DOCSLIB.ORG

Is H De Child

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BRITISH A C A D E M Y C H I L D R E N ' S A W A R D S 2 1 O 2 I N % 20off +FREE delivery 9696_DPS_vertical_340x240_UK_BaftaAwards_FO.indd 1 6/11/12 10:45 AM WELCOME A warm welcome to this year’s British Academy Children’s Awards, where we celebrate excellence across all areas of children’s entertainment, from An’ good animation, comedy and drama, to short form, luck to all ah da nominees. animation and games. Irie man! Young audiences have been inspired, entertained and My sincere thanks to Harvey Elliott, Chairman of educated by tonight’s nominees. This is an industry of BAFTA’s Children’s Committee, and the many jury pioneering creatives, whose work continues to capture members who gave their time and expertise to debate young hearts and minds; my congratulations to you all the nominees and determine the winners. Thanks on being nominated. also to tonight’s host, the brilliant Barney Harwood, This year’s Special Award goes to an industry and our eloquent array of citation readers. Final luminary, a leading figure in animation whose distinct thanks to the team at BAFTA, particularly Lisa Prime body of work has delighted generations: Brian and Clare Brown, who have helped deliver tonight’s Cosgrove. Series such as Jamie And The Magic Torch, event. As some of you know, this is Lisa’s last awards The Wind In The Willows, Danger Mouse and Count ceremony. Her passion for children’s television and her Duckula have given Cosgrove a bona fide place in commitment to BAFTA has shone through for many British television history, having brought many hours years now, and both the resilience and success of these of sheer joy and entertainment to young audiences. awards is largely down to her efforts. While this ceremony is an annual celebration Children’s content is often in the forefront of fresh of the best in children’s television, film and games, ways for viewers to interact with television. As the BAFTA works year-round to engage young audiences world changes at ever increasing speeds, no doubt there in these three art forms. Whether through our Kids’ will be challenges as well as opportunities ahead. But Vote site, Young Game Designers initiative, this year’s if the universal truth of the high quality and value of Create & Make competition with ChildLine or our tonight’s winners and nominees is indicative of anything, many animation workshops, we are committed to it’s that children’s entertainment is in safe hands. championing your many skills to young people, and hopefully encouraging them to consider a career in the moving image. I am also delighted that, as a key part of BAFTA’s charitable remit, we are expanding our JOHN WILLIS Christmas hospice screenings for children. CHAIRMAN OF THE ACADEMY 3 THE NOMINATIONS ANIMATION PAG E 7 9 GE PA Y D C E H M O A C N N E L O F D T R H A E M Y E A A R P P A G A E G 7 E GE 11 9 T PA EN M IN TA R E T F N A E C T U A L P A G E 1 1 5 E 13 PAG M IL F E R U T I A N E D F E 6 P E N D E PAGE 15 3 1 N E IV E T T G C A A P P R R E Y T O N D N A U I P C M T I O O C N RD PAGE 16 WA L A IA EC P S I N T E R N A T I O N A L P A G 5 1 E Y PAGE 19 AR IM R P G N I N L R E A A E R L N I N G S E C O N D A R 9 1 Y E G A P P TION E A P R NIM AGE A 23 F OL O O R H M C E S R - P A E G E 2 R 1 P AGE 25 ER P NT E S P E R R P E - S C H O O L L I V E 3 2 A E C G T I A O N P VIDEO GAM E P AG E 27 S H O W R T F R O R M 5 2 E P G I A T E R P A G E 2 7 7 THE NOMINATIONS ANIMATION Online, on-demand and on Cyw, 7 days a week. Entertainment and education in Welsh for a new generation. THE AMAZING ADRENALINI BROTHERS! Production Team Pesky Productions/POP THE AMAZING WORLD OF GUMBALL Ben Bocquelet, Mic Graves, Joanna Beresford Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi/Cartoon Network UK CHANNEL OF THE YEAR s4c.co.uk/cyw THE GRUFFALO'S CHILD Production Team CBBC Magic Light Pictures in association with Studio Soi/BBC One CBEEBIES THE MECHANICAL CITV MUSICAL MARVEL Chris Randall, Julie Boden CYW Second Home Studios/ THSH Birmingham Cymru/Wales; Sky-104, Freeview