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PARENTS & CHILDREN TOGETHER INTERNET SAFETY Using
PARENTS & CHILDREN TOGETHER INTERNET SAFETY Using computers and the internet Whether doing research for school projects and homework, chatting with friends or playing games, your child is likely to spend ever more time on the computer as they get older. While they may understand computer programs, surfing the internet, chat rooms and multi-player games better than you do, they still need your guidance. The articles and links in these documents can help you to direct them towards helpful resources, while helping you steer them clear of the dangers which exist. Why Work Together? ¾ It’s great fun. There are so many fun things to do together, you’d spend a lifetime sharing them all. ¾ You can improve together. Often, it’s the children who end up teaching the adults. ¾ You get to spend some quality time together. ¾ As a parent or carer, you can make sure your child is safe when enjoying time on the internet and set a good example on how to use it safely and sensibly. WHAT ARE THE DANGERS ? 1. Too Much Time Online You may not realise it, but you and your child could be spending too much time on the internet. It is important to remember that the internet is not a substitute for anything else. Your interests should never be sacrificed to spend extra time surfing the internet. It is recommended that children should take a break every 20 minutes. This is only a guideline, but the important thing to remember is to set age-appropriate time limits on use. 2. PHYSICAL EFFECTS Using a computer for a long time can be hard on anyone physically, so here -
FTI 2009 CD DVD Consumer Price List
CHILDREN'S CD and DVD ENTERTAINMENT [email protected] Canadian wholesale price list January 2009 www.firetheimagination.ca code description retail AL SIMMONS MUSIC ENTERTAINMENT 801464200629 AL SIMMONS: CELERY STALKS AT MIDNIGHT - CD $10.95 801464200520 AL SIMMONS: SOMETHING FISHY - CD $10.95 ALVIN AND THE CHIPMUNKS (DVDs also available) MUSIC ENTERTAINMENT 793018298629 ALVIN AND THE CHIPMUNKS SOUNDTRACK (2007) - CD $26.95 076744008824 CHIPMUNKS ADVENTURE - CD $15.95 5099921310225 CHIPMUNKS SING THE BEATLES - CD $12.95 ALY AND AJ MUSIC ENTERTAINMENT 720616264220 ALY AND AJ: INSOMNIATIC - CD $22.95 720616264022 ALY AND AJ: INTO THE RUSH (Deluxe Edition) - CD with DVD $23.95 720616250520 ALY AND AJ: INTO THE RUSH - CD $22.95 ANNE MURRAY MUSIC ENTERTAINMENT 724353548520 ANNE MURRAY: THERE'S A HIPPO IN MY TUB - CD $16.95 ANN RACHLIN - GREAT COMPOSERS SPOKEN WORD 9781902680088 ANN RACHLIN: HAPPY BIRTHDAY, MR. BEETHOVEN: THE LIFE OF BEETHOVEN - CD $19.95 9781902680095 ANN RACHLIN: MOZART THE MIRACLE MAESTRO: THE LIFE OF MOZART - CD $19.95 9781902680125 ANN RACHLIN: MR. HANDEL'S FIREWORKS PARTY: THE LIFE OF HANDEL - CD $19.95 9781902680101 ANN RACHLIN: ONCE UPON THE THAMES: THE LIFE OF HANDEL - CD $19.95 9781902680118 ANN RACHLIN: PAPA HAYDN'S SURPRISE: THE LIFE OF HAYDN - CD $19.95 ANN RACHLIN - RUSSIAN BALLETS SPOKEN WORD 9781902680163 ANN RACHLIN: CINDERELLA: THE STORY OF THE BALLET - CD $19.95 9781902680187 ANN RACHLIN: FIREBIRD, THE: THE STORY OF THE BALLET - CD $19.95 9781902680149 ANN RACHLIN: NUTCRACKER: THE STORY OF THE -
Fight-Free Media List: Non-Violent Media for Under Sevens
AUSTRALIAN COUNCIL ON CHILDREN & THE MEDIA Fight-free media list: non-violent media for under sevens Look for these items for hire in your local library or video store. Some are available to buy from major outlets or online. Items reviewed by ACCM as non-violent media—they contain no violence (people deliberately hurting other people). Approved with Caution—they don’t have any violence, but there may be some scary scenes. You might also like to know about certain content, e.g. accidental harm, distressing scenes such as when animals are in danger, and so on. Reviews on the ACCM website www.childrenandmedia.org.au give details of these cautionary notes TV series TV series (cont.) TV series Adventures of Spot Jasper the Little Penguin Angelina Ballerina Andy Pandy Kipper Archibald the Koala Balamory Koala Brothers Backyardigans, The Bambaloo Lights, Camera, Action, Wiggles! Bananas in Pyjamas Barney: Sing with me, Dance with Little Bill Bill and Ben me Little Robots Boblins Bear in the Big Blue House Louie Boohbah Blue’s Clues Maisy Colours and Counting Bottle Top Bill Bob the Builder Maisy: Splash Brambly Hedge: Winter & Spring Boo! Max And Ruby Busy World of Richard Scarry Busy Buses Miffy and Friends Connie the Cow Caillou Monica’s Trip to the Moon Dougie in Disguise Charlie and Lola Mopatop’s Shop Dr Otter Construction Site New McDonald’s Farm Dragon Tales Cooking for Kids with Luis Oswald Eddy and the Bear Disney’s Little Einsteins: Mission Out of the Box Elmo’s World Celebration Pablo the Little Red Fox Engie Benjy Dora the Explorer -
NOGGIN, Nickelodeon's Preschool Subscription Service, Expands Educational Offerings with Addition of New Spanish-Language Content
May 16, 2018 NOGGIN, Nickelodeon's Preschool Subscription Service, Expands Educational Offerings with Addition of New Spanish-Language Content All-New "En Español" Hub to Feature Spanish-Language Episodes of Nick's Hit Preschool Series and Short- Form Canticos Nursery Rhymes in English and Spanish NEW YORK--(BUSINESS WIRE)-- Nickelodeon's top-ranked video subscription service for preschoolers, NOGGIN, continues to bolster its educational offerings with the addition of new Spanish-language content to its iconic and curriculum-based programming slate. Launching today on NOGGIN, is a brand-new dedicated "En Español" hub housing full-length library episodes of Nickelodeon's hit preschool series PAW Patrol, Blue's Clues, Bubble Guppies and The Wonder Pets! in Spanish; and popular nursery rhymes in English and Spanish from the award-winning bilingual baby property, Canticos. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20180516006226/en/ Canticos brings some of the most beloved Spanish-language nursery rhymes from all over the world to life through short-form animated videos. The songs currently featured on NOGGIN and Nickelodeon's preschool digital platforms (NickJr.com, the Nick Jr. app and the Nick Jr. YouTube channel) are: "Los Pollitos/Little Chickies," "Elefantitos/Little Elephants," "La Araña Chiquitita (La Arañita)/Itsy Bitsy Spider," "El Barquito Chiquitito/Little Teeny Tiny Boat" and "Sol Solecito/Little Sunny Sunshine." More Canticos content will continue to roll out later this year. In the coming months, NOGGIN will debut the first seasons of the popular preschool series Wallykazam! and The Fresh Beat Band; new, interactive play-along videos from Wallykazam!, Bubble Guppies and Team Umizoomi; and a brand-new "Movie" hub featuring special episodes from Nickelodeon's hit preschool series. -
The Value Generated by Five's Investment in Children's Programming
June 2008 The value generated by Five’s investment in children’s programming Final report PERSPECTIVE Part of the Ingenious Consulting Network 2 The value generated by Five’s investment in children’s programming Overview of key findings This report has been commissioned to explore the impact of Five’s investment in children’s programming. It builds on elements of the analysis contained in Ofcom’s The Future of Children’s Programming research report, but examines in more detail the younger children’s production environment sustained by Five and other broadcasters. The report also examines the plurality of commissioning in younger children’s television, and how this works toward achieving the goals Ofcom has set for Public Service Broadcasting (PSB). This document was written from a combination of desk research, using data from Ofcom reports and industry publications, and interviews with figures in industry representing small and large independent producers, as well as interviews with broadcasters including the BBC and Five. A number of estimations have been made to derive detailed splits for broadcaster spending, and as such these figures should be treated as indicative. Specifically this report reaches the following conclusions: • Although the BBC is pre-eminent in children’s television, in terms of investment in new programming and overall audience share, Five’s Milkshake! brand is a strong competitor, originating more hours of pre-school children’s production than CBeebies and achieving similarly very high levels of parental and child satisfaction • The BBC and Five have very different approaches to commissioning content. The BBC’s system is centralised and formal whereas Five has a more collaborative and informal approach. -
WHO IS WHO 2020 Message from the CEO of ICEX Spain Trade and Investment
WHO IS WHO 2020 Message from the CEO of ICEX Spain Trade and Investment Dear reader, Continuing with our support for the Spanish animation area, we are proud to present our fi fth edition of the “Who is who” guide, a publication which provides a complete picture of Spain’s animation industry and highlights its values and its talent. This publication is your ultimate guide to the industry, introducing you to companies of various sizes and profi les, including producers, studios and services providers with active projects in 2020. ANIMATION Animation from Spain is the brand created by ICEX to promote the Spanish animation industry at all international shows around the globe. You are cordially invited to visit us at our stands at Kidscreen Summit, MIFA or MIPCOM, among other events, and so to see how Spanish animation productions are playing in the best global league. Kind regards, ICEX María Peña Mateos SPAIN TRADE AND INVESTMENT CEO ICEX Spain Trade and Investment ITC AND DIGITAL CONTENT DEPARTMENT +34 913 491 871 [email protected] www.icex.es GOBIERNO MINISTERIO DE ESPAÑA DE INDUSTRIA, COMERCIO Y TURISMO EUROPEAN REGIONAL DEVELOPMENT FUND A WAY TO MAKE EUROPE GENERAL INDEX ICEX | ANIMATION FROM SPAIN | DIBOOS 6 SPANISH ANIMATION IN FIGURES 10 TAX INCENTIVES PRODUCTION OF FILMS & AUDIOVISUAL SERIES IN SPAIN 12 ANIMATION FROM SPAIN COMPANIES 18 www.animationfromspain.com www.icex.es www.diboos.com ICEX SPAIN TRADE www.animationfromspain.com DIBOOS AND INVESTMENT The Spanish Federation of Animation Producers and María Arochena ICEX Spain Trade and Investment, in collaboration with It’s main aims are to: Visual Eff ects Associations is the umbrella body of the [email protected] +34 651 909 157 DIBOOS, The Spanish Association of Animation Produ- sector’s principal associations. -
Card Sorting Activities with Preschool Children
Card Sorting Activities with Preschool Children Ana Vitoria Joly Lyn Pemberton Richard Griffiths University of Brighton University of Brighton University of Brighton Lewes Road, BN2 4GJ Brighton, United Kingdom +44 (0) 1273 642476 [email protected] [email protected] [email protected] ABSTRACT the mouse. Three different studies are reported along Preschoolers’ categorization differs from adults’; with advantages and limitations of both open and closed therefore it is beneficial to involve them in the design card sort activities. process to create appropriate information architecture for CHILDREN'S CATEGORICAL KNOWLEDGE this age group. In this paper, we describe three card According to Murray and Reuter (2005), research into sorting activities conducted with a total of fifty six children’s acquisition of categories helps us understand preschool children in five nurseries. We conclude that a the impediments to children’s use of traditional closed card sorting task can be combined with a match- classification schemes [9]. Attention to this literature to-sample activity to offer insight into children’s offers an understanding of children’s cognitive and categorization knowledge, contributing significantly to developmental needs, which should influence the design the design of technology for young children. of classification schemes and information retrieval Keywords systems to better accommodate children’s information Card sorting, preschool children, user-centred design needs and abilities. INTRODUCTION A hundred years of research in developmental Card sorting techniques have been used to create psychology suggests that preschool children often information architecture eliciting conceptual structures categorize by common perceptual properties and/or by from participants in order to reflect how users view the thematic relationships [13]. -
The Future of Children's Television Programming
The future of children’s television programming Research Report Publication date: 3 October 2007 Closing date for responses: 20 December 2007 Foreword Children’s television has been at the heart of the UK’s public service broadcasting system for over fifty years, and during this time, the UK has built a reputation for producing some of the most distinctive and high quality children’s programming in the world. Ofcom’s review of children’s television programming was initiated in response to a number of profound consumer and market changes. With an increasing range of media available to many children and a growing number of dedicated children’s channels, children are changing the ways in which they consume media. As a result, traditional commercial public service broadcasters are facing significant pressures on their ability to fund original programming for children. These changes are occurring in the context of a new framework for the regulation of children’s programming, set out in the Communications Act 2003. Since the Act, ITV1, which had historically played a role in delivering a strong alternative voice to the BBC, has significantly reduced its commitments to children’s programming. This development, together with the other consumer and market changes under way, has led many to question how public service children’s programming can continue to be delivered in the future. To date, the lack of objective evidence available to establish the nature of the problem has made it difficult for this debate to progress. The Communications Act requires Ofcom to report on the fulfilment of the public service broadcasters’ public service remit at least once every five years and to make recommendations with a view to maintaining and strengthening the quality of public service broadcasting in the future. -
Cool Kids Flicks Heat up Radarscreen
US$7.95 in the U.S. CA$8.95 in Canada 1 US$9.95 outside of Canada & the U.S. July/August 2006 ® About reaching children through entertainment NTED IN USPS CANADA Approved Polywrap AFSM 100 A Publication of Brunico Communications Inc.1996-2006 NUMBER 40050265 PRI 40050265 NUMBER CCoolool kkidsids (c) 2006 Warner Bros. Entertainment Inc. (c) 2006 Warner CANADA POST AGREEMENT POST CANADA fflickslicks hheateat uupp RRadarScreenadarScreen 001July_editcover.indd1July_editcover.indd 1 77/20/06/20/06 33:07:11:07:11 PMPM 52x26’ animated series KKS.4060.Teleimages.inddS.4060.Teleimages.indd 1 77/20/06/20/06 111:50:241:50:24 AAMM 2255 1166 1122 2233 3399 1144 jjuly/augustuly/august 0066 HHighlightsighlights ffromrom thisthis iissuessue Special Report 8 up front 24 marketing • Amazon/TRU split may help • Cartoon Network’s RadarScreen U.S. toycos recess rescue plans take off Kidtoon provides more big-screen opps for branded family fare • Comprehensive listing of 14 ppd 25 digital bytes upcoming films and their merch plans • Got It Need It—Nick India looks •A long road ahead for to boost its profile in a tight market in-game ads; DigEcor makes p27 kids entertainment an in-flight 18 licensing priority • Kids classics get a merch infusion for ’07 39 coolwatch • Kids pick their fave flicks and 22 retail matinee idols • Sony Accesses a new retail channel back of the book Cover This month’s editorial cover features a photo from upcoming holiday film Happy Feet, 34 People Pages 37 Contact File 38 Calendar courtesy of Warner Bros. -
Mapping the Animation Industry in Europe
A publication of the European Audiovisual Observatory Mapping the Animation Industry in Europe Marta Jiménez Pumares Patrizia Simone Deirdre Kevin Laura Ene Julio Talavera Milla MAPPING THE ANIMATION INDUSTRY IN EUROPE © European Audiovisual Observatory (Council of Europe), Strasbourg, 2015 Director of publication – Susanne Nikoltchev, Executive Director Editorial supervision – Gilles Fontaine, Head of Department for Information on Markets and Financing Editorial team – Marta Jiménez Pumares, Patrizia Simone European Audiovisual Observatory Authors Marta Jiménez Pumares, Animation Analyst Patrizia Simone, Junior Analyst Deirdre Kevin, TV Analyst Laura Ene, Junior Analyst Julio Talavera Milla, Film Analyst European Audiovisual Observatory Disclaimers: Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. Special thanks to: André Lange, Christian Grece, Martin Kanzler and Agnes Schneeberger from the Department for Information on Markets and Financing at the European Audiovisual Observatory; Patrick Eveno and Mickaël Marin from CITIA (and Géraldine Baché, Anne Jegard, Thomas Sicre); Marc Vanderweyer from CARTOON (and Christophe Erbes, Mike Robinson, David Matamoros); Paul Young (Cartoon Saloon); Luca Milano, RAI; Carlos Biern, BRB; Marc du Pontavice (Xilam); Roberto Olla and Iris Cadoux from Eurimages; Gareth Lee, Animation Skillnet; Eileen Bell, Enterprise Ireland; Bob Thompson, Film London; Diboos (C. Biern, M. Cristóbal, Á. Molinero, R. -
