Will Munro Collection CA OTAG SC121
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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Profusion X Programs
LATIN RELIGIOUS AMAZONIA CONTEMPORARY CHRISTIAN CARNIVAL BRASILEIRO GOSPEL PROFUSION X EL MOCAMBO ROCK FIESTA TROPICAL ADULT ALTERNATIVE HURBANO ALBUM ROCK PROGRAMS LATIN CONTEMPORARY BLEND ALTERNATIVE LATIN HITS CLASSIC ROCK LATIN JAZZ COFFEEHOUSE ROCK CLASSICAL INTERNATIONAL LATIN SOUTHWEST BLEND COLLEGE ROCK ARIAS & OVERTURES BELLISIMA MARIACHI FLASHBACK NEW WAVE CHAMBER MUSIC CARIBBEAN RHYTHMS MÚSICA CUBANA REALITY BITES INTIMATE CHAMBER CARIBBEAN WORLD BLEND MÚSICA DE LAS AMERICAS ROADHOUSE LIGHT CLASSICAL CHINESE PORTUGLISH BLEND COUNTRY EURO HITS PURO AMOR HIT COUNTRY FRENCH BISTRO BLEND REGIONAL MEXICAN MODERN COUNTRY GREEK ROMANCERO LATINO TRADITIONAL COUNTRY HAWAIIAN SALSA DANCE IRISH SPANGLISH BLEND DANCE ITALIAN BISTRO BLEND OLDIES ELECTROSPHERE ITALIAN CONTEMPORARY ‘60S REVOLUTION formerly Rock ‘N’ Roll Oldies) SPECIALTY POWER HITS ITALIAN TRADITIONAL ’70S HITS BEACH PARTY RETRO DISCO JAPANESE ’80S HITS BLUES RIVIERA DISCOTHÈQUE REGGAE MALT SHOP OLDIES formerly Golden Oldies) CHILLTOPIA SUBTERRANEAN RIVIERA SONGWRITERS OF THE ‘70S GOT KIDS? HEALTH & FITNESS SOUTH AFRICAN RHYTHMS UPBEAT OLDIES GREAT STANDARDS ’70S & ’80S WORKOUT UK HITS POP/ADULT CONTEMPORARY LOL! CLASSIC ALTERNATIVE WORKOUT WORLD BEAT ’90S HITS PARTY FAVORS CLASSIC ROCK WORKOUT JAZZ ADULT CONTEMPORARY URBAN GLOW BIG BAND SWING CHÍC BOUTIQUE CLASSIC R&B MODERN WORKOUT CLASSIC JAZZ VOCAL BLEND CITYSCAPES GROOVE LOUNGE NEW AGE SPA JAZZ CLASSIC HITS BLEND HOT JAMZ HIP HOP PUMP! JAZZ VOCAL BLEND CLUB 12 OLD SCHOOL FUNK ZEN RAT PACK DIVAS RAP INSTRUMENTAL SMOOTH -
Winter 2011 – 12 December 2011 – March 2012 OVERVIEW Winter at the Power Plant
exhibitions / programs / events Winter 2011 – 12 December 2011 – March 2012 OVERVIEW Winter at The Power Plant Our Winter season presents two major The evening before the opening of the Winter exhi- exhibitions that delve into a wellspring bitions, Stan Douglas will speak in our International Lecture Series (8 December), while the influential of cultural history and the archive of artist Martha Rosler will give an ILS presentation a the social. week later, on 15 December. In the new year, in addition to a lecture by participating artist Stan Douglas: Entertainment features selections Christian Holstad, Coming After extends into a from the Vancouver artist’s outstanding new series of live events and film programs co-present- photographic project Midcentury Studio, in which ed with the Feminist Art Gallery and the Art Gallery Douglas assumes the lens of a postwar photogra- of York University, in tandem with their retrospec- pher as he takes on various jobs from photojour- tive of the late Toronto artist Will Munro. nalism to advertising. The exhibition includes In addition, we are pleased to collaborate with images of novelties and divertissements, as well as World Stage, Harbourfront Centre’s international his Malabar People suite of portraits of the performing arts series for the theatrical run of denizens of a fictional nightclub. The bars, clubs Everything Under the Moon by Toronto artist Shary and bathhouses that appear in the work in the Boyle (who had a solo exhibition at The Power Plant group exhibition Coming After, however, are in 2006) and Winnipeg musician Christine Fellows, absent of revelers — as if the party is over. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Sinbad in the Rented World
Sinbad in the Rented World Sinbad in the Rented World JOEL GIBB ANDREW HARWOOD JEREMY LAING AND WILL MUNRO IAN PHILLIPS THE ENSEMBLE OF TOPS ‘N’ BOTTOMS SCOTT TRELEAVEN Ian Phillips Untitled Found Object, 2003 [detail] Sinbad in the Rented World WITH AN ESSAY BY R.M. VAUGHAN AND A STORY BY DEREK MCCORMACK ART GALLERY OF YORK UNIVERSITY TORONTO Jeremy Laing and Will Munro Pavilion of Virginia Puff-Paint, 2004 [detail] ON THE OTHER HAND Sinbad in the Rented World With the title, Sinbad in the Rented World, I pay homage to the legacy of the legendary underground filmmaker and performer Jack Smith, referring to one of his unfinished film projects. Not that I suspect Smith’s legacy to be fulfilled by the artists in the exhibition—or even his amazing achievements in film, experimental theatre, and installation necessarily to be known. What I want to explore is a queer aesthetic in Toronto art but as applied to social function. Is this a new phenomenon? Perhaps, if we are willing to stretch our understanding of the parameters of visual culture—or queer art. One might not think that glamour or the superficial excess of glitter could have a social function, but Smith adamantly believed so saying: “Could art ever be useful? Ever since the desert glitter drifted over the burnt-out ruins of Plaster Lagoon thousands of artists have pondered and dreamed of such a thing, yet, art must not be used anymore as another elaborate means of fleeing from thinking because of the multiplying amount of information each person needs to process in order to come to any kind of decision about what kind of planet one wants to live on before business, religion, and government succeed in blowing it out of the solar system.”* The environmental costuming of the gallery (to extend a phrase of Charles Ludlam’s) that takes place here can be considered co-extensive with social practices in the world, even if the works herein contained seem too playful. -
Investigating Race, Space and Meaning in Toronto's Queer Party
AND YA DON’T STOP: INVESTIGATING RACE, SPACE AND MEANING IN TORONTO’S QUEER PARTY ‘YES YES Y’ALL’ by Trudie Jane Gilbert, BSW, University of British Columbia, 2015 A Major Research Paper presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the program of Immigration and Settlement Studies Toronto, Ontario, Canada © Trudie Jane Gilbert 2017 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this Major Research Paper. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. Trudie Jane Gilbert ii AND YA DON’T STOP: INVESTIGATING RACE, SPACE AND MEANING IN TORONTO’S QUEER PARTY ‘YES YES Y’ALL’ Trudie Jane Gilbert Master of Arts 2017 Immigration and Settlement Studies Ryerson University ABSTRACT This Major Research Paper (MRP) is a case study of the queer hip hop and dancehall party Yes Yes Y’all (YYY). This MRP seeks to challenge white, cismale metanarratives in Toronto’s queer community. This paper employs Critical Race Theory (CRT) and queer theory as theoretical frameworks. Racialization, racism, homophobia, homonormativities and homonational rhetoric within queer discourses are interrogated throughout the analysis. -
The Blues Foundation Archives: Immersion and Preservation
The Blues Foundation Archives: Immersion and Preservation Stephanie Swindle Blues music, while still experienced through live performance, should also be documented and preserved in order to honor and promote one of the world's most essential genres of music. The influence of the blues tradition upon rock and roll artists of the nineteen fifties and sixties as well as upon the contemporary R&B and hip-hop musicians is evident in their similar subject matter, rhythmic underpinnings, and featured instrument - the guitar. Therefore, educating the public and providing scholars and fans with the resources to further appreciate and understand the blues is a significant task. The Blues Foundation is a non-profit organization devoted specifically to the preservation perpetuation of the blues. In its possession is twenty-five years worth of archival material that is in desperate need of preservation. The goal for this project is to work in conjunction with the staff and Executive Director of The Blues Foundation in order to write a grant proposal for a National Endowment for the Humanities preservation grant award. Organizing its archives, which is divided into photographs, autographed guitars, audio, video, concert, compact discs and cassettes, and miscellaneous, is the first step in a long process of preservation. In order to organize its media, The Blues Foundation will be served by submitting a grant proposal to the National Endowment for the Humanities to receive funding necessary to undertake such an elaborate project. Due to The Blues Foundation's vast amount of archival wealth, the Foundation and this project, in particular, merit NEH funding consideration. -
UAAC Conference.Pdf
Friday Session 1 : Room uaac-aauc1 : KC 103 2017 Conference of the Universities Art Association of Canada Congrès 2017 de l’Association d’art des universités du Canada October 12–15 octobre, 2017 Banff Centre for Arts and Creativity uaac-aauc.com UAAC - AAUC Conference 2017 October 12-15, 2017 Banff Centre for Arts and Creativity 1 Welcome to the conference The experience of conference-going is one of being in the moment: for a few days, we forget the quotidian pressures that crowd our lives, giving ourselves over to the thrill of being with people who share our passions and vocations. And having Banff as the setting just heightens the delight: in the most astonishingly picturesque way possible, it makes the separation from everyday life both figurative and literal. Incredibly, the members of the Universities Art Association of Canada have been getting together like this for five decades—2017 is the fifteenth anniversary of the first UAAC conference, held at Queen’s University and organized around the theme of “The Arts and the University.” So it’s fitting that we should reflect on what’s happened in that time: to the arts, to universities, to our geographical, political and cultural contexts. Certainly David Garneau’s keynote presentation, “Indian Agents: Indigenous Artists as Non-State Actors,” will provide a crucial opportunity for that, but there will be other occasions as well and I hope you will find the experience productive and invigorating. I want to thank the organizers for their hard work in bringing this conference together. Thanks also to the programming committee for their great work with the difficult task of reviewing session proposals. -
The Vazaleen Posters Mark Clintberg
Sticky: The Vazaleen Posters Mark Clintberg Abstract Vazaleen was a monthly serial queer party in Toronto founded by artist and promoter Will Munro (1975–2010) in 2000. Munro commissioned Toronto-based artist Michael Comeau (1975–) to create many silkscreen poster advertisements for these parties. His designs include an array of typographic treatments, references to popular culture and queer icons, and vibrant colour schemes. This article discusses these posters in relationship to Michel Foucault’s theory of the heterotopia, Roland Barthes’s semiotic analysis of advertising, and Eve Kosofsky Sedgwick’s writing on camp. Résumé Vazaleen était une fête périodique queer à Toronto, fondée en 2000 par artiste et promoteur Will Munro (1975–2010). Munro a commandé à l’artiste torontois Michael Comeau (1975–) la création de nombreuses affiches publicitaires sérigraphiées pour ces fêtes. Les designs de Comeau comportent une gamme de traitements typographiques, des références à la culture populaire et aux idoles queer, et des modèles de couleurs vibrants. Cet article expose les affiches de Comeau en relation avec le concept de l’hétérotopie élaboré par Michel Foucault, l’analyse sémiotique de la publicité de Roland Barthes, et les écrits sur la culture camp d’Eve Kosofsky Sedgwick. Vaseline is: a sticky petroleum product used for moisturizing; a potential lubricant for sexual encounter; and a Toronto-based serial queer dance party founded by Canadian artist Will Munro (1975– 2010) and contributed to by the city’s queer, gay, lesbian, bisexual, and -
Camoutopia: Dazzle, Dance, Disrupt by Mary Elizabeth Tremonte
Camoutopia: Dazzle, Dance, Disrupt by Mary Elizabeth Tremonte A thesis exhibition presented to OCAD University in partial fulfillment of the requirements for the degree of Master of Fine Arts in Interdisciplinary Master’s in Art, Media and Design Flex Studio Gold at Artscape Youngplace, April 2-12, 2014 Toronto, Ontario, Canada, April 2014 Mary Elizabeth Tremonte 2014 This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 2.5 Canada license. To see the license go to http://creativecommons.org/licenses/by-nc-sa/2.5/ca/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA. Copyright Notice This document is licensed under the Creative Commons Attribution-Noncommerical- Share Alike 2.5 Canada License. http://creativecommons.org/licenses/by-nc-sa/2.5/ca/ You are free to: Share — copy and redistribute the material in any medium or format Adapt — remix, transform, and build upon the material The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following conditions: Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. Non-Commercial — You may not use the material for commercial purposes. ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. -
General Idea, Andy Fabo, Tim Jocelyn, Chromazone Collective
The Aesthetics of Collective Identity and Activism in Toronto’s Queer and HIV/AIDS Community By Peter M. Flannery A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Art History and Visual Culture Guelph, Ontario, Canada © Peter M. Flannery, April, 2019 ABSTRACT THE AESTHETICS OF COLLECTIVE IDENTITY AND ACTIVISM IN TORONTO’S QUEER AND HIV/AIDS COMMUNITY Peter M. Flannery Advisor: University of Guelph, 2019 Prof. A. Boetzkes This thesis investigates the social and political impacts of art and visual culture produced in Toronto from the 1970s to the present day through changing dynamics of gay liberation, raids of gay bathhouses by the Metropolitan Toronto Police Force during “Operation Soap,” and the continuing HIV/AIDS crisis. Throughout these historic moments, visual culture was an incubator by which artists formulated the values, performative identities, and political actions that defined their activism. Beginning with a brief history of LGBTQ2S+ issues in Toronto, this thesis analyzes selected works by General Idea, Andy Fabo, Tim Jocelyn, ChromaZone Collective, Will Munro, and Kent Monkman. By performing their identities within the public sphere, these artists developed communities of support and, through intensely affective and political acts, catalyzed social change to advocate for equal rights as well as funding, medical care, and reduced stigma in the fight against HIV/AIDS. DEDICATION To the artists, activists, and community builders whose fierce and devoted work catalyzed social change and acceptance. They have led the way in the continued advocacy for LGBTQ2S+ issues and the fight against the HIV/AIDS crisis. -
Profusion Is Programs
ProFusion iS Programs IRISH CHIC BOUTIQUE THE BOUDOIR Music IRISH TRADITIONAL CITYSCAPES CLASSIC R&B CLASSICAL ISLAND BREEZE CLASSIC HITS BLEND HOT JAMZ adult themes) ARIAS & OVERTURES ITALIAN BISTRO BLEND DIVAS HYPE explicit) CHAMBER MUSIC ITALIAN CONTEMPORARY FAMILIAR FAVORITES OLD SCHOOL FUNK (adult themes) INTIMATE CHAMBER ITALIAN TRADITIONAL GOT YOU COVERED RAPTURE LIGHT CLASSICAL JAPANESE HIT SWEEP RHYTHM NATION MEZZANINE QUEBEC POP/ROCK (Canada only) HOTTEST HITS SILKY SOUL SUNDAY POPS REGGAE (adult themes) LOVE SONGS SOULACIOUS COUNTRY RIVIERA METRO BLEND URBAN ALTERNATIVE BLUEGRASS U.K. HITS MODERN CLASSICS URBAN BEAT COUNTRY DEPOT WORLD BEAT NOW AND THEN HEARTLAND JAZZ POP STYLE Video HIT COUNTRY BIG BAND SWING SINGERSONGWRITERS MUSIC VIDEOS HONKY TONK TAVERN CLASSIC JAZZ VOCAL BLEND SOFT HITS ADULT CONTEMPORARY MODERN COUNTRY JAZZ TODAY’S HITS (adult themes) BETWEEN PICKUP COUNTRY JAZZ VOCAL BLEND TRENDSPOT CHART ATTACK TOWN & COUNTRY RAT PACK VIXENS HIT SWEEP TRADITIONAL COUNTRY SMOOTH JAZZ Y2K HITS HOT TRAXX DANCE LATIN RELIGIOUS LATIN BEAT DANCE AMAZONIA FOOTPRINTS MODERN COUNTRY ELECTROSPHERE BAILAMOS! GOSPEL GLORY URBAN NATION GLOBAL GRÜV CARNIVAL BRASILEIRO THE SPIRIT BAR FLY MUSIC VIDEOS HOUSE PARTY EL MOCAMBO ROCK BAR FLY 80’S KINETIC FIESTA TROPICAL 8TRACKS BAR FLY ELECTROLOUNGE POWER HITS HURBANO ADULT ALTERNATIVE BAR FLY GENX RETRO DISCO LATIN CONTEMPORARY BLEND ALBUM ROCK BAR FLY GOLD RIVIERA DISCOTHÈQUE LATIN HITS ALTERNATIVE BAR FLY HITS SUBTERRANEAN LATIN JAZZ THE ARBORETUM BAR FLY LATIN HEALTH & FITNESS LATIN