The Cord Weekly (October 6, 1983)
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Profusion X Programs
LATIN RELIGIOUS AMAZONIA CONTEMPORARY CHRISTIAN CARNIVAL BRASILEIRO GOSPEL PROFUSION X EL MOCAMBO ROCK FIESTA TROPICAL ADULT ALTERNATIVE HURBANO ALBUM ROCK PROGRAMS LATIN CONTEMPORARY BLEND ALTERNATIVE LATIN HITS CLASSIC ROCK LATIN JAZZ COFFEEHOUSE ROCK CLASSICAL INTERNATIONAL LATIN SOUTHWEST BLEND COLLEGE ROCK ARIAS & OVERTURES BELLISIMA MARIACHI FLASHBACK NEW WAVE CHAMBER MUSIC CARIBBEAN RHYTHMS MÚSICA CUBANA REALITY BITES INTIMATE CHAMBER CARIBBEAN WORLD BLEND MÚSICA DE LAS AMERICAS ROADHOUSE LIGHT CLASSICAL CHINESE PORTUGLISH BLEND COUNTRY EURO HITS PURO AMOR HIT COUNTRY FRENCH BISTRO BLEND REGIONAL MEXICAN MODERN COUNTRY GREEK ROMANCERO LATINO TRADITIONAL COUNTRY HAWAIIAN SALSA DANCE IRISH SPANGLISH BLEND DANCE ITALIAN BISTRO BLEND OLDIES ELECTROSPHERE ITALIAN CONTEMPORARY ‘60S REVOLUTION formerly Rock ‘N’ Roll Oldies) SPECIALTY POWER HITS ITALIAN TRADITIONAL ’70S HITS BEACH PARTY RETRO DISCO JAPANESE ’80S HITS BLUES RIVIERA DISCOTHÈQUE REGGAE MALT SHOP OLDIES formerly Golden Oldies) CHILLTOPIA SUBTERRANEAN RIVIERA SONGWRITERS OF THE ‘70S GOT KIDS? HEALTH & FITNESS SOUTH AFRICAN RHYTHMS UPBEAT OLDIES GREAT STANDARDS ’70S & ’80S WORKOUT UK HITS POP/ADULT CONTEMPORARY LOL! CLASSIC ALTERNATIVE WORKOUT WORLD BEAT ’90S HITS PARTY FAVORS CLASSIC ROCK WORKOUT JAZZ ADULT CONTEMPORARY URBAN GLOW BIG BAND SWING CHÍC BOUTIQUE CLASSIC R&B MODERN WORKOUT CLASSIC JAZZ VOCAL BLEND CITYSCAPES GROOVE LOUNGE NEW AGE SPA JAZZ CLASSIC HITS BLEND HOT JAMZ HIP HOP PUMP! JAZZ VOCAL BLEND CLUB 12 OLD SCHOOL FUNK ZEN RAT PACK DIVAS RAP INSTRUMENTAL SMOOTH -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
The Blues Foundation Archives: Immersion and Preservation
The Blues Foundation Archives: Immersion and Preservation Stephanie Swindle Blues music, while still experienced through live performance, should also be documented and preserved in order to honor and promote one of the world's most essential genres of music. The influence of the blues tradition upon rock and roll artists of the nineteen fifties and sixties as well as upon the contemporary R&B and hip-hop musicians is evident in their similar subject matter, rhythmic underpinnings, and featured instrument - the guitar. Therefore, educating the public and providing scholars and fans with the resources to further appreciate and understand the blues is a significant task. The Blues Foundation is a non-profit organization devoted specifically to the preservation perpetuation of the blues. In its possession is twenty-five years worth of archival material that is in desperate need of preservation. The goal for this project is to work in conjunction with the staff and Executive Director of The Blues Foundation in order to write a grant proposal for a National Endowment for the Humanities preservation grant award. Organizing its archives, which is divided into photographs, autographed guitars, audio, video, concert, compact discs and cassettes, and miscellaneous, is the first step in a long process of preservation. In order to organize its media, The Blues Foundation will be served by submitting a grant proposal to the National Endowment for the Humanities to receive funding necessary to undertake such an elaborate project. Due to The Blues Foundation's vast amount of archival wealth, the Foundation and this project, in particular, merit NEH funding consideration. -
Ole's Timbaland and Jingle Punks Win ASCAP Screen Music Awards
