Omega Auctions Ltd Catalogue 28 Apr 2020
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
G E R a L D I N E C R A
GERALDINE CRAIG 111 Willard Hall Manhattan, KS 66506-3705 [email protected] E DUCATION 1987 - 1989 M.F.A. Fiber, Cranbrook Academy of Art, Bloomfield Hills, MI 1977 - 1982 B.F.A. Textile Design, University of Kansas, Lawrence, KS B.F.A. History of Art, University of Kansas, Lawrence, KS 1979 - 1980 University of St. Andrews, St. Andrews, Scotland (Philosophy, Art History) P ROF E SSIONAL E X pe RI E NC E 2007 - Professor of Art Kansas State University, Manhattan, KS Associate Dean of the Graduate School (2014-2018) Department Head of Art (2007-2014) Associate Professor of Art (2007-2014) 2001 - 2007 Assistant Director for Academic Programs Cranbrook Academy of Art, Bloomfield Hills, MI Developed annual Critical Studies/Humanities program; academic administration 2005 - Regional Artist/Mentor, Vermont College M.F.A. Program Vermont College, Montpelier, VT 1995 - 2001 Curator of Education/Fine and Performing Arts Wildlife Interpretive Gallery, Detroit Zoological Institute, Royal Oak, MI Develop/manage permanent art collection, performing arts programs, temporary exhibits 1994 - 1995 James Renwick Senior Research Fellowship in American Crafts Smithsonian Institution, Washington, D.C. 1990 - 1995 Executive Director Detroit Artists Market, (non-profit art center, est. 1932), Detroit, MI 1990 - 1993 Instructor Fiber Department, College for Creative Studies, Detroit, MI 1990 Instructor Red Deer College, Alberta, Canada 1989 - 1990 Registrar I Detroit Institute of Arts, Detroit, MI 1987 Associate Producer Lyric Theater, Highline Community College, -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
Students Struggle to Budget Flexi Spending Increased Food Prices and Expensive Snacking Eat up Meal Plan Money
FREEDOM AND FAIRNESS VOL. 105 ISSUES FOGHORN.USFCA.EDU OCTOBER, 30 2008 Students Struggle to Budget Flexi Spending Increased food prices and expensive snacking eat up meal plan money The Foghorn's four step plan for making it through the semester without going Flexi broke Stepl: Stop buying bottled water. Not only does bottled water create unneces sary trash, but it costs lots of money. At around $2 a bottle, buying one botde a day will cost more than $200 over the Columnist Chris Hall course of the semester. Instead, drink the shares his faith and thoughts water from the soda machine in on offensive videos that have or fill up your own reusable water attacked his beliefs. bottle and carry it with you throughout the day. OPI » Step 2: No more mooching {by your friends Paying for your roommates, tes or out of town friends' meals the caf may seem like no big deal, be- use Flexi is not "real" money, except that when you run out of Flexi you will have to start using real money. Let your friends know that you are not going to pay for their lunch just because they spent all their Flexi on Outtakes frivoli ties while you carefidly budgeted. Melissa Stihl/Foghorn Freshman Andrew Sanchez hands over his Flexi to purchase lunch in the Market Cafe on Monday afternoon. Many students are Step 3: worried about running out of Flexi before the semester ends. Head to Luckys and stock up on Top Ramen, Cup Noodles, Easy Mac and CHELSEA M. STERLING Junior resident advisors Christyl Wil cafeteria, curbing spontaneous purchases other cheap snacks. -
Ginosko21.Pdf
1 Ginosko Literary Journal #21 Summer 2018 GinoskoLiteraryJournal.com PO Box 246 Fairfax, CA 94978 Robert Paul Cesaretti, Editor Member CLMP Est. 2002 Writers retain all copyrights Cover Art “Giacometta” by Deborah Childress 2 ginosko A Greek word meaning to perceive, understand, realize, come to know; knowledge that has an inception, a progress, an attainment. The recognition of truth from experience. γινώσκω 3 The craft or art of writing is the clumsy attempt to find symbols for the wordlessness. In utter loneliness a writer tries to explain the inexplicable. And sometimes if he is very fortunate and if the time is right, a very little of what he is trying to do trickles through — not ever much. And if he is a writer wise enough to know it can't be done, then he is not a writer at all. A good writer always works at the impossible. There is another kind who pulls in his horizons, drops his mind as one lowers rifle sights. And giving up the impossible he gives up writing. Whether fortunate or unfortunate, this has not happened to me. The same blind effort, the straining and puffing go on in me. And always I hope that a little trickles through. This urge dies hard. John Steinbeck 4 C O N T E N T S Sparks 11 Chris Connolly Skater 14 Donna D. Vitucci TWO SECRETS 15 Norbert Kovacs Midnight’s mistress 19 Poor men’s currency 21 The weight of water in would-be mermaid lungs 23 Jessica Simpkiss Skinny 26 Birthday Gifts from A Lover 29 Refuge 30 Tattoo 31 Victoria Endres Ordering in Four Movements 33 Luanne Castle ON A SWEET RIVER 38 Elizabeth -
![[King Tut's, Tuesday 1St May]](https://docslib.b-cdn.net/cover/8789/king-tuts-tuesday-1st-may-458789.webp)
[King Tut's, Tuesday 1St May]
[KING TUT’S, TUESDAY 1ST MAY] Why is it that I seem to attract every single dodger, pimp, crack-whore, wife-beater and drug-dealer within scamming distance, no matter where I go? It’s starting to worry me now; am I some kind of freak that they recognise a mile away? ‘Ah, there’s goes Kai. He’ll be up for some pills/coke/pot/sex/stabbing!’ Er, no, no, maybe, OK, and no. Perhaps it’s just Glasgow, maybe everyone gets the same treatment. I wasn’t even in freak mode - French Connection t-shirt, skater trousers, wallet chain, nu-metal hair, no make-up; how much more mainstream can you get? Nevermind, maybe I should just be grateful that everyone wants to sell me their last bit of pot, their unwanted Temazepan and their teenage daughter. Ben would be. Shit, I said I wasn’t gonna go on about that, didn’t I? OK, forget I said that. Anyway, I’m standing at the station, waiting for my train, when I am approached by a man wearing a blue anorak. He has short hair, bad teeth and a scarred face. Read: Typical Glaswegian dodger. Run! ‘A’right mate, you got a light?’ ‘No, sorry - I don’t smoke.’ ‘D’ya want tae buy some pot, £20 for this bit? Y’see I dinnae smoke it ma’self, it just got it for ma brother, but he’s nae turned up, and ah need tae get ma train-fare so ah can get home?’ Oh my god, here we go again. -
How to Build up Your Professional Wardrobe
How to Build Up Your Professional Wardrobe Written by Cooke Scholar Emily Zaretzky Sometimes the question ‘What should I wear?’ weighs more heavily than others. For situations that surround your career, clothing is an important part in portraying yourself. With so many options of what to wear, how do you even start building a wardrobe that can help you during your career? Start with the basics. A two-piece pant or skirt-suit is the most essential basic for all genders; men should also have a nice tie or bowtie on hand as well. The classic jacket and pants combo provides a set that can be tailored for almost every business occasion; if the situation is more casual, the jacket doesn’t have to be worn. To pair with the suit, a few solid color blouses or button- downs should be added to provide more options. A pair of khakis or trousers can be added to provide even more versatility. A nice pair of stylish and comfortable dress shoes should be added to the mix. What makes these basic pieces essential is their ability to be worn in almost every occasion. It is important to buy basic pieces with great quality, fit, and color. The basics should be thought of as an investment; and remember, quality ensures that the pieces will last a long time and can be relied on. The fit should be appropriate; too tight and it can look unprofessional, but too big could look sloppy. Colors should be neutral. Blacks, navy blues, and greys are always good to have around because they can be paired with almost anything. -
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo. -
Peter Hook L’Haçienda La Meilleure Façon De Couler Un Club
PETER HOOK L’HAÇIENDA LA MEILLEURE FAÇON DE COULER UN CLUB LE MOT ET LE RESTE PETER HOOK L’HAÇIENDA la meilleure façon de couler un club traduction de jean-françois caro le mot et le reste 2020 Ce livre est dédié à ma mère, Irene Hook, avec tout mon amour Reposez en paix : Ian Curtis, Martin Hannett, Rob Gretton, Tony Wilson et Ruth Polsky, sans qui l’Haçienda n’aurait jamais été construite LES COUPABLES Bien sûr que ça me poserait problème. Lorsque Claude Flowers m’a suggéré en 2003 d’écrire mes mémoires sur l’Haçienda, la première chose qui me vint à l’esprit est cette célèbre citation au sujet des années soixante : si vous vous en souvenez, c’est que vous n’y étiez pas. Tel était mon sentiment au sujet de l’Haç. J’allais donc avoir besoin d’un peu d’aide, et ce livre est le fruit d’un effort collectif. Claude a lancé les hostilités et m’a invité à me replonger dans de très nombreux souvenirs que je pensais avoir oubliés, tandis qu’Andrew Holmes m’a fourni ces « interludes » essentielles tout en se chargeant des démarches administratives. Je m’attribue le mérite de tout ce qui vous plaira dans ce livre. Si des passages vous déplaisent, c’est à eux qu’il faudra en vouloir. Avant-propos Nous avons vraiment fait n’importe quoi. Vraiment ? À y repenser aujourd’hui, je me le demande. Nous sommes en 2009 et l’Haçienda n’a jamais été aussi célèbre. En revanche, elle ne rapporte toujours pas d’argent ; rien n’a changé de ce côté-là. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
17/9/15 Slagg Brothers Rhythm & Blues, Soul
17/9/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show Boys Keep Swinging 3:18 David Bowie From 1979 album Lodger Backslop 2:33 Baby Earl & The Trinidads 1958, has autobiographic elements - Berry was born at 2520 Goode Avenue in St. Johnny B. Goode 2:40 Chuck Berry Louis. He has written thirty more songs involving the character Johnny B. Goode, "Bye Bye Johnny", "Go Go Go", and "Johnny B. Blues" 1961. In 1962, the story continued with the arrival of Little Bitty Big John, learning Big Bad John 3:04 Jimmy Dean about his father's act of heroism. Big Bad John was also the title of a 1990 television movie starring Dean. 1966, written, composed, and performed by Cat Stevens. He got the name from his Matthew and Son 2:44 Cat Stevens tailor, Henry Matthews, who made suits him. From 1973 album Don't Shoot Me I'm Only the Piano Player. Donatella Versace named Daniel 3:55 Elton John her son Daniel Versace after this song. Hey Willy 3:28 The Hollies 1971. Hey Willy your mother calls you Billy, Your daddy calls you silly This was originally recorded by LA band The Leaves in 1965. No one has been able to Hey Joe 3:01 Tim Rose copyright it, so the song is considered "traditional," meaning anyone can record it without paying royalties. Hendrix was inspired to sing it after hearing this version. 1967. Original member Syd Barrett wrote this about a cross-dresser who used to Arnold Layne 2:53 Pink Floyd steal bras and panties from clotheslines in Cambridge. -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends.