DOCSLIB.ORG

Falcon Entertainment Corp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Falcon Entertainment Corp SECURITIES AND EXCHANGE COMMISSION FORM 10KSB Annual and transition reports of small business issuers [Section 13 or 15(d), not S-B Item 405] Filing Date: 2000-09-13 | Period of Report: 2000-05-31 SEC Accession No. 0000912057-00-041260 (HTML Version on secdatabase.com) FILER FALCON ENTERTAINMENT CORP Mailing Address Business Address 71 GREAT PASTURE ROAD 71 GREAT PASTURE ROAD CIK:1089046| State of Incorp.:DE | Fiscal Year End: 0531 REDDING CT 06896 REDDING CT 06896 Type: 10KSB | Act: 34 | File No.: 000-26443 | Film No.: 722471 2039380737 SIC: 4833 Television broadcasting stations Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-KSB (Mark One) |X| ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For fiscal year ended MAY 31, 2000 ---------------------------------------------------------- or |_| TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to ----------------- ------------------------------ Commission file number ---------------------------------------------------------- FALCON ENTERTAINMENT CORP. -------------------------------------------------------------------------------- (Exact name of registrant as specified in its charter) <TABLE> <CAPTION> <S> <C> DELAWARE 22-281-1783 ------------------------------------------------- -------------------------------- State or other jurisdiction of (I.R.S. Employer incorporation or organization Identification No.) </TABLE> <TABLE> <CAPTION> <S> <C> 675 THIRD AVENUE, 12TH FLOOR NEW YORK, NEW YORK 10017 ----------------------------------------------------------------------------------------------------------- ----------------------- (Address of principal executive offices) (Zip Code) </TABLE> Registrant's telephone number, including area code (212) 557-5557 ----------------------------------------------------- Securities registered pursuant to Section 12(b) of the Act: <TABLE> <CAPTION> <S> <C> Title of each class Name of each exchange on which registered --------------------------------------------------------------------- ------------------------------------------------------------- None None </TABLE> Securities registered pursuant to Section 12(g) of the Act: Common Stock, par value $0.00005 per share ------------------------------------------------------------------------------- (Title of Class) Check whether the issuer: (1) filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act during the past 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. |X| Yes |_| No Check if disclosure of delinquent filers in response to Item 405 of Regulation S-B is not contained in this form, and no disclosure will be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-KSB or any amendment to this Form 10-KSB. | | Issuer's revenues for the fiscal year ended May 31, 2000 were $76,549. Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document The aggregate market value of the voting and non-voting common equity held by non-affiliates of the issuer, based upon the closing price of such common equity on August 31, 2000, as reported on the OTC Bulletin Board, was approximately $28,287,000 (affiliates being, for these purposes only, directors, executive officers and holders of more than 5% of the issuer's common stock). As of September 13, 2000, the Registrant had 13,375,724 shares of common stock outstanding. 1 PART I ITEM 1. DESCRIPTION OF BUSINESS. CERTAIN STATEMENTS CONTAINED IN THIS ANNUAL REPORT ON FORM 10-KSB, INCLUDING, WITHOUT LIMITATION, STATEMENTS CONTAINING THE WORDS "BELIEVES", "ANTICIPATES", "ESTIMATES", "EXPECTS", AND WORDS OF SIMILAR IMPORT, CONSTITUTE FORWARD-LOOKING STATEMENTS WITHIN THE MEANING OF THE PRIVATE SECURITIES LITIGATION REFORM ACT OF 1995. READERS ARE REFERRED TO THE "RISK FACTORS" SECTION CONTAINED HEREIN, WHICH IDENTIFIES IMPORTANT RISK FACTORS THAT COULD CAUSE ACTUAL RESULTS TO DIFFER MATERIALLY FROM THOSE CONTAINED IN THE FORWARD LOOKING STATEMENTS. OVERVIEW Falcon Entertainment Corp. (collectively with its subsidiaries, "Falcon" or the "Company") is a diversified entertainment company that broadcasts music videos of amateur and professional artists over cable and direct satellite television on its television channel, IMNTV, and that webcasts those videos over the Internet through its web site, www.IMNTV.com. It also operates a record label, InVision Records, and intends to commence operations of a second record label, Ecity Records. Through these labels, the Company intends to produce and mass market the music of artists and bands, including certain of those who submit videos for broadcast over IMNTV. It further intends to develop its web site into a web portal to promote the Company's products and services, promote the musicians signed to its record labels, provide music news and related informational services and provide links to related web sites. To date, the Company has not generated revenues from the operation of its current business model. For the fiscal years ended May 31, 2000 and 1999, the Company incurred losses of $5,866,842 and $62,619, respectively. In March 2000, the Company completed a private offering of its common stock, raising approximately $7,395,000 after deductions for commissions, fees and offering expenses. The Company was incorporated in March 1986 under the laws of the State of Delaware under the name AVTR Systems, Inc. In April 1999 the Company changed its name to Independent Music Group, Inc., and in December 1999 it changed its name to Falcon Entertainment Corp. In April 1999, the Company acquired all of the issued and outstanding capital stock of Independent Music Network, Inc., a Delaware corporation, from the Company's President, Chief Executive Officer and Chairman. INDUSTRY BACKGROUND The Company believes that the broadcast television market for music videos and music programming has grown significantly since the introduction of MTV in 1981. Music enthusiasts are now able to view musical genres ranging from country to rock to rap to salsa on cable television, with major channels generating significant revenues from growing cable subscriptions and increasing advertiser support. The Company's research indicates that the amateur music industry has experienced a corresponding significant growth phase. According to the Gallup Organization of Princeton, New Jersey ("Gallup"), in 1999 approximately 53% of all U.S. households owned at least one musical instrument, 50% of all U.S. households had one member who played an instrument and 40% of U.S. households had two or more members who played an instrument. According to Gallup, in the U.S. alone, nearly $6.8 billion was spent on musical instruments and accessories in 1999, representing an increase of approximately 27% from 1994. According to a 1999 study by the Recording Industry Association of America ("RIAA"), the demographic profile of consumers of recorded music has aged along with the population. Consumers age 29 and under accounted for 44.2% of music purchases in 1999 as compared to 57.0% in 1990. Similarly, consumers over the age of 45 comprised 24.7% of the market in 1999 compared with 11.1% in 1990. Based on RIAA data, there have been significant gains in popular music listenership among the 35 and over category, tracking the aging of the "baby boomer" generation. While spending by young Americans remains Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document predictably strong, the baby boomers (particularly those in the age 40-44 category) have shown the most notable increase, jumping from a 7.8% market share in 1990 to 9.3% in 1999. These shifting demographic patterns strengthen the Company's belief that its concept will appeal to a wide domestic audience. 2 The Company believes that no medium currently exists which gives amateur musicians the opportunity to present themselves on national television. Channels such as MTV and VH1 primarily program well-known artists who are listed on the Billboard 100 or similar charts. The Company also believes that many major and independent record labels and talent agencies are seeking a cost-effective method to discover and showcase new talent on a non-preferential basis. IMNTV The Company began broadcasting music videos of independent artists over its television channel, Independent Music Network, or IMNTV, on June 1, 2000. Through an agreement with Yahoo! Inc., IMNTV's programming is simulcast over the Internet. Independent Music Network's programming currently consists of a variety of music video content packaged into 1/2-hour segments, each including approximately seven music videos. Independent Music Network's programming is presently being broadcast in the Miami, Florida; Orlando, Florida; Norfolk, Virginia; Los Angeles, California and San Diego, California television markets and other limited national television markets to a subscriber base of approximately 2,325,000 households. The Company intends to: o continually increase the length and quality of IMNTV's programming; o expand the size and number of broadcast markets
Load more

Recommended publications
  • First Steps with the Drum Set a Play Along Approach to Learning the Drums
    First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know.
    [Show full text]
  • January 1988
    VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J.
    [Show full text]
  • Intro CHRISTIAN: Hello. You're Listening to After the Session. My
    Intro CHRISTIAN: Hello. You’re listening to A2er The Session. My name is Chris;an Cummings, and this is Season 0, Episode 5 with my good pal, produCer/engineer/mixer David Cole. You know David’s work with The Steve Miller Band, CAKE, Melissa Etheridge, huge hits with Bob Seger, RiChard Marx; he also worked with Tina Turner. He also worked on some of Christopher Guest’s projeCts – “A Mighty Wind,” “Best in Show,” “Wai;ng for Guffman.” He was a staff engineer at Capitol, among other things, and has had a very storied Career. I’ve known David Cole – or DC, as a lot of people Call him – for several years, and I Can’t say enough great things about the guy. First off, he donated his ;me to be my guinea pig as the first-ever guest on this podCast. What you’re about to hear is the first aZempt I ever made at doing this podCast, and he graciously sat down to let me piCk his brain about his Career, and he didn’t need to do it. So I really, really appreCiate his ;me and energy and effort. The dude is very talented and has a lot of valuable informa;on to share with all of us. In fact, I should men;on that A2er The Session – the name of this podCast, yep – I owe Credit to David Cole for that name. He Came up with it a2er a Conversa;on prior to the podCast, and it stuCk. If you guys have been enjoying he shows up to this point, do me a huge favor and rate us in iTunes and share the podCast with your friends.
    [Show full text]
  • Episode 061: Jonathan 'Sugarfoot' Moffett Special If Using
    The MJCast - Episode 061: Jonathan ‘Sugarfoot’ Moffett Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-061-jonathan-sugarfoot-moffett-special/ The MJCast (Q): Hello, and welcome to the MJCast! I am Q, one of your hosts for today, and today we're interviewing one of Michael's most long-standing collaborators—potentially his most long-standing. The MJCast (Jamon): Jonathan 'Sugarfoot' Moffett worked with Michael Jackson and the Jacksons as their tour drummer starting in 1979 with the "Destiny Tour", and continued to work with them later for the "Triumph Tour", the "Victory Tour", Michael's 1988 Grammy Awards performance, the "HIStory World Tour", his "30th Anniversary" shows, and, eventually, "This is It". MJCast (Q): Not only did Jonathan Sugarfoot have the honor of collaborating closely with the Jacksons, but he has also toured with artists such as Madonna, George Michael, Prince, Elton John, and Lionel Richie. MJCast (Jamon): Jonathan, it's an honor to have you here on the MJCast how're you going? Jonathan Moffett: I'm doing pretty good—I've been doing pretty good. A little mistake in there—I'd never toured with Prince. I've worked in a studio [where] Madonna and Prince [were] on the same song "Keep it Together", so I've never toured. I don't want misinformation to get out there, so I've never toured with Prince, although he has asked me about touring with him, which never just came about because he was at a lot of the after parties at the Jackson shows, Elton shows, and cameo shows, and he'd speak to me and give me a combination of performance and he asked me about playing with him, but it just never happened.
    [Show full text]
  • Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
    LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.
    [Show full text]
  • Lucia La Isla Bonita Mp3, Flac, Wma
    Lucia La Isla Bonita mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Latin Album: La Isla Bonita Country: Italy Released: 1986 Style: Italo-Disco MP3 version RAR size: 1262 mb FLAC version RAR size: 1228 mb WMA version RAR size: 1513 mb Rating: 4.3 Votes: 606 Other Formats: MMF MP4 APE MOD ADX WAV MP3 Tracklist Hide Credits La Isla Bonita (Long Version - Jungle Mix) A 7:48 Written-By – Bruce Gaitsch, Madonna, Pat Leonard* La Isla Bonita (Dance Version) B1 5:05 Written-By – Bruce Gaitsch, Madonna, Pat Leonard* Bonita Sound B2 3:00 Written-By – E. Crociani*, E. Pieri*, M. Mantellini* Companies, etc. Published By – Wb Music Corp. Published By – Bleu Disque Music Co., Inc. Published By – Webo Girl Credits Arranged By – Davide Romani Cover [Art] – Davide Nicolo'* Mixed By, Arranged By – Elvio Pieri Producer – Elio Crociani, Elvio Pieri Notes Italian 12" Picture Disc by Lucia; the song is the cover version of Madonna's "La Isla Bonita". The label 'Did Records' isn't mentioned on the release but I has been verified with Elvio Pieri, the label owner. Barcode and Other Identifiers Matrix / Runout (Etching Side A): 96000 EE - A Matrix / Runout (Etching Side B): 96000 EE - BIS Rights Society: SIAE Other versions Category Artist Title (Format) Label Category Country Year 96.000.E.E. Lucia La Isla Bonita (12") Did Records 96.000.E.E. Italy 1987 La Isla Bonita (Swedish Re- BB 8092 Lucia Beat Box BB 8092 Sweden 1986 Edit) (12", Maxi, Promo) Beverly 888098-7 Lucia La Isla Bonita (7", Single) 888098-7 France 1986 Records Industry IR-FG 127 6 Lucia La Isla Bonita (12", Maxi) IR-FG 127 6 Greece 1986 Records Lucia & Lucia & Project 2 - La Isla NINE 77 Nine O Nine NINE 77 UK 1987 Project 2 Bonita Rap (7", Single) Related Music albums to La Isla Bonita by Lucia Madonna - The Best I Alisha - Madonna (English Cover Version) Various - Dimensione Dance 3 Isla Bonita - Sueños Del Caribe Madonna - Greatest Hits VOL.
    [Show full text]
  • Downbeat.Com December 2020 U.K. £6.99
    DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • KONZERT Dvds
    KONZERT DVDs Künstler Titel Drummer, Percussionist Phil Collins Live and Loose in Paris Ricky Lawson, Luis Conte, Phil Collins Phil Collins Finally…The first farewell tour Chester Thompson, Luis Conte, Phil Collins Patti LaBelle One Night Only John Blackwell Tina Turner One Last Time Jack Bruno Steely Dan Two Against Nature Ricky Lawson George Benson Absolutely Live Michael White Brian Setzer Orchestra Live in Japan (Big Band) Bernie Dresel Toto Live and more Jeff Porcaro Earth,Wind & Fire Live Sonny Emory Chicago Real Artist Working Tris Imboden Paul Simon You’re The One Steve Gadd Diana Krall Live in Paris Jeff Hamilton James Taylor Pull Over Russ Kunkel, Luis Conte Fourplay An Evening of Fourplay Harvey Mason Lee Ritenour & Friends Live from the Coconut Grove Harvey Mason, Paulinho da Costa Steve Lukather Los Lobotomys in Concert Simon Phillips Marcus Miller In Concert Poogie Bell Larry Carlton In Concert Rick Marotta Prince Rave 2000 John Blackwell Tom Jones Live at Cardiff Castle Graham Ward, Jody Linscott Bonnie Raitt Road Tested Ricky Fataar, Debra Dobkin Steps Ahead Live in Tokyo Steve Smith Niacin Blood, Sweat & Beers Dennis Chambers Xavier Naidoo Alles Gute vor uns Ralf Gustke Cher The Farewell Tour Mark Schulman Lee Ritenour Rit Special Carlos Vega Eliane Elias Trio Live in Munich Adam Nussbaum Herbie Hancock In Concert Terry Lynne Carrington Dizzy Gillespie At the Royal Festival Hall Ignacio Berroa, Airto Steve Gadd The Gadd Gang Live Steve Gadd Chaka Khan The Jazz Channel Presents Vinnie Colaiuta Toto Live in Amsterdam Simon Phillips Sting All This Time Manu Katche Sting The Brand New Day Tour Manu Katche Sting The Soul Cages Tour Vinnie Colaiuta Sting MTV Unplugged Vinnie Colaiuta, Vinx Paul McCartney Back in the U.S.
    [Show full text]
  • King of Hearts I Mediasnap Epk for Industry Use Nl Y
    KING OF HEARTS I MEDIASNAP EPK FOR INDUSTRY USE □NLY 05.29.1 9 For Immediate Release May 29, 2019 King of Hearts and kulaBrands Music, Forge New Fan Driven Music Model When you add some of today’s most respected artists including Timothy B Schmit (Eagles), Peter Cetera (Chicago) and Phil Collen (Def Leppard), the sound of King Of Hearts is… "Modern Classic Rock" As if this line up of some of the best in classic rock isn’t enough, …Jeffrey "Skunk" Baxter, known for his stints in the rock bands Steely Dan and The Doobie Brothers, will be joining King of Hearts live on stage to play a few hit songs from the past on July 12th… This event will be the bands official CD release party for this new album…celebrating with many of their close friends in the industry…just one more reason not to miss this epic event. King of Hearts is going to Rock the Canyon!!! “We’re so excited to be back in the studio again!” says King of Hearts founding member, Tommy Funderburk. The group’s lead vocalist has good reason to be elated. However, it’s not just because King Of Hearts has recorded a fabulous new album, it’s rather that they are recording at all!” Funderburk explains, “After some really disappointing experiences with traditional labels, we teamed up with a truly revolutionary crowd funding company kulaBrands, that funded our studio and production time, allowing the band to record the basic tracks for the new album in Jonathan Cain’s (Journey) new, state-of-the art studio in Nashville and added some very special friends at producer/ engineer/keyboardist, CJ Vanston’s TreeHouse studios in Los Angeles.
    [Show full text]
  • Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE
    Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 1 SOMMAIRE P.03 P.21 P.51 P.06 P.26 P.56 P.09 P.28 P.59 P.10 P.35 P.66 P.14 P.40 P.74 P.15 P.42 P.17 P.47 Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 2 ‘Cause you got the best of me Chorus: Borderline feels like I’m going to lose my mind You just keep on pushing my love over the borderline (repeat chorus again) Keep on pushing me baby Don’t you know you drive me crazy You just keep on pushing my love over the borderline Something in your eyes is makin’ such a fool of me When you hold me in your arms you love me till I just can’t see But then you let me down, when I look around, baby you just can’t be found Stop driving me away, I just wanna stay, There’s something I just got to say Just try to understand, I’ve given all I can, ‘Cause you got the best of me (chorus) Keep on pushing me baby MADONNA / Don’t you know you drive me crazy You just keep on pushing my love over the borderline THE FIRST ALBUM Look what your love has done to me 1982 Come on baby set me free You just keep on pushing my love over the borderline You cause me so much pain, I think I’m going insane What does it take to make you see? LUCKY STAR You just keep on pushing my love over the borderline written by Madonna 5:38 You must be my Lucky Star ‘Cause you shine on me wherever you are I just think of you and I start to glow BURNING UP And I need your light written by Madonna 3:45 Don’t put me off ‘cause I’m on fire And baby you know And I can’t quench my desire Don’t you know that I’m burning
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 61st Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2017 through September 30, 2018 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. THE MIDDLE Record Of The Year Zedd, Maren Morris & Grey Award to the Artist and to the Producer(s), Recording Engineer(s) Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom and/or Mixer(s) and mastering engineer(s), if other than the artist. Norris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer 1. I LIKE IT Cardi B, Bad Bunny & J Balvin Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite, Kuk Harrell & Evan LaRay, engineers/mixers; Colin Leonard, mastering engineer 2. THE JOKE Brandi Carlile Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer 3. THIS IS AMERICA Childish Gambino Donald Glover & Ludwig Göransson, producers; Derek “MixedByAli” Ali, Riley Mackin & Shaan Singh, engineers/mixers; Mike Bozzi, mastering engineer 4. GOD'S PLAN Drake Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer 5. SHALLOW Lady Gaga & Bradley Cooper Lady Gaga & Benjamin Rice, producers; Brandon Bost & Tom Elmhirst, engineers/mixers; Randy Merrill, mastering engineer 6. ALL THE STARS Kendrick Lamar & SZA Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer 7. ROCKSTAR Post Malone Featuring 21 Savage Louis Bell & Tank God, producers; Louis Bell, Lorenzo Cardona, Manny Marroquin & Ethan Stevens, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2018 - all rights reserved 1 Not for copy or distribution 61st Finals - Press List General Field Category 2 8.
    [Show full text]
  • Convention News
    DAY 3 March 7, 2019 HAI PUBLICATIONS Convention News Scott Drennan (pictured), Bell v-p of innovation, waxed futuristic about the prospects for eVTOL aircraft, citing data that posits 750 million passenger trips across 15 major cities in 2030. Airbus v-p of urban mobility Zach Lovering sees the convergence of distribued electric propulsion technology and autonomous systems, infrastructure as key and likely enablers. More than 150 eVTOL types are under development, according to Mike Hirschberg, executive director of the Vertical Flight Society. Technology Boeing buys app-maker MARIANO ROSALES ForeFlight › page 3 OEMs The future: it’s electric and vertical MD Helicopters’ military future › page 4 by Mark Huber Emerging electric vertical takeoff and land- According to Bell v-p of innovation Scott already partnering with NASA to demon- Design ing (eVTOL) aircraft “will not only revolu- Drennan, the business case is easy to make strate urban critical mission transport. A better grip is on the tionize vertical flight, but society as a whole,” for this new class of aircraft. Citing data Airbus’s Zach Lovering, v-p of urban air Mike Hirschberg, executive director of the from the investment bank Goldman Sachs, mobility, predicted the demand for eVTOLs way › page 6 Vertical Flight Society, predicted during NASA, and Uber, he said the global ride- would soar as ground congestion throughout yesterday’s Heli-Expo session on eVTOLs. share market will grow from $36 billion the globe continued to worsen. “It takes two Training He cited a confluence of regulatory, tech- in 2016 to $285 billion in 2030, with the hours to drive to the airport from downtown nological, and industrial developments potential for 750 million urban aerial pas- São Paulo and only 10 minutes to fly there in Hillsboro moves that he thinks makes this the right time for senger trips across 15 major cities by 2030.
    [Show full text]