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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
The Blues Foundation Archives: Immersion and Preservation
The Blues Foundation Archives: Immersion and Preservation Stephanie Swindle Blues music, while still experienced through live performance, should also be documented and preserved in order to honor and promote one of the world's most essential genres of music. The influence of the blues tradition upon rock and roll artists of the nineteen fifties and sixties as well as upon the contemporary R&B and hip-hop musicians is evident in their similar subject matter, rhythmic underpinnings, and featured instrument - the guitar. Therefore, educating the public and providing scholars and fans with the resources to further appreciate and understand the blues is a significant task. The Blues Foundation is a non-profit organization devoted specifically to the preservation perpetuation of the blues. In its possession is twenty-five years worth of archival material that is in desperate need of preservation. The goal for this project is to work in conjunction with the staff and Executive Director of The Blues Foundation in order to write a grant proposal for a National Endowment for the Humanities preservation grant award. Organizing its archives, which is divided into photographs, autographed guitars, audio, video, concert, compact discs and cassettes, and miscellaneous, is the first step in a long process of preservation. In order to organize its media, The Blues Foundation will be served by submitting a grant proposal to the National Endowment for the Humanities to receive funding necessary to undertake such an elaborate project. Due to The Blues Foundation's vast amount of archival wealth, the Foundation and this project, in particular, merit NEH funding consideration. -
Profusion Is Programs
ProFusion iS Programs IRISH CHIC BOUTIQUE THE BOUDOIR Music IRISH TRADITIONAL CITYSCAPES CLASSIC R&B CLASSICAL ISLAND BREEZE CLASSIC HITS BLEND HOT JAMZ adult themes) ARIAS & OVERTURES ITALIAN BISTRO BLEND DIVAS HYPE explicit) CHAMBER MUSIC ITALIAN CONTEMPORARY FAMILIAR FAVORITES OLD SCHOOL FUNK (adult themes) INTIMATE CHAMBER ITALIAN TRADITIONAL GOT YOU COVERED RAPTURE LIGHT CLASSICAL JAPANESE HIT SWEEP RHYTHM NATION MEZZANINE QUEBEC POP/ROCK (Canada only) HOTTEST HITS SILKY SOUL SUNDAY POPS REGGAE (adult themes) LOVE SONGS SOULACIOUS COUNTRY RIVIERA METRO BLEND URBAN ALTERNATIVE BLUEGRASS U.K. HITS MODERN CLASSICS URBAN BEAT COUNTRY DEPOT WORLD BEAT NOW AND THEN HEARTLAND JAZZ POP STYLE Video HIT COUNTRY BIG BAND SWING SINGERSONGWRITERS MUSIC VIDEOS HONKY TONK TAVERN CLASSIC JAZZ VOCAL BLEND SOFT HITS ADULT CONTEMPORARY MODERN COUNTRY JAZZ TODAY’S HITS (adult themes) BETWEEN PICKUP COUNTRY JAZZ VOCAL BLEND TRENDSPOT CHART ATTACK TOWN & COUNTRY RAT PACK VIXENS HIT SWEEP TRADITIONAL COUNTRY SMOOTH JAZZ Y2K HITS HOT TRAXX DANCE LATIN RELIGIOUS LATIN BEAT DANCE AMAZONIA FOOTPRINTS MODERN COUNTRY ELECTROSPHERE BAILAMOS! GOSPEL GLORY URBAN NATION GLOBAL GRÜV CARNIVAL BRASILEIRO THE SPIRIT BAR FLY MUSIC VIDEOS HOUSE PARTY EL MOCAMBO ROCK BAR FLY 80’S KINETIC FIESTA TROPICAL 8TRACKS BAR FLY ELECTROLOUNGE POWER HITS HURBANO ADULT ALTERNATIVE BAR FLY GENX RETRO DISCO LATIN CONTEMPORARY BLEND ALBUM ROCK BAR FLY GOLD RIVIERA DISCOTHÈQUE LATIN HITS ALTERNATIVE BAR FLY HITS SUBTERRANEAN LATIN JAZZ THE ARBORETUM BAR FLY LATIN HEALTH & FITNESS LATIN -
Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients. -
Spotify Glen Hansard House of Blues New Orleans
