INTERVIEWS NEWMAN - M.ILL.ION PETER H NILSSON - ROBIN RED NITRATE Renegade 005176 13,00€ Newsletter September 2021
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Cold Chisel to Roll out the Biggest Archival Release in Australian Music History!
Cold Chisel to Roll Out the Biggest Archival Release in Australian Music History! 56 New and Rare Recordings and 3 Hours of Previously Unreleased Live Video Footage to be Unveiled! Sydney, Australia - Under total media embargo until 4.00pm EST, Monday, 27 June, 2011 --------------------------------------------------------------- 22 July, 2011 will be a memorable day for Cold Chisel fans. After two years of exhaustively excavating the band's archives, 22 July will see both the first- ever digital release of Cold Chisel’s classic catalogue as well as brand new deluxe reissues of all of their CDs. All of the band's music has been remastered so the sound quality is better than ever and state of the art CD packaging has restored the original LP visuals. In addition, the releases will also include previously unseen photos and liner notes. Most importantly, these releases will unleash a motherlode of previously unreleased sound and vision by this classic Australian band. Cold Chisel is without peer in the history of Australian music. It’s therefore only fitting that this reissue program is equally peerless. While many major international artists have revamped their classic works for the 21st century, no Australian artist has ever prepared such a significant roll out of their catalogue as this, with its specialised focus on the digital platform and the traditional CD platform. The digital release includes 56 Cold Chisel recordings that have either never been released or have not been available for more than 15 years. These include: A “Live At -
JIMMY BARNES HEADS 10 GREAT AUSSIE ARTISTS for 10Th ANNIVERSARY CONCERT!
Media Release August 15 2010 JIMMY BARNES HEADS 10 GREAT AUSSIE ARTISTS FOR 10th ANNIVERSARY CONCERT! LECONFIELD WINES, MCLAREN VALE – SUNDAY NOVEMBER 7 A 10th anniversary deserves a very special celebration and that’s exactly what a day on the green has planned with Aussie rock legend Jimmy Barnes heading up the festivities for this noteworthy occasion. Although all shows in the upcoming a day on the green 2010/2011 summer season fall under the 10th anniversary banner, promoters Roundhouse Entertainment wanted to pay homage to many of the Aussie artists who have played a part in the event’s 215 concerts to date – and that desire has resulted in four massive birthday concerts in November. ‘Barnesy’, who has returned to his roots with a brand spanking new rock album ‘Rage and Ruin’, will head up a sensational 10-artist line-up featuring Vanessa Amorosi, Tex Perkins, Mark Seymour, Ian Moss, Ross Wilson & the Peaceniks, Richard Clapton, Dan Sultan, Michael Spiby and Swanee at Leconfield Wines, McLaren Vale on Sunday November 7. Plans are afoot for the artists to guest in each other’s sets, cook up some tasty duets and provide some surprises and highly memorable musical moments! With a feast of the best Aussie rock on offer and ticket prices starting from $99.50, the a day on the green 10th birthday concerts are guaranteed to be one of the parties of the year! Due to the amount of artists performing, gates for this very special anniversary concert will open at 1.00pm, with music running from 1.30pm – 9.30pm. -
ORANGES to Hold to Its Stand That Admis- U.N
>- ** V V - m m T W E S t T MONDAY, NOVE^ER > ‘ ilm trl|[^ r lEttrnfns A fin m ItafljrNetiPnHM Ron Vint Om Vedz BMe« The Past NMmn’s Aaaoda- Garbage and refuse, pickup Harold Buckley of the Hart- AIMS * H i e ' mt Town tlon of Temple Chapter, OBS, complaints for the week ending ford Social Security Agency, IT'S MIGlifY iv will meet Wednesday at 8 pjn. Nov. 6 fell to one of the lowest who was scheduled to speak last WViliBigfii Qunera Club will at the home of Mrs. John Trot totals in recent years. Public Tuesday, will apeak on "Medi- iB 40i; mfilt WtdMikIhy at 8 p.m. at First 14,581 ter, 8S Dale Rd. Hostesses will Works Director Walter Fuss re- care” at a meeting of the Man- NICE . TO inotpow, blgl^ tn ^ " m i cJ' :• tb^^BUlMop Hooaa, Vaterana ICe- M be Mrs. W. Sydney' Harrison ported that only 2S calls were Chester Rotary Club tomorrow O R E E M i i n o ^ Z*ark, Ibtat Hartford. and Mrs. R a il Loveland. Mem received for miscellaneous com- at 6:30 p.m. at the Manchester National IS T A M P S i - V' Maneheettsr^A City of ViSk^Chtf^ Ja^ Englert o t the Baatman SAVE TWICE bers are reminded to notify a plaints. Country Club. VOL. LXXXV, NO. 40 (EIGHTEEN PA6ES1 Koidak Co. will preaent a lec hostess If unable to attend. MANCHESTER, CONN., TUESDAY, NOVEMBER 1966 (CbuMlfled AOverOalag « i Pag« 18) ture entitled "Super 8 — llie S to re s Bright New Ijo d k in 8 mm." Holy Family Mothers Circle Manchester WA'TES will meet The Manchester Chapter .of will meet Wednesday at 6:46 tomorrow at the ItaUan Ameri- Verplanck School PTA wUl SPESSQSA will meet tonight p.m. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Intro CHRISTIAN: Hello. You're Listening to After the Session. My
Intro CHRISTIAN: Hello. You’re listening to A2er The Session. My name is Chris;an Cummings, and this is Season 0, Episode 5 with my good pal, produCer/engineer/mixer David Cole. You know David’s work with The Steve Miller Band, CAKE, Melissa Etheridge, huge hits with Bob Seger, RiChard Marx; he also worked with Tina Turner. He also worked on some of Christopher Guest’s projeCts – “A Mighty Wind,” “Best in Show,” “Wai;ng for Guffman.” He was a staff engineer at Capitol, among other things, and has had a very storied Career. I’ve known David Cole – or DC, as a lot of people Call him – for several years, and I Can’t say enough great things about the guy. First off, he donated his ;me to be my guinea pig as the first-ever guest on this podCast. What you’re about to hear is the first aZempt I ever made at doing this podCast, and he graciously sat down to let me piCk his brain about his Career, and he didn’t need to do it. So I really, really appreCiate his ;me and energy and effort. The dude is very talented and has a lot of valuable informa;on to share with all of us. In fact, I should men;on that A2er The Session – the name of this podCast, yep – I owe Credit to David Cole for that name. He Came up with it a2er a Conversa;on prior to the podCast, and it stuCk. If you guys have been enjoying he shows up to this point, do me a huge favor and rate us in iTunes and share the podCast with your friends. -
Valentina Mér Wincent Weiss Feist Gorillaz Adel Tawil Thurston Moore China Moses Alexa Feser ALEX Kasabian VARGAS Inhalt
GRATIS | APRIL 2017 Ausgabe 37 VALENTINA MÉR WINCENT WEISS FEIST GORILLAZ ADEL TAWIL THURSTON MOORE CHINA MOSES ALEXA FESER ALEX KASABIAN VARGAS INHALT INHALT EdITION – IMPRESSUM 03 ALEX VARGAS HERAUSGEBER 04 VALENTINA MÉR | TOM SCHILLING AKTIV MUSIK MARKETING GMBH & CO. KG 05 WINCENT WEISS | ZWEI VON MILLIONEN | Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 KENSINGTON PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 06 FEIST | JOHN MELLENCAMP | MARY J BLIGE AKTIV MUSIK MARKETING 07 WILLIE NELSON | RAY DAVIES | PROCOL HARUM VERWALTUNGS GMBH & CO. KG 08 SHERYL CROW | GORILLAZ Steintorweg 8, 20099 Hamburg 09 INCUBUS | THURSTON MOORE | ALPHAVILLE SITZ: Hamburg, HR B 100122 10 ADEL TAWIL | K. FLAY | BEN MARWOOD GESCHÄFTSFÜHRER Marcus-Johannes Heinz 12 CHINA MOSES | TROMBONE SHORTY | HELGE LIEN FON: 040/468 99 28-0 Fax: 040/468 99 28-15 13 25 JAHRE ACT | NATALIA MATEO E-MAIL: [email protected] 14 ALEXA FESER | THOMAS ANDERS 15 PAROV STELAR | MAXIMO PARK | IMMINENCE REDAKTIONS- UND ANZEIGENLEITUNG 16 IMELDA MAY | KASABIAN Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 18 HUBERT VON GOISERN | SAN2 & HIS SOUL PATROL | KALEO MITARBEITER DIESER AUSGABE 19 HÖRSTOFF Marcel Anders (ma), Kai Florian Becker (kfb), 22 DAS LÄUFT IM LADEN Helmut Blecher (hb), Dagmar Leischow (dl), 23 TOP 20 VINYL-CHARTS Patrick Niemeier (nie), Steffen Rüth (sr), Anja Wegner, 24 PLATTENLADEN DES MONATS | PLATTENLÄDEN Nadine Wenzlick (nw) Bleibe auf dem Laufenden und bestelle unseren Newsletter auf WWW.PLATTENLADENTIPPS.DE/NEWSLETTER FOTOGRAFEN DIESER AUSGABE Universal Music (1,3 Alex Vargas, 6 Feist, 9 Alphaville, 10 Adel Tawil, 16 Imelda May), Alexandra Kinga Fekete (4 Tom Schilling & The Jazz Kids), Warner Music AuF TOUR (4 Valentina Mér), Sascha Wernicke/Vertigo Berlin (5 Wincent Weiss), Steve Gullick (7 Ray Davies), AWA LY Mark Seliger (8 Sheryl Crow), Brantley Gutierrez Awa Ly, französische Sängerin mit senegalesischen (9 Incubus), Sylvain Norget (12 China Moses), Jörg Grosse Geldermann/ACT (13 Natalia Mateo), Wurzeln, ist in Italien und Frankreich bereits ein Star. -
Falcon Entertainment Corp
SECURITIES AND EXCHANGE COMMISSION FORM 10KSB Annual and transition reports of small business issuers [Section 13 or 15(d), not S-B Item 405] Filing Date: 2000-09-13 | Period of Report: 2000-05-31 SEC Accession No. 0000912057-00-041260 (HTML Version on secdatabase.com) FILER FALCON ENTERTAINMENT CORP Mailing Address Business Address 71 GREAT PASTURE ROAD 71 GREAT PASTURE ROAD CIK:1089046| State of Incorp.:DE | Fiscal Year End: 0531 REDDING CT 06896 REDDING CT 06896 Type: 10KSB | Act: 34 | File No.: 000-26443 | Film No.: 722471 2039380737 SIC: 4833 Television broadcasting stations Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-KSB (Mark One) |X| ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For fiscal year ended MAY 31, 2000 ---------------------------------------------------------- or |_| TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to ----------------- ------------------------------ Commission file number ---------------------------------------------------------- FALCON ENTERTAINMENT CORP. -------------------------------------------------------------------------------- (Exact name of registrant as specified in its charter) <TABLE> <CAPTION> <S> <C> DELAWARE 22-281-1783 ------------------------------------------------- -------------------------------- State or other jurisdiction -
Classic Obs' #5
PEARL JAM . GIGATON Nouvel album disponible le 27 mars Disponible en version CD et double-vinyle Plus d’infos sur pearljam.com edito CLASSIC OBS’ N°5 - MARS / AVRIL 2020 BIMESTRIEL METAL Black is beautiful Directeur de la publication Si choc ? So chic ! Ambassadeur de l’art abject du black metal sous la bannière Behemoth, le chanteur Charles Provost / guitariste Nergal redevient Adam Darski et préfère, au sein de Me And That Man, son riff charmeur Éditorialiste plutôt que destructeur. Ce side-project enraciné dans le jardin culturel américain se joue du blues, du Jean-Christophe Baugé folk, qui ont tous deux survécu aux séismes musicaux susceptibles de les ringardiser. Songs Of Love And Death (2017), périlleux exercice d’équilibriste entre fidélité au concept et emprunt à l’air du temps, est le Conception graphique premier volet d’une franchise contrainte à la réinvention. Comme il n’y a pas de petite entreprise, mais Sponge (www.burnyourdesign.com) que de grandes aventures, un second et nouvel album, New Man, New Songs, Same Shit Vol. 1, attendu le 28 mars chez Napalm Records, tente d’habiller de nouveauté certains archétypes musicaux grâce à Rédaction un réseau d’obligés. Au premier rang duquel Mat McNerney, chanteur de Grave Pleasures, qui, avec la François Alaouret, chanson à boire black « Burning Churches » garantit sa première réaction épidermique à l’association Jean-Christophe Baugé, « Provocs Hellfest ça suffit » en amont du concert du groupe à Clisson le 20 juin. N’en déplaise aux Laurent Bendahan, Elody Di Cocco, misandres professionnelles -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
HARDLINE Danger Zone (Hard Rock)
HARDLINE Danger zone (Hard Rock) Année de sortie : 2012 Nombre de pistes : 12 Durée : 59' Support : CD Provenance : Acheté HARDLINE, en 2012, c'est la superbe voix de Johnny GIOELI. Tous les autres musiciens ont changé au gré des albums et hormis Double Eclipse, pur chef-d'oeuvre de Hard-Us, HARDLINE s'est contenté d'albums plus où moins agréables depuis. Pour ce quatrième opus, je suis parti peu convaincu à l'abordage de ce nouvel effort...et la surprise en devient donc plus qu'agréable ! Avec un nouveau line-up et des compositions réussis de Alessandro DEL VECCHIO (EDGE OF FOREVER), claviériste et producteur italien, voilà que cet album remet HARDLINE dans les hauteurs ! Alessandro a fait un excellent travail pour cet album ! Voilà pourquoi Serafino PERUGINO, président de Frontiers Records a, d'après la biographie, insisté auprès de Johnny pour qu'il vienne donner de la voix ! M. PERUGINO a eu raison, le résultat le prouve. Une autre raison de cette réussite tient en l'arrivée du guitariste Thorsten KOEHNE (EDEN'S CURSE) ! Il était temps que HARDLINE s'accorde (Il y a un jeu de mot je crois !) les services d'un guitariste de cette trempe là ! Son travail est énorme et les quelques solos placés ici où là sont fantastiques. Un peu plus n'aurait pas été un luxe ! Ce qui frappe aussi sur cet album, c'est que malgré des titres tous au delà des 4 minutes (jusqu'à 6'16), aucun sentiment de lassitude ne se fait sentir... Les refrains reviennent avec joie, quelques passages instrumentaux "guitares/claviers" relèvent l'ambiance, c'est un festival..