An Interview with BARONESS
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Perceptual Audio Classification Using Principal Component Analysis
Rochester Institute of Technology RIT Scholar Works Theses 2010 Perceptual audio classification using principal component analysis Zak Burka Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Burka, Zak, "Perceptual audio classification using principal component analysis" (2010). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Perceptual Audio Classification Using Principal Component Analysis Zak Burka A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Computer Science Department of Computer Science Golisano College of Computing and Information Sciences Rochester Institute of Technology Approved May 6, 2010 Abstract The development of robust algorithms for the recognition and classifi- cation of sensory data is one of the central topics in the area of intelligent systems and computational vision research. In order to build better intelli- gent systems capable of processing environmental data accurately, current research is focusing on algorithms which try to model the types of process- ing that occur naturally in the human brain. In the domain of computer vision, these approaches to classification are being applied to areas such as facial recognition, object detection, motion tracking, and others. This project investigates the extension of these types of perceptual clas- sification techniques to the realm of acoustic data. As part of this effort, an algorithm for audio fingerprinting using principal component analysis for feature extraction and classification was developed and tested. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Family Album
1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Artist Title Format Label Retail Abhorer Zygotical
ARTIST TITLE FORMAT LABEL RETAIL ABHORER ZYGOTICAL SABBATORY ANABAPT CD DIGI RM35.00 ABIGAIL THE EARLY BLACK YEARS CD RM56.00 ABIGAIL WELCOME ALL HELL FUCKERS CD RM56.00 ABOMINATION DEMOS CD DIGI RM60.00 ABORYM LIVE IN GRONINGEN CD RM35.00 ABSCESS DAWN OF INHUMANITY CD DIGIBOOK RM40.00 ABSCESS HORRORHAMMER CD RM40.00 ACROSTICHON ENGRAVED IN BLACK+BONUS CD RM55.00 AENAON HYPNOSOPHY CD RM63.00 AGGRESSION FRAGMENTED SPIRIT DEVILS CD RM50.00 AHPDEGMA SEOLFKWYLLEN CD DIGI RM56.00 AKIMBO CITY OF THE STARS CD RM60.00 ALTAR OF BETELGEUZE DARKNESS SUSTAINS THE SILENCE CD RM35.00 AMENOPHIS DEMOS 1991-1992 CD RM35.00 ANATHEMA RESONANCE CD RM45.00 ANATHEMA RESONANCE 2 CD RM45.00 ANATHEMA WERE HERE BECAUSE WERE HERE CD + DVD RM55.00 ANGERMAN NO TEARS FOR THE DEVIL CD RM63.00 ANTICHRIST SINFUL BIRTH CD RM60.00 ANTLERS BENEATH BELOW BEHOLD CD-DIGI RM70.00 APHONIC THRENODY WHEN DEATH COMES* CD RM38.00 APOSTATE VIATICUM BEFORE THE GATES OF GOMORRAH CD RM51.00 ARCANA 13 DANZA MACABRA CD DIGI RM63.00 ARCTURUS SHIPWRECKED IN OSLO CD RM63.00 ARMADILLO STRIGASKOR NR 42 CD-DIGI RM40.00 ARSTIDIR LIFSINS ALDAFÖDR OK MUNKA DROTTINN 2CD DIGI RM86.00 ARSTIDIR LIFSINS HELJARKVIDA CD DIGI RM70.00 ARSTIDIR LIFSINS JÖTUNHEIMA DOLGFERD CD DIGI RM70.00 ARSTIDIR LIFSINS THAETTIR UR SOGU NORDRS MCD DIGI RM70.00 ARSTIDIR LIFSINS VAPNA LAEKJAR ELDR CD DIGI RM70.00 ARSTIDIR LIFSINS / HELRUNAR FRAGMENTS A MYTHOLOGICAL EXCAVATION 2CD DIGI RM86.00 ARTIFICIAL BRAIN INFRARED HORIZON CD DIGI RM65.00 ASHENSPIRE SPEAK NOT OF THE LAUDANUM QUANDARY CD DIGI RM63.00 ASSEMBLY OF LIGHT -
Autolux – Transit Transit 1
DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington, -
Order Form Full
