Hermetic Imagination: the Effect of the Golden Dawn on Fantasy Literature
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Religion Within the Limits of Bare Reason
Religion within the Limits of Bare Reason Immanuel Kant Copyright © Jonathan Bennett 2017. All rights reserved [Brackets] enclose editorial explanations. Small ·dots· enclose material that has been added, but can be read as though it were part of the original text. Occasional •bullets, and also indenting of passages that are not quotations, are meant as aids to grasping the structure of a sentence or a thought. Every four-point ellipsis . indicates the omission of a brief passage that seems to present more difficulty than it is worth. Longer omissions are reported between brackets in normal-sized type.—Some footnotes are presented in the main text instead of at the bottom of the page; this is because of formatting problems; the reasons are aesthetic, and have nothing to do with content.—Passages starting with † were added in the second edition (see page6). First launched: October 2013 Contents Preface to the First Edition.......................................................1 Preface to the Second Edition....................................................6 First Essay: The bad principle existing alongside the good, i.e. The radical evil in human nature8 1. The Original Predisposition to Good in Human Nature..................................... 11 2. The Propensity to Evil in Human Nature............................................ 13 3. Man is bad by Nature....................................................... 15 4. The Origin of Evil in Human Nature............................................... 19 General remark: Restoring the Original Predisposition to Good to its Power...................... 22 Religion within the Limits of Bare Reason Immanuel Kant Second Essay: The conflict of the good with the bad principle for command over man 29 1. The good principle’s legal claim to dominion over man..................................... 31 A. -
Secret Traditions in the Modern Tarot: Folklore and the Occult Revival
Secret Traditions in the Modern Tarot: Folklore and the Occult Revival I first encountered the evocative images of the tarot, as no doubt many others have done, in T. S. Eliot’s The Waste Land. This led to Pamela Coleman Smith’s tarot deck, and from there to the idiosyncratic writings of A.E. Waite with its musings on the Grail, on ‘secret doctrines’ and on the nature of mystical experience. Revival of interest in the tarot and the proliferation of tarot decks attests to the vibrancy of this phenomenon which appeared in the context of the eighteenth century occult revival. The subject is extensive, but my topic for now is the development of the tarot cards as a secret tradition legend in Britain from the late 1880’s to the 1930’s. (1) During this period, ideas about the nature of culture drawn from folklore and anthropological theory combined with ideas about the origins of Arthurian literature and with speculations about the occult nature of the tarot. These factors working together created an esoteric and pseudo-academic legend about the tarot as secret tradition. The most recent scholarly work indicates that tarot cards first appeared in Italy in the fifteenth century, while speculations about their occult meaning formed part of the French occult revival in the late eighteenth century. (Dummett 1980, 1996 ) The most authoritative historian of tarot cards, the philosopher Michael Dummett, is dismissive of occult and divinatory interpretations. Undoubtedly, as this excellent works points out, ideas about the antiquity of tarot cards are dependent on assumptions made at a later period, and there is a tendency among popular books to repeat each other rather than use primary sources. -
The Druze: Culture, History and Mission
