Newsletter November 2016 Issue 16.3 President Hilary Fraser Past

Total Page:16

File Type:pdf, Size:1020Kb

Newsletter November 2016 Issue 16.3 President Hilary Fraser Past November 2016 Newsletter Issue 16.3 Welcome all to a bumper issue of the BAVS Newsletter! It was, as ever, a true delight to see so many of you at the BAVS Executive BAVS Conference in Cardiff this year; it was our biggest President Postdoctoral conference ever and, by all accounts, one of our Hilary Fraser Representatives favourites. If you’d like to relive the experience, or if you Angie Dunstan weren’t able to make it, turn to p.5 for reports from this Past President Sarah Parker year’s conference reporters. Rohan McWilliam Postgraduate This coming January is the launch of a new collaborative venture between BAVS and BARS: C19 Matters. This Secretary Representatives event, aimed at ECRs, will be held at Chawton House Patricia Pulham Abby Boucher Library on the theme of public engagement. See p.3 for Briony Wickes details and information on how to register. Treasurer Vicky Holmes 2017 Conference Organisers Those of you interested in networks – of various kinds – throughout the nineteenth century will be thrilled to see Membership Secretary Claudia Capancioni the creation of the AHRC-funded research network James Emmott Alice Crossley ‘Institutions of Literature, 1700-1900’; you’ll find Committee Members information about that on p.55. Funding Officer Carolyn Burdett Emma Butcher Regenia Gagnier We have special discounts just for BAVS members on Ann Heilmann selected publications in the ‘Recent Publications’ Communications Officer Elisabeth Jay section, and there’s a chance to win a copy of Tim Alexandra Lewis Rosemary Mitchell Symonds’s latest Sherlock novel on the back page. Wendy Parkins Newsletter Editor Mark Richards This issue also hosts our first set of book reviews. If Joanna Taylor Arlene Young you have a book you’d like reviewing, or you’d like to review one yourself, the details can be found on p.31. Web & Publicity Officers Will Abberley As ever, if you have an event or publication you’d like to Claire Wood see in the Newsletter, or anything else you think would be of interest to BAVS members, please do get in touch. Joanna Taylor (Newsletter Editor) [email protected] CONTENTS UPCOMING EVENTS 2 NETWORKING 55 CONSUMING (THE) 5 RECENT PUBLICATIONS 57 VICTORIANS CONFERENCE REPORTS 21 CALLS FOR SUBMISSIONS 70 (PRINT) REVIEWS 31 CALL FOR PAPERS 77 (CONFERENCES) FUNDING OPPORTUNITIES 43 QUIZ 81 Upcoming Events Victorian History Talks Kensington Palace Brunchtime lecture - The rise of Christmas shopping Saturday 3 December, 11.00-12.30 Explore the development of the festive shopping period, from window displays and advertising to the gifts given and received by Queen Victoria with historian Professor Mark Connelly. Brunchtime lecture - Panto and performance Saturday 14 January 2017, 11.00-12.30 He’s behind you! Discover the world of Victorian pantomime, music hall, theatre and performance with historian Kate Howard. For more information and to book tickets, please visit http://www.hrp.org.uk/kensington- palace/whats-on/talks-and-debates George Egerton and the fin de siècle Friday 7 – Saturday 8 April 2017 A two-day conference organised by the Modern & Contemporary Research Group at Loughborough University Keynote speaker: Professor Margaret D. Stetz (University of Delaware) This is the first conference dedicated to the life and work of George Egerton, the nom de plume of Mary Chavelita Dunne (1859–1945). Egerton is often discussed in relation to New Woman writing and scholars have tended to focus on her first two short story collections, Keynotes (1893) and Discords (1894). This conference seeks to go beyond the parameters of her early works, with the aim of recovering her wider oeuvre and reassessing her wider contribution to fin de siècle and early 20th century literature and drama. Enquiries should be addressed to Dr Nick Freeman ([email protected]) and Dr Anne-Marie Beller ([email protected]). 