ole’s Timbaland and Jingle Punks Win ASCAP Screen Music Awards March 28, 2016 – ole songwriter Timbaland and Jingle Punks, ole’s branded music company, have received ASCAP Screen Music Awards at the 31st annual event, held March 24th at the Beverly Hilton Hotel in Beverly Hills, CA. Timbaland took home the Top Network Television Series award for his work as Executive Music Producer of hit FOX drama “Empire,” while Jared Gutstadt, Matt Chambless, and Jeff Peters of Jingle Punks accepted the Top Television Series award for their composing work to massively popular NBC singing competition “The Voice.” From left: Gilles Godard (ole VP, Corporate Affairs and Development), Timbaland (ole songwriter), Jennifer Essiembre (ole Senior Manager, Creative), and Brandon Schott (ole Director, Synchronization & Licensing). “ole is proud of our incredible roster of creative artists and staff, and we congratulate them on raising the bar consistently,” said Robert Ott, Chairman and CEO of ole. “Huge thanks to ASCAP for this award and a major tip of the hat to ole for helping us expand our reach while giving us the freedom to keep doing what we do best,” said Jared Gutstadt, Co-Founder, President, and Chief Creative Officer of Jingle Punks. “We’re happy to be part of the ole team and looking forward to even more great things ahead.” Timbaland joined “Empire” for its debut in 2015, overseeing the writing and production of all songs featured on the show. These tracks were compiled into a Season 1 soundtrack album, which debuted at #1 on the Billboard 200 chart and has since been certified Gold with sales of more than 500,000 copies. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
Cash Box Is Filled Are Healthy Signs
®T.M. NEWSPAPER $3.00 ^SPRING TOURING SEASON BLOSSOMS r SECOND QUARTER RELEASE SCHEDULE PACKED ' RETAIL SHELF, SALE PRICES STABLE DONNA SUMMER, POLYGRAM RESOLVE CONTRACT DISPUTE US FESTIVAL EXPANSION IN ’83 “Sparks In Outer Space” is the brilliant new aibum from the aiways original Mael brothers, featuring the first single, “Cool Places,’ a sensational duet with Jane Wiedlin of the Go-Go's and SparksT^^ Jane Wiedlin, Courtesy I.R.S. Records, Inc. On Atlantic Records and Cassettes Produced by Ron Mael and Russell Mael for Giorgio Moroder Enterprises, Ltd. 1983 AHontK Recording Corp OA Worner Commurticofiont Co BOX dSH XLIV — 44 — April 2, 1983 %HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME NUMBER OISHBCX EDITORML On The Mend This week’s news brings a hopeful note in the These signs could be signalling the end of the midst of what has surely been the most challenging worst . Perhaps the recession in this industry has GEORGE ALBERT period in the history of the music industry. We are bottomed out. While it is too early to tell concretely, President and Publisher still mired in the worst recession this industry has maybe the strength of the new product and the sur- MARK ALBERT to of the in- Vice President and General Manager known, but there are signs that things have begun prising potential videotaped music, turn around. creased pace of touring and the stabilizing of prices J.B. CARMICLE Vice President and General Manager, East Coast This week, the front page of Cash Box is filled are healthy signs. JIM SHARP with signs of recovery — there’s the second quarter Hopefully, the lessons that were painfully learned Vice President. -
Profusion Is Programs
ProFusion iS Programs IRISH CHIC BOUTIQUE THE BOUDOIR Music IRISH TRADITIONAL CITYSCAPES CLASSIC R&B CLASSICAL ISLAND BREEZE CLASSIC HITS BLEND HOT JAMZ adult themes) ARIAS & OVERTURES ITALIAN BISTRO BLEND DIVAS HYPE explicit) CHAMBER MUSIC ITALIAN CONTEMPORARY FAMILIAR FAVORITES OLD SCHOOL FUNK (adult themes) INTIMATE CHAMBER ITALIAN TRADITIONAL GOT YOU COVERED RAPTURE LIGHT CLASSICAL JAPANESE HIT SWEEP RHYTHM NATION MEZZANINE QUEBEC POP/ROCK (Canada only) HOTTEST HITS SILKY SOUL SUNDAY POPS REGGAE (adult themes) LOVE SONGS SOULACIOUS COUNTRY RIVIERA METRO BLEND URBAN ALTERNATIVE BLUEGRASS U.K. HITS MODERN CLASSICS URBAN BEAT COUNTRY DEPOT WORLD BEAT NOW AND THEN HEARTLAND JAZZ POP STYLE Video HIT COUNTRY BIG BAND SWING SINGERSONGWRITERS MUSIC VIDEOS HONKY TONK TAVERN CLASSIC JAZZ VOCAL BLEND SOFT HITS ADULT CONTEMPORARY MODERN COUNTRY JAZZ TODAY’S HITS (adult themes) BETWEEN PICKUP COUNTRY JAZZ VOCAL BLEND TRENDSPOT CHART ATTACK TOWN & COUNTRY RAT PACK VIXENS HIT SWEEP TRADITIONAL COUNTRY SMOOTH JAZZ Y2K HITS HOT TRAXX DANCE LATIN RELIGIOUS LATIN BEAT DANCE AMAZONIA FOOTPRINTS MODERN COUNTRY ELECTROSPHERE BAILAMOS! GOSPEL GLORY URBAN NATION GLOBAL GRÜV CARNIVAL BRASILEIRO THE SPIRIT BAR FLY MUSIC VIDEOS HOUSE PARTY EL MOCAMBO ROCK BAR FLY 80’S KINETIC FIESTA TROPICAL 8TRACKS BAR FLY ELECTROLOUNGE POWER HITS HURBANO ADULT ALTERNATIVE BAR FLY GENX RETRO DISCO LATIN CONTEMPORARY BLEND ALBUM ROCK BAR FLY GOLD RIVIERA DISCOTHÈQUE LATIN HITS ALTERNATIVE BAR FLY HITS SUBTERRANEAN LATIN JAZZ THE ARBORETUM BAR FLY LATIN HEALTH & FITNESS LATIN -
Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients. -
UNIVERSAL MUSIC • Royal Wood – Ghost Light • Rufus Wainwright
Royal Wood – Ghost Light Rufus Wainwright – Take All My Loves: 9 Shakespeare Sonnets André Rieu – Magic Of The Waltz Check out new releases in our Vinyl Section! New Releases From Classics And Jazz Inside!!! And more… UNI16-15 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Various Artists / Now! 26 Bar Code: Cat. #: 0254782454 Price Code: G Order Due: March 3, 2016 Release Date: April 1, 2016 6 02547 82454 7 File: Pop Genre Code: 33 Box Lot: 25 Key Tracks: SUPER SHORT SELL Key Points: National Major TV, Radio Online Advertising Campaign Now! Brand is consistently one of the strongest and best‐selling compilations every year The NOW! brand has generated sales of over 200 million albums worldwide Sold over 4 million copies in Canada since its debut. Includes: Justin Bieber – Sorry Selena Gomez ‐ Same Old Love Coleman Hell ‐ 2 Heads Shawn Mendes ‐ Stitches Ellie Goulding ‐ On My Mind Alessia Cara ‐ Here DNCE ‐ Cake By The Ocean Demi Lovato ‐ Confident Nathaniel Rateliff & The Night Sweats ‐ S.O.B Hedley ‐ Hello James Bay ‐ Let It Go Mike Posner ‐ I Took A Pill In Ibiza And more….. Also Available: Artist/Title: Various / Now! 25 Cat#: 0254750866 Price Code: JSP UPC#: 02547 50866 6 9 INTERNAL USE Label Name: Universal Music Canada Territory: Domestic Release Type: O For additional artist information please contact Nick at 416‐718‐4045 or [email protected] UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERS AL M USI C CA NAD A N EW RELEASE Artist/Title: THE STRUMBELLAS / HOPE (CD) Cat. -
Spotify Glen Hansard House of Blues New Orleans
Spotify Glen Hansard House Of Blues New Orleans Aguinaldo evidencing his synd clip thankfully, but galvanizing Xerxes never lipsticks so firstly. Colorific Ishmael never approbating so fastidiously or unfreed any subductions daringly. Benjy is pedigree and brace nearest while sightliest Roderic sidles and venerates. King makes his Hollywood Bowl debut. Wednesday is a benefit for COVAID AFRICA, a digital grassroots NPO founded in response to the recent coronavirus pandemic. Even when his words are harsh, he says them with an enveloping charm, frequently leaning over for fist bumps and to tap me on the knee. At the beginning of the year we quit our jobs. Atmosphere was a timely discovery for me in my late college years as I attempted to perfect independence and learned how the world actually operates. Blue Ox may have never become a festival. To lose a pillar in your life is to contend with this sensation. Christmas with our respective families while also celebrating it together. Beatstars is an online marketplace to buy and sell beats. The cognitive dissonance was incredible, but it somehow only made these songs sound better. Moog records I could find afterwards. This Is Not A Safe Place. Morton sings this one and again, I love the backing singers. Packed with producer extraordinaire The Alchemist this time around, Gibbs parlayed that into one of the most well received albums of the year hitting many EOTY lists. Childers, who grew up in Appalachia and who has seen some of the most vicious effects of the opioid crisis firsthand, knows how that second script can play out.