Batman Begins Free
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“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Batman Year One Proprosal by Larry and Andy
BATMAN YEAR ONE PROPROSAL BY LARRY AND ANDY WACHOWSKI The scene is Gotham City, in the past. A party is going on and from it descends Thomas Wayne with his wife Martha, and son Bruce. They are talking, with Bruce chatting away about how he wants to see The Mark of Zorro again. Obviously they have just come from a movie premiere. As they turn a corner to their car, they are met by a hooded gunman who tries holding them up. There is a struggle and the Wayne parents are murdered in a bloodbath. Bruce is left there, when he is met by a police officer. There is a screech and a bat flies overhead... Twenty years have passed. Bruce is now twenty‐eight and quite dynamic. The main character has been travelling the world, training for a war on crime, to avenge his parents' deaths. He is at the Ludlow International Airport, where his butler Alfred picks him up. The two drive to Wayne Manor, just outside of Gotham. Bruce watches the city from the distance. The scene moves to downtown Gotham, where Bruce is wearing a hockey mask and black clothes. A fight breaks out between him and a pimp which leads to Bruce escaping to a rotting building. Bleeding badly, he doesn't know whether to continue his crusade against crime. A screech fills the area and a bat dives at him, knocking him onto an old chair. Bruce realises his destiny... The opening credits feature Bruce at Wayne Manor, slamming down a hammer on scrap metal, moulding it into shape. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Talisman: Batman™ Super-Villains Edition Rules
INTRODUCTION Key Components and The object of the game is to sneak, fight and search your way through Arkham Asylum, and be the first of the Concepts Overview Villains to reach the Security Control Room at the top of This section will introduce new players to the key concepts the Guard Tower. Once there you must subdue Batman and components of Talisman. For players who are familiar and turn off all security systems. The first player to do with Batman Talisman, or the original Talisman game, we this will free all of the Villains and become the leader of recommend jumping ahead to ‘Game Set-up’ on page 6. Gotham City’s underworld, and will win the game. In order to reach the end, you’ll need to collect various Items, gain Followers and improve your Strength and Cunning. Game Board Most importantly, you will need to locate a Security Key Card The game board depicts the Villains’ hand drawn maps of to unlock the Security Control Room. Without one of these Arkham Asylum. It is divided into three Regions: First Floor powerful cards there is no hope of completing your task. (Outer Region), Second Floor (Middle Region), and Tower (Inner Region). Number of Players Up to six players can play Batman Talisman, but the more players that are participating, the longer the game will last. For this reason we suggest using the following rules for faster play. If you have fewer players, or would like to experience the traditional longer Talisman game there are alternative rules provided at the end of this rulebook on page 14. -
Super Heroes
BRP WRE Bizarro Day! (DC Super Friends) Crime Wave! (DC Super Friends) Super Hardcover B8555BR Brain Freeze! (DC Super Friends) Heroes H2934GO Going Bananas (DC Super Friends) S5395TR T. Rex Trouble (DC Super Friends) W9441CR Crime Wave! (DC Super Friends) Juvenile Fiction Beginning Readers Paperback JUV ASH Batman: The Brave and the Bold Paperback BRP ASH Batman and Friends JUV DCS The Flash: Shadow of the Sun Captain Cold’s Artic Eruption (The BRP BRI Batman Versus Man-Bat Flash) Gorilla Warfare (The Flash) BRP ELI Flying High (DC Super Friends) Shell Shocker (The Flash) BRP FIG Spider-Man Saves the Day The Attack of Professor Zoom! (The Flash) BRP HIL Spider-Man Versus the Scorpion Wrath of the Weather Wizard (The Flash) Spider-Man Versus the Lizard Battle of the Blue Lanterns (Green Spider-Man Amazing Friends Lantern) Beware Our Power (Green Lantern) BRP LEM Superman Versus the Silver Banshee Guardian of Earth (Green Lantern) Batman: Who is Clayface? The Last Super Hero (Green Lantern) The Light King Strikes! (Green Lantern) BRP ROS Friends and Foes (Superman) Man of Steel: Superman’s Superpowers JUV JAF Wonder Woman Team Spirit (Marvel Super Hero Squad) The Trouble with Thor JUV JUS In Darkest Night (Justice League) BRP SAZ Superman: Escape from the Phantom Secret Origins (Justice League) Zone The Gauntlet (Justice League) Wings of War (Justice League) BRP SHE T. Rex Trouble (DC Super Friends) Aliens Attack (Marvel Super Hero JUV LER Batman Begins: The Junior Novel Squad) JUV SUP Superman Returns: The Last Son of BRP STE I Am Wonder -