2 Nineteenth-Century Matters: Public Engagement Training Day Chawton House Library 28 January 2017 Are you a PGR or ECR working on the long nineteenth century? Are you interested in turning your research into public engagement? Want to network with likeminded individuals across humanities disciplines? If so, you will have the opportunity to learn new skills and develop ideas for future collaborations at this training day, which is hosted in the atmospheric Chawton House Library and draws together funders, academics, and heritage professionals. The keynote speaker will be Mark Llewellyn, the Director of Research for the AHRC. The day is sponsored by the British Association of Romantic Studies and the British Association of Victorian Studies. For further information, please visit this post Chawton House Library blog. Booking & Fees Registration: £35. Places are limited, so early booking is advisable. A number of fee waivers are available for ECRS without institutional affiliation or permanent academic employment. For details on registration and payment, please visit the Chawton House Library blog. C19 Matters is supported by BAVS and BARS. 3 19th Century Studies Research Networking Day and Inaugural Lecture by Prof Dominic Janes Keele University 25 April 2017 Colleagues in all areas of 19th century studies are invited to a research networking day at Keele University. This will be a chance to offer short papers, or lead discussions or recent research, particularly with reference to developing collaborative projects and exchanging ideas on grant applications. This will be followed by an inaugural lecture. If you are interested in the networking day you can contact Dominic Janes directly on [email protected]. If you want to attend the lecture only, or in addition to coming to the research day, you may book at https://www.keele.ac.uk/publiclectures/ Inaugural Lecture ‘Who Invented Oscar Wilde? Adventures in the History of Sexuality’ Tuesday 25th April - 18:00 - Westminster Theatre, Keele University Dominic Janes has made a career out of scandal; or, rather, out of studying images and lives that were once found scandalous. ‘I do not say you are it, but you look it, and you pose at it, which is just as bad’, Lord Queensbury challenged Oscar Wilde in the courtroom—which erupted in laughter—and openly accusing Wilde of posing as a sodomite. Oscar Wilde Prefigured is Jane’s latest book. It is a study of the prehistory of this ‘queer moment’ in 1895. He has explored the complex ways in which men who desired sex with men in Britain expressed such interests through clothing, style, and deportment since the mid-eighteenth century. In this lecture he will tease out the means by which same-sex desires could be signalled through visual display in Georgian and Victorian Britain. Wilde, it turns out, was not the starting point for public queer figuration. He was the pivot by which Georgian figures and twentieth-century camp stereotypes meet. Drawing on the mutually reinforcing phenomena of dandyism and caricature of alleged effeminates, Dominic Janes will examine a wide range of images drawn from theatre, fashion, and the popular press to reveal new dimensions of identity politics, gender performance and queer culture. In this way he will continue his career- defining mission to push the boundaries of historical study and even, perhaps, shock, some of the more conservative cultural critics. 