Colin-Wilson-The-Occult.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ECOMYSTICISM: MATERIALISM and MYSTICISM in AMERICAN NATURE WRITING by DAVID TAGNANI a Dissertation Submitted in Partial Fulfill
ECOMYSTICISM: MATERIALISM AND MYSTICISM IN AMERICAN NATURE WRITING By DAVID TAGNANI A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of English MAY 2015 © Copyright by DAVID TAGNANI, 2015 All Rights Reserved © Copyright by DAVID TAGNANI, 2015 All Rights Reserved ii To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of DAVID TAGNANI find it satisfactory and recommend that it be accepted. ___________________________________________ Christopher Arigo, Ph.D., Chair ___________________________________________ Donna Campbell, Ph.D. ___________________________________________ Jon Hegglund, Ph.D. iii ACKNOWLEDGEMENTS I wish to thank my committee members for their hard work guiding and encouraging this project. Chris Arigo’s passion for the subject and familiarity with arcane source material were invaluable in pushing me forward. Donna Campbell’s challenging questions and encyclopedic knowledge helped shore up weak points throughout. Jon Hegglund has my gratitude for agreeing to join this committee at the last minute. Former committee member Augusta Rohrbach also deserves acknowledgement, as her hard work led to significant restructuring and important theoretical insights. Finally, this project would have been impossible without my wife Angela, who worked hard to ensure I had the time and space to complete this project. iv ECOMYSTICISM: MATERIALISM AND MYSTICISM IN AMERICAN NATURE WRITING Abstract by David Tagnani, Ph.D. Washington State University May 2015 Chair: Christopher Arigo This dissertation investigates the ways in which a theory of material mysticism can help us understand and synthesize two important trends in the American nature writing—mysticism and materialism. -
Two Tone Tarot Shadow
Two Tone Tarot Shadow Guide Booklet This book is a guide to the symbolism used in Two Tone Tarot. This is not a manual on how to use the deck. Tarot is meant to be interpreted by the reader with help from the artist. While much of the original artwork was constructed with traditional tarot in mind, much of the symbolism and meanings are interpreted and relevent to the artists’ day-to-day life. This acknowledgement of Two Tone Tarot as it exists is a symbolic crossroad; the true blend of traditional and modern. The symbolism of the deck interweaves and mixes with the more familar tarot icons, archetypes, and templates. It is recommended that this book be used in conjunction with guides to the traditional tarot, and tarot reading guides for those who are new to the medium. Major Arcana The Major Arcana is comprised of 22 cards tht navigate significant experiences, relationships, and pathways in our lives. In the even that these cards are present and dominate a reading, they can point toward key issues that may need to be explored or addressed. Any Minor Arcana cards present in a reading alingside the Major Arcana will often provide supplementary information and guidance. The Fool is the main character of the Major Arcana and makes his journey through each of the cards, meeting new teachers and learning new life lessons along the way, and eventually reaching the completion of his journey with the World card. This is known as the Fool’s Journey and is a helpful way of understanding the story line of the Major Arcana Tarot card meanings. -
{PDF EPUB} Introduction to the New Existentialism by Colin Wilson the NEW EXISTENTIALISM
Read Ebook {PDF EPUB} Introduction to the New Existentialism by Colin Wilson THE NEW EXISTENTIALISM. “It is extremely important to grasp the notion that man does not yet exist. This is not intended as a paradox or a play on words; it is literally true.” Colin Wilson, Introduction to The New Existentialism. Given the name, the new existentialism and its revolutionary philosophical proposition might seem to suggest a summary or synthesis of the premises known to us as existentialist philosophy. Nothing could be further from the truth. If the new existentialism is the heir to any philosophy, it is Romanticism. Each shares a boldness and creative impulse, as well as an impassioned dream of immortality and desire to be on an equal footing with the gods. The new existentialism has more in common with Nietzsche and Goethe than with Sartre or Camus. The shift in consciousness and the new ideal of man forged by the Romantics find unparalleled and vital expression in the new existentialism. They were the first to speak of the unconscious and its inherent power, and to reclaim certain concepts and beliefs generally held to have become obsolete. And like Colin Wilson, they did so with unprecedented enthusiasm and verve, recognizing that the last word had not been said as regards man. Romantics upheld the central importance of man in the cosmos; the existentialists saw man as contingent. Romantics made the infinite mystery that surrounds us the basis of their enquiries and everything they went on to create, and, compelled by its heroic spirit, they viewed this mystery not as an affront but as proof of the existence of the sacred and of God; existentialists renounced imagination and its creative power and sought refuge in the narrow limitations of daily life with all its many trifles, thereby losing sight of the majestic and with it the idea of God and transcendence. -
From Free Cinema to British New Wave: a Story of Angry Young Men
SUPLEMENTO Ideas, I, 1 (2020) 51 From Free Cinema to British New Wave: A Story of Angry Young Men Diego Brodersen* Introduction In February 1956, a group of young film-makers premiered a programme of three documentary films at the National Film Theatre (now the BFI Southbank). Lorenza Mazzetti, Lindsay Anderson, Karel Reisz and Tony Richardson thought at the time that “no film can be too personal”, and vehemently said so in their brief but potent manifesto about Free Cinema. Their documentaries were not only personal, but aimed to show the real working class people in Britain, blending the realistic with the poetic. Three of them would establish themselves as some of the most inventive and irreverent British filmmakers of the 60s, creating iconoclastic works –both in subject matter and in form– such as Saturday Day and Sunday Morning, The Loneliness of the Long Distance Runner and If… Those were the first significant steps of a New British Cinema. They were the Big Screen’s angry young men. What is British cinema? In my opinion, it means many different things. National cinemas are much more than only one idea. I would like to begin this presentation with this question because there have been different genres and types of films in British cinema since the beginning. So, for example, there was a kind of cinema that was very successful, not only in Britain but also in America: the films of the British Empire, the films about the Empire abroad, set in faraway places like India or Egypt. Such films celebrated the glory of the British Empire when the British Empire was almost ending. -
Journal of the Society for Psychical Research
JOURNAL OF THE Society for Psychical Research VOLS. XXV-XXVI 1929-1930 For Private Circulation among Members and Associates only THE SOCIETY'S ROOMS 31 TAVISTOCK SQUARE, LONDON, W.C.x - All rights reserved I CONTENTS " A Case of " Travelling Clairvoyance 4 Annual Report of the Council for 1928 9 - 27 A Reply to Count Perovsky-Petrovo-Solovovo ; by Dr E. Mattiesen Annual General Meeting of Members 43 Extraordinary General Meeting of Members 45 Accounts of Receipts and Expenditure for 1928 - - - - - 46 A Request to our Readers for Information 49 " " - - Life Beyond Death with Evidence ; by A. W. Trethewy 50 Extraordinary General Meeting of the Society ----- 63 An Apparently Premonitory Apparition 66 Information received at a Sitting concerning Matters unknown to the ^ Sitter - 81 ) The Scripts of Cleophas ; by the Rev. Canon H. Bickersteth Ottley, M. A. 89 j An Alleged Premonition of Death 102 ^ A Veridical Dream ---------- 104 A Series of Premonitory Visions - - - - - - - 120 Two Hallucinatory Bilocations of the Self - - - - - - 126 - - - - - Dowsing in Bombay ; by Theodore Besterman 129 Loan of the Society's Seance Room 141 Institut Metapsychique International - - - - - - - 1 42 Telepathy at a Distance - - - - - - - - - 143 The Supply of Books and Information - - - - - - 156 Paintings of Hypnagogic Visions - - - - - - - 157 A Case of Telepathy 157 - - Non- Veridical Cross-Correspondences ; by H. F. Saltmarsh 159 The Change in the Law of New York relating to Spiritualism by ; Blewett Lee "- 173 An Auditory Premonition --------- 1 Note concerning the Hacking Case ; by J. Arthur HUl and Mrs E. M. Sidgwick 4 - Notes on the Psychology of Nonsense Names ; by H. F. Saltmarsh 5 ', • ",; iv ;, ; ; ,, :Contenis :\ Annual Report (and Accounts) of the Council for the Year 1929 - 19 Another Case of , -, - - - 25 Telepathy .-; , . -
Tarot Card Meanings with Benebell a Seventeen-Part Video Lecture Series
Tarot Card Meanings with Benebell A Seventeen-Part Video Lecture Series Part VI: The Fours The video length for The Fours became unduly long, so for those who might not be able to sit through and take notes during the entirety of the lecture, here is an illustrated transcript of that lecture. Thank you for watching this educational series, Tarot Card Meanings with Benebell. Don’t forget: closed captioning is provided for every video in this course. So, if that’s something you’re interested in, be sure to click and turn those on. We started this course with the Aces in the sephirah Keter on the Kabbalistic Tree of Life. Keter is the Tao, the name that cannot be named, the nameless origin of Heaven and Earth, the infinite and the dynamic. Then we moved into Chokhmah, the Supernal Father, the Divine Yang, the seed and potential, or Divine Intelligence, where we studied the realm of Twos in the Minor Arcana. From there, we passed into Binah, the Supernal Mother, the Divine Yin, birth, and formation, the receiving power of perception and observation. Here in Binah, we studied the Threes. We then moved back to Chokhmah because that’s where the Kings reside, the Supernal Father. And then it was back to Binah, the Supernal Mother, for the Kings’ consorts, the Queens. We are now moving from the Supernal Triangle, which is where we’ve been dwelling for the last five videos, into the lower sephiroth, getting closer to Malkuth, though we are not quite there yet. To give us a bit of a break from the intense tarot courts, we’re going to study the Fours, residents in the sephira Chesad. -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
The Magus ***** a Biographical Essay by Joyce Kessler ***** March 6, 2018
The Magus ***** A biographical essay by Joyce Kessler ***** March 6, 2018 The Magus and the Metafiction I always account for the bewildering attitudes of young people by observing that they’ve been introduced to the Beatles’ albums out of the order of their release dates. My opinion about this is sympathetic: It has to mess with your mind to hear Sergeant Pepper before Yesterday, Today, and Tomorrow, or, for that matter, even before Revolver. Apparently, I was onto something because first reading in the early 1980s John Fowles’ The French Lieutenant’s Woman (published in 1969), followed by his Daniel Martin (published in 1977), and only then traveling backwards to read The Magus in 2018 (the 1977 revision, not the original 1965 version) set me up for big problems. I have to admit to a memory of picking up this long novel in the late ‘60s, but it seems that I have suppressed most of that experience. And while I’m confessing things – mostly to myself – I should add that I also vaguely remember having seen the 1968 movie made of The Magus, but except for a close-up of a torn mouth screaming, “Elutheria!” I may, again, have buried that film memory. We all know what they say: if you can remember the ‘60s, you probably weren’t there. Despite the fact that Fowles began composing The Magus in 1953 and worked on it for 12 years before publishing it after The Collector (1963) and The Aristos (1964), it seems to have resonated with his earliest reviewers. Eliot Fremont- Smith of the New York Times saw it in 1966 as “at once a pyrotechnical extravaganza, a wild, hilarious charade, a dynamo of suspense and horror, a profoundly serious probing into the nature of moral consciousness, a dizzying, electrifying chase through the labyrinth of the soul, an allegorical romance, a sophisticated account of modern love, a ghost story that will send shivers racing down the spine… -it is, in spite of itself, convincing.” It has held a respectable place on official book lists and in canons both in the UK and the USA for the many years since that time. -
Existentialism and Ecstasy: Colin Wilson on the Phenomenology of Peak Experiences
