 Serious Lunch Ltd 43 Bright Box Creative 18 SyncScreen.tv and The Little Big Partnership 44 CAKE 19 The Children’s Media Conference 45 CHF Entertainment Ltd 20 The Creative Garden 46 Coolabi Limited 21 Tinyworld 47 Cutlass Productions Ltd 22 Walker Productions 48 Darrall Macqueen 23 World of Wishes 49 Dog Ears Ltd 24 Dominic Macdonald 25 Dot to Dot Productions 26 Contacts 50 Factory Transmedia 27 Main image: Mike the Knight (© 2013 HIT (MTK) / Nelvana Limited) Top: Ella Bella Bingo (August Media Holdings / Kool Produktions) Middle: Room on the Broom Bottom left: Bookaboo Bottom middle: Puffin Rock Bottom right: Absolute Genius with Dick & Dom Truth0389_CMCKidscreen Ad 21/1/14 12:15 pm Page 1 cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 2,3 &4JULY 2014SHEFFIELD UK CONTENT INDUSTRIES The number of children born every minute Welcome to the world of children and children’s content at CMC 2014. -
Delegates Brochure 2020
©ALTTitle Animation Address DM Ltd ‘Monty & Co’ © 2019 Pipkins Productions Limited The Snail and the Whale ©Magic Light Pictures Ltd 2019 Bigmouth Elba Ltd Clangers: © 2019 Coolabi Productions Limited, Smallfilms Limited and Peter Firmin © Tiger Aspect Productions Limited 2019 UK@Kidscreen delegation organised by: 2020 Tuesday 7 July 2020, Sheffield UK The CMC International Exchange is the place to meet UK creatives, producers and service providers. • Broadcasters, co-producers, funders and investors from across the world are welcome to this focused market day. • Meetings take place in one venue on one day (7 July 2020). • Writers, IP developers, producers of TV and digital content, service providers, UK kids’ platforms and distributors are all available to take meetings. • Bespoke Meeting Mojo system is used to upload profiles in advance, present project information and request meetings. • Discover innovative, fresh content, build new partnerships and access the best services and expertise. • Attend the world’s largest conference on kids’ and youth content, 7-9 July 2020 in Sheffield www.thechildrensmediaconference.com • For attendance, please contact [email protected] UK@Kidscreen 2020 3 ContentsTitle Forewords 4-5 Kelebeck Media Nicolette Brent KidsCave Studios Sarah Baynes Kids Industries UK Delegate Companies 6-52 Kids Insights 3Megos KidsKnowBest Acamar Films King Banana TV ALT Animation Lightning Sprite Media Anderson Entertainment LoveLove Films Beyond Kids Bigmouth Audio Lupus Films Cloth Cat Animation Magic Light -
They Have Been Watching
30 August 2002 They have been Watching Broadcasters Provision of Children’s and Young People’s TV from 1952 to 2002 Jamie Cowling and Kirsty Lee Summary From Bill and Ben to the Tweenies the broadcasting landscape has changed beyond recognition. In 1952 television was limited to the BBC monopoly providing programmes that the public ought to watch. In 2002 digital broadcasting, in theory, provides an a la carte menu of channels to suit every taste. Children and young people watch around eighteen hours of television per week1. In some multi- channel homes children and young people can choose from over seven dedicated channels. Over 40 per cent of children’s and young people’s viewing in multi- channel homes is of the non-terrestrial broadcasters. As we move towards digital switchover what has been the impact of increasing choice of channel been on the provision of the different genres of children’s and young people’s programming? Has there been a reduction in the diversity of genres available to children and young people over the years, replaced by an endless diet of animation? How have the public service broadcasters responded to competition from the non-terrestrial channels? Has the increase in total hours available to children and young people led to more imported programmes and repeats? Our research examines the provision of children’s and young people’s programming from Bill and Ben to the Tweenies. Our analysis enables us to examine the choice of programmes available to children and young people across channels and the diversity of genres provided. -
Bbc Response to “The Future of Children's Television