4 Consuming (the) Victorians: 2016 Annual Conference of the British Association for Victorian Studies Cardiff University, 31 August–2 September 2016 This year, some of the recipients of the BAVS Conference Bursary were asked to provide a conference report for the Newsletter. Further reflections on the conference can be found on the BAVS Researcher blog on the Victorianist website. For information about BAVS Conference bursaries for 2017, please contact the BAVS Funding Officer, Emma Butcher ([email protected]/[email protected]) and next year’s conference organisers, Alice Crossley ([email protected]) and Claudia Capancioni ([email protected]). Katie Bell (University of Leicester): television. Therefore the preliminary panel, ‘Global Dickens: Reimagining Dickens With a theme like ‘Consuming (the) Around the World’ was of tremendous value Victorians’, this year’s BAVS was sure to to my work and to my understanding of draw a diverse group of delegates, and Dickens-fandom. Melisa Klimaszewski indeed it did! Each brought to the table offered up particularly fascinating ideas on their own particular dish of research (to the South African film A Boy Called Twist, utilise the already given metaphor of and demonstrated that it perhaps does not consumption), and all were well provide the culturally diverse setting to coordinated, united under the larger idea of Dickens’s Oliver Twist as much as modernity defining what consuming means to us, and would like to think. She delved as well into meant to the Victorians. This topic covered how Dickens emerges in Black American both how the Victorians are viewed by rap culture through rappers such as Jay-Z’s modernity and also how the Victorians lived inclusion of Oliver Twist in his songs. the minutia of their lives, as was so brilliantly displayed by the keynote BAVS invited me to put forward my most speakers. Patricia Duncker examined the recent research on Edgar Allan Poe’s place nuances of new-Victorian fiction, Christina in the canon of Victorian literature, and I Bashford spoke on the craze of violins presented this on a panel titled ‘Victorian towards the end of the century, and Frank Afterlives and the Consumptions of the Trentmann’s research examined Victorian Victorians through Fandom, Adaptation and consumer culture. These keynote speakers Intertextuality’. All of the delegates on our set the tone each day for what was to come. panel gave papers which dealt with the concept of fandom, and thus all worked well My own area of research examines how the together as one cohesive argument about works of Charles Dickens (and to some the importance of fandom, fan-fiction, and degree the man himself) has been adaptation.
Recommended publications
  • The New Age Under Orage
    THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G.
    [Show full text]
  • Introduction 1 a New Order
    Notes Introduction 1. Alex Owen, The Place of Enchantment: British Occultism and the Culture of the Modern (Chicago: University of Chicago Press, 2004), 120. 2. Corinna Treitel, A Science for the Soul: Occultism and the Genesis of the German Modern (Baltimore: Johns Hopkins University Press, 2004), 3–4. Such scientists included Karl Friedrich Zöller, a well-respected professor of astrophysics at the University of Leipzig, physicists William Edward Weber and Gustav Theodor Fechner, mathematician Wilhelm Scheibner and the psychologist Wilhelm Wundt. 3. Owen, The Place of Enchantment. 4. Treitel, A Science for the Soul. 5. David Allen Harvey, Beyond Enlightenment: Occultism and Politics in Modern France (Dekalb: Northern Illinois University Press, 2005). 6. For a thorough discussion of the struggle by historians to establish the enchanted nature of the modern see Michael Saler ‘Modernity and Enchantment: A Historiographic Review,’ American Historical Review, 2006 111 (3): 629–716. 7. Nicola Bown, ‘Esoteric Selves and Magical Minds,’ History Workshop Journal, 2006 61 (1): 281–7, 284, 286. Similar criticism comes from Michael Saler. Michael Saler, review of The Place of Enchantment: British Occultism and the Culture of the Modern, by Alex Owen, American Historical Review 2005 110 (3): 871–2, 872. 1 A New Order 1. R.A. Gilbert, Revelations of the Golden Dawn: The Rise and Fall of a Magical Order (London: Quantum, 1997), 34. 2. Gilbert, Revelations, 45. 3. Ellic Howe, The Magicians of the Golden Dawn: A Documentary History of a Magical Order 1887–1923 (London: Routledge and Kegan Paul, 1972; York Beach, Maine: Samuel Weiser, 1978). Gilbert, Revelations.