METAL ARTIST TITLE LABEL RETAIL 1349 MASSIVE CAULDRON OF CHAOS (SPLATTER SEASON OF MIST RM121.00 16 LIFESPAN OF A MOTH RELAPSE RM111.00 16 LOST TRACTS OF TIME (COLOR) LAST HURRAH RM110.00 3 INCHES OF BLOOD BATTLECRY UNDER A WINTERSUN WAR ON MUSIC RM102.00 3 INCHES OF BLOOD HERE WAITS THY DOOM WAR ON MUSIC RM113.00 ACID WITCH MIDNIGHT MOVIES HELLS HEADBANGER RM110.00 ACROSS TUNDRAS DARK SONGS OF THE PRAIRIE KREATION RM96.00 ACT OF DEFIANCE BIRTH & THE BURIAL (180 GR) METAL BLADE RM147.00 ADMIRAL SIR CLOUDESLEY SHOVELL KEEP IT GREASY! (180 GR) RISE ABOVE RM149.00 ADMIRAL SIR CLOUDSLEY SHOVELL CHECK 'EM BEFORE YOU WRECK 'EM RISE ABOVE RM149.00 AGORAPHOBIC NOSEBLEED FROZEN CORPSE STUFFED WITH DOPE RELAPSE RECORDS RM111.00 AILS THE UNRAVELING FLENSER RM112.00 AIRBOURNE BLACK DOG BARKING ROADRUNNER RM182.00 ALDEBARAN FROM FORGOTTEN TOMBS KREATION RM101.00 ALL OUT WAR FOR THOSE WHO WERE CRUCIFIED VICTORY RECORDS RM101.00 ALL PIGS MUST DIE NOTHING VIOLATES THIS NATURE SOUTHERN LORD RM101.00 ALL THAT REMAINS MADNESS RAZOR & TIE RM138.00 ALTAR EGO ART COSMIC KEY CREATIONS RM119.00 ALTAR YOUTH AGAINST CHRIST COSMIC KEY CREATIONS RM123.00 AMEBIX MONOLITH (180 GR) BACK ON BLACK RM141.00 AMEBIX SONIC MASS EASY ACTION RM129.00 AMENRA ALIVE CONSOULING SOUND RM139.00 AMENRA MASS I CONSOULING SOUND RM122.00 AMENRA MASS II CONSOULING SOUND RM122.00 AMERICAN HERITAGE SEDENTARY (180 GR CLEAR) GRANITE HOUSE RM98.00 AMORT WINTER TALES KREATION RM101.00 ANAAL NATHRAKH IN THE CONSTELLATION OF THE.. (PIC) BLACK SLEEVES RM128.00 ANCIENT VVISDOM SACRIFICIAL MAGIC -
Programme Officiel Édito
Pub PhilCambell210x148-vectorise_Mise en page 1 30/03/11 16:11 Page1 PROGRAMME OFFICIEL WWW.HELLFEST.FR ÉDITO Pour commencer cet Edito nous voulions vous remercier d’être tous les ans plus nombreux à nous faire confiance car voilà main- tenant 6 ans que le festival existe et que chaque année vous faites tomber le record de fréquentation de l’année précédente ! 6 années qui auront propulsé le festival de 20 000 festivaliers à probablement 75 000 en 2011. 6 années qui auront permis au festival d’avoir une légitimité, de démocratiser davantage les musiques extrêmes et prouver que notre culture, notre « religion », est respectueuse de chacun, et n’a jamais été le théâtre de manifestations de haine ou de violence que certains se plaisent à décrire sans avoir mis un seul pied au Hellfest. 6 années qui auront vu également l’équipe se professionnaliser pour vous offrir un festival, peut-être pas parfait, mais qui a su se bonifier autant en terme d’organisation que de diversité musicale. 6 années qui ont fini par convaincre les institutions de l’importance et du bien-fondé du Hellfest pour le territoire et la région qui l’accueille. La finalité étant que vous foulerez quelques années encore les terres Clissonnaises si vous participez aux prochains Hellfest « nouvelle formule » à partir de 2012 ! Alors évidemment, le succès tout relatif du Hellfest, qui ne s’est pas fait en un jour, a finit par attiser des convoitises et nous avons vu fleurir plusieurs projets… certains ont vu le jour en toute modestie pour, nous l’espérons, être appelés à se développer. -
And the Shifting Geography of the Music Industry Student
….. and the Shifting Geography of the Music Industry Student: Philippe Soret Student Number: 4169808 Advisor: Dr. Huib Ernste Date: June 30, 2013 Word Count: 33,159 1 Preface Relapse Records has been a central pillar of my life since I started working there at age 18. My love of challenging and difficult music has been a part of my life even longer though. As I have worked in the industry through the years, I’ve seen many changes and developments that have been both alarming and reassuring from music that was previously relegated to the underground now being more freely accessible but, at the same time, watching revenue streams shrink on a seemingly weekly basis. This thesis is a manifestation of my desire to better understand the music industry through the eyes of one record label, and bring my experiences and ground these experiences in geographic thought and study. My biggest help in this has been my