DOCSLIB.ORG

INSIDE: Your Guide to What’S Cool in Aggieland Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INSIDE: Your Guide to What’S Cool in Aggieland Vol September 2013 September Vol. 5 — issue 9 issue INSIDE: Your Guide To What’s Cool In Aggieland—Horror Survival Guide—Roar Shark—My Father Says I’m a Fine Young American—The Return of Still Drink- ing—Viciously Vile—Defending Miley—Record Reviews—Concert Calendar VICIOUSLY VILE: You’re Next You're Next is a devilish little film about the depths of human greed, evil intent, and 979Represent is a local magazine survival of the fittest, or at least it tries to be. From what I saw on television, it advertised itself as a serious and dark for the discerning dirtbag. movie, and that's exactly what I was expecting. To my dismay, this was not the case. Set in a backwoods spacious cottage in the middle of nowhere, four siblings come to- Editorial bored gether to celebrate their well-to-do parents' wedding anni- versary, and you soon learn there's a heavy sibling rivalry Kelly Minnis—Kevin Still going on. While sitting at dinner, an argument ensues between two brothers and quickly elevates into a loud, Art Splendidness garbled mess. It's at this time that the killers Katie Killer—Wonko The Sane enter and proceed to terrorize the family, killing them one by one. That's all I'm going to Folks That Do Other Shit For Us say about the plot Bill Daniels—Jorge Goyco—Jessica Little— because I hate too much information being Amanda Price spilled in reviews, as I'm sure you do, too. On the Interwebz Thingy at I watch horror because I http://www.979represent.com truly adore being scared. The possibility Emaily to [email protected] of being terrified at the edge of my seat is what drives me to the thea- Materials for review & bribery can be sent to: ter, hoping that when I 979Represent get home I'll need to look under my bed or 1707 Austin Ave. check the depths of my closets before I even College Station, TX 77840 put my head on the 979-204-4850 pillow. At no time did this sorry movie elevate my blood pressure in any level of petrifying suspense. Let me also iterate that I have no problem with jump scares in a horror movie, but if that's all the film uses to shock the audience I My Father Says I’m a call it a lazy and worthless effort. I can't count how many times they utilized that stupid tactic. Also, it moves way too fast in the beginning, and the characters get slayed left Fine Young American and right before I could sympathize or give a damn about what happened to them. There were only a couple of char- The wasp needed the swatting acters that showed any kind of freak-out emotion while and that’s all there is to it. their family members were getting tacked off, so the acting He was there by my front door, was completely wooden and unrealistic. The killers were sweeping around his front door, not in the slightest degree intimidating with their dollar at the edge of a nest built like a rabbit hole store plastic animal masks and black military attire. There pointing towards a Wonderland where were a few silly parts, which I didn't find all that humorous, his wings and ruddy stinger were all the rage, but there were also quite a few scenes that I don't think admired by other hairy-toed wasps and were supposed to be intentionally funny. Not a sign of good dragonfly ladies - I loathed his charms. writing, in my opinion. Yes, the wasp needed the swatting One redeeming factor was the protagonist, who was a like- although I regret swatting him with last week’s able badass. She knew her shit and could give as good as unread New Yorker. I wouldn’t want to give she got. My only beef with her character is she transforms the impression that I had correctional from a clever survivalist to a cheesy Xena Warrior Princess pet-ish affections for him, or that I within the last 20 minutes of the film, which, I believe, was took him as the literary type if, in fact, he has not meant to be intentionally funny; however, some people as much use for books as I have for in the audience thought it was a riot. If I could sum up this a swarthy venom tipped tail – one should movie in one word, it would be predictable. I hate being not infringe, even on an infringer. THAT person that says they knew what was going to happen all along, but seriously....I knew what was going to happen Indeed, the wasp needed the swatting all along. The story was nothing new, and the ending wasn't delivered fully through with jingoist pride. anything innovative. Maybe I'm just that much of a sea- But he staggered from my attempt, taking wing, soned horror watcher, or maybe I'm just jaded from being jostling about round and randy like a ripped off yet again from another feeble Hollywood attempt good slug of Jameson clog-swirled his brain. at producing a "game changer", but this film didn't have To the right and down, I saw him – mid-flight anything to offer that hasn't been done before. Don't waste - tipsy to his top, and there myself in him, your hard-earned dough with this at the theater, unless you plug drunk on the sort of insolence that have a squeamish, pansy ass hot date. Otherwise, wait for slays neighbors and declares demarcations. the DVD if you're interested or just stay far away from it - KEVIN STILL altogether.—VAMP VIXEN A Horror Survival Guide This summer has given me the prime oppor- 3. Location, location, location tunity to watch a few horror flicks that have For all of you campers out there, it’s not okay to make due in been on my movie agenda for quite some time. I’ve seen the an area that is haunted, said to be haunted, or out of reach demons, ghosts, undead and the creatures that have been from civilization. In a quick escape you have to find a main hatched from the imagination of some sick, twisted, fucked- road, so stay close to the asphalt or carry a weapon of some up, beautiful minds of mankind, and all I have to say is… sort. We live in the South so that shouldn’t be too terribly RUN, BITCH, RUN! hard to find. Honestly, I myself, am the girl in the movie theater talking For the victims inside of a house, the first sign of possible to herself and vocally telling the damsel in distress not to haunting or any hint of danger should be the only sign you open that door, not to walk in that room and I am the one need to smarten up and leave. I understand some dum- who screams at the characters to run and I tend to mock basses didn’t do the extensive background check on a house their intellect. I can understand why some people don’t that they just bought or a place that they will be staying, but enjoy watching the thrillers with me because…. well… I just geez don’t torture yourself. We both know that when things get so darn excited and I have to let it out somehow. move and when those crazy death vibes are around, then there is something watching you and that something wants I enjoy making a mental list of things to avoid if I were to to eat your soul… or face, either one. catch myself in a similar scenario. I have studied the faults of many characters and have fully thought these events out 4. If it say’s DO NOT OPEN, then don’t fucking open it. to where, in my mind, I have an escape plan for just about This is key into your survival. Do not open the black box everything. that says DO NOT OPEN, it’s there for a reason. I don’t care how curious you are; never poke crazy with a stick. There 1. Don’t fall. will be a demon, ghost, or some kind of spiritual evