Secret Inner Order Rituals of the Golden Dawn

Total Page:16

File Type:pdf, Size:1020Kb

Secret Inner Order Rituals of the Golden Dawn Secret Inner Order Rituals Of The Golden Dawn By Pat Zalewski TABLE OF CONTENTS Introduction ........................................................................................................... 1 Chapter 1: Felkin and the New Zealand Order ............................................ 5 Thoth Hermes Temple Study Course for Adeptus Minor 5=6 ........... 19 Chapter 2: The Origins of the Rosicrucian Order .................................... 23 The Cypher Manuscripts .................................................................................. 31 Chapter 3: The Gods and Ritual .................................................................... 59 Chapter 4: Enochian Pronunciation ............................................................. 75 The Magical Language: A Vocabulary .......................................................... 77 Chapter 5: The 6=5 and 7=4 Rituals of the R.R. et A C .......................... 99 Appendix One: The Equinox Ceremony .................................................. 143 Appendix Two: The Portal of the Rosy Cross ........................................ 149 Appendix Three: Inner Order Study Curriculum ................................... 171 Appendix Four: "The Order of the Table Round".................................. 175 Regardie — In Memorial ...................................................................................... 179 Carrying on the Tradition of the Golden Dawn .............................................. 183 INTRODUCTION The idea of doing this book originally came from a conversation between Israel Regardie and myself during 1983 in New Zealand. The decision to publish the Inner Order rituals of the 6=5 and 7=4 did not come lightly for either of us, but Regardie and I both thought that these were better out in the open for all to use. Both of our feelings were adequately summed up in Regardie's book What You Should Know About the Golden Dawn (Falcon Press), in which he wrote: Obligations to personal allegiance, whether tacit or avowed, is the ideal method of enhancing the personal reputation of those who for many years have sat resolutely and persistently upon the pastas of the hidden knowledge. If by any chance the hidden knowledge were removed from their custody, their power would be gone. For in most cases their dominion does not consist in the gravitational attraction of spiritual attainment or even ordinary erudition. Their power is vested solely in the one fact, that they happen to be in possession of the private documents for distribution to those to whom they personally wish to bestow a favour as a mark of their esteem. Regardie also hated to see the Golden Dawn system abused. He thought that the publication of the 6=5 and 7=4 Grade Rituals, in their original fcem, might minimize that abuse by those who would change the rituals at a later date. It is hoped that publication of these Grade Rituals will free others who wish to explore the grades above the 5=6 of the Stella Matutina in the Outer. In so doing, I hope to break the shackles of some temples that claim legitimate descent from the Golden Dawn and the Stella Matutina. They use these grades, whether their claims be legitimate or not, as a source of secrecy to protect what Regardie has called the "hidden knowledge." With these rituals and the formulation of the Golden Dawn Foundation, which has a legitimate and chartered temple, we can now bring much additional teaching of the Order out into the Light. What is published in this volume is by no means the last of the Golden Dawn material Papers and manuscripts are currently being prepared for other volumes which will contain many of the past Order teachings as well as the later ones. Enclosed with the Order Rituals are a number of Flying Rolls lectures of the old Golden Dawn (as well as later ones) that I unearthed from the New Zealand Order. These lectures may shed new light on many of the more obscure aspects of G.D. teachings. It was Regardie's wish (and my own) that the Golden Dawn be allowed to spread out and not be restricted. Publication of previously unpublished material is a start in that direction. I hope that this publication will help those temples struggling for higher knowledge and put a bomb under other temples which have this material and have not yet released it due to their own brand of secret elitism. What is needed in the Golden Dawn today is openness and honesty. That can be achieved in part through publication, as the impact of Israel Regardie's work can attest. As Dion Fortune said, "There is no legitimate reason that I have ever been able to see for keeping things secret. If they have any value, there can be no justification for withholding them from the While I do believe in apostolic succession of the grades of the R.R. et A.C., I also realise that Temple Chiefs sitting smugly on documents to which everyone could have access, does little more than exalt their own egoes. The publication of these Grade Rituals is my own personal contribution in bringing these additional teachings of the R.R. et A.C. out in the open. My regret is that Regardie is not alive to see this book in print. There are still members today of the old Bristol Temple in England, who meet often, according to a former chief of Whare Ra to whom I recently spoke. I openly ask these members, some of whom have the 6=5 and 7=4 Grades, to help other temples get started in much the same way as Jack Taylor did for our Thoth Hermes Temple. Though confined to a wheel chair and over eighty years of age, he held age as no real excuse, and did all he could to insure that the Golden Dawn knowledge would not die with him. Over twenty years ago a well known English Occultist once remarked that revelation of the rituals renders them diminished in power. Of course, this is utter nonsense, as any ritual being correctly performed by a competent and developed aspirant, generates powerful energies each time it is so performed. The 6=5 and the 7=4 Rituals of the R.R. et A.C. do generate power. This is what counts, though the burden still rests squarely on the Temple Officers to insure this in practice. In the final analysis, whether or not one has been initiated through aspostolic succession, the student can still work gradually through the rituals, thereby attaining a degree of their desired effect. Those respectors of the G.D. initiates of the early era must be highly commended for their historical contributions to the Order history. Conversely, those authors who have derided the early G.D. initiates and yet still provided valuable historical insight, must of necessity be recognized for their contribution. A case in point is Years Golden Dawn, by George M. Harper, now out of print. Regardie enjoyed his style and contents, which was also presented by Ellic Howe, but in a style and commentary Regardie disliked. Nevertheless, the material present in both expositions sheds light on subjects of importance. In my own case, I hope that some of the historical gleanings concerning Felkin and the New Zealand Order will assist G.D. historians, in that it fits neatly with Howe's section on the Stella Matutina. While I feel I have tidied up some of the facts on the New Zealand Order, there is still much more research to do on the history and fate of the other Temples of the Golden Dawn, Alpha et Omega and Stella Matutina. P.J. Zalewski New Zealand 1986 CHAPTER ONE FELKIN AND THE NEW ZEALAND ORDER For most occult historians, the Golden Dawn ceases to exist in 1900 and the grade of 5=6 was the highest one attained among the Adepti: the exceptions being Mathers, Woodman, and Wescott who were 7=4; and Moira Mathers who reached the rank of 6=5. At that stage, there were subgrades within the Adeptus Minor level of which only two were worked: Zealator Adeptus Minor and Theoricus Adeptus Minor. A third subgrade of Practicus Adeptus Minor was drafted up although it was never implemented within the Golden Dawns Inner Order: the Rosea Rubea et Aurea Crucis. The final subgrade of Philosophus Adeptus Minor was in fact never utilized. In approximately 1898, an American couple by the name of Lockwood, who were members of the small Ahathoor Temple Mathers ran in Paris, were actually advanced to the level of Adeptus Exemptus, or the 7=4 grade. Many considered this grade a nominal one, based on the Mathers relationship with his English temples (though Brodie hums informed Felkin some ten years after that the Lockwoods actually had the rituals and teachings up to the 7=4 level well before 1900). Apparently, what Mathers had done in Ahathoor was to do away with the subgrades of the 5=6 grade and adopt a version of the Theoricus Adeptus Minor and Practicus Adeptus Minor, slightly enlarged and issued to the British temples. These were used as the 6=5 and 7=4 grade teachings (something which Israel Regardie had suspected for a number of years). Clearly, at this point, Mathers wanted to test the effect of the rituals of the 6=5 and 7=4 ceremonies by giving his American students the opportunity to use the practical work of the 5=6 subgrade rituals and ease into the two powerful grade currents. After the break in 1900 the Order split into two groups. The first was still called the Golden Dawn under Mathers (though this name was later changed to the A.O. or Alpha et Omega Temples). The second group was under a triad of Felkin, Brodie Imes, and Percy Bullock had effectually changed the name of their Outer Order to the Morganrote, though by 1903 a split had occurred once more and two further orders were then developed: the Stella Matutina under Felkin and the Holy Order of the Golden Dawn under Waite. During the next ten years Felkin came under increasing pressure to make a connection with the Golden Dawn's mother temple the Licht, Liebe, Und Leben.
Recommended publications
  • Harry Collison, MA – Kingston University Working Paper ______
    Harry Collison, MA – Kingston University Working Paper __________________________________________________________________________________________ HARRY COLLISON, MA (1868-1945): Soldier, Barrister, Artist, Freemason, Liveryman, Translator and Anthroposophist Sir James Stubbs, when answering a question in 1995 about Harry Collison, whom he had known personally, described him as a dilettante. By this he did not mean someone who took a casual interest in subjects, the modern usage of the term, but someone who enjoys the arts and takes them seriously, its more traditional use. This was certainly true of Collison, who studied art professionally and was an accomplished portraitist and painter of landscapes, but he never had to rely on art for his livelihood. Moreover, he had come to art after periods in the militia and as a barrister and he had once had ambitions of becoming a diplomat. This is his story.1 Collisons in Norfolk, London and South Africa Originally from the area around Tittleshall in Norfolk, where they had evangelical leanings, the Collison family had a pedigree dating back to at least the fourteenth century. They had been merchants in the City of London since the later years of the eighteenth century, latterly as linen drapers. Nicholas Cobb Collison (1758-1841), Harry’s grandfather, appeared as a witness in a case at the Old Bailey in 1800, after the theft of material from his shop at 57 Gracechurch Street. Francis (1795-1876) and John (1790-1863), two of the children of Nicholas and his wife, Elizabeth, née Stoughton (1764-1847), went to the Cape Colony in 1815 and became noted wine producers.2 Francis Collison received the prize for the best brandy at the first Cape of Good Hope Agricultural Society competition in 1833 and, for many years afterwards, Collison was a well- known name in the brandy industry.
    [Show full text]
  • A Wayfaring Man ______
    THE LANTERN – A Wayfaring Man ____________________________________ Volume I A WAYFARING MAN Part I THE LANTERN – A Wayfaring Man ____________________________________ Whare Ra THE LANTERN – A Wayfaring Man ____________________________________ ♀ This edition is limited to 100 copies, numbered from 1912 to 2011. Thus this book marks the year Privately Printed New Zealand 2012 Limited Hardback Edition ISBN 978-0-473-23184-2 THE LANTERN – A Wayfaring Man ____________________________________ “The Torch is passed from Generation to Generation The Candle is passed from Chief to Chief, Thus does Light Perpetual shine.” M.C. THE LANTERN – A Wayfaring Man ____________________________________ CONTENTS Introduction Page i Essay I – The Magic of Havelock North Page 1 Essay II – Robert Felkin the Astrologer Page 36 A Wayfaring Man – Part I Page 53 In Memoriam – Fiat Lux Page 156 Essay III – Introducing The Order Page 157 Essay IV – What is the Golden Dawn Page 164 Essay V – My Order Memories Page 166 THE LANTERN – A Wayfaring Man ____________________________________ INTRODUCTION While it has been over 60 years since the serial work The Lantern was last published in New Zealand, the pages within this book flow from the same stream of inspiration, and continue the Tradition, at least for the time-being, a little further on in time. It is anticipated that this will be the first of several new volumes of The Lantern. For this and the subsequent Volume II, the main essay within the book is a re-publication of A Wayfaring Man. Originally issued over several years in the original The Lantern, it is now very scarce and hard to find, particularly in a complete set.
    [Show full text]
  • The New Age Under Orage
    THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G.
    [Show full text]
  • Introduction 1 a New Order
    Notes Introduction 1. Alex Owen, The Place of Enchantment: British Occultism and the Culture of the Modern (Chicago: University of Chicago Press, 2004), 120. 2. Corinna Treitel, A Science for the Soul: Occultism and the Genesis of the German Modern (Baltimore: Johns Hopkins University Press, 2004), 3–4. Such scientists included Karl Friedrich Zöller, a well-respected professor of astrophysics at the University of Leipzig, physicists William Edward Weber and Gustav Theodor Fechner, mathematician Wilhelm Scheibner and the psychologist Wilhelm Wundt. 3. Owen, The Place of Enchantment. 4. Treitel, A Science for the Soul. 5. David Allen Harvey, Beyond Enlightenment: Occultism and Politics in Modern France (Dekalb: Northern Illinois University Press, 2005). 6. For a thorough discussion of the struggle by historians to establish the enchanted nature of the modern see Michael Saler ‘Modernity and Enchantment: A Historiographic Review,’ American Historical Review, 2006 111 (3): 629–716. 7. Nicola Bown, ‘Esoteric Selves and Magical Minds,’ History Workshop Journal, 2006 61 (1): 281–7, 284, 286. Similar criticism comes from Michael Saler. Michael Saler, review of The Place of Enchantment: British Occultism and the Culture of the Modern, by Alex Owen, American Historical Review 2005 110 (3): 871–2, 872. 1 A New Order 1. R.A. Gilbert, Revelations of the Golden Dawn: The Rise and Fall of a Magical Order (London: Quantum, 1997), 34. 2. Gilbert, Revelations, 45. 3. Ellic Howe, The Magicians of the Golden Dawn: A Documentary History of a Magical Order 1887–1923 (London: Routledge and Kegan Paul, 1972; York Beach, Maine: Samuel Weiser, 1978). Gilbert, Revelations.
    [Show full text]
  • Religion and the Return of Magic: Wicca As Esoteric Spirituality
    RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY A thesis submitted for the degree of PhD March 2000 Joanne Elizabeth Pearson, B.A. (Hons.) ProQuest Number: 11003543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003543 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 AUTHOR’S DECLARATION The thesis presented is entirely my own work, and has not been previously presented for the award of a higher degree elsewhere. The views expressed here are those of the author and not of Lancaster University. Joanne Elizabeth Pearson. RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY CONTENTS DIAGRAMS AND ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xi INTRODUCTION: RELIGION AND THE RETURN OF MAGIC 1 CATEGORISING WICCA 1 The Sociology of the Occult 3 The New Age Movement 5 New Religious Movements and ‘Revived’ Religion 6 Nature Religion 8 MAGIC AND RELIGION 9 A Brief Outline of the Debate 9 Religion and the Decline o f Magic? 12 ESOTERICISM 16 Academic Understandings of
    [Show full text]
  • I SUGGESTIVE SILENCES: SEXUALITY and the AESTHETIC
    i SUGGESTIVE SILENCES: SEXUALITY AND THE AESTHETIC NOVEL A Dissertation Submitted to The Temple University Graduate Board In Partial Fulfillment Of the Requirements for the Degree Ph. D. in English by Meredith L. Collins Examining Committee Members: Dr. Peter Logan, Advisor Temple University Department of English Dr. Priya Joshi Temple University Department of English Dr. Steven Newman Temple University Department of English Dr. Teresa Dolan Temple University Department of Art History Dr. Kate Thomas Bryn Mawr College, Department of English ii ABSTRACT This dissertation addresses how the philosophy, subculture, and sexuality of aestheticism interact with the form of the nineteenth-century novel. One primary result of this exploration is a nuanced delineation of the aesthetic novel in its formal characteristics, its content, and most notably, in the sexually charged silences that both this form and content reveal—silences made audible to invested aesthetic readers through coded doubleness. Through thus defining the aesthetic novel and seeking to articulate the unspoken sexual transgressions that are, as is argued, requisite therein, this project sheds new light both on the partially submerged sexuality of aestheticism as a movement, and on why novels account for so small a portion of the aesthetic movement’s output—topics first raised in part by Linda Dowling, Dennis Denisoff, and Talia Schaffer. By engaging Oscar Wilde’s The Picture of Dorian Gray (1891), Vernon Lee’s Miss Brown (1884), Walter Pater’s Marius the Epicurean (1885), Robert Hichens' The Green Carnation (1894), John Meade Falkner’s The Lost Stradivarius (1895), and Aubrey Beardsley’s Venus and Tannhäuser (1895), this dissertation demonstrates that, whether politically engaged as affirmation or using sexuality as a way to communicate rejection of middle-class morality and its own fascination with the unusual, aestheticism defines itself by its inclusion of unusual sexual situations.
    [Show full text]
  • YEATS ANNUAL NO. 5 in the Same Series
    YEATS ANNUAL NO. 5 In the same series YEATS ANNUAL Nos I, 2 Edited by Richard J. Finneran YEATS ANNUAL Nos, 3, 4 Edited by Warwick Gould THOMAS HARDY ANNUALS Nos I, 2, 3, 4, 5 Edited by Norman Page O'CASEY ANNUALS Nos I, 2, 3, 4 Edited by Robert G. Lowery Further titles in preparation Series Standlna Order If you would like to receive future titles in this series as they are published, you can make use of our standing order facility. To place a standing order please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address and the name of the series. Please state with which title you wish to begin your standing order. (If you live outside the UK we may not have the rights for your area, in which case we will forward your order to the publisher concerned.) Standing Order Service, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire, RG212XS, England. W. B. Yeats in his study in Woburn Buildings, reproduced from The Tatter, 15 7, 29 June 1904 (see Editor's Note, p. xviii). YEATS ANNUAL No. 5 Edited by Warwick Gould ©Warwick Gould 1987 Softcover reprint of the hardcover 1st edition 1987 978-0-333-35333-2 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Totten ham Court Road, London WlP 9HE.
    [Show full text]
  • A Thesis Presented'to Thef~Culty of the Department of English Indiana
    The Renaissance movement in the Irish theatre, 1899-1949 Item Type Thesis Authors Diehl, Margaret Flaherty Download date 06/10/2021 20:08:21 Link to Item http://hdl.handle.net/10484/4764 THE :RENAISSANCE HOVEMENT IN THE IRISH THEATRE 1899... 1949 A Thesis Presented'to TheF~culty of the Department of English Indiana. state Teachers College >" , .. .I 'j' , ;I'" " J' r, " <>.. ~ ,.I :;I~ ~ .~" ",," , '. ' J ' ~ " ") •.;.> / ~ oj.. ., ". j ,. ".,. " l •" J, , ., " .,." , ') I In Partial Fulfillment of the ReqUi:tements for th.eDegree Mast~rofArts in Education by Margaret Flaherty' Diehl June- 1949 i . I .' , is hereby approved as counting toward the completion of the Maste:r's degree in the amount of _L hOUI's' credit. , ~-IU~~~....{.t.}.~~~f...4:~:ti::~~~'~(.{I"''-_' Chairman. Re:prese~ative of Eng /{Sh Depa~ent: b~~~ , ~... PI ACKf.iIUvJLJIDG.fI1:EThTTS The author of this thesis wishes to express her sincere thanks to the members of her committee: (Mrs.) Haze~ T. Pfennig, Ph.D., chairman; (Mrs.) Sara K. Harve,y, Ph.D.; George E. Smock, Ph.D., for their advice and assistance. She appreciates the opportunities fOr research "itlhich have been extended to her, through bo'th Indiana State Teachers College Librar,y and Fairbanks Memoria~ Librar,y. The writer also desires to thank Lennox Robinson and Sean a'Casey fOr their friendly letters" She is espeCially indebted for valuable information afforded her through correspondence with Denis Johnston. Margaret Flaherty Diehl TABLE OF CONTENTS CHAPTER PAGE I.. BEGINNING OF THE DRAMA IN IRELAND ••••• .. ". 1 Need for this study of the Irish Renaissance .. 1 The English theatre in Ireland • • e' • • " ." 1 Foupding of the Gaiety Theatre .
    [Show full text]
  • Yeats's Queer Dramaturgies: Oscar Wilde, Narcissus, and Melancholy Masculinities in Calvary
    International Yeats Studies Volume 4 Issue 1 Article 3 January 2020 Yeats's Queer Dramaturgies: Oscar Wilde, Narcissus, and Melancholy Masculinities in Calvary Zsuzsanna Balázs National University of Ireland, Galway Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation Balázs, Zsuzsanna (2020) "Yeats's Queer Dramaturgies: Oscar Wilde, Narcissus, and Melancholy Masculinities in Calvary," International Yeats Studies: Vol. 4 : Iss. 1 , Article 3. DOI: https://doi.org/10.34068/IYS.04.01.02 Available at: https://tigerprints.clemson.edu/iys/vol4/iss1/3 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. Yeats’s Queer Dramaturgies: Oscar Wilde, Narcissus, And Melancholy Masculinities In Calvary Zsuzsanna Balázs “Have you noticed that the Greek androgynous statue is always the woman in man, never the man in woman? It was made for men who loved men first.” —W. B. Yeats (L 875) avid Cregan has called Frank McGuinness the first Irish playwright to apply a distinctively queer dramaturgical epistemology in his plays.1 Yet it is less often acknowledged that Yeats’s drama also took signifi- Dcant steps towards creating space for an anti-normative and anti-authoritarian queer dramaturgy, and thus intervened in normative constructs of sexuality and gender, indirectly joining the sexual liberation and women’s emancipation movements of his time. This was predominantly the result of his collaborations with and inspirations from transgressive artists such as Florence Farr, Michio Itō, Sarah Bernhardt, Vaslav Nijinsky, and Loïe Fuller, as well as his manifold transcultural inspirations which defied sexual polarization and hyper-mascu- linity in favor of more illicit forms of eros and a gender-bending body ideal.
    [Show full text]
  • Newsletter November 2016 Issue 16.3 President Hilary Fraser Past
    November 2016 Newsletter Issue 16.3 Welcome all to a bumper issue of the BAVS Newsletter! It was, as ever, a true delight to see so many of you at the BAVS Executive BAVS Conference in Cardiff this year; it was our biggest President Postdoctoral conference ever and, by all accounts, one of our Hilary Fraser Representatives favourites. If you’d like to relive the experience, or if you Angie Dunstan weren’t able to make it, turn to p.5 for reports from this Past President Sarah Parker year’s conference reporters. Rohan McWilliam Postgraduate This coming January is the launch of a new collaborative venture between BAVS and BARS: C19 Matters. This Secretary Representatives event, aimed at ECRs, will be held at Chawton House Patricia Pulham Abby Boucher Library on the theme of public engagement. See p.3 for Briony Wickes details and information on how to register. Treasurer Vicky Holmes 2017 Conference Organisers Those of you interested in networks – of various kinds – throughout the nineteenth century will be thrilled to see Membership Secretary Claudia Capancioni the creation of the AHRC-funded research network James Emmott Alice Crossley ‘Institutions of Literature, 1700-1900’; you’ll find Committee Members information about that on p.55. Funding Officer Carolyn Burdett Emma Butcher Regenia Gagnier We have special discounts just for BAVS members on Ann Heilmann selected publications in the ‘Recent Publications’ Communications Officer Elisabeth Jay section, and there’s a chance to win a copy of Tim Alexandra Lewis Rosemary Mitchell Symonds’s latest Sherlock novel on the back page.
    [Show full text]
  • WHAT YOU SHOULD KNOW ABOUT the GOLDEN DAWN Copyright © 1983 by the Israel Regardie Foundation
    WHAT YOU SHOULD KNOW ABOUT THE GOLDEN DAWN Copyright © 1983 by The Israel Regardie Foundation All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted or utilized, in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher, except for brief quotations in critical articles and reviews. International Standard Book Number: 0-941404-15-3 Library of Congress Catalog Card Number: 83-81663 First Edition 1936 Second Edition 1971 Third Edition, revised 1983 Falcon Press, 3660 N. 3rd. St. Phoenix, Arizona 85012 (602) 246-3546 Manufactured in the United States of America CONTENTS Foreword VII Introduction XIII The Golden Dawn 7 Scandal 27 Light 56 Darkness 94 Light in Extension 120 Some Modern Critics 141 Suster's answer to Howe Mathers' Manifesto 181 LIST OF ERRATA Page 15. 4th line from the bottom, last word "with" should be "within" 39. 3rd. Delete "s" from "Obligations". 28th. First word should be plural "poseurs". 31st. "dubions" not "budious". 56. 28th. Subsititue comma for period. Delete "And" after origin and insert "then". 58. 4th line from bottom. Delete last "e" in employes. 68. 17th. Delete "one of". 72. 3rd. "Portal" not "portal". 32nd. "Commit" not "comit". 82. 25th. "animo" should be "anima". 83. 14th. "Tipharath" should be "Tiphareth". 87. 11th. "Offiice" should be "office". 88. 10th. "are" should be "were". 99. 15th. "about" should be "above". 102. 24th. "indentical" should be "identical". 107. 17th."was" should be "is". 109.
    [Show full text]
  • Pázmány Péter Katolikus Egyetem Bölcsészet- És Társadalomtudományi Kar
    Pázmány Péter Katolikus Egyetem Bölcsészet- és Társadalomtudományi Kar Történelemtudományi Doktori Iskola Vezetője: Dr. Őze Sándor DSc Enyedi Tamás Újrahasznosított vallások: Egyiptom a századforduló Hermetikus és Thelemikus gondolkodásában Doktori (PhD) Értekezés Témavezetők: Dr. Mezei Balázs DSc Dr. Bácskay András PhD Budapest,2019 Pázmány Péter Catholic University Faculty of Humanities and Social Studies Doctoral School of History Head of Doctoral School: Dr. Őze Sándor DSc Tamás Enyedi Recycled Religions: Egypt in Fin de Siécle Hermetic and Thelemic Thought Doctoral (PhD) Dissertation Supervisors: Dr. Mezei Balázs DSc Dr. Bácskay András Budapest, 2019. Table of Contents Introduction ................................................................................................................................ 1 Method, Sources, and Assumptions ........................................................................................... 7 The Occult Revival and History of the Golden Dawn ............................................................. 14 Disenchantment and the decline of religion ......................................................................... 14 Was there an Occult Revival? .............................................................................................. 20 Esoteric trends of the late nineteenth century ...................................................................... 25 An occult genealogy ............................................................................................................
    [Show full text]