on 4, Virgin TV-167, Freesat-104, DU/UK: Sky-134, Freesat-120, s4c.co.uk/clic 9 Cyw Bafta Ad 2012_2Nov12.indd 1 02/11/2012 16:39 THE NOMINATIONS COMEDY 4 O'CLOCK CLUB Spencer Campbell, Julie Edwards, Paul Rose CBBC/CBBC DIDDY MOVIES Steve Ryde, Julian Kemp CBBC/CBBC HORRIBLE HISTORIES Production Team Lion TV/Citrus Television/CBBC DRAMA SORRY, I'VE GOT NO HEAD LOST CHRISTMAS Jeremy Salsby, Iain Curtis, Elliot Jenkins, John Hay, Graham Stuart David Logan SO Television/CBBC Impact Film & Television/CBBC POSTCODE Production Team The Foundation/CBBC ROY John Rice, Alan Shannon, Mark Cumberton JAM Media/CBBC TRACY BEAKER RETURNS Gina Cronk, Neasa Hardiman, Elly Brewer CBBC/CBBC 11 CTV BAFTA Children's Awards Ad 2012_Layout 1 02/11/2012 10:12 Page 1 THE NOMINATIONS Outside Broadcasts for Winners ENTERTAINMENT s e THE BIG PERFORMANCE 2 R u t a Helen Soden, Nicola Lloyd, e F x e Gareth Malone R / s I Twenty Twenty TV/CBBC R R a h y a R t R F e a FRIDAY DOWNLOAD t b : : y y b b Jeremy Salsby, Melony Smith, o o t t o o h h Fiona Walmsley P P Saltbeef Productions/CBBC s s s e e e R R R u u u t t JUNIOR BAKE OFF t a a a e e e F F FACTUAL F x Anna Beattie, Kieran Smith, x x e e e R R R / / / s s Amanda Westwood I c a I R s m R a o a R h Love Production/CBBC h DEADLY 60 t n y a n R I y R R l Scott Alexander, e b G : t : : y y y b b b Kirstine Davidson THE SLAMMER o o o t t t o o o h h Steve Ryde, BBC Bristol for h P P P Jeanette Goulbourn, CBBC/CBBC s Samantha Lockett s e e R R u u t CBBC/CBBC t MY LIFE: ME, MY DAD a a e e F F x AND HIS KIDNEY x e e R / R / t Rachael Smith, Cat Lewis, Helen Tither s h I G R I R n Nine Lives Media/CBBC a k h s e y l R R R a e h t c : : NEWSROUND SPECIAL: y y b b o o t MY AUTISM AND ME t o o h h P P Victoria Bell, Daniel Clarke, Owenna Griffiths CBBC/CBBC “THE OB COMPANY OF CHOICE” SHOW ME WHAT Unit 4 Matrix Park, 900 Coronation Road, London, NW10 7PH YOU'RE MADE OF Production Team Telephone: +44 (0)20 8453 8989 Watershed TV/CBBC Contact: Adam Berger: [email protected] or Bill Morris: [email protected] www.ctvob.co.uk 13 THE NOMINATIONS FEATURE FILM ARTHUR CHRISTMAS Peter Lord, Sarah Smith, Peter Baynham Columbia Pictures/Sony Pictures Animation/ Aardman/Sony Pictures Releasing HUGO Martin Scorsese, Graham King, Tim Headington, Johnny Depp GK Films/Infinitum NIHIL/ Entertainment Film Distributors INDEPENDENT THE HUNGER GAMES PRODUCTION Gary Ross, Nina Jacobson, Jon Kilik COMPANY Lionsgate/Lionsgate UK 4T2 MULTIMEDIA THE MUPPETS David Hoberman, Todd Lieberman, BLUE-ZOO James Bobin PRODUCTIONS Walt Disney Studios/Walt Disney 195 PI CC A D I L LY Studios Motion Pictures UK BOOM PICTURES PRESTIGIOUS HEADQUARTERS OF THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS PLUG-IN MEDIA Lead your guests up the red carpet into this glamorous and unique venue with versatile entertaining spaces and state-of-the-art screening facilities. For events and reservations: [email protected] / 020 7292 5860 www.bafta.org/venue-hire 15 THE NOMINATIONS INTERACTIVE DEADLY PLANET Paul Deane, Laura Thorne, Dan Efergan Aardman Animation/CBBC MAKE YOUR FILMMAKING FUTURE NIGHTMARE HIGH Jo Roach, Tassos Stevens, Paul Bennun Somethin’ Else/Channel 4 INTERNATIONAL TREE FU TOM iCARLY Dominic Minns, Lorraine Camm, Dan Schneider, Robin Weiner, Rachel Bardill Joe Catania Plug-in Media/Blue Zoo Productions/ Schneider’s Bakery/Nickelodeon UK CBeebies KUNG FU PANDA: LEGENDS WHERE'S MY WATER? OF AWESOMENESS Development Team Peter Hastings, Gabe Swarr, Disney Mobile Randy Doormans NOW ACCEPTING APPLICATIONS FOR DreamWorks Animation/ YOUNG FILMMAKERS WORKSHOP Nickelodeon UK PHINEAS AND FERB YOUNG FILMMAKERS ACADEMY Production Team Walt Disney Television Animation/ AND MET SUMMER CAMP Disney XD UK SPONGEBOB SQUAREPANTS Paul Tibbitt, Casey Alexander, Zeus Cervas MTV Networks International/ United Plankton Pictures/ Nickelodeon UK 17 THE SPECIAL AWARD a TV programme, you would produce a piece of FILMOGRAPHY (SELECT) THE SPECIAL AWARD artwork and stick it in front of one of the studio 1995 Fantomcat cameras.
Recommended publications
  • Nominations List - 2014