The Druze A New Cultural and Historical Appreciation Abbas Halabi 2013 www.garnetpublishing.co.uk 1 The Druze Published by Garnet Publishing Limited 8 Southern Court South Street Reading RG1 4QS UK www.garnetpublishing.co.uk www.twitter.com/Garnetpub www.facebook.com/Garnetpub blog.garnetpublishing.co.uk Copyright © Abbas Halabi, 2013 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. First Edition 2013 ISBN: 9781859643532 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Jacket design by Garnet Publishing Typeset by Samantha Barden Printed and bound in Lebanon by International Press: [email protected] 2 To Karl-Abbas, my first grandson And the future generation of my family 3 Preface Foreword Introduction Chapter 1 Human geography Chapter 2 The history of the Druze, 1017–1943 Chapter 3 Communal and social organization Chapter 4 Traditional culture and the meaning of al-Adhā feast Chapter 5 Civil status law Chapter 6 The diaspora and cultural expansion Chapter 7 The political role of the Druze from independence to the present time Chapter 8 The Druze message: plurality and unity Summary and conclusion Appendix 1 The impact of European influences on the Druze community: “The new look” Appendix 2 Sheikh Halīm Taqī al-Dīn: a man of knowledge, -
An Index to Meditations on the Tarot
AN INDEX TO MEDITATIONS ON THE TAROT Numbers in brackets are page references to Meditations on the Tarot - A Journey into Christian Hermeticism which was published anonymously and posthumously, and dedicated to Our Lady of Chartres (Amity House, New York, 1985 - Element Books, 1991.) Locations of Specific References ANON, Die Grossen Arcana Des Tarot, Herder, Basel, 1983 - second, completely revised German translation of the original French manuscript of Meditations on the Tarot, the first German translation having been published by Anton Hain, Meisenheim, 1972 (325) ANON, Meditations sur les 22 arcanes majeurs du Tarot, Aubier Montaigne, Paris, 1984 - second, revised and complete edition of the author's original text, an edited version of which had already been published by Aubier Montaigne in 1980 ANON, Meditations on the Tarot - A Journey into Christian Hermeticism, Amity House, New York, 1985 ANON, Meditations on the Tarot - A Journey into Christian Hermeticism Element Books, 1991 ANON, Meditations on the Tarot - A Journey into Christian Hermeticism Jeremy Tharcher ANON, Otkrovennye rasskazy strannika dukhovnymn svoimu ottsu - The Way of a Pilgrim, translated by R.M. French, 1954 (XVIV 384, XVIII 515-6) AGRIPPA OF NETTESHEIM, Henry Cornelius, De Incertitudine et Vanitate Scientiarum (XVI 450) AGRIPPA OF NETTESHEIM, Henry Cornelius, De Occulta Philosophia (III 59, XVI 450) AMBELAIN, Robert, La Kabbale pratique, Paris, 1951 (VI 138) AMBELAIN, Robert, Le Martinisme, Paris, 1946 (VIII 185) Saint ANTHONY THE GREAT, Apophthegmata, translated by E. Kadloubovsky & G.E.H. Palmer in Early Fathers from the Philokalia, London, 1954 - though this translation is not entirely followed (XII 307, XV 411, XV 414) APOLLONIUS OF TYANA or Balinas the Wise, The Secret of Creation, c. -
The Tarot of the Bohemians : the Most Ancient Book in the World
IBSOLUTE KET TO OCCULT SCIENCE THE TAROT ÜF THE BOHEMIANS The Most Ancient Book in the World FOR THE USE OF INITIATES By papus TRANSLATED BY A. P. MORTON SECOND EDITION REVISED, WITH PREFACE B Y A. E. WAITE ILLUSTRATED WITH N UMEROU S PLATES AND WOODCUTS LONDON WILLIAM RIDER & SON, LIMITED 164 ALDERSGATE STREET, E.C. 1910 Absolute Key to Oocult Science Frontispicce 2) BVÜ W Wellcome Libraty i forthe Histôry standing Il and ififcteï -, of Medi Printed by Ballantyne, HANSON &* Co. At the Ballantyne Press, Edinburgh PREFACE TO THE ENGLISH TRANSLATION An assumption of some kind being of common con- venience, that the line of least résistance may be pursued thereafter, I will open the présent considéra- tion by assuming that those who are quite unversed in the subject hâve referred to the pages which follow, and hâve thus become aware that the Tarot, on its external of that, side, is the probable progenitor playing-cards ; like these, it has been used for divination and for ail but that behind that is understood by fortune-telling ; this it is held to hâve a higher interest and another quality of importance. On a simple understanding, it is of allegory; it is of symbolism, on a higher plane; and, in fine, it is of se.cret doctrine very curiously veiled. The justification of these views is a different question; I am concerned wit>h ihe statement of fact are and this being said, I can that such views held ; pass to my real business, which" is in part critical and in part also explanatory, though not exactly on the elementary side. -
Solovyov's Metaphysics Between Gnosis and Theurgy
