Film, Television and Video Productions Featuring Brass Bands
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Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
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Save Kids’ TV Campaign British children’s television - on the BBC, Channel 4, ITV and Five - has been widely acknowledged as amongst the most creative and innovative in the world. But changes in children’s viewing patterns, and the ban on certain types of advertising to children, are putting huge strains on commercial broadcasters. Channel 4 no longer makes children’s programmes and ITV (until recently the UK’s second largest kids’ TV commissioner) has ceased all new children’s production. They are deserting the children’s audience because it doesn’t provide enough revenue. Channel FIVE have cut back their children’s programming too. The international channels - Disney, Nickelodeon and Cartoon Network - produce some programming here, but not enough to fill the gap, and much of that has to be international in its focus so that it can be used on their channels in other territories. The recent Ofcom report on the health of children’s broadcasting in the UK has revealed that despite the appearance of enormous choice in children’s viewing, the many channels available offer only a tiny number of programmes produced in the UK with British kids’ interests at their core. The figures are shocking – only 1% of what’s available to our kids is new programming made in the UK. To help us save the variety and quality of children’s television in the UK sign the e-petition on the 10 Downing Street website or on http://www.SaveKidsTV.org.uk ends Save Kids' TV - Name These Characters and Personalities 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Help save the quality in UK children's television Go to www.savekidstv.org.uk Save Kids TV - Answers 1 Parsley The Lion The Herbs/The Adventures of Parsley 2 Custard Roobarb and Custard 3 Timothy Claypole Rentaghost 4 Chorlton Chorlton and the Wheelies 5 Aunt Sally Worzel Gummidge 6 Errol The Hamster Roland's Rat Race, Roland Rat on TV-AM etc 7 Roland Browning Grange Hill 8 Floella Benjamin TV Presenter 9 Wizbit Wizbit 10 Zelda Terrahawks 11 Johnny Ball Presenter 12 Nobby The Sheep Ghost Train, It's Wicked, Gimme 5 etc. -
Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of The British Broadcasting Corporation (“the BBC”) in sanctions against respect of its service BBC 1. For Breaches of the Ofcom Broadcasting Code (“the Code”) of: Rule 2.11: “Competitions should be conducted fairly, prizes should be described accurately and rules should be clear and appropriately made known.” Relating to the following conduct: Faking the winner of a viewer competition, in the live transmission of Comic Relief 2007 On 17 March 2007 between 00:10 and 01:30. Decision To impose a financial penalty (payable to HM Paymaster General) of £45,000. 1 Summary 1.1 For the reasons set out in full in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee decided to impose statutory sanctions on the BBC in light of the serious nature of its failure to ensure compliance with the Ofcom Broadcasting Code (“the Code”). 1.2 This adjudication under the Code relates to the broadcast of Comic Relief 2007 (“Comic Relief”) on BBC1 on 17 March 2007 between 00:10 and 01:301. 1.3 Comic Relief is a charity, regulated by the Charity Commission. In alternate years it holds “Red Nose Day”, which includes a live ‘telethon’ programme shown on BBC1, also known as Comic Relief. Comic Relief was the eleventh programme in a series that began on BBC1 in 1988. The programme started at 19:00 on Friday 16 March 2007 and ended at 03:30 on Saturday 17 March. As with previous Comic Relief programmes it was produced by the BBC with a largely freelance workforce and in partnership with Comic Relief, its longstanding charity partner. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
TPTV Schedule June 22Nd to June 28Th 2020