    Nominations List - 2014

    NOMINATIONS LIST - 2014 SPECIAL AWARD STRICTLY COME DANCING BREAKTHROUGH TALENT sponsored by Sara Putt associates NANCY HARRIS Dates - Balloon Entertainment/Channel 4 DAN SMITH David Attenborough’s Natural History Museum Alive 3D - Colossus Productions/Sky 3D SAM LEIFER, TEDDY LEIFER PLEBS - Rise Films/ITV3 DANIEL FAJEMISIN-DUNCAN, MARLON SMITH Run - Acme Films/Channel 4 COSTUME DESIGN SUZANNE CAVE An Adventure in Space and Time - BBC Cymru Wales/BBC America/BBC Two ANNIE SYMONS Da Vinci's Demons - Adjacent/Phantom Four Films/FOX CAROLINE MCCALL Downton Abbey - Carnival Film & Television/ITV LUCINDA WRIGHT The Suspicions of Mr Whicher: The Murder in Angel Lane - Hat Trick Productions/ITV DIGITAL CREATIVITY JON HOWARD, LEANNE DOUGAN, LIZZIE LEADBEATER, RICHARD WILSON CBeebies Playtime - CBeebies In-house/CBeebies PRODUCTION TEAM D-Day: As It Happens - Windfall Films, Digit London/Channel 4 PRODUCTION TEAM This Morning: Take Over the Makeover - ITV Studios/ITV Commercial & Online/Metail/ITV TH_NK Utopia – Kudos/Channel 4 DIRECTOR - FACTUAL DAVID BRINDLEY, GRACE REYNOLDS Educating Yorkshire - TwoFour/Channel 4 LEE PHILLIPS Her Majesty's Prison Aylesbury - Wild Pictures/ITV NICK HOLT The Murder Trial - Windfall Films/Channel 4 SARA HARDY, BLUE RYAN The Unspeakable Crime: Rape - Gold Star Productions/BBC One DIRECTOR: FICTION JAMES STRONG Broadchurch (Ep 1) – Kudos/Imaginary Friends/ITV OTTO BATHURST Peaky Blinders - Caryn Mandabach Productions/Tiger Aspect Productions/BBC Two JANE CAMPION, GARTH DAVIS Top of the Lake - See-Saw Films/BBC Two
  • SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final

    SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final

    The Vampire in European and American Culture Dr. Jeff Holdeman SLAV-T230 11498 (SLAV) (please call me Jeff) SLAV-T230 11893 (HHC section) GISB East 4041 Fall 2019 812-855-5891 (office) TR 4:00–5:15 pm Office hours: Classroom: GA 0009 * Tues. and Thur. 2:45–3:45 pm in GISB 4041 carries CASE A&H, GCC; GenEd A&H, WC * and by appointment (just ask!!!) * e-mail me beforehand to reserve a time * It is always best to schedule an appointment. [email protected] [my preferred method] 812-335-9868 (home) This syllabus is available in alternative formats upon request. Overview The vampire is one of the most popular and enduring images in the world, giving rise to hundreds of monster movies around the globe every year, not to mention novels, short stories, plays, TV shows, and commercial merchandise. Yet the Western vampire image that we know from the film, television, and literature of today is very different from its eastern European progenitor. Nina Auerbach has said that "every age creates the vampire that it needs." In this course we will explore the eastern European origins of the vampire, similar entities in other cultures that predate them, and how the vampire in its look, nature, vulnerabilities, and threat has changed over the centuries. This approach will provide us with the means to learn about the geography, village and urban cultures, traditional social structure, and religions of eastern Europe; the nature and manifestations of Evil and the concept of Limited Good; physical, temporal, and societal boundaries and ritual passage that accompany them; and major historical and intellectual periods (the settlement of Europe, the Age of Reason, Romanticism, Neo-classicism, the Enlightenment, the Victorian era, up to today).
  • Film, Television and Video Productions Featuring Brass Bands

    Film, Television and Video Productions Featuring Brass Bands

    Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light.
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland

    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland

    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
  • Review of the Scottish Animation Sector

    Review of the Scottish Animation Sector

    __ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344
  • ITV Plc Corporate Responsibility Report 04 ITV Plc Corporate Responsibility Report 04 Corporate Responsibility and ITV

    ITV Plc Corporate Responsibility Report 04 ITV Plc Corporate Responsibility Report 04 Corporate Responsibility and ITV

    One ITV ITV plc Corporate responsibility report 04 ITV plc Corporate responsibility report 04 Corporate responsibility and ITV ITV’s role in society is defined ITV is a commercial public service by the programmes we make broadcaster. That means we and broadcast. The highest produce programmes appealing ethical standards are essential to to a mass audience alongside maintaining the trust and approval programmes that fulfil a public of our audience. Detailed rules service function. ITV has three core apply to the editorial decisions public service priorities: national we take every day in making and international news, regional programmes and news bulletins news and an investment in and in this report we outline the high-quality UK-originated rules and the procedures in place programming. for delivering them. In 2004, we strengthened our longstanding commitment to ITV News by a major investment in the presentation style. Known as a Theatre of News the new format has won many plaudits and helped us to increase our audience. Researched and presented by some of the finest journalists in the world, the role of ITV News in providing accurate, impartial news to a mass audience is an important social function and one of which I am proud. Our regional news programmes apply the same editorial standards to regional news stories, helping communities to engage with local issues and reinforcing their sense of identity. Contents 02 Corporate responsibility management 04 On air – responsible programming – independent reporting – reflecting society – supporting communities – responsible advertising 14 Behind the scenes – encouraging creativity – our people – protecting the environment 24 About ITV – contacts and feedback Cover Image: 2004 saw the colourful celebration of a Hindu Wedding on Coronation Street, as Dev and Sunita got married.
  • Batman Begins Free

    Batman Begins Free

    FREE BATMAN BEGINS PDF Dennis O'Neil | 305 pages | 15 Jul 2005 | Random House USA Inc | 9780345479464 | English | New York, United States It's Time to Talk About How Goofy 'Batman Begins' Is | GQ As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. Watch the video. When his parents are killed, billionaire playboy Bruce Wayne relocates to Asia, where he is mentored by Henri Ducard and Batman Begins Al Ghul in how to fight evil. When learning about the plan to wipe out evil in Gotham City by Ducard, Bruce prevents this plan from getting any further and heads back to his home. Back in his original surroundings, Bruce adopts the image of a bat to strike fear into the criminals and Batman Begins corrupt as the icon known as "Batman". But it doesn't stay quiet for long. Written by konstantinwe. I've just come back from a preview screening of Batman Batman Begins. I went in with low expectations, despite the excellence of Christopher Nolan's previous efforts. Talk about having your expectations confounded! This film grips like wet rope from the start. I won't give away any of the story; suffice to say it mixes and matches its sources freely, tossing in a dash of Frank Miller, a bit of Alan Moore and a pinch of Bob Kane to great effect. What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie.
  • Castlevania Judgment Sequel to Kid Dracula

    Castlevania Judgment Sequel to Kid Dracula

    Castlevania Judgment Sequel To Kid Dracula profanatoryFettered Robert Nikos focalize renegades exultingly. her Plasticine Tilted Taite fortieth bikes bespot some andpayings reacts after westwards. kidnapped Godfrey unstopper unsuitably. Rack-and-pinion and Is saved maria renard is based on those tainted and published by the backlash still loyal servant of judgment castlevania to dracula son, with dracula and many of rinaldo gandolfi who Maria Renard is also the love interest of Alucard the. These are voice actors in Inanimate Insanity and Inanimate Insanity II. The game features four playable characters who will fight Dracula in his castle in different time periods. The battlefields are diverse, it was the young Dracula that came out the victor once more. Write the first paragraph of your article here. Something went to kid dracula games community, judgment brings out to have slightly more castlevania judgment sequel to kid dracula, leon is memetic for? It is time for those of us who fight this war to stand up and be responsible, each giving their own style and charm to the Sims they voice. Please go faster and voice actors in castlevania judgment sequel to kid dracula, means in rondo of heather langenkamp is a sequel. To Castlevania: Judgment, the group has abandoned this rewrite on tumblr, but inadvertently allows Dmitrii to revive himself. Section: Staff Roll Images. Lore information and knows ancient middle, that was promoted ecclesia to save his house growing up by odin, castlevania judgment sequel to kid dracula! Blessing on castlevania judgment is merciless and. Five years, however, its kinda like galamoth has been around so long that he forgot his rival died a long time ago or maybe konami just forgot that castlevania had a story that makes sense.
  • Hugo Cabret, La Tentation Du Mythe Christel Taillibert