religions Article Solovyov’s Metaphysics between Gnosis and Theurgy Aleksandr Gaisin The Graduate School for Social Research, IFiS PAN, 00-330 Warsaw, Poland; [email protected]; Tel.: +7953-154-6247 Received: 29 September 2018; Accepted: 8 November 2018; Published: 13 November 2018 Abstract: This article provides a reading of Vladimir Solovyov’s philosophy as expressed in his ‘Lectures on Divine Humanity’ and ‘The Meaning of Love’. It seeks to unpack his eclectic thought in order to answer the question of whether there is a Jewish Kabbalistic influence on the Russian thinker amidst his usual platonic, gnostic, and Schellengian tropes. Interested as a young man in Jewish Mysticism, Solovyov fluctuates in his ‘Lectures on Divine Humanity’ between a platonic reading of Schellengian Gnosticism and some elements of Kabbalistic origin. In ‘The Meaning of Love’, he develops a notion of love that puts him very close to what Moshe Idel calls ‘theosophic-theurgical Kabbalah’. Showing how ‘The Meaning of Love’ completes the narrative of ‘Lectures’, we can affirm that there is a certain Christian Kabbalistic line in Solovyov’s thought that culminates in his theurgical understanding of love. In this sense, Solovyov might be called a philosophical Marrano as he is certainly a heterodox theosopher that fluctuates between Christian Gnosis and Christian Kabbalah, never assuming a solid identity. Keywords: philosophical theology; heterodoxy; Judeo-Christianity; Russian religious renaissance; Christian Kabbalah; Vladimir Solovyov The enigmatic and eclectic nature of Solovyov’s thought is unveiled if we simply look at the early readings of his philosophy. Already, the Silver Age’s thinker and poet Dmitry Merezhkovsky deemed Solovyov as a Gnostic writer, immersed in Christian heresy (Merezhkovsky 1991, p. -
Deus Ex Machina? Witchcraft and the Techno-World Venetia Robertson
Deus Ex Machina? Witchcraft and the Techno-World Venetia Robertson Introduction Sociologist Bryan R. Wilson once alleged that post-modern technology and secularisation are the allied forces of rationality and disenchantment that pose an immense threat to traditional religion.1 However, the flexibility of pastiche Neopagan belief systems like ‘Witchcraft’ have creativity, fantasy, and innovation at their core, allowing practitioners of Witchcraft to respond in a unique way to the post-modern age by integrating technology into their perception of the sacred. The phrase Deus ex Machina, the God out of the Machine, has gained a multiplicity of meanings in this context. For progressive Witches, the machine can both possess its own numen and act as a conduit for the spirit of the deities. It can also assist the practitioner in becoming one with the divine by enabling a transcendent and enlightening spiritual experience. Finally, in the theatrical sense, it could be argued that the concept of a magical machine is in fact the contrived dénouement that saves the seemingly despondent situation of a so-called ‘nature religion’ like Witchcraft in the techno-centric age. This paper explores the ways two movements within Witchcraft, ‘Technopaganism’ and ‘Technomysticism’, have incorporated man-made inventions into their spiritual practice. A study of how this is related to the worldview, operation of magic, social aspect and development of self within Witchcraft, uncovers some of the issues of longevity and profundity that this religion will face in the future. Witchcraft as a Religion The categorical heading ‘Neopagan’ functions as an umbrella that covers numerous reconstructed, revived, or invented religious movements, that have taken inspiration from indigenous, archaic, and esoteric traditions. -
OCCULT BOOKS Catalogue No
THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc. -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
Hermeticism Pt 1\374
