Card Sorting Activities with Preschool Children
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Diapositiva 1
The business of Zinkia Entertainment is not limited to audiovisual production - Zinkia creates and comercializes entertainment brands through the production and development of audiovisual content targeted at family audiences worldwide. Zinkia is a publicly listed company (Spanish MAB) whose business consists of: Developing a diversified and multiplatform catalogue of audiovisual and interactive products in order to create Brand Concepts. Assure the best and widest possible exposure of our brands in as many countries and platforms as possible : Free TV, PayTV, Internet, VoD, Smartphones, Movie Theatres, Videogame Consoles… Find the best partners in the licensing and merchandising business in each country, starting with Toys, Books and DVD’s as key drivers of the brand. Market the Brand: Off and On line actions, Point of Sale, PR & Promotion… Zinkia’s revenues come primarily from two sources: Income from audiovisual content (Television, VoD, internet and mobile platforms). Income from the management of the brand (licensing royalties: Zinkia charge a royalty rate on each product sold under the licensed brand, usually between 8%- 12% of the selling price depending on the product category and country). The design, manufacture, delivery and sales of all licensed products is handled by the licensees. Zinkia is responsible for all product approval and quality control. Each licensee commits to a minimum royalty amount that works as a cash advance against the projected business plan. AUDIOVISUAL PRODUCTIONS: Series & Movies INTERACTIVE PRODUCTION -
UK@Kidscreen Delegation Organised By: Contents
© Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time. -
See Last Year's As an Example
creativity is Contents Forewords 2-3 Fun Crew Ltd 14 Impossible Kids 15 Danny Lopez 2 Jollywise Media Ltd 16 Greg Childs and Sarah Baynes 3 Kanoti 17 Kerrupt Stop-Motion Animation 18 UK Delegate Companies 4-27 Kindle Entertainment Ltd 19 Little Lamb Media 20 Accorder Music Publishing 4 Lookman Ltd 21 Andrew Brenner 5 Mackinnon & Saunders 22 CHEEKY 6 Pesky 23 The Creative Garden 7 Plug-in Media Ltd 24 CSC Media Group 8 Smart Party 25 Davey Moore 9 The Children’s Media Conference 26 Digimania 10 The Show 4 Kids PLC 27 Dubit 11 Factory Transmedia Limited 12 Famous Flying Films 13 Contacts 28 From art to architecture; Film to Fashion, Wallace and Gromit british talent leads the world © Aardman Animations Limited 2011 www.ukti.gov.uk Networking opportunities sponsored by Impossible Kids Cover images: Top left: Famous Flying Films, Bottom left: Fun Crew Ltd, Bottom middle: Plug-in Media & Brown Bag Films, Bottom right: Little Lamb Media 2 UK@Kidscreen 2012 UK@Kidscreen 2012 3 Foreword Foreword By Danny Lopez By Greg Childs and Sarah Baynes We’re delighted to be leading the UK@Kidscreen delegation I am delighted to see so many of the UK’s outstanding companies to the KidScreen Summit on behalf of UK Trade & Investment. attending this year’s Kidscreen. Initiatives such as this are of great KidScreen provides an invaluable forum for companies in importance, as we can learn a great deal from each others’ skills this sector to promote their experience and expertise, take and expertise. advantage of networking opportunities and share ideas that will develop new business relationships. -
Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit. -
2012 Guide 56Pp+Cover
cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 4,5 &6 JULY 2012SHEFFIELD UK CONTENT INDUSTRIES CONFER- ENCE GUIDE 4_ 5_ & 6 JULY 2012 GUIDE SPONSOR Welcome Welcome to CMC and to Sheffield in the We are delighted to welcome you year of the Olympics both sporting and to Sheffield again for the ninth annual cultural. conference on children’s content. ‘By the industry, for the industry’ is our motto, Our theme this year is getting ‘ahead of which is amply demonstrated by the the game’ something which is essential number of people who join together in our ever faster moving industry. to make the conference happen. As always kids’ content makers are First of all we must thank each and