TPTV Schedule June 22nd to June 28th 2020 Date Time Programme Synopsis Mon 22 01:50 Over The Hill 1991. Drama. Director: George Miller. Stars: Olympia Dukakis, Sigrid Thornton, Jun 20 Derek Fowlds. Alma flies to Australia to surprise an unwelcoming daughter. Mon 22 03:50 Turn of Fate 1957. Stars David Niven, Robert Ryan & Charles Boyer. Dramatizations that depict Jun 20 the plight of people who are suddenly involved in unexpected and perilous situations. (S1, E7) Mon 22 04:20 Carry On 1957. Comedy directed by Val Guest and starring David Tomlinson, Peggy Jun 20 Admiral Cummins & Alfie Bass. An MP is mistaken for his naval friend and put in charge of the fighting ship HMS Sherwood! (SUBTITLES AVAILABLE) Mon 22 06:00 Marked Men 1940. Crime. Director: Sam Newfield. Stars Warren Hull, Isabel Jewell & Paul Bryar. Jun 20 A young medical-school graduate escapes prison and finds a small haven in Arizona until gangsters show up. (SUBTITLES AVAILABLE) Mon 22 07:10 The Teckman 1954. Drama. Director: Wendy Toye. Stars: Margaret Leighton, John Justin & Jun 20 Mystery Roland Culver. A writer is commissioned to write the biography of a young airman who died while testing a new plane. Mon 22 09:00 Sir Francis The Beggars of the Sea. 1962. Stars Terence Morgan, Jean Kent & Michael Jun 20 Drake Crawford. The Spanish troops in the Netherlands ear mutiny, as they have not been paid in a long time. Mon 22 09:30 Kill Her Gently 1957. Thriller. Directed by Charles Saunders. Stars Griffith Jones, Maureen Connell Jun 20 & Marc Lawrence. -
Ex-MI6 Men Cleared to Write in Book
PROFILE INSIDE ARTS SPORT 2-page sports There is My farewell Dame Kiri nothing like a MOMENTS OF calendar . to Channel 4 CA TASTROPHE Te Kanawa dame of the yearJ JEREMY ISAACS 6 PORTRAIT OF 1987 INTERVIEW 15 26, 27 I I BARRY HUMPHRIES 5 & A BRIEFLY SUMMIT MOVE Soviet Foreign Minister Eduard Shevardnadze latest information, supplied to them Yemeni Embassy in London last they will be moved to a luxurious agreed to meetings with THE TWO British women sold by EILEEN MacDONALD week as brides in the Yemen Arab by The Observer , and was arranging , but was treated as a tourist house in Taiz with their husbands Us Secretary of State to interview the husbands with the HI¦Hiam ^2IIIIIQ9L i ^ H ^ i ^ B '^^ i u^^— ^ ~~~ rather than as a relative wishing to until ' all the paperwork is done.' George Shultz in Republic will not be allowed ' visit the country. On Christmas Day, The Observer home unless they are accompa- women when they arrived in the ports, which are awaiting their visit scared they are not touching us, preparation for a new city. to the British Embassy. Zana reassured her yesterday in a ' They told me to come back on informed the Foreign Office of the summit between Mikhail nied by their husbands. The young children of the When the sisters arrived in Taiz, telephone call . Tuesday with $500, three passport latest development in the women's Gorbachov and President Nadia and Zana-, Muhsen, who women — Nadia's daughter, 21- North Yemen's second city, they The official has also told Miss Ali, photographs and a return air situation. -
Musical Athleticism: Victorian Brass Band Contests and the Shaping of Working-Class Men Denise Odello
University of Minnesota Morris Digital Well University of Minnesota Morris Digital Well Music Publications Faculty and Staff choS larship 2-12-2016 Musical Athleticism: Victorian Brass Band Contests and the Shaping of Working-Class Men Denise Odello Follow this and additional works at: https://digitalcommons.morris.umn.edu/music Part of the Other History Commons, and the Other Music Commons Musical Athleticism: Victorian Brass Band Contests and the Shaping of Working-Class Men Denise Odello Department of Music, University of Minnesota, Morris In June of 1884, Brass Band News, published an anecdote about an apparent lack of drinking of a small village in Dorset. When the musical rector of the village noted that he “hadn’t a drunken man in the village,” the author responded by questioning how such a feat was possible. He asked, “Have you no public-house, and is all the village tee- total?” The musical rector answered: “Teetotal! [N]o, not at all; I have a band and choral society, and the members are too busy practicing to find time for immoderate drinking, and the village generally is musical, consequently music, as a means of relaxation and recreation, carries the day.” The Dorset rector’s faith represents the broader assumption of Victorians that music, in this case both instrumental and vocal ensembles, was not only an outlet for recreation but also an agent of morality, “the true end and aim of music” (2). The British brass band of the nineteenth and early twentieth centuries is a particularly notable example of music as a morally edifying activity, as referenced in the anecdote above. -
List of All the Audiobooks That Are Multiuse (Pdf 608Kb)