Zinkia Presentation 2012 English August
ZINKIA CORPORATE PRESENTATION CORPORATE PRESENTATION 1. What is Zinkia? – A Company in Constant Growth Zinkia Business and Evolution Zinkia Business and Sources of Revenues Zinkia Content Portfolio Zinkia Awards 2. Pocoyo – A Brand Born to Succeed Zinkia’s Core Brand 100% Zinkia IP Pocoyo Product Catalogue Pocoyo Interactive Catalogue International Overview Global TV Presence Global Licensing Overview Product Development: From Content to Product Marketing and Digital Business Pocoyo Online Digital Content Retail Activity PR and Press Brand Values Zinkia Financial Results 2010 vs. 2011 CORPORATE PRESENTATION 3. Future Growth and Consolidation New Territories Digital Products Consumer Products The Future Ahead Financial Data 1. What is Zinkia? – A Company in constant growth What is ZINKIA BUSINESS ? A company AND EVOLUTION in constant growth The business of Zinkia Entertainment is not limited to audiovisual production - Zinkia creates and commercializes entertainment brands through the production and development of audiovisual content targeted at family audiences worldwide. In April 2011, Zinkia acquired a 51% stake in Cake Entertainment , one of the worlds leading distributors of Children’s and Family Entertainment content and it was named as the international television distributor for Pocoyo for all territories where Zinkia does not maintain distribution rights. Zinkia goes beyond and grows its business through innovation and the consolidation of digital content on the new Digital Platforms to ensure revenues and maximize the monetization strategy . ZINKIA BUSINESS AND SOURCES OF REVENUES Revenues from the Distribution of Audiovisual Content (Television, DVD,VOD, Videogames, Internet, Mobileplatforms and Digital Business). Revenues from Advertising and Brand Sponsorship . Revenues from the management of the brand (licensing royalties : Zinkia charges a royalty rate on each product sold under the licensed brand, usually between 10%- 12% of the selling price, with a cash advance against the projected business plan). -
British Academy Children's Film & Television Awards
BRITISH ACADEMY CHILDREN’S FILM & TELEVISION AWARDS IN ASSOCIATION WITH ELECTRONIC ARTS NOMINATIONS WITH WINNERS IN BOLD STRICTLY EMBARGOED UNTIL 21:30 GMT ON SUNDAY 26 NOVEMBER 2006 ANIMATION THE AMAZING ADRENALINI BROTHERS! - David Hodgson, Dan Chambers, Claire Underwood (Pesky Ltd, Studio B Productions, CITV) KING ARTHUR'S DISASTERS - Edward Bignell, Julian Scott (Zenith Entertainment Ltd/CiTV) THE KOALA BROTHERS OUTBACK CHRISTMAS - Peter Curtis, Tobias Fouracre (Spellbound Entertainment Ltd/CBeebies) THOSE SCURVY RASCALS - Adam Shaw, Oliver Hyatt, Daniel Isman (Blue-Zoo Productions for Entara/Nickelodeon UK) CHANNEL OF THE YEAR CBBC CBEEBIES NICKELODEON UK NICK JR UK DRAMA BARKING! - David Crean, AJ Quinn, Georgia Pritchett (Granada Kids/Catherine Bailey Limited/CiTV) THE GIBLET BOYS - Nick Fisher, Clive Parsons, Davina Belling (Film and General Productions/CiTV) JOHNNY AND THE BOMB - Peter Tabern, Dermot Boyd (Childsplay TV/BBC ONE) SCENE: SPIT GAME - Adrian Bate, Tim Fywell, Peter G Morgan (Zenith North/BBC Learning/BBC TWO) ENTERTAINMENT THE BASIL BRUSH SHOW - Vanessa Amberleigh, Michael Kerrigan, Ged Allen (Entertainment Rights/The Foundation/CBBC) RAVEN - Matthew Napier, Paul Hineman (CBBC Scotland/CBBC) TOP OF THE POPS RELOADED - Christina Brown, Jeanette Goulbourn, Jason Garbett (BBC/BBC TWO) TRICKY TV - Vanessa Hill, Piotr Obal (The Foundation/CiTV) FACTUAL BLUE PETER - BOOK AWARDS - Ros Sewell, Hugh Lawton, Richard Marson (BBC/CBBC) MICHAELA'S WILD CHALLENGE - Jonathan Frisby, Luke Gallie (Two Hand Productions/Five) THE REALLY