every leading the way in utilising new one of our sponsors; we depend upon technology and seizing opportunities. them, year on year, to help us create an Things are moving so fast that we need, event which continues to benefit the kids’ more than ever, to share knowledge and content community. Without their support experiences – which is what CMC is all the conference would not exist. about – and all of this will be delivered in a record number of very wide-ranging Working with Anna, our Chair, and our sessions. Advisory Committee is a volunteer army of nearly 40 session producers. We are CMC aims to cover all aspects of the sure that over the next few days you will children's media world and this is appreciate as much as we do the work reflected in our broad range of speakers they put into creating the content from Lane Merrifield, the Founder of Club sessions to stretch your imagination Penguin and Patrick Ness winner of the and enhance your understanding. -
Delegates Brochure 2020
©ALTTitle Animation Address DM Ltd ‘Monty & Co’ © 2019 Pipkins Productions Limited The Snail and the Whale ©Magic Light Pictures Ltd 2019 Bigmouth Elba Ltd Clangers: © 2019 Coolabi Productions Limited, Smallfilms Limited and Peter Firmin © Tiger Aspect Productions Limited 2019 UK@Kidscreen delegation organised by: 2020 Tuesday 7 July 2020, Sheffield UK The CMC International Exchange is the place to meet UK creatives, producers and service providers. • Broadcasters, co-producers, funders and investors from across the world are welcome to this focused market day. • Meetings take place in one venue on one day (7 July 2020). • Writers, IP developers, producers of TV and digital content, service providers, UK kids’ platforms and distributors are all available to take meetings. • Bespoke Meeting Mojo system is used to upload profiles in advance, present project information and request meetings. • Discover innovative, fresh content, build new partnerships and access the best services and expertise. • Attend the world’s largest conference on kids’ and youth content, 7-9 July 2020 in Sheffield www.thechildrensmediaconference.com • For attendance, please contact [email protected] UK@Kidscreen 2020 3 ContentsTitle Forewords 4-5 Kelebeck Media Nicolette Brent KidsCave Studios Sarah Baynes Kids Industries UK Delegate Companies 6-52 Kids Insights 3Megos KidsKnowBest Acamar Films King Banana TV ALT Animation Lightning Sprite Media Anderson Entertainment LoveLove Films Beyond Kids Bigmouth Audio Lupus Films Cloth Cat Animation Magic Light -
They Have Been Watching
30 August 2002 They have been Watching Broadcasters Provision of Children’s and Young People’s TV from 1952 to 2002 Jamie Cowling and Kirsty Lee Summary From Bill and Ben to the Tweenies the broadcasting landscape has changed beyond recognition. In 1952 television was limited to the BBC monopoly providing programmes that the public ought to watch. In 2002 digital broadcasting, in theory, provides an a la carte menu of channels to suit every taste. Children and young people watch around eighteen hours of television per week1. In some multi- channel homes children and young people can choose from over seven dedicated channels. Over 40 per cent of children’s and young people’s viewing in multi- channel homes is of the non-terrestrial broadcasters. As we move towards digital switchover what has been the impact of increasing choice of channel been on the provision of the different genres of children’s and young people’s programming? Has there been a reduction in the diversity of genres available to children and young people over the years, replaced by an endless diet of animation? How have the public service broadcasters responded to competition from the non-terrestrial channels? Has the increase in total hours available to children and young people led to more imported programmes and repeats? Our research examines the provision of children’s and young people’s programming from Bill and Ben to the Tweenies. Our analysis enables us to examine the choice of programmes available to children and young people across channels and the diversity of genres provided. -
PARENTS & CHILDREN TOGETHER INTERNET SAFETY Using
