Razorcake Issue #09
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
Profusion X Programs
LATIN RELIGIOUS AMAZONIA CONTEMPORARY CHRISTIAN CARNIVAL BRASILEIRO GOSPEL PROFUSION X EL MOCAMBO ROCK FIESTA TROPICAL ADULT ALTERNATIVE HURBANO ALBUM ROCK PROGRAMS LATIN CONTEMPORARY BLEND ALTERNATIVE LATIN HITS CLASSIC ROCK LATIN JAZZ COFFEEHOUSE ROCK CLASSICAL INTERNATIONAL LATIN SOUTHWEST BLEND COLLEGE ROCK ARIAS & OVERTURES BELLISIMA MARIACHI FLASHBACK NEW WAVE CHAMBER MUSIC CARIBBEAN RHYTHMS MÚSICA CUBANA REALITY BITES INTIMATE CHAMBER CARIBBEAN WORLD BLEND MÚSICA DE LAS AMERICAS ROADHOUSE LIGHT CLASSICAL CHINESE PORTUGLISH BLEND COUNTRY EURO HITS PURO AMOR HIT COUNTRY FRENCH BISTRO BLEND REGIONAL MEXICAN MODERN COUNTRY GREEK ROMANCERO LATINO TRADITIONAL COUNTRY HAWAIIAN SALSA DANCE IRISH SPANGLISH BLEND DANCE ITALIAN BISTRO BLEND OLDIES ELECTROSPHERE ITALIAN CONTEMPORARY ‘60S REVOLUTION formerly Rock ‘N’ Roll Oldies) SPECIALTY POWER HITS ITALIAN TRADITIONAL ’70S HITS BEACH PARTY RETRO DISCO JAPANESE ’80S HITS BLUES RIVIERA DISCOTHÈQUE REGGAE MALT SHOP OLDIES formerly Golden Oldies) CHILLTOPIA SUBTERRANEAN RIVIERA SONGWRITERS OF THE ‘70S GOT KIDS? HEALTH & FITNESS SOUTH AFRICAN RHYTHMS UPBEAT OLDIES GREAT STANDARDS ’70S & ’80S WORKOUT UK HITS POP/ADULT CONTEMPORARY LOL! CLASSIC ALTERNATIVE WORKOUT WORLD BEAT ’90S HITS PARTY FAVORS CLASSIC ROCK WORKOUT JAZZ ADULT CONTEMPORARY URBAN GLOW BIG BAND SWING CHÍC BOUTIQUE CLASSIC R&B MODERN WORKOUT CLASSIC JAZZ VOCAL BLEND CITYSCAPES GROOVE LOUNGE NEW AGE SPA JAZZ CLASSIC HITS BLEND HOT JAMZ HIP HOP PUMP! JAZZ VOCAL BLEND CLUB 12 OLD SCHOOL FUNK ZEN RAT PACK DIVAS RAP INSTRUMENTAL SMOOTH -
40 Jahre „Damned Damned Damned“ Erstes Punk-Rock-Album Aus U.K
40 Jahre „Damned Damned Damned“ Erstes Punk-Rock-Album aus U.K. neu aufgelegt 07. Februar 2017, Von: Redaktion Die 1976 in Großbritannien gegründete Punkband The Damned zählt auf mehreren Ebenen zu den Pionieren der dortigen Szene. Am 18.Februar 1977 veröffentlichte die Band mit „Damned Damned Damned“ ihr Debütalbum. The Damned waren die erste britische Punkband mit einem Plattenvertrag, einer Single-Veröffentlichung und einem Album. Fast auf den Tag genau 40 Jahre nach Veröffentlichung ihres legendären Debüts – am 17.Februar 2017- erscheint das Album neu. Remastered und in neuer, erweiterter Aufmachung. Dem britischen Label Stiff Records war es vorbehalten, am 18.Februar 1977 das erste Punk-Album einer Band aus England auf den Markt zu bringen: „Damned Damned Damned“ von The Damned. Die Band um Dave Vanian, Captain Sensible (in den Achtzigern außerdem als Solo-Künstler bekannt), Brian James und Rat Scabies waren in vielen Belangen Punk-Vorreiter in ihrem Heimatland. The Damned waren die erste Band ihres Genres mit einem Plattenvertrag, ihre Song „New Rose“ war die erste Punk-Single, besagtes Album ebenfalls das erste im britischen Punk, zudem waren The Damned die erste UK-Punk-Formation, die in den USA auf Tournee ging.Zum 40-jährigen Jubiläum von „Damned Damned Damned“ erscheint dieses in der Punk-Historie Großbritanniens so relevante Werk neu gemastert, mit neuen Liner-Notes und 28-seitigem Booklet. Als Vinyl-Langspielplatte ist das Ganze ebenfalls zu haben. Eine besondere Anekdote dürfte sein, dass der Journalist John Ingham, 1977 erster Rezensent des The-Damned-Albums die Liner-Notes zu der Wiederveröffentlichung geschrieben hat. Um die Entstehung der Songs und die Auswirkungen, die die ursprüngliche Album-Veröffentlichung zur Folge hatte eingehender zu beleuchten, führte John Ingham nochmals Interviews mit den Bandmitgliedern. -