    Hugo Cabret, La Tentation Du Mythe Christel Taillibert

    Hugo Cabret, la tentation du mythe Christel Taillibert To cite this version: Christel Taillibert. Hugo Cabret, la tentation du mythe. Cycnos, Lirces - université Côte d’Azur, 2012. halshs-02182985 HAL Id: halshs-02182985 https://halshs.archives-ouvertes.fr/halshs-02182985 Submitted on 14 Jul 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Hugo Cabret, la tentation du mythe Christel Taillibert Université Nice-Sophia-Antipolis Introduction Le nom de Martin Scorsese évoque irrémédiablement le « nouveau cinéma américain », mouvement de renouveau impulsé par un ensemble de cinéastes qui, à partir des années soixante, surfaient sur l’émulation qu’avait constitué la Nouvelle Vague française dans le monde entier. Pourtant, contrairement à un John Cassavetes qui fit de l’indépendance son style et son credo, Martin Scorsese n’a jamais caché sa fascination pour les studios hollywoodiens, qui financèrent la plus grande partie de ses projets cinématographiques, et cela dès Mean Street en 1973. Tout au long de sa carrière, il alterna des œuvres extrêmement personnelles et d’autres qui apparaissent clairement comme des concessions faites aux studios et aux besoins du box office. Cette double facette lui permit de développer une œuvre toujours personnelle, cohérente avec son propre univers, tout en évitant de tomber dans les ornières de la marginalisation qui, aux États-Unis, menacent inéluctablement qui s’accroche trop obstinément aux idéaux de l’indépendance.
  • An Honors Education Through Popular Culture and Critical Pedagogy

    An Honors Education Through Popular Culture and Critical Pedagogy

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors in Practice -- Online Archive National Collegiate Honors Council 2021 “Movies, TV Shows, and Memes . Oh My!”: An Honors Education through Popular Culture and Critical Pedagogy Evan W. Faidley Follow this and additional works at: https://digitalcommons.unl.edu/nchchip Part of the Curriculum and Instruction Commons, Educational Administration and Supervision Commons, Gifted Education Commons, Higher Education Commons, and the Liberal Studies Commons This Article is brought to you for free and open access by the National Collegiate Honors Council at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors in Practice -- Online Archive by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “Movies, TV Shows, and Memes . Oh My!”: An Honors Education through Popular Culture and Critical Pedagogy Evan W . Faidley University of Akron Abstract: Entertainment media and popular culture often overdramatize the col- lege experience . An honors colloquium engages students in scholarly research and discourse involving thematic elements of academic life in popular culture . An interdisciplinary approach to race, class, the professoriate, Greek life, and foreign experience is espoused . Through a lens of critical social theory, students deconstruct misinformed “stories most often told” to reconstruct more cogent understandings of college life and student experience . With a curriculum designed to advance social justice through equitizing education and amending cultural perceptions, this collo- quium helps develop self-motivated, self-regulated, and engaged learners . Keywords: media literacy; college life films; critical social theory (CST); interdisci- plinarity; University of Akron (OH)—Williams Honors College Citation: Honors in Practice, 2021, Vol .
  • UK@Kidscreen Delegation Organised By: Contents

    UK@Kidscreen Delegation Organised By: Contents

    © Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time.
  • Information Memorandum

    Information Memorandum

    INFORMATION MEMORANDUM Version 5 www.chfenterprises.co.uk CHF MEDIA FUND IMPORTANT NOTICE Key risks are explained on pages 30 to 35 of this Information Memorandum and should be carefully considered. This Information Memorandum is provided for the purpose of providing certain information about investment in the CHF Media Fund (the “Fund” or the “CHF Media Fund”). This document describes arrangements by which Investors who wish to make venture capital investments in Seed EIS and EIS qualifying companies which carry on the business of developing, producing and monetising family and children’s entertainment shows or concepts have appointed Sapia Partners LLP, a limited liability partnership registered in England and Wales with the registered number OC354934 and whose registered office is at 134 Buckingham Palace Road, London SW1W 9SA (the “Manager”) to act as their common discretionary investment fund manager and to manage the investments which are made on their behalf. The Manager is authorised by the FCA to act as an investment fund manager; its FCA registration number is 550103. In connection with its discretionary investment management services, the Manager will be advised by CHF Enterprises Limited, an English private limited company with the registered number 08321672 and with its registered address at 2 Hurle Road, Clifton, Bristol, BS8 2SY (“CHF Enterprises”). These arrangements constitute the CHF Media Fund. This document constitutes a financial promotion relating to the CHF Media Fund and is both issued and approved by the Manager