PARENTS & CHILDREN TOGETHER INTERNET SAFETY Using computers and the internet Whether doing research for school projects and homework, chatting with friends or playing games, your child is likely to spend ever more time on the computer as they get older. While they may understand computer programs, surfing the internet, chat rooms and multi-player games better than you do, they still need your guidance. The articles and links in these documents can help you to direct them towards helpful resources, while helping you steer them clear of the dangers which exist. Why Work Together? ¾ It’s great fun. There are so many fun things to do together, you’d spend a lifetime sharing them all. ¾ You can improve together. Often, it’s the children who end up teaching the adults. ¾ You get to spend some quality time together. ¾ As a parent or carer, you can make sure your child is safe when enjoying time on the internet and set a good example on how to use it safely and sensibly. WHAT ARE THE DANGERS ? 1. Too Much Time Online You may not realise it, but you and your child could be spending too much time on the internet. It is important to remember that the internet is not a substitute for anything else. Your interests should never be sacrificed to spend extra time surfing the internet. It is recommended that children should take a break every 20 minutes. This is only a guideline, but the important thing to remember is to set age-appropriate time limits on use. 2. PHYSICAL EFFECTS Using a computer for a long time can be hard on anyone physically, so here -
Bbc Response to “The Future of Children's Television
BBC RESPONSE TO “THE FUTURE OF CHILDREN’S TELEVISION PROGRAMMING” 1. Introduction and summary 1.1. The BBC welcomes Ofcom’s discussion paper of the 3rd October 2007 and the opportunity to engage in debate around the importance of provision of UK-originated television programming for children. 1.2. Children’s programming is among the most important content the BBC produces. At its best, children’s television is a model for public service broadcasting – it has been informing, educating and entertaining millions of British children for 60 years. 1.3. The BBC plays a unique and central role in the provision of Children’s TV programming in the UK. The BBC’s level of investment is far higher than any other provider in the UK broadcasting market, its reach and quality perception is higher than any other broadcaster, and the contribution that the BBC makes to the UK’s creative industries in this area is well recognised. It is a training ground for producers; a standard setter in terms of programme quality; a model for other providers in terms of diversity and on-screen portrayal; and a trailblazer on the web and multi-platform. 1.4. Through a unique range of UK-produced output, BBC Children’s contributes to all the BBC’s public purposes, providing dedicated programmes which engage and inspire children and encourage them to participate and interact with broadcast content. The output provides positive role models of children for children, and through programmes like Newsround, opens children’s eyes and minds to the world around them. Television can help children to understand themselves and their role in the world, and through moments of silliness and humour help children to relax and laugh out loud. -
CHF Media Fund IM
INFORMATION MEMORANDUM Version 2 www.chfenterprises.co.uk CHF MEDIA FUND IMPORTANT NOTICE The CHF Media Fund is a Complying Fund and so is not a UCIS. This means that the CHF Media Fund is not subject to the marketing restrictions introduced by the Financial Conduct Authority (“FCA”) in respect of “non-mainstream pooled investments” and can be marketed to retail clients. Key risks are explained on pages 30 to 35 of this Information Memorandum and should be carefully considered. This document describes arrangements by which Investors who wish to make venture capital investments in Seed EIS and EIS qualifying companies which carry on the business of developing, producing and monetising family and children’s entertainment shows or concepts have appointed Sapia Partners LLP, a limited liability partnership registered in England and Wales with the registered number OC354934 and whose registered office is at 134 Buckingham Palace Road, London SW1W 9SA (the “Manager”) to act as their common discretionary investment fund manager and to manage the investments which are made on their behalf. The Manager is authorised by the FCA to act as an investment fund manager; its FCA registration number is 550103. In connection with its discretionary investment management services, the Manager will be advised by CHF Enterprises Limited, an English private limited company with the registered number 08321672 and with its registered address at 2 Hurle Road, Clifton, Bristol, BS8 2SY (“CHF Enterprises”). These arrangements constitute the CHF Media Fund. This document constitutes a financial promotion relating to the CHF Media Fund and is both issued and approved by the Manager for the purposes of section 21 of the Financial Services and Markets Act 2000 (“FSMA”). -
Children's Television
Children’s Television: Trends Around the World KODAIRA Sachiko Imaizumi As we enter an age in which children interact with an ever-increasing number of electronic media, it is nonetheless television that remains dominant in chil- dren’s lives. Around the world, there is a remarkable increase in children’s broadcasting: channels devoted to children’s television are being created, and existing channels are giving increasing priority to their programs for children. With rapid changes in society, programs are being developed in various ways to support the growth of children. There are greater opportunities for children worldwide to see these programs. At the same time, the effect of television and other media on children is a topic of serious debate and concern all over the globe. The Prix Jeunesse International marked the fortieth anniversary of this high profile children’s television festival in 2004. In addition, it was the year of the fourth World Summit on Media for Children, held every three years since 1995, which aims to improve the quality of programming and media for chil- dren throughout the world. Japan, meanwhile, celebrated 50 years of televi- sion—including television for children—in 2003, and program planners are now embarking on children’s television design for a new age. This essay presents an analysis of current trends in children’s television around the world, and explores issues for the future.*1 * The following abbreviations are used in the footnotes: HBKN: NHK Hoso Bunka Kenkyujo nenpo [NHK Annual Bulletin of Broadcasting Culture Research]; HKC: Hoso kenkyu to chosa [NHK Monthly Report on Broadcast Research]. -
FTI 2009 CD DVD Consumer Price List
CHILDREN'S CD and DVD ENTERTAINMENT [email protected] Canadian wholesale price list January 2009 www.firetheimagination.ca code description retail AL SIMMONS MUSIC ENTERTAINMENT 801464200629 AL SIMMONS: CELERY STALKS AT MIDNIGHT - CD $10.95 801464200520 AL SIMMONS: SOMETHING FISHY - CD $10.95 ALVIN AND THE CHIPMUNKS (DVDs also available) MUSIC ENTERTAINMENT 793018298629 ALVIN AND THE CHIPMUNKS SOUNDTRACK (2007) - CD $26.95 076744008824 CHIPMUNKS ADVENTURE - CD $15.95 5099921310225 CHIPMUNKS SING THE BEATLES - CD $12.95 ALY AND AJ MUSIC ENTERTAINMENT 720616264220 ALY AND AJ: INSOMNIATIC - CD $22.95 720616264022 ALY AND AJ: INTO THE RUSH (Deluxe Edition) - CD with DVD $23.95 720616250520 ALY AND AJ: INTO THE RUSH - CD $22.95 ANNE MURRAY MUSIC ENTERTAINMENT 724353548520 ANNE MURRAY: THERE'S A HIPPO IN MY TUB - CD $16.95 ANN RACHLIN - GREAT COMPOSERS SPOKEN WORD 9781902680088 ANN RACHLIN: HAPPY BIRTHDAY, MR. BEETHOVEN: THE LIFE OF BEETHOVEN - CD $19.95 9781902680095 ANN RACHLIN: MOZART THE MIRACLE MAESTRO: THE LIFE OF MOZART - CD $19.95 9781902680125 ANN RACHLIN: MR. HANDEL'S FIREWORKS PARTY: THE LIFE OF HANDEL - CD $19.95 9781902680101 ANN RACHLIN: ONCE UPON THE THAMES: THE LIFE OF HANDEL - CD $19.95 9781902680118 ANN RACHLIN: PAPA HAYDN'S SURPRISE: THE LIFE OF HAYDN - CD $19.95 ANN RACHLIN - RUSSIAN BALLETS SPOKEN WORD 9781902680163 ANN RACHLIN: CINDERELLA: THE STORY OF THE BALLET - CD $19.95 9781902680187 ANN RACHLIN: FIREBIRD, THE: THE STORY OF THE BALLET - CD $19.95 9781902680149 ANN RACHLIN: NUTCRACKER: THE STORY OF THE