She-Condom Makes Its Debut at U. Center, Page 1 0
College of William & Mary Law School William & Mary Law School Scholarship Repository Student Newspaper (Amicus, Advocate...) Archives and Law School History 1994 Amicus Curiae (Vol. 4, Issue 9) Repository Citation "Amicus Curiae (Vol. 4, Issue 9)" (1994). Student Newspaper (Amicus, Advocate...). 409. https://scholarship.law.wm.edu/newspapers/409 Copyright c 1994 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/newspapers She-Condom makes its debut at U. Center, page 1 0 MARSHALL-WYTHE SCHOOL OF LAW America s First Law School VOLUME IV, ISSUE NINE MONDAY, FEBRUARY 21, 1994 TWENTY PAGES Short reinstated; will graduate In• summer By LEEANNE MORRIS report that he will reenroll at M Acting Dean Paul Marcus has Wand fmish his final nine credits decided to allow former SBA this summer in Texas. The President Kyle Short to readmit credits will be transferred and to Marshall-Wythe at the end of applied to his degree. this semester. "Hopefully I'll be able to find Marcus prevented Short frop1 the classes I need this summer. I enrolling this semester as hope to be finished and graduated punishment for an Honor Code by Aug. 8," Short said. violation last fall. In doing so, Marcus was unavailable for Marcus overturned the sanction comment on the matter. His recommended by the Judicial opinion issued last semester said Council that Short be publicly that he would grant Short's reprimanded. petition if he was convinced that ''I'm thrilled to be Short acknowledged, "privately readmitted," Short said. -
Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental septembre 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/160 Les interviews Page 3/160 DERNIERE VOLONTE - (interview réalisée par Iormungand Thrazar) Discussion avec Geoffroy, fondateur du projet dont le nouvel album intitulé « Devant le miroir » paraît à la fin du mois de Septembre 2006 sur le label Hau Ruck !1.La rituelle question biographique. Présente-nous la genèse du projet Dernière Volonté, du tout début jusqu’à la première sortie, à savoir “ Obéir et mourir ” en double cassette chez La Nouvelle Alliance il y a maintenant huit ans ? Pour être plus précis, Dernière Volonté existe depuis 12 ans, mes débuts officieux remontent donc à 1994.C’est donc durant cette année et avec peu de moyens que j’ai enregistré une cassette (‘Résistance’ que je n’ai jamais publié) assez bruitiste sur laquelle j’avais mixé des rythmes militaires, des ‘cut-up’ et des basses synthétiques. Pendant plusieurs mois, j’ai expérimenté différents procédés d’enregistrement (ralenti, inversion, distorsion et cut-up) et comme je n’avais pas le moindre sou pour m’acheter un sampler, je faisais mes propres ‘loop’ via des bandes magnétiques coupées et collées. C’était vraiment complexe mais il y avait une vraie ‘dynamique’ dans le son, et un résultat tout à fait surprenant. Evidement les bandes s’abîmaient et se détendaient et ça transformait vraiment la tonalité de ce qui était enregistré (c’est un procédé que j’ai gardé par la suite notamment pour Obéir et Mourir). -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
THE TUFTS DAILY Est
Where You Partly Cloudy Read It First 58/44 THE TUFTS DAILY Est. 1980 VOLUME LXI, NUMBER 34 THURSDAY, MARCH 17, 2011 TUFTSDAILY.COM In fundraising effort, BUILD keeps midterm studiers awake Somerville schools, Tufts respond to bullying laws BY CORINNE SE G AL needed for them to be effective. Daily Editorial Board Massachusetts schools were required to submit their plans to Continued anti-bullying efforts combat bullying under the new on the part of Somerville public law to the state this December for schools and the Tufts commu- approval, according to Somerville nity are coinciding with hearings Public Schools’ Director of led by Massachusetts Attorney Student Services Richard Melillo. General Martha Coakley to review Approximately 98 percent of the state’s new anti-bullying law. school districts met the state cri- Massachusetts Gov. Deval teria, he said. Patrick (D) last May signed “Everyone’s bullying plan is into effect the bill titled “An Act probably a little different, prob- Relative to Bullying in Schools,” ably a little tweaked to their which requires Massachusetts community, but it has to fall in primary and secondary schools line with the state mandates,” to develop bullying prevention Melillo said. plans and offer curricula on bul- The new legislation, he said, lying. was spurred by several incidents The two hearings last month in which young Massachusetts contributed to the aims of a students, most famously 11-year- JUSTIN MCCALLUM/TUFTS DAILY commission chaired by Coakley old Carl Walker-Hoover of Student members of Building Understanding through International Learning and Development (BUILD) last that is charged with reviewing Springfield in 2009 and 15-year- night delivered coffee to late-night studier sophomore Weilin Mun. -
A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. Bonny Ball Copenhaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Copenhaver, Bonny Ball, "A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays." (2002). Electronic Theses and Dissertations. Paper 632. https://dc.etsu.edu/etd/632 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays A dissertation presented to the Faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership and Policy Analysis by Bonny Ball Copenhaver May 2002 Dr. W. Hal Knight, Chair Dr. Jack Branscomb Dr. Nancy Dishner Dr. Russell West Keywords: Gender Roles, Feminism, Modernism, Postmodernism, American Theatre, Robbins, Glaspell, O'Neill, Miller, Williams, Hansbury, Kennedy, Wasserstein, Shange, Wilson, Mamet, Vogel ABSTRACT The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays by Bonny Ball Copenhaver The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays. -
The BG News April 10, 1986
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-10-1986 The BG News April 10, 1986 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 10, 1986" (1986). BG News (Student Newspaper). 4514. https://scholarworks.bgsu.edu/bg-news/4514 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ■■■■ ■BBSSBSBSJ V THE BG NEWS Vol. 68 Issue 107 Bowling Green, Ohio Thursday, April If, 1*66 SLS at standstill over contract negotiations by Patricia Rltter ees. That power rests with the with internal problems rather staff reporter board. than going to her, adding this The six members of the board was one of the issues she wants No action regarding contract present at the meeting unani- resolved in her contract negotia- negotiations for the Student Le- mously agreed to ask tion April 20. gal Services, Inc. attorney or Sensenstein to remain in her Scott also said she is also secretaries was taken by the position. concerned about the lack of- SLS board last night due to a This year, Shaffer said, the communication with the board, lack of a quorum. board has hired a law clerk, four a lack of goals for the program But, Jim Shaffer, director of part-time secretaries, and two and a lack of an attorney evalua- the board, said he expects a full-time secretaries, all of tion.