wife, Laura, who has quietly let me work 80-hour weeks with rarely a complaint. Without her, this thesis could not have been completed. Table of Contents Abstract - p.3 Executive Summary – p.3 Introduction - p.3 Research Question - p.4 Company Introduction - p.5 Significance - p.8 Definitions - p.8 Assumptions – p.10 Limitations - p.11 Literature Review - p.12 Methodology - p.28 Results - p.30 UK & the Republic of Ireland- p.30 Finland - p.43 Creative Content and Digital Geography - p.48 Global Production Networks and Their Implications – p.52 Recommendations - p.54 Physical Product - p.57 2 CD - p.58 Vinyl Records - p.59 Predictions for the Future - p. -
Read Razorcake Issue #36 As a PDF
So Very Unsexy shove—but any more rules than that, and it’s only a matter of time that I thought of this in Gainesville, Florida at The Fest. I was in your brushstrokes of good intentions have you painted into a corner. ZRQGHU 1R ¿JKWV 1R EXOOVKLW *UHDW SHRSOH *UHDW PXVLF $Q Here’s the connection: Too often, the folks who have the most expertly planned, large event. How’d this happen? “expert without actually doing it” advice are the ones who want more I’m not deaf, but I do admit that ninety-eight percent of the time rules enforced because they don’t feel in control of the situation; ZKHQ,KHDU³+H\GXGH\RXVKRXOGBBBBBBBBB ¿OOLQWKHEODQN hell, they may even have the best of intentions. But, ultimately, they with the zine. That’d totally keep it from suckin’,” I’m no longer want to steer from the back seat—yank the wheel—want to have paying attention. I’m picturing this really cute, fuzzy otter and he’s equal time without equal effort. They have the opportunity to walk ÀRDWLQJRQKLVEDFNWU\LQJWRFUDFNRSHQWKLVFODPZLWKDURFN0DQ away from a car you built if they wreck it. ,ORYHWKDWRWWHUJHWWLQJDOO'DUZLQRQWKHVKHOO¿VKORXQJLQJLQWKH ,¶OOOHW\RXLQRQDFRXSOHRIVHFUHWV 5D]RUFDNH¶VQRWEOLQGO\ ocean, being all cute, calm, and concentrated. And by the time the groping along, bumping into things, and somehow a zine ploops out person’s done telling me what I should do—without them offering of heinies every two months. It’s a lot of very tedious, constant work to take up the task they’re suggesting—that little otter’s opened WKDWLVVRYHU\XQVH[\WKDWLW¶VERULQJWRHYHQEULHÀ\PHQWLRQZKDW up that shell; he smiles as he eats. -
Dan Finn's Record Collection
Dan Finn 12/14/12 Access to Moving Image Collections Rebecca Guenther Dan Finn’s Record Collection I. The collection I have chosen is my personal collection of vinyl records. It is perhaps a little misleading to call this a collection as most collectors of records have a great many more than I do. My collection spans just one shelf of a regular size bookcase at the moment, but in total there are 164 different pieces. The collection has great personal value to me because I only buy an album on vinyl if I know I really love the music or have a pretty good idea that I will enjoy it. So though there are not many valuable records in the sense of rare first pressings or collectors’ editions, I find them all valuable as a summary of my musical taste and personal history. The historical side of the value is due to the fact that I’ve been slowly accruing the collection for over a decade, and many of the albums were purchased after seeing a band perform live. I also believe that the collection has value due to the fact that some of the records are of little known, young acts that may have in some cases already disbanded. So though the record is “rare” in the sense that my copy may be one of 50 to 500 copies ever made, the relative demand for these is not very high and so some of them might otherwise get forgotten. Apart from that I came across many of these bands and their releases through touring with my own band, and therefore these connections have sentimental value to me.