PhænEx 13, no. 1 (Spring 2019): 46-85 © 2019 Biagio Gerard Tassone Existentialism and Ecstasy: Colin Wilson on the Phenomenology of Peak Experiences BIAGIO GERARD TASSONE Abstract This paper critically examines the philosophical foundations of Colin Wilson’s New Existentialism. I will show how Wilson’s writings promoted a phenomenological strategy for understanding states of ecstatic affirmation within so-called ‘peak experiences’. Wilson subsequently attempted to use the life affirming insights bestowed by peak states to establish an ontological ground for values to serve as a foundation for his New Existentialism. Because of its psychological focus however, I argue that Wilson’s New Existentialism contains an ambivalent framework for establishing ontological categories, which leads his thought into theoretical difficulties. More precisely, Wilson’s strategy runs into problems in coherently integrating its explicitly psychological interpretation of Husserl’s theory of intentionality within a broader, and philosophically coherent, phenomenological framework. Wilson’s psychological reading of Husserl’s transcendental reduction, for example, manifests tensions in how it reconciles the empirical basis of acts of transcendence with an essentialist conception of the self as a transcendental ego. The above tensions, I argue, ultimately render the New Existentialism susceptible to criticism from a Husserlian-transcendental perspective. After outlining a Husserlian critique of Wilson’s position, I end the paper by suggesting how some of the central -
Spirit Keeper's Tarot, Marseille, RWS, and Thoth Correspondences
SKT, TDM, RWS, AND THOTH TAROT KEY CORRESPONDENCES (By Standardized Order) Major Arcana 22 Keys Spirit Keeper’s Tarot Tarot de Marseilles Rider-Waite-Smith Thoth (SKT) (TdM) (RWS) 0: The Initiate 0: The Fool 0: The Fool 0: The Fool 0: The Seeker 0: The Keeper 1: The Magus I: The Magician I: The Magician I: The Magus (or The Juggler) (or The Juggler) 2: The Priestess II: The Popess II: The High Priestess II: The Priestess (or The High Priestess) 3: The Empress III: The Empress III: The Empress III: The Empress 4: The Emperor IV: The Emperor IV: The Emperor IV: The Emperor 5: The Holy See V: The Pope V: The Hierophant V: The Hierophant 6: The Lovers VI: The Lovers VI: The Lovers VI: The Lovers (or The Brothers) 7: The Chariot VII: The Chariot VII: The Chariot VII: The Chariot 8: The Force VIII: Justice VIII: Strength VIII: Adjustment [XI: Strength] [XI: Lust] 9: The Erudite IX: The Hermit IX: The Hermit IX: The Hermit 10: Wheel of Life X: The Wheel of X: Wheel of Fortune X: Fortune Fortune 11: The Chancellor XI: Strength XI: Justice XI: Lust [VIII: Justice] [VIII: Adjustment] Page 1 of 12 SKT: TdM, RWS, and Thoth Key Correspondences By Standardized Order Spirit Keeper’s Tarot Tarot de Marseilles Rider-Waite-Smith Thoth (SKT) (TdM) (RWS) 12: The Outlaw XII: The Hanged Man XII: The Hanged Man XII: The Hanged Man 13: The Reaper XIII: Death XIII: Death XIII: Death (Untitled) 14: The Angel XIV: Temperance XIV: Temperance XIV: Art 15: The Demon XV: The Devil XV: The Devil XV: The Devil 16: The Tower XVI: The Tower XVI: The Tower XVI: The Tower -
Introduction 1 a New Order
Notes Introduction 1. Alex Owen, The Place of Enchantment: British Occultism and the Culture of the Modern (Chicago: University of Chicago Press, 2004), 120. 2. Corinna Treitel, A Science for the Soul: Occultism and the Genesis of the German Modern (Baltimore: Johns Hopkins University Press, 2004), 3–4. Such scientists included Karl Friedrich Zöller, a well-respected professor of astrophysics at the University of Leipzig, physicists William Edward Weber and Gustav Theodor Fechner, mathematician Wilhelm Scheibner and the psychologist Wilhelm Wundt. 3. Owen, The Place of Enchantment. 4. Treitel, A Science for the Soul. 5. David Allen Harvey, Beyond Enlightenment: Occultism and Politics in Modern France (Dekalb: Northern Illinois University Press, 2005). 6. For a thorough discussion of the struggle by historians to establish the enchanted nature of the modern see Michael Saler ‘Modernity and Enchantment: A Historiographic Review,’ American Historical Review, 2006 111 (3): 629–716. 7. Nicola Bown, ‘Esoteric Selves and Magical Minds,’ History Workshop Journal, 2006 61 (1): 281–7, 284, 286. Similar criticism comes from Michael Saler. Michael Saler, review of The Place of Enchantment: British Occultism and the Culture of the Modern, by Alex Owen, American Historical Review 2005 110 (3): 871–2, 872. 1 A New Order 1. R.A. Gilbert, Revelations of the Golden Dawn: The Rise and Fall of a Magical Order (London: Quantum, 1997), 34. 2. Gilbert, Revelations, 45. 3. Ellic Howe, The Magicians of the Golden Dawn: A Documentary History of a Magical Order 1887–1923 (London: Routledge and Kegan Paul, 1972; York Beach, Maine: Samuel Weiser, 1978). Gilbert, Revelations. -
A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.