Batman102.Pdf
! ! ! ! ! ! ! ! ! ! ! BACK ROOM PRODUCTIONS BZN and BACK ROOM PRODUCTIONS Presents BATMAN “NINE LIVES” WRITTEN BY LEE A. CHRIMES CREATED FOR VS BY ADAM SCOTT BASED ON CHARACTERS CREATED BY BOB KANE AND APPEARING IN MAGAZINES PUBLISHED BY DC COMICS FADE IN: EXT. FIRST BANK OF GOTHAM - EVENING The imposing, sturdy Art Deco of Gotham's primary banking institution sets the sunset scene, a small crowd gathered around the front steps and a smaller crowd within that surrounding a floodlit PODIUM, set up for a press conference. Microphones, TV news cameras and reporters, and a line of puffed up executive men and women hovering behind the raised stage like peacocks at feeding time. A middle-aged, balding man steps up to the podium, met by a series of CAMERA FLASHES - this is MARCUS HASLAM, and he is the proudest man in Gotham right now. HASLAM Thank you, thank you, ladies and gentlemen for your time here today, on the auspicious occasion of the unveiling of the First Bank of Gotham's all-new security vault. Singled out in the crowd is: BRUCE WAYNE Incognito, peering over shades at the Bank before looking down at his phone screen: Where the front page of the Gotham Broadcasting Company's news blog yells back at him: 'THE CATWOMAN STRIKES AGAIN' It's a story detailing a daring theft the day before, framed around a blurry CCTV image of the thief in question. And which just happens to have been penned by one Vicki Vale. Bruce looks back up at the Bank, a familiar grit in his jaw as he watches, discretely scanning the crowd. -
A Look at Queer Stereotypes As Signifiers in DC Comics' the Joker
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-27-2018 Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker Zina Hutton [email protected] DOI: 10.25148/etd.FIDC006550 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Modern Literature Commons, and the Other Film and Media Studies Commons Recommended Citation Hutton, Zina, "Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The oJ ker" (2018). FIU Electronic Theses and Dissertations. 3702. https://digitalcommons.fiu.edu/etd/3702 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida QUEERING THE CLOWN PRINCE OF CRIME: A LOOK AT QUEER STEREOTYPES AS SIGNIFIERS IN DC COMICS’ THE JOKER A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Zina Hutton 2018 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Zina Hutton, and entitled Queering the Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers in DC Comics’ The Joker, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Journal the Royal Regiment of Scotland Journal May 2008 5 Contents
The Royal Regiment of Scotland MAY 2008 Journal The Royal Regiment of Scotland Journal May 2008 5 CONTENTS 23 Newly Commissioned Officers Published by Method Publishing, 26 The Royal Scots Borderers Battalion a division of Scottish Provincial Press Limited. – 1 SCOTS Design and Typography: © Method Publishing 2008 Editorial Matter and Illustrations: 37 The Royal Highland Fusiliers © Crown Copyright 2008 Battalion – 2 SCOTS Advertisement Office (UK): Method Publishing, Sutherland Press House, Main Street, Golspie, Sutherland, Scotland 41 The Black Watch Battalion – KW10 6RA 3 SCOTS Tel: 01408 633871, Fax: 01408 633876 Advertising: Christina Pryde 49 The Highlanders Battalion – Tel: 01408 633871 4 SCOTS Email: [email protected] Advertisement Office (Germany): Method Publishing, Lumsden Kaserne (MB 55) Pte Shields walking with Penguins 52 The Argyll and Sutherland Oerbke-Lager, 29683 Fallingbostel, Germany Tel: 05162 91005, Fax: 05162 91006 Highlanders Battalion – 5 SCOTS Advertisement Manager (Germany): Doris Taylor 2 Regimental Headquarters Views expressed in this Journal, unless stated otherwise, 61 52nd Lowland – 6 SCOTS are those of the author alone and do not necessarily reflect the official opinion of The Regiment, the Army or 3 Honours and Awards the Ministry of Defence. 