"I wish to learn about the things that are, to understand their nature and to know God. How much I want to hear!" from [Discourse] of Hermes Trismegistus : Poimandres Hermeticism "The fifteen tractates of the Corpus Hermeticum, along with the Perfect Sermon or Asclepius, are the foundation documents of the Hermetic tradition. Written by unknown authors in Egypt sometime before the end of the third century C.E., they were part of a once substantial literature attributed to the mythic figure of Hermes Trismegistus, a Hellenistic fusion of the Greek god Hermes and the Egyptian god Thoth. This literature came out of the same religious and philosophical ferment that produced Neoplatonism, Christianity, and the diverse collection of teachings usually lumped together under the label "Gnosticism": a ferment which had its roots in the impact of Platonic thought on the older traditions of the Hellenized East. There are obvious connections and common themes linking each of these traditions, although each had its own answer to the major questions of the time." John Michael Greer : An Introduction to the Corpus Hermeticum "The Corpus Hermeticum landed like a well-aimed bomb amid the philosophical systems of late medieval Europe. Quotations from the Hermetic literature in the Church Fathers (who were never shy of leaning on pagan sources to prove a point) accepted a traditional chronology which dated "Hermes Trismegistus," as a historical figure, to the time of Moses. As a result, the Hermetic tractates' borrowings from Jewish scripture and Platonic philosophy were seen, in the Renaissance, as evidence that the Corpus Hermeticum had anticipated and influenced both. -
Plotinus on Theurgy and Magic 1 HANDOUT
Public Lecture Plotinus on Theurgy and Magic HANDOUT [P1] Porphyry Life of Plotinus 10.33-35 When Amelius grew ritualistic and took to going round visiting the temples at the New Moon and the feasts of the gods and once asked if he could take Plotinus along, Plotinus said, “They ought to come to me, not I to them”. What he meant by this exalted utterance we could not understand and did not dare to ask. [trans. Armstrong] [P2] Ennead IV.4.40.1-9 But how do magic spells work? By sympathy and by the fact that there is a natural concord of things that are alike and opposition of things that are different, and by the rich variety of the many powers which go to make up the life of the one living creature. For many things are drawn and enchanted without anyone else’s magical contrivance: and the true magic is the Philia and also the Strife in the All. And this is the primary wizard and enchanter, from observing whom men came to use his philtres and spells on each other. [trans. Armstrong] [P3] Ennead IV.4.26.1-4 Their [i.e. the heavenly bodies] knowledge of prayers is the result of a sort of linking and a particular disposition of things fitted into the whole, and the same applies to their accomplishment of what we pray for; and in the arts of the magicians everything is directed to this linking: this means that magic works by powers which follow on sympathetically [trans. Armstrong modified] [P4] Ennead IV.4.41.4-10 … for if the string is plucked at the lower end, it has a vibration at the upper. -
The Occult Teachings of the Christ According to the Secret Doctrine By: Josephine Ransom
Adyar Pamphlets The Occult Teachings of the Christ... No. 179 The Occult Teachings of the Christ According to the Secret Doctrine by: Josephine Ransom The Blavatsky Lecture, delivered before the Annual Convention of the Theosophical Society in England, 1933 The references are to the original Secret Doctrine by H.P.Blavatsky , published in 1888 Published in 1933 Theosophical Publishing House, Adyar, Chennai [Madras] India The Theosophist Office, Adyar, Madras. India “For the teachings of Christ were Occult teachings, which could only be explained at Initiation” [ Secret Doctrine, Volume 2, Page 241] I In presenting my theme I must make it clear that I have drawn solely upon The Secret Doctrine for information. I have not sought elsewhere for corroboration or amplification of any point, save a few quotations from the Bible and have made but few comments myself. I leave it to the students to seek their own answers to the question that must inevitably arise in their minds as the story unfolds. For the sake of a sequence these questions are essential: (1) Who was the Christ? (2) Who was Jesus? [Page 2] (3) What were the Occult Teachings of the Christ? (1) Who was the Christ? The answer comes clearly:“The Logos is Christos.....” (S.D. 1, 241) “......There are three kinds of Light in Occultism .....(1) The Abstract and Absolute Light, which is Darkness; (2) The Light of the Manifested — Unmanifested, called by some the Logos; and (3) The latter Light reflected in the Dhyân Chohans, the minor Logoi — the Elohim, collectively — who, in their turn, shed it on the objective Universe.....” “The Occultists in the East call this Light Daiviprakriti, and in the West the Light of Christos.