Authors Title Name Genre Narrators A. D. Miller Faithful Couple, The Literature Patrick Tolan A. L. Gaylin If I Die Tonight Thriller Sarah Borges A. M. Homes Music for Torching Modern Fiction Penelope Rawlins Abbi Waxman Garden of Small Beginnings, The Humour Imogen Comrie Abie Longstaff Emerald Dragon, The Action Adventure Dan Bottomley Abie Longstaff Firebird, The Action Adventure Dan Bottomley Abie Longstaff Magic Potions Shop: The Blizzard Bear, The Action Adventure Daniel Coonan Abie Longstaff Magic Potions Shop: The Young Apprentice, The Action Adventure Daniel Coonan Abigail Tarttelin Golden Boy Modern Fiction Multiple Narrators, Toby Longworth, Penelope Rawlins, Antonia Beamish, Oliver J. Hembrough Adam Hills Best Foot Forward Biography Autobiography Adam Hills Adam Horovitz, Michael Diamond Beastie Boys Book Biography Autobiography Full Cast Adam LeBor District VIII Thriller Malk Williams Adèle Geras Cover Your Eyes Modern Fiction Alex Tregear Adèle Geras Love, Or Nearest Offer Modern Fiction Jenny Funnell Adele Parks If You Go Away Historical Fiction Charlotte Strevens Adele Parks Spare Brides Historical Fiction Charlotte Strevens Adrian Goldsworthy Brigantia: Vindolanda, Book 3 Historical Fiction Peter Noble Adrian Goldsworthy Encircling Sea, The Historical Fiction Peter Noble Adriana Trigiani Supreme Macaroni Company, The Modern Fiction Laurel Lefkow Aileen Izett Silent Stranger, The Thriller Bethan Dixon-Bate Alafair Burke Ex, The Thriller Jane Perry Alafair Burke Wife, The Thriller Jane Perry Alan Barnes Death in Blackpool Sci Fi Multiple Narrators, Paul McGann, and a. cast Alan Barnes Nevermore Sci Fi Multiple Narrators, Paul McGann, and a. cast Alan Barnes White Ghosts Sci Fi Multiple Narrators, Tom Baker, and a. cast Alan Barnes, Gary Russell Next Life, The Sci Fi Multiple Narrators, Paul McGann, and a. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Read Ebook {PDF EPUB} up the Junction by Nell Dunn up the JUNCTION (1967) from the Collection of Short Stories 'Up the Junction' by Nell Dunn Published in 1963
Read Ebook {PDF EPUB} Up the Junction by Nell Dunn UP THE JUNCTION (1967) From the collection of short stories 'Up the Junction' by Nell Dunn published in 1963. Nell Dunn was an upper-class woman who went 'slumming' in Battersea in 1959 and wrote a series of sketches (sketches being a much more appropriate term than short stories) which were published in 1963 (my copy has the cover on the left above) as 'Up the Junction'. Four of the pieces were published in The New Statesman. The stories mainly revolve around three working-class women, sisters Sylvie and Rube and an unnamed narrator. The first story, 'Out with the Girls', begins: We stand, the three of us, me, Sylvie and Rube, pressed up against the saloon door, brown ales clutched in our hands. Rube, neck stiff so as not to shake her beehive, stares sultrily round the packed pub. Sylvie eyes the boy hunched over the mike and shifts her gaze down to her breasts snug in her new pink jumper. 'Kiss! Kiss! Kiss!' he screams. Three blokes beckon us over to their table. Rube doubles up with laughter. 'Come on, then. They can buy us some beer.' 'Hey, look out, yer steppin' on me winkle!' Dignified, the three of us squeeze between tables and sit ourselves, knees tight together, daintily on the chairs. 'Three browns, please,' says Sylvie before we've been asked. The first version of 'Up the Junction' was of course Ken Loach and Tony Garnett's filming of the book for the Play for Today strand in 1965, with Carol White as Sylvie, Geraldine Sherman as Rube and Vickery Turner as Eileen, presumably the unnamed narrator of the book. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Handsworth Songs and Touch of the Tarbrush 86
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/35838 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Voices of Inheritance: Aspects of British Film and Television in the 1980s and 1990s Ian Goode PhD Film and Television Studies University of Warwick Department of Film and Television Studies February 2000 · ~..' PAGE NUMBERING \. AS ORIGINAL 'r , --:--... ; " Contents Acknowledgements Abstract Introduction page 1 1. The Coupling of Heritage and British Cinema 10 2. Inheritance and Mortality: The Last of England and The Garden 28 3. Inheritance and Nostalgia: Distant Voices Still Lives and The Long Day Closes 61 4. Black British History and the Boundaries of Inheritance: Handsworth Songs and Touch of the Tarbrush 86 5. Exile and Modernism: London and Robinson in Space 119 6. Defending the Inheritance: Alan Bennett and the BBC 158 7. Negotiating the Lowryscape: Making Out, Oranges Are Not the Only Fruit and Sex, Chips and Rock 'n' Roll 192 Conclusion 238 Footnotes 247 Bibliography 264 Filmography 279 .. , t • .1.' , \ '. < .... " 'tl . ',*,. ... ., ~ ..... ~ Acknowledgements I would like to express my gratitude to my supervisor Charlotte Brunsdon for her patience, support and encouragement over the course of the thesis. I am also grateful to my parents for providing me with both space and comfortable conditions to work within and also for helping me to retain a sense of perspective.