Spotify Glen Hansard House Of Blues New Orleans Aguinaldo evidencing his synd clip thankfully, but galvanizing Xerxes never lipsticks so firstly. Colorific Ishmael never approbating so fastidiously or unfreed any subductions daringly. Benjy is pedigree and brace nearest while sightliest Roderic sidles and venerates. King makes his Hollywood Bowl debut. Wednesday is a benefit for COVAID AFRICA, a digital grassroots NPO founded in response to the recent coronavirus pandemic. Even when his words are harsh, he says them with an enveloping charm, frequently leaning over for fist bumps and to tap me on the knee. At the beginning of the year we quit our jobs. Atmosphere was a timely discovery for me in my late college years as I attempted to perfect independence and learned how the world actually operates. Blue Ox may have never become a festival. To lose a pillar in your life is to contend with this sensation. Christmas with our respective families while also celebrating it together. Beatstars is an online marketplace to buy and sell beats. The cognitive dissonance was incredible, but it somehow only made these songs sound better. Moog records I could find afterwards. This Is Not A Safe Place. Morton sings this one and again, I love the backing singers. Packed with producer extraordinaire The Alchemist this time around, Gibbs parlayed that into one of the most well received albums of the year hitting many EOTY lists. Childers, who grew up in Appalachia and who has seen some of the most vicious effects of the opioid crisis firsthand, knows how that second script can play out. -
410 SPADINA AVENUE TORONTO | on $ ASKING Property Zoning Lot Building Location DETAILS Current Zoning Permits Varietya of Retail and Professional Serviceuses
FOR SALE | USER / INVESTMENT OPPORTUNITY 410 SPADINA AVENUE TORONTO | ON FEATURES 410 Spadina Avenue is situated along a bustling retail node in downtown Toronto, located steps from the high pedestrian and vehicular traffic intersection of College Street and Spadina Avenue. The property is conveniently located in close proximity to the University of Toronto, Kensington Market and many other tourist destinations. The area is experiencing a tremendous amount of growth and gentrification with a number of residential, student housing and hotel projects in development. The property is improved with a three-storey mixed-use commercial building currently occupied by two tenants. The ground floor retail unit is occupied by a long-standing restaurant tenant – New Ho King. The second and third floors are occupied by an artist incubator and studio. The landlord has recently renovated the exterior and interior of the premises. This investment presents a unique opportunity for an end-user the acquire the property as the 2nd and 3rd floor commercial tenants are month-to-month. Current zoning permits a variety of retail and professional service uses. DETAILS Location Located on Spadina Avenue, South of College St. Click Here for Map Building Details Main Floor 1,604 SF OVERVIEW 2nd Floor 1,139 SF 3rd Floor 842 SF Basement + Lower Level 1,561 SF Average Household Income* • $117,204 Total Above-Grade Area: 3,585 SF Total Gross Building Area: 5,146 SF Total Population* Lot Dimensions 16.33’ Frontage x 100’ Depth • 372,514 Zoning CR 2.5 (c2.0; r2.0) SS2 -
Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe Clifford A
Penn State International Law Review Volume 17 Article 5 Number 2 Dickinson Journal of International Law 1-1-1999 Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe Clifford A. Congo Follow this and additional works at: http://elibrary.law.psu.edu/psilr Part of the Comparative and Foreign Law Commons, Criminal Law Commons, and the Intellectual Property Law Commons Recommended Citation Congo, Clifford A. (1999) "Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe," Penn State International Law Review: Vol. 17: No. 2, Article 5. Available at: http://elibrary.law.psu.edu/psilr/vol17/iss2/5 This Comment is brought to you for free and open access by Penn State Law eLibrary. It has been accepted for inclusion in Penn State International Law Review by an authorized administrator of Penn State Law eLibrary. For more information, please contact [email protected]. Drawing a Distinction Between Bootleg and Counterfeit Recordings and Implementing a Market Solution Towards Combating Music Piracy in Europe* "Piracy of sound recordings is the single biggest threat to the economic and cultural health of the music industry in Eu- rope. "-International Federation of the Phonographic Industry (hereinafter "IFPI") spokesman, Adrian Strain "I want [music pirates] to think about jail sentences, confisca- tion of assets and of expensive and lengthy litigation."