DOCSLIB.ORG

Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 1 SOMMAIRE P.03 P.21 P.51 P.06 P.26 P.56 P.09 P.28 P.59 P.10 P.35 P.66 P.14 P.40 P.74 P.15 P.42 P.17 P.47 Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 2 ‘Cause you got the best of me Chorus: Borderline feels like I’m going to lose my mind You just keep on pushing my love over the borderline (repeat chorus again) Keep on pushing me baby Don’t you know you drive me crazy You just keep on pushing my love over the borderline Something in your eyes is makin’ such a fool of me When you hold me in your arms you love me till I just can’t see But then you let me down, when I look around, baby you just can’t be found Stop driving me away, I just wanna stay, There’s something I just got to say Just try to understand, I’ve given all I can, ‘Cause you got the best of me (chorus) Keep on pushing me baby MADONNA / Don’t you know you drive me crazy You just keep on pushing my love over the borderline THE FIRST ALBUM Look what your love has done to me 1982 Come on baby set me free You just keep on pushing my love over the borderline You cause me so much pain, I think I’m going insane What does it take to make you see? LUCKY STAR You just keep on pushing my love over the borderline written by Madonna 5:38 You must be my Lucky Star ‘Cause you shine on me wherever you are I just think of you and I start to glow BURNING UP And I need your light written by Madonna 3:45 Don’t put me off ‘cause I’m on fire And baby you know And I can’t quench my desire Don’t you know that I’m burning up for your love Chorus: You’re not convinced that that is enough Starlight, starbright first star I see tonight I put myself in this position Starlight, [starbright] make everything all right And I deserve the imposition Starlight, starbright first star I see tonight But you don’t even know I’m alive Starlight, [starbright] yeah And this pounding in my heart just won’t die I’m burning up You must be my Lucky Star ‘Cause you make the darkness seem so far Chorus: And when I’m lost you’ll be my guide I’m burning up, burning up for your love I just turn around and you’re by my side I’m burning up, burning up for your love I’m burning up, burning up for your love (chorus) For your love Come on shine your heavenly body tonight You’re always closing your door ‘Cause I know you’re gonna make everything all right Well that only makes me want you more And day and night I cry for your love You may be my lucky star You’re not convinced that that is enough But I’m the luckiest by far To justify my wanting you Now tell me what you want me to do I’m not blind and I know BORDERLINE That you want to want me but you can’t let go written by Reggie Lucas 5:22 Come on, let go Something in the way you love me won’t let me be I don’t want to be your prisoner so baby won’t you set me free (chorus) Stop playing with my heart Finish what you start Oh When you make my love come down If you want me let me know Intermediate: Baby let it show Do you wanna see me down on my knees? Honey don’t you fool around Or bending over backwards now would you be pleased? Unlike the others I’d do anything Just try to understand, I’ve given all I can, I’m not the same, I have no shame Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 3 I’m on fire It would be, it would be so nice Come on, let go Everybody spread the word (intermediate) We’re gonna have a celebration All across the world [Burning up for your love] In every nation Ooo, yeah, I’m burning up [Burning up for your love] It’s time for the good times Ooo, yeah, I’m burning up [Burning up for your love] Forget about the bad times, oh yeah Come on, come on, I’m burning up [Burning up for your love] One day to come together Uh, uh, uh, I’m burning up [Burning up for your love] To release the pressure Ooo, yeah, I’m burning up [Burning up for your love] We need a holiday Come on, come on, I’m burning up [Burning up for your love] Ooo, yeah, I’m burning up [Burning up for your love] (chorus) Uh, uh, uh [Burning up for your love] You can turn this world around You know you got me burning up, baby [Burning up for your And bring back all of those happy days love] Put your troubles down You know you got me burning up, baby [Burning up for your It’s time to celebrate love] Let love shine And we will find Burning up for your love [Burning up for your love] A way to come together Burning up for your love [Burning up for your love] And make things better (repeat and fade) We need a holiday (chorus) I KNOW IT Holiday Celebrate written by Madonna 3:47 Holiday Celebrate I don’t know why I thought that I could make you happy These tears I cry for you are so hopeless, yeah (chorus) I don’t know why I thought that we were going somewhere But you grabbed your coat and you were out the door Holiday Celebrate And now I know you don’t care Holiday Celebrate Chorus: Holiday, Celebration I know you’re gonna take your love and run Come together in every nation I know you think I’m the foolish one I know you’re gonna turn around and say goodbye I used to think you were my pretty angel comin’ down THINK OF ME Well now you’ve just proven me wrong written by Madonna 4:56 What about the letters we have written I’m getting tired of waitin’ around All the things we’ve said and done I feel like I’m always trackin’ you down I’ll just stand here while you count the battles you have won I don’t wanna point my finger at you But there’s something you’re forgettin’ (chorus) Here’s what you better do, you better But I’m not gonna cry for you Chorus: ‘Cause that’s what you want me to do Think of me No I’m not gonna cry for you anymore I know you want to baby Think of me (chorus) It won’t be long before you Think of me Take your love and run from me ‘Cause I’ll be gone and then you’ll Is this the way love’s supposed to be Think of me You don’t think that I can see But you can’t fool me You walk in and you see me cryin’ You apologize say you lost track of time But I’m not gonna cry for you I’m not gonna cry anymore ‘Cause that’s what you want me to do You’re gonna lose me too if you don’t No I’m not gonna cry for you anymore Know what’s good for you, you better (chorus) (chorus) Tell me what I did to you to make you Treat me so badly HOLIDAY If you wanna see me anymore written by Curtis Hudson and Lisa Stevens 6:11 If you don’t wanna see me walking out the door you better Holiday Celebrate Holiday Celebrate (chorus) Chorus: Stop wastin’ all my time If we took a holiday You know it could have been so fine Took some time to celebrate Hey boy I’m waitin’ on a sign Just one day out of life Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 4 Don’t you know there’s someone else A physical attraction Stop thinking of yourself A chemical, a chemical reaction A physical, physical attraction PHYSICAL ATTRACTION A chemical, a chemical reaction written by Reggie Lucas 6:35 You say that you need my love A physical, a physical attraction And you’re wantin’ my body, I don’t mind A chemical, chemical reaction Baby all I’ve got is time And I’m waiting to make you mine You say you wanna stay the night EVERYBODY But you’ll leave me tomorrow, I don’t care written by Madonna 4:55 All of your moves are right (Spoken:) We can take it anywhere, this I know you’ve been waiting, yeah I’ve been watching you, yeah Chorus: I know you wanna get up, yeah Physical attraction [Physical attraction] Come on It’s a chemical reaction (1st time:) Mmmm Chorus: (2nd, 3rd, and 4th times:) Oooo Everybody, come on, dance and sing It’s a physical attraction [Oh, oh, oh, oh, oh] Everybody, get up and do your thing (1st and 4th times:) It’s a chemical reaction, yeah Everybody, come on, dance and sing (2nd and 3rd times:) Sweet satisfaction, yeah Everybody, get up and do your thing Trying hard to get away Let the music take control But I can’t seem to fight the way I feel Find a groove and let yourself go Even though you’re not for real When the room begins to sway Your touch is driving me You know what I’m trying to say Crazy and when you smile Come on, take a chance It’s just makin’ me want you more and more Get up and start the dance Baby won’t you stay a while Let the D.J.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Number 70, 09/10/2015
    No. 70 STATE OF MICHIGAN JOURNAL OF THE House of Representatives 98th Legislature REGULAR SESSION OF 2015 House Chamber, Lansing, Thursday, September 10, 2015. 12:00 Noon. The House was called to order by the Speaker. The roll was called by the Clerk of the House of Representatives, who announced that a quorum was present. Afendoulis—present Gamrat—present Kosowski—present Potvin—present Banks—present Garcia—present LaFontaine—present Price—present Barrett—present Garrett—present Lane—present Pscholka—present Bizon—present Gay-Dagnogo—present Lauwers—present Rendon—present Brinks—present Geiss—present LaVoy—present Roberts, B.—present Brunner—present Glardon—present Leonard—present Roberts, S.—present Bumstead—present Glenn—present Leutheuser—present Robinson—present Byrd—present Goike—present Liberati—present Runestad—present Callton—present Graves—present Love—present Rutledge—present Canfield—present Greig—present Lucido—present Santana—present Chang—present Greimel—present Lyons—present Schor—present Chatfield—present Guerra—present Maturen—present Sheppard—present Chirkun—present Heise—present McBroom—present Singh—present Clemente—excused Hoadley—present McCready—present Smiley—present Cochran—present Hooker—present Miller, A.—present Somerville—present Cole—present Hovey-Wright—present Miller, D.—present Talabi—present Cotter—present Howrylak—present Moss—present Tedder—present Courser—present Hughes—present Muxlow—present Theis—present Cox—present Iden—present Neeley—present Townsend—present Crawford—present Inman—present Nesbitt—present
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • Kenny G Bio 2018
    A phenomenally successful instrumentalist whose recordings routinely made the pop, R&B, and jazz charts during the 1980s and ’90s, Kenny G‘s sound became a staple on adult contemporary and smooth jazz radio stations. He’s a fine player with an attractive sound (influenced a bit by Grover Washington, Jr.) who often caresses melodies, putting a lot of emotion into his solos. Because he does not improvise much (sticking mostly to predictable melody statements), his music largely falls outside of jazz. However, because he is listed at the top of “contemporary jazz” charts and is identified with jazz in the minds of the mass public, he is classified as jazz. Kenny Gorelick started playing professionally with Barry White‘s Love Unlimited Orchestra in 1976. He recorded with Cold, Bold & Together (a Seattle-based funk group) and freelanced locally. After graduating from the University of Washington, Kenny G worked with Jeff Lorber Fusion, making two albums with the group. Soon he was signed to Arista, recording his debut as a leader in 1982. His fourth album, Duotones(which included the very popular “Songbird”), made him into a star. Soon he was in demand for guest appearances on recordings of such famous singers as Aretha Franklin, Whitney Houston, and Natalie Cole. Kenny G’s own records have sold remarkably well, particularly Breathless, which has easily topped eight million copies in the U.S.; his total album sales top 30 million copies. The holiday album Miracles, released in 1994, and 1996’s Moment continued the momentum of his massive commercial success. He also recorded his own version of the Celine Dion/Titanic smash “My Heart Will Go On” in 1998, but the following year he released Classics in the Key of G, a collection of jazz standards like “‘Round Midnight” and “Body and Soul,” possibly to reclaim some jazz credibility.
    [Show full text]
  • Outsiders' Music: Progressive Country, Reggae
    CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • People with Disabilities Get Ready: Curtis Mayfield in the 1990S Ray Pence, Ph.D
    People with Disabilities Get Ready: Curtis Mayfield in the 1990s Ray Pence, Ph.D. University of Kansas Abstract: This article breaks with precedent by emphasizing disability’s role in the life and work of Curtis Mayfield (1942-1999) and by arguing that his experience of quadriplegia had both positive and difficult dimensions. Analysis focuses on Mayfield’s representation by journalists and other writers in the 1990s, and on how Mayfield answered their portrayals as an interview subject and as a musician with his final studio album New World Order (1996). Considered within the whole of Mayfield’s career, quadriplegia is revealed as one among many difficulties that he answered with critical positive thinking and powerful music. Key Words: quadriplegia, African-American music, civil rights “When a celebrity is ‘stricken’... editors and producers of national news organizations fall all over each other to run a mass-market variation on the theme, but in terms of narrative structure the celebrity story is simply the same notes scored for a symphony orchestra rather than a string quartet” (Riley, 2005, p. 13). Introduction Curtis Lee Mayfield (1942-1999) was a master of soul, rhythm, and blues with enormous and positive cultural influence in the last forty years of the twentieth century. Mayfield was also a person with disabilities—diabetes and, more significantly, quadriplegia—that he acquired late in life. Images are as important as sounds to understanding relationships between Mayfield’s quadriplegia and his music. Three contrasting views of Mayfield lying flat on his back during the 1990s provide a sort of visual synopsis of public perceptions of his final years.
    [Show full text]
  • Office Space
    1 EXT. DR. SWANSON'S OFFICE - NIGHT Peter and Anne sit in chairs along with another couple about the same age as Peter and Anne. It's a group-therapy type situation. They are in a small semicircle around DR. SWANSON, an extremely overweight, unhealthy-looking, middle aged psychologists. Peter is "opening up." PETER ...and I was sitting in my cubicle this morning and I thought -- this is as good as it's ever going to get. I'm probably gonna spend the next forty years of my life at a job like this. In fact, ever since I started working, every single day of my life has been the worse than the day before it. So that means that every single day you see me, it's the worse day of my life. DR. SWANSON So what about today? Is today the worse day of your life? PETER Yep. DR. SWANSON Wow, that's messed up. (Catching himself) I'm sorry. Go on. PETER So I was hoping that maybe you could sort of zonk me out so that I'm not aware that I'm even at work -- like I come home and I think I've been fishing all day or something. DR. SWANSON Well, that's not really what I do Peter. (Looking over his notes) What this sounds like to me is a typical mid-life crisis... ANNE But he's only 26. DR. SWANSON Yes that is a little young, but nowadays mid-life crises have been (MORE) 2 DR. SWANSON (CONT'D) known to happen as early as nineteen.
    [Show full text]
  • Intro CHRISTIAN: Hello. You're Listening to After the Session. My
    Intro CHRISTIAN: Hello. You’re listening to A2er The Session. My name is Chris;an Cummings, and this is Season 0, Episode 5 with my good pal, produCer/engineer/mixer David Cole. You know David’s work with The Steve Miller Band, CAKE, Melissa Etheridge, huge hits with Bob Seger, RiChard Marx; he also worked with Tina Turner. He also worked on some of Christopher Guest’s projeCts – “A Mighty Wind,” “Best in Show,” “Wai;ng for Guffman.” He was a staff engineer at Capitol, among other things, and has had a very storied Career. I’ve known David Cole – or DC, as a lot of people Call him – for several years, and I Can’t say enough great things about the guy. First off, he donated his ;me to be my guinea pig as the first-ever guest on this podCast. What you’re about to hear is the first aZempt I ever made at doing this podCast, and he graciously sat down to let me piCk his brain about his Career, and he didn’t need to do it. So I really, really appreCiate his ;me and energy and effort. The dude is very talented and has a lot of valuable informa;on to share with all of us. In fact, I should men;on that A2er The Session – the name of this podCast, yep – I owe Credit to David Cole for that name. He Came up with it a2er a Conversa;on prior to the podCast, and it stuCk. If you guys have been enjoying he shows up to this point, do me a huge favor and rate us in iTunes and share the podCast with your friends.
    [Show full text]
  • Falcon Entertainment Corp
    SECURITIES AND EXCHANGE COMMISSION FORM 10KSB Annual and transition reports of small business issuers [Section 13 or 15(d), not S-B Item 405] Filing Date: 2000-09-13 | Period of Report: 2000-05-31 SEC Accession No. 0000912057-00-041260 (HTML Version on secdatabase.com) FILER FALCON ENTERTAINMENT CORP Mailing Address Business Address 71 GREAT PASTURE ROAD 71 GREAT PASTURE ROAD CIK:1089046| State of Incorp.:DE | Fiscal Year End: 0531 REDDING CT 06896 REDDING CT 06896 Type: 10KSB | Act: 34 | File No.: 000-26443 | Film No.: 722471 2039380737 SIC: 4833 Television broadcasting stations Copyright © 2012 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-KSB (Mark One) |X| ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For fiscal year ended MAY 31, 2000 ---------------------------------------------------------- or |_| TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to ----------------- ------------------------------ Commission file number ---------------------------------------------------------- FALCON ENTERTAINMENT CORP. -------------------------------------------------------------------------------- (Exact name of registrant as specified in its charter) <TABLE> <CAPTION> <S> <C> DELAWARE 22-281-1783 ------------------------------------------------- -------------------------------- State or other jurisdiction
    [Show full text]