65 51st Highland – 7 SCOTS No responsibility for the quality of goods or services advertised in this Journal can be accepted by the Publishers or Printers 4 Promotions and Appointments and advertisements are accepted on the express condition that the advertiser warrants that they in no way contravene the 70 Infantry Training Centre Catterick provisions of The Trades Descriptions Act 1968 nor any other 6 Extracts From The London Gazette prevailing legislation in the United Kingdom. -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see. -
Characters – Reference Guide
Player’s Guides 01 Player’s Guide to Playing HeroClix 02 Player’s Guide to Powers and Abilities 03 Player’s Guide to Characters: Errata and Clarifications 04 Player’s Guide to Characters: Reference 05 Player’s Guide to Team Abilities 06 Player’s Guide to Maps 07 Player’s Guide to Tactics I: Objects, Resources, and Hordes 08 Player’s Guide to Tactics II: Feats and Battlefield Conditions Any game elements indicated with the † symbol may only be used with the Golden Age format. Any game elements indicated with the ‡ symbol may only be used with the Star Trek: Tactics game. Items labeled with a are available exclusively through Print-and-Play. Any page references refer to the HeroClix 2013 Core Rulebook. All Player’s Guides can be found at http://www.heroclix.com/downloads/rules Table of Contents Legion of Super Heroes† .................................................................................................................................................................................................. 1 Avengers† ......................................................................................................................................................................................................................... 2 Justice League† ................................................................................................................................................................................................................ 4 Mutations and Monsters† ................................................................................................................................................................................................ -
Edinburgh Friends 2011
THE UNIVERSITYof EDINBURGH CAMPAIGN Edinburgh FriendsDECEMBER 2011 Connecting the dots How the University is helping to build the future of science and engineering INSIDE Edinburgh’s hidden gem: St Cecilia’s Hall How bursaries make a difference The University of Edinburgh Campaign supporters YOUR OPINION MATTERS contents We would love to hear what you Cover feature: How the think of the magazine. University’s investment in Please get in touch science and engineering is with Brian Campbell to helping to prepare us for the share your views challenges of tomorrow e: brian1. campbell@ page 18 ed.ac.uk 04 : 2011 HIGHLIGHTS 06 18 A round-up of some of this year’s Sign up for news and developments our monthly e-newsletter 06 : OUR SUPPORTERS to receive At a glance – where our regular supporters come from updates 10 26 on the 08 : WHY I GIVE University of Morag McIntyre explains why she and her husband 32 : BURSARIES Edinburgh funded a living memorial to their son Craig How an access bursary made a difference Campaign. to Colin Maclachlan Subscribe 10 : MEDICINE online at A look at some of the University’s latest projects 34 : LEGACIES www. in medical research Why David McCorquodale has pledged a legacy edinburgh 16 : OLD COLLEGE to the University campaign. The Old College quadrangle has been unveiled, ed.ac.uk 36 : CAMPAIGN SUPPORTERS revealing a beautiful addition to the building Recognition of the generous support from our friends and alumni 18 : COVER FEATURE How the University is investing in the future of science and engineering If you require this document in an alternative 26 : SPECIAL COLLECTIONS format, e.g.