-IFPI head of enforcement, lain Grant.2 I. Introduction Europe is home to the world's largest retail market for music recordings.3 Europe has displaced the United States as the world's major music market in the last ten years.' With 13.4 billion U.S. -
The Rolling Stones Complete Recording Sessions 1962 - 2021 Martin Elliott Live Tracks in Date Order Index
THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2021 MARTIN ELLIOTT LIVE TRACKS IN DATE ORDER INDEX All officially released live, and significant live tracks are listed. * Indicates the track has not been released officially. The number following in brackets is where to find the entry in the 2012 book should it have changed. A new entry following the book release will not have a number in brackets. 1964 7 February 1964 – ABC Elstree TV Studios, London, England. L0001. I Wanna Be Your Man (1.42) L0002. You Better Move On (2.40) 19 March 1964 - Camden Theatre, London, England. L0003. Route 66 (2.30) (91) L0004. Cops And Robbers (3.43) (92) L0005. You Better Move On (2.45) (93) L0006. Mona (2.57) (94) 10 April 1964 - Playhouse Theatre, London, England. L0007. Not Fade Away (2.04) * (95) L0008. High Heeled Sneakers (1.56) (96) L0009. Little By Little (2.30) (97) L0010. I Just Want To Make Love To You (2.16) (98) L0011. I'm Moving On (2.06) (99) 26 April 1964 - NME Poll Winners Concert, Empire Pool Wembley, London, England. L0012. Not Fade Away (2.01) (109) L0013. I Just Want To Make Love To You (2.19) (110) L0014. I'm Alright (2.07) (111) 27 April 1964 (Show One) - The Royal Albert Hall, London, England. L0015. Walking The Dog * L0016. You Can Make It If You Try * L0017. Beautiful Delilah * (2.14) (84) 27 April 1964 (Show Two) - The Royal Albert Hall, London, England. L0018. Not Fade Away * (112) L0019. High Heeled Sneakers * (113) L0020. -
Ultimate Guide to the Rolling Stones (1985 / 1996 / 2003 / 2020)
Stu-Ball Ian Stewart © Felix Aeppli 05-2018 / 03-2020 4001 July 18, 1938 Born in Pittenweem, Fife, Scotland: Ian Andrew Robert Stewart. 4001A Late 1950s and early 1960s The Rhythm and Blues Scene (including ALEXIS KORNERS’ BLUES INCORPORATED), London (not recorded) IS: part of the club scene, occasionally sitting in on piano; – NOTES: IS is not identical with a well-known “society” pianist who recorded several albums of popular tunes for Parlophone (1950s), Fontana (IAN STEWART PLAYS THE HITS OF 1959 FOR DANCING, Fontana TFL 5078 [UK], 1959) and Decca/Eclipse (1960s). 4002 Spring, 1962, onwards The White Bear Pub, Bricklayer’s Arms and The Wetherby Arms, London: EMBRYONIC ROLLING STONES, Rehearsals and auditions (not recorded) IS: piano; Brian Jones: guitar; Andy Wren (early May, 1962): vocals and maybe piano; Brian Knight (May, 1962): vocals, harmonica; Geoff Bradford (May and June, 1962), Keith Richards (May 25, 1962 onwards): guitar; Mick Jagger (May 25, 1962, onwards): vocals; Dick Hattrell (probably May, 1962), Dick Taylor (June, 1962, onwards), Bill Wyman (December 7, 9 or 10, 1962): bass; Tony Chapman, Mick Avory: drums (June, 1962 onwards). 4003 July 12, 1962-May 5, 1963 THE ROLLING STONES; Live shows and studio recordings IS: piano as official member of the band, see Group Catalogue, Entries 0.001-0.005. 4003A October 27, 1962 Curly Clayton Sound Studio, London: THE ROLLING STONES: 1. Soon Forgotten (Oden), 2. Close Together (Reed), 3. You Can’t Judge A Book By The Cover (Dixon) IS: piano; also see Group Catalogue, Entry 0.002. 4004 March 11, 1963 IBC Studios, London: THE ROLLING STONES: 1. -
PRESS KIT “Downright Stunning.” GLOBE & MAIL
THE DARCYS PRESS KIT “Downright stunning.” GLOBE & MAIL “The Darcys haven’t missed a step, expertly arranging their lush, effects-laden soft-rock compositions.” NOW “An ear-catching collection of sweeping, multilayered songs.” NATIONAL POST “Lushly layered, lightly proggy arrangements.” CONSEQUENCE OF SOUND “With a mix of lightly distorted guitars, melodic, instantly catchy riffs, drum beats that propel songs forward to rewarding climaxes, and light keyboard touches that give tracks depth and substance, The Darcys are showing that they are here for the long haul.” BAEBLE “A serious contender to next year’s Polaris Prize, The Darcys is a superb achievement, both meditated and meditative.” HOUR “The Darcys is a monstrously tuneful prog-rock epic that improbably finds common ground between Radiohead and Steely Dan.” TORONTO STAR “An inspiring blend of polished pop and avant garde experimentation.” POP MATTERS “The odd details throughout The Darcys — a gospel choral breakdown, a barely detectable violin solo... lyrics that wink at self-awareness — surface like cream.” ONION A.V. CLUB THEDARCYS.CA MUSIC: CONCERT REVIEW The Darcys: A New and Momentous Beginning BRAD WHEELER At The Horseshoe Tavern in Toronto, on Friday There is the calm, there is the storm, and then there are the Darcys, young art-rock wonders who do both simultaneously. Their results are meaningful, momentous and absolutely enviable. In the beery dark showroom at the Horseshoe Tavern, in front of a bustling co-ed crowd, the Toronto quartet set impassioned melodic emotion against funnelling washes of electric feedback and gauzy textures. Crescendos figured; the drummer and bassist clearly had eaten their Wheaties or spinach. -
CHANNEL DIRECTORY BUSINESS MUSIC PROFUSION Is
CHANNEL DIRECTORY BUSINESS MUSIC PROFUSION iS CLASSICAL HEALTH & FITNESS Oasis Caribbean Blend Arias & Overtures 70’s & 80’s Workout Quebecois Ensemble Classical Ambiance Aura New Age Riviera Intermezzo Light Classical The Circuit High Energy Fitness Tropical Breezes Caribbean Music Mezzanine Classic Alternative Workout Sunday Pops Modern Workout Moodscapes New Age Instrumental JAZZ Native Sun City Lights Smooth Jazz CLASSICS Toned Impressions Contemporary Jazz ‘50s and 60s Hits Varsity Later Classic Rock Jazz Instrumentals ‘60s Revolution Zen Jazz Traditions Classic Jazz ‘70s Hits Rat Pack ‘80s Hits Swing Kings Big Band Swing Jukebox Gold Rock ’n Roll Classics INSTRUMENTALS Vintage Earthtones Easy Instrumentals Classic LATIN Instrumentals Amazonia COUNTRY Elegance ¡Bailamos! Bluegrass Environmental Carnaval Brasileiro Country Depot Funky Beats El Mocambo Country Gold Country Classics Piano Fiesta Tropical Country Mix Country Music One Piano & Guitar FM Dos Latino/Anglo Pop Heartland Alternative Country Plaza Contemporary Instrumentals Hurbano Honky Tonk Tavern Tranquility La Música Latin Pop Nashville USA Current Country Hits Uptown Instrumental Jazz Latin Contemporary Blend Pickup Country Latin Hits Upbeat Latin/Anglo Pop Town & Country Latin Jazz INTERNATIONAL Latin Southwest Blend Tejano/Border Contemporary Italian Bellissimo Mojito Salsa/Merengue DANCE Caribbean Rhythms Música Cubana Frequency Club/Dance Celtic Irish Traditional/Pop Global Groove Portuglish Blend Chansons Détente Puro Amor Smooth Latin Music House Party Destinations Global Pop Kinetic Regional Mexican Mexican Music French Bistro Blend Romancera Latina Power Hits Hawaiian Hawaiian Music Retro Disco Viva Mariachi Mariachi Japanese Riviera Discothéque Kingston Reggae Strobe Electro Pop Little Italy Italian/American Subterranean Standards Page 1 ofPlease 2 see your representative for additionalPlease see yourdetails representative on programs for and details pricing.