BBC RESPONSE TO “THE FUTURE OF CHILDREN’S TELEVISION PROGRAMMING” 1. Introduction and summary 1.1. The BBC welcomes Ofcom’s discussion paper of the 3rd October 2007 and the opportunity to engage in debate around the importance of provision of UK-originated television programming for children. 1.2. Children’s programming is among the most important content the BBC produces. At its best, children’s television is a model for public service broadcasting – it has been informing, educating and entertaining millions of British children for 60 years. 1.3. The BBC plays a unique and central role in the provision of Children’s TV programming in the UK. The BBC’s level of investment is far higher than any other provider in the UK broadcasting market, its reach and quality perception is higher than any other broadcaster, and the contribution that the BBC makes to the UK’s creative industries in this area is well recognised. It is a training ground for producers; a standard setter in terms of programme quality; a model for other providers in terms of diversity and on-screen portrayal; and a trailblazer on the web and multi-platform. 1.4. Through a unique range of UK-produced output, BBC Children’s contributes to all the BBC’s public purposes, providing dedicated programmes which engage and inspire children and encourage them to participate and interact with broadcast content. The output provides positive role models of children for children, and through programmes like Newsround, opens children’s eyes and minds to the world around them. Television can help children to understand themselves and their role in the world, and through moments of silliness and humour help children to relax and laugh out loud. -
European Market Report BLE Exhibitors List Brands & Lifestyle Theatre and Licensing Academy Schedules This Year, BLE Is Pull
SEPTEMBER 2018 VOLUME 21 This year, BLE is pulling out all the stops for its silver anniversary with an exciting theme, new exhibitors and lots of engaging seminars. Plus: European Market Report BLE Exhibitors List Brands & Lifestyle Theatre and Licensing Academy Schedules 2901 28th Street, Suite 100 Santa Monica, CA 90405 www.licenseglobal.com editorialdepartment content director managing editor Amanda Cioletti 310.857.7688 Patricia DeLuca 212.600.3402 [email protected] [email protected] content editor digital editor Bibi Wardak 310.857.7499 Amber Alston 212.600.3178 [email protected] [email protected] artdepartment graphic designer senior production manager Ramprabhu 714.845.0252 ext. 6055011 Karen Lenzen 218.740.6371 [email protected] [email protected] advertisingdepartment vice president, sales account manager Howard Gelb 310.857.7687 Rebecca Dennis 310.445.3716 [email protected] [email protected] account manager Licensing and Reuse of Content: for Supporting Us Christie Ramsey 310.857.7632 Contact our offi cial partner, Wright’s Media, [email protected] about available usages, license fees, and award seal artwork at [email protected] as the Licensing Industry’s for more information. Please note that Wright’s Media is the only authorized company that we’ve Thought Leader! partnered with for Advanstar UBM materials. ubmlicensing senior vice president, licensing brand director Jessica Blue 310.857.7558 Steven Ekstract 212.600.3254 [email protected] [email protected] licensingexpo marketing -
UK Animation Industry Digs Deep in Tough Climate P36 a Look At
A look at opportunities in new UK animation industry digs Smarty Pants study reveals kids licensing hot spot Ukraine p11 deep in tough climate p36 trends to watch in 2012 p28 engaging the global children’s entertainment industry A publication of Brunico Communications Ltd. JANUARY 2012 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN USPS AFSM 100 Approved Inside January 2012 moves 7 Check out our complete list of Kidscreen Awards nominees! Hot Talent—Ben Bocquelet shares his inspiration for CN hit Gumball tv 15 A new US study proves TV rules while an app gap looms JustLaunched—Redakai courts next- gen fan boys through global rollout consumer products 24 A look inside the next Eastern European licensing hot spot—Ukraine Licensee Lowdown—Locutio pioneers in-car category with Sesame Workshop kid insight 28 Smarty Pants’ 2011 Young Love study reveals brands kids will flock to in 2012 Kaleidoscope—Nickelodeon takes a closer look at the lives of Millennials interactive 34 Is that an app or an eBook? Lines between digital products blur TechWatch—TRU’s Nabi Pad makes 23 entrée into kid-friendly tablet market Montreal, Canada-based Sardine Productions takes Chop Chop Ninja from gaming world to TV Rule Britannia? 36 Special Report The UK animation industry struggles to find its footing in a competitive global market Nick and Nielsen Teletoon refresh PBS Kids steps Cool or Not? Web subscription ready to rumble brings bounce up hunt for Moshi vs. service gets 73over ratings 18 to branding 26 promo partners 2Webkinz 35crafty for kids Cover Our international, event and domestic copies feature an ad for CGI-animated series The Garfield Show from Paris-based Mediatoon. -
BLE Turns 20, Opens Doors
THE OFFICIAL PUBLICATION OF BRAND LICENSING EUROPE October 9, 2018 Day 1 News BLE Turns 20, Opens Doors Emoji: Coming to a For the next few days, the licensing industry Returning to BLE this year is the product Newsagent Near You will be together at London’s Olympia for showcase. First introduced in 2016, the Emoji The Iconic Brand has partnered up with Brand Licensing Europe, now celebrating its walk-through feature highlights the creativity Immediate Media for use of emoji icons in two iconic 20th year. and diversity of the exhibitors within the U.K. magazines–Girl Talk and BBC Top of the Pops. The theme of BLE 2018 is food and Brands and Lifestyle and Art, Design and Bravado brokered the deal. beverage, which will be represented via a Image Zones. Each product included is range of sessions and either launching soon or activations. Check out already in stores. the BLE Kitchen, a Also returning to BLE brand-new activation that is the License This! will help celebrate BLE’s competition–with a 20th anniversary in a big twist. The event will way. feature two categories This year, for the first and declare two time, all of BLE will take winners, one in brand place on the ground floor and design and one in of Olympia, making it easier than ever to get character and animation. All finalists will Today’s Events the most out of your visit. The Character and present in front of a live audience and Q 10:30 a.m. – Q&A with author and Entertainment Zone can be found in the Grand judging panel before the winners are presenter Nadiya Hussain at Brands & Lifestyle Theatre and lower West Hall, while the Brands and announced. -
Annual Report and Accounts
Annual Report and Accounts 2004/2005 Purpose, vision and values Purpose Our purpose is to enrich people’s lives with programmes and services that inform, educate and entertain Vision Our vision is to be the most creative organisation in the world Values I Trust is the foundation of the BBC: we are independent, impartial and honest I Audiences are at the heart of everything we do I We take pride in delivering quality and value for money I Creativity is the lifeblood of our organisation I We respect each other and celebrate our diversity so that everyone can give their best I We are one BBC: great things happen when we work together Contents 02 54 Chairman’s statement Building public value 04 58 Director-General’s Being accountable report and responsible 06 How the BBC is run 66 Governors’ review of 08 commercial activities Board of Governors 10 68 Executive Board Performance against Statements of 12 Programme Policy Governors’ review commitments of objectives 2004/2005 20 The BBC at a glance 78 Compliance Governors’ review of services 94 22 Financial review Television 96 30 Financial statements Radio 136 38 Broadcasting facts New Media and figures 42 14 7 News Getting in touch 46 with the BBC BBC World Service 14 8 & Global News Other information 50 Nations & Regions BBC Annual Report and Accounts 2004/2005 1 Chairman’s statement As we approach the end of the current clear about the principles underlying any BBC Royal Charter at the end of 2006, new governance arrangements: the plans to replace it are becoming independence; rigorous stewardship of clearer.The Government’s Green Paper public money; accountability to licence fee set out the new framework and paved payers; clarity of roles; and practicality.The the way for a White Paper later this year. -
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Archived BBC public responses to complaints 2013 Sunday Half Hour, BBC Radio 2, moving to a morning slot 20 Jan 2013 Complaint We received complaints from people who are unhappy that Sunday Half Hour is being moved to a morning slot. Response from BBC Radio 2 We understand how well loved ‘Sunday Half Hour' is for many regular BBC Radio 2 listeners. For that reason the decision to move the programme from its place at 8.30pm in the Sunday evening schedule has not been taken lightly. Over the past decade the number of people listening to the programme and on Sunday nights generally has declined significantly, and so we feel it is time to refresh our Sunday evening music offer and that this is also a good time to move ‘Sunday Half Hour' alongside our other weekly faith programme ‘Good Morning Sunday'. The move will enable us to expand the airtime to an hour and broadcast it at a time when there are both more people listening and an expectation to hear faith-related output. In addition, all of our programmes are available on BBC iPlayer so if you are able to access the internet or can receive BBC iPlayer through your television, you can enjoy the show at any time of the day. Ripper Street, BBC One 13 Jan 2013 Complaint We've received complaints from some viewers who feel the content of Ripper Street is too violent and unsuitable for its timeslot. The BBC's response BBC One showcases a broad range of drama and tackles a wide variety of subjects, from Last Tango in Halifax to Call the Midwife and The Syndicate.