    [Show full text]
  • Religion and the Return of Magic: Wicca As Esoteric Spirituality
    RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY A thesis submitted for the degree of PhD March 2000 Joanne Elizabeth Pearson, B.A. (Hons.) ProQuest Number: 11003543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003543 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 AUTHOR’S DECLARATION The thesis presented is entirely my own work, and has not been previously presented for the award of a higher degree elsewhere. The views expressed here are those of the author and not of Lancaster University. Joanne Elizabeth Pearson. RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY CONTENTS DIAGRAMS AND ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xi INTRODUCTION: RELIGION AND THE RETURN OF MAGIC 1 CATEGORISING WICCA 1 The Sociology of the Occult 3 The New Age Movement 5 New Religious Movements and ‘Revived’ Religion 6 Nature Religion 8 MAGIC AND RELIGION 9 A Brief Outline of the Debate 9 Religion and the Decline o f Magic? 12 ESOTERICISM 16 Academic Understandings of
    [Show full text]
  • I SUGGESTIVE SILENCES: SEXUALITY and the AESTHETIC
    i SUGGESTIVE SILENCES: SEXUALITY AND THE AESTHETIC NOVEL A Dissertation Submitted to The Temple University Graduate Board In Partial Fulfillment Of the Requirements for the Degree Ph. D. in English by Meredith L. Collins Examining Committee Members: Dr. Peter Logan, Advisor Temple University Department of English Dr. Priya Joshi Temple University Department of English Dr. Steven Newman Temple University Department of English Dr. Teresa Dolan Temple University Department of Art History Dr. Kate Thomas Bryn Mawr College, Department of English ii ABSTRACT This dissertation addresses how the philosophy, subculture, and sexuality of aestheticism interact with the form of the nineteenth-century novel. One primary result of this exploration is a nuanced delineation of the aesthetic novel in its formal characteristics, its content, and most notably, in the sexually charged silences that both this form and content reveal—silences made audible to invested aesthetic readers through coded doubleness. Through thus defining the aesthetic novel and seeking to articulate the unspoken sexual transgressions that are, as is argued, requisite therein, this project sheds new light both on the partially submerged sexuality of aestheticism as a movement, and on why novels account for so small a portion of the aesthetic movement’s output—topics first raised in part by Linda Dowling, Dennis Denisoff, and Talia Schaffer. By engaging Oscar Wilde’s The Picture of Dorian Gray (1891), Vernon Lee’s Miss Brown (1884), Walter Pater’s Marius the Epicurean (1885), Robert Hichens' The Green Carnation (1894), John Meade Falkner’s The Lost Stradivarius (1895), and Aubrey Beardsley’s Venus and Tannhäuser (1895), this dissertation demonstrates that, whether politically engaged as affirmation or using sexuality as a way to communicate rejection of middle-class morality and its own fascination with the unusual, aestheticism defines itself by its inclusion of unusual sexual situations.
    [Show full text]
  • YEATS ANNUAL NO. 5 in the Same Series
    YEATS ANNUAL NO. 5 In the same series YEATS ANNUAL Nos I, 2 Edited by Richard J. Finneran YEATS ANNUAL Nos, 3, 4 Edited by Warwick Gould THOMAS HARDY ANNUALS Nos I, 2, 3, 4, 5 Edited by Norman Page O'CASEY ANNUALS Nos I, 2, 3, 4 Edited by Robert G. Lowery Further titles in preparation Series Standlna Order If you would like to receive future titles in this series as they are published, you can make use of our standing order facility. To place a standing order please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address and the name of the series. Please state with which title you wish to begin your standing order. (If you live outside the UK we may not have the rights for your area, in which case we will forward your order to the publisher concerned.) Standing Order Service, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire, RG212XS, England. W. B. Yeats in his study in Woburn Buildings, reproduced from The Tatter, 15 7, 29 June 1904 (see Editor's Note, p. xviii). YEATS ANNUAL No. 5 Edited by Warwick Gould ©Warwick Gould 1987 Softcover reprint of the hardcover 1st edition 1987 978-0-333-35333-2 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Totten ham Court Road, London WlP 9HE.
    [Show full text]
  • A Thesis Presented'to Thef~Culty of the Department of English Indiana
    The Renaissance movement in the Irish theatre, 1899-1949 Item Type Thesis Authors Diehl, Margaret Flaherty Download date 06/10/2021 20:08:21 Link to Item http://hdl.handle.net/10484/4764 THE :RENAISSANCE HOVEMENT IN THE IRISH THEATRE 1899... 1949 A Thesis Presented'to TheF~culty of the Department of English Indiana. state Teachers College >" , .. .I 'j' , ;I'" " J' r, " <>.. ~ ,.I :;I~ ~ .~" ",," , '. ' J ' ~ " ") •.;.> / ~ oj.. ., ". j ,. ".,. " l •" J, , ., " .,." , ') I In Partial Fulfillment of the ReqUi:tements for th.eDegree Mast~rofArts in Education by Margaret Flaherty' Diehl June- 1949 i . I .' , is hereby approved as counting toward the completion of the Maste:r's degree in the amount of _L hOUI's' credit. , ~-IU~~~....{.t.}.~~~f...4:~:ti::~~~'~(.{I"''-_' Chairman. Re:prese~ative of Eng /{Sh Depa~ent: b~~~ , ~... PI ACKf.iIUvJLJIDG.fI1:EThTTS The author of this thesis wishes to express her sincere thanks to the members of her committee: (Mrs.) Haze~ T. Pfennig, Ph.D., chairman; (Mrs.) Sara K. Harve,y, Ph.D.; George E. Smock, Ph.D., for their advice and assistance. She appreciates the opportunities fOr research "itlhich have been extended to her, through bo'th Indiana State Teachers College Librar,y and Fairbanks Memoria~ Librar,y. The writer also desires to thank Lennox Robinson and Sean a'Casey fOr their friendly letters" She is espeCially indebted for valuable information afforded her through correspondence with Denis Johnston. Margaret Flaherty Diehl TABLE OF CONTENTS CHAPTER PAGE I.. BEGINNING OF THE DRAMA IN IRELAND ••••• .. ". 1 Need for this study of the Irish Renaissance .. 1 The English theatre in Ireland • • e' • • " ." 1 Foupding of the Gaiety Theatre .
    [Show full text]
  • Since Thomas Cook's Inaugural Trip in 1841, His Name Has Come To
    CSB_078-079_ThomasCook:250 x 342 15/6/09 07:40 Page 78 SUPERBRANDS 2009/10 superbrands.uk.com Since Thomas Cook’s inaugural trip in 1841, his name has come to represent a pioneering approach to tourism. Introducing the first overseas package tour in 1855, today Thomas Cook takes six million British holidaymakers abroad each year. Thomas Cook Group plc has a network of more than 3,400 stores across 21 countries and over 22.3 million customers, making it one of the world’s leading leisure groups. the pioneer of popular tourism, Thomas Cook described himself as “the willing and devoted servant of the travelling public” and today the company maintains many of his original values. Market such as Thomas Cook, Airtours, Cruise Formed from the merger with MyTravel Group Thomas Cook and Direct Holidays as well It is an approach that has stood the company in 2007, the new Thomas Cook Group delivered as niche brands including Thomas Cook in good stead, with several Thomas Cook strong results in its first full year of trading; Signature, Cresta and Club 18-30, it is able to brands recognised with industry accolades against an unsettled economic backdrop, it has offer a holiday or service to suit a myriad of in 2008/09. Its retail network was named laid firm foundations for the future. To maintain tastes and budgets. The Group recently added Large Travel Retailer of the Year at the British its industry-leading margins, the Group’s focus hotels4u.com, Elegant Resorts, Gold Medal Travel Awards and Thomas Cook was named lies on continued tailoring of its offering to and Med Hotels to its portfolio, increasing its Favourite Package Holiday Provider at the 2009 meet the needs of its customers.
    [Show full text]
  • The Mechanics Institutes: Pioneers of Leisure and Excursion Travel by Susan Barton
    The Mechanics Institutes: Pioneers of Leisure and Excursion Travel by Susan Barton In July 1841, the excursion organised by Thomas Cook to a temperance rally in Loughborough 'took a trip into history'. Less well known than this famous journey are the pioneering rail excursions organised by the Mechanics' Institutes during the two preceding years. This paper is concerned with the story of the excursion undertaken by the Mechanics Institutes of Leicester and Nottingham during the summer of 1840. With the opening of the Midland Counties Railway in May 1840, there existed for the first time in the East Midlands a means of quick mass conveyance between the region's towns which enabled people to travel for leisure purposes in a manner without previous local precedent. The Mechanics utilised the potential of steam-powered rail travel to visit the exhibitions in Leicester and Nottingham in 1840. These exhibitions were organised by their respective Mechanic Institutes with the aim of providing education, entertainment and raising funds. The reciprocal visits between the two towns' were a tremendous success and provided inspiration for subsequent leisure excursions and the imminent development of the tourism industry. The Mechanics' Institutes were founded during the first half of the nineteenth century to promote education amongst skilled workers and artisans or 'mechanics'. Leicester's Institute was founded in 1833 and Nottingham's in 1837. They were concerned with education in the broadest possible sense, from basic instruction in literacy and numeracy to lectures on the latest scientific ideas. Education was not just about learning skills and facts, but involved cultural and personal development, hence the provision of libraries, classical music concerts, travel as well as the exhibitions with which this paper is concerned.
    [Show full text]
  • Yeats's Queer Dramaturgies: Oscar Wilde, Narcissus, and Melancholy Masculinities in Calvary
    International Yeats Studies Volume 4 Issue 1 Article 3 January 2020 Yeats's Queer Dramaturgies: Oscar Wilde, Narcissus, and Melancholy Masculinities in Calvary Zsuzsanna Balázs National University of Ireland, Galway Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation Balázs, Zsuzsanna (2020) "Yeats's Queer Dramaturgies: Oscar Wilde, Narcissus, and Melancholy Masculinities in Calvary," International Yeats Studies: Vol. 4 : Iss. 1 , Article 3. DOI: https://doi.org/10.34068/IYS.04.01.02 Available at: https://tigerprints.clemson.edu/iys/vol4/iss1/3 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. Yeats’s Queer Dramaturgies: Oscar Wilde, Narcissus, And Melancholy Masculinities In Calvary Zsuzsanna Balázs “Have you noticed that the Greek androgynous statue is always the woman in man, never the man in woman? It was made for men who loved men first.” —W. B. Yeats (L 875) avid Cregan has called Frank McGuinness the first Irish playwright to apply a distinctively queer dramaturgical epistemology in his plays.1 Yet it is less often acknowledged that Yeats’s drama also took signifi- Dcant steps towards creating space for an anti-normative and anti-authoritarian queer dramaturgy, and thus intervened in normative constructs of sexuality and gender, indirectly joining the sexual liberation and women’s emancipation movements of his time. This was predominantly the result of his collaborations with and inspirations from transgressive artists such as Florence Farr, Michio Itō, Sarah Bernhardt, Vaslav Nijinsky, and Loïe Fuller, as well as his manifold transcultural inspirations which defied sexual polarization and hyper-mascu- linity in favor of more illicit forms of eros and a gender-bending body ideal.
    [Show full text]
  • Thomas Cook Travel Guides
    Thomas Cook Travel Guides tachometerTouchy Pen parallelly always subminiaturized and dwining so hisunthinkingly! pediculosis Unphonetic if Myron is Huntleeunamenable always or steadequiponderate his lukewarmness microscopically. if Horatio Overbusy is ungulate Ruddy or winkles sometimes starchily. reallots his Thomas Cook Rise & Fall into a Travel Agent Episode Guide. Bradstreet put contingency plans to get this page? Slot machine da giocare senza registrazione e senza scaricare. Thomas cook travel guide to thomas cook. Travelobiz Leading Travel News Portal News Updates. It would be available to london and spending time and phonetic spellings for this website uses information is included bedsteads and cook travel. Thomas Cook India Israel publish new MICE book Travel Daily. Mutzabaugh also ran an all this site usage and thomas cook and business. Hurricanes, passengers were few. Thomas Cook The much-loved travel brand with humble roots. Download this magnificent image Thomas Cook European Rail Timetables travel guides passport and tickets DAXF0 from Alamy's library of millions of high. Vintage travel brochures from Thomas Cook 1957 birthday gift. Thomas Cook Airlines Book Flights and Save. Thomas Cook A timeline of foreign world's oldest tour operator. English, try on later. Yes, central London. Thomas Cook Pocket Guides Series by Thomas Cook. Book Thomas Cook Airlines Flights now from Alternative Airlines. Recipe Vegan Fakeaway Back All Travel Travel News Features Abroad Tips UK travel books Best Travel Books To dump You Feel. Thomas Cook and then Lock also British published their own versions of travel guides While most circumstance the early guidebooks including Baedeker's were written. To print works and the travel guide to date with plans to start reading room, a few things have any of travelers was a worldwide travel.
    [Show full text]
  • ISSN: 2320-5407 Int. J. Adv. Res. 7(8), 331-336 RESEARCH ARTICLE
    ISSN: 2320-5407 Int. J. Adv. Res. 7(8), 331-336 Journal Homepage: -www.journalijar.com Article DOI:10.21474/IJAR01/9509 DOI URL: http://dx.doi.org/10.21474/IJAR01/9509 RESEARCH ARTICLE PIONEERS OF REPERTORY THEATRES. Dr. Pradnya S. Yenkar. Associate Professor, Department of English,Vidyabharati Mahavidyalaya, AMRAVATI (MS)-444602.INDIA. …………………………………………………………………………………………………….... Manuscript Info Abstract ……………………. ……………………………………………………………… Manuscript History The staging of Shakespeare‟s plays was revolutionized by Granville- Received: 06 June 2019 Barker‟s productions at the Savoy Theatre, which were admired for Final Accepted: 08 July 2019 their simplicity, fluidity, and speed. Equally significant for the British Published: August 2019 theatre was the founding of the first provincial repertory theatre in 1908 by Horniman at the Gaiety, Manchester. It not only provided opportunities for promising British playwrights but also presented works by important Continental dramatists. Mainstream British theatre paid very little attention to the antirealistic movements that characterized experimental theatre in the rest of Europe. The domination of the actor-manager was effectively challenged by Harley Granville-Barker and John E. Vedrenne at London‟s Royal Court Theatre; between 1904 and 1907 they staged numerous new plays by British and Continental writers. The major dramatist at the Royal Court, indeed the most important British dramatist of the century, was the Irish-born George Bernard Shaw. The Irish theatre movement and the repertory theatres
    [Show full text]
  • (2016) a Seance Room of One's Own: Spiritualism, Occultism, and the New Woman in Mid­To Late­Nineteenth Century Supernatural Fiction
    Spears, Jamie (2016) A Seance Room of One©s Own: Spiritualism, Occultism, and the new Woman in Mid-to Late-Nineteenth Century Supernatural Fiction. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/6503/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. A SÉANCE ROOM OF ONE’S OWN: SPIRITUALISM, OCCULTISM, AND THE NEW WOMAN IN MID- TO LATE-NINETEENTH CENTURY SUPERNATURAL FICTION JAMIE SPEARS A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy June 2016 ABSTRACT This thesis will examine the nineteenth-century supernatural stories written by women connected to Spiritualism. These include ‘standard’ ghost stories, esoteric novels and works infused with Spiritualist and occult themes and tropes. The middle- and upper-class Victorian woman was already considered something of a spirit guide within her own home; following the emergence of Modern Spiritualism in the 1850s, women were afforded the opportunity to become paid spirit guides (that is, mediums and lecturers) in the public sphere. Spiritualism was an empowering force for female mediums like Elizabeth d’Espérance and Emma Hardinge Britten, and Spiritualist philosopher Catherine Crowe. In this thesis I will examine how these new power dynamics—to use Britten’s phrasing, the ‘place and mission of woman’—are reflected in society and literature. This thesis sees Spiritualism as the impetus for several occult movements which emerged near to the end of century, including Marie Corelli’s Electrical Christianity, Madame Blavatsky’s Theosophy, and Florence Farr’s Hermetic Order of the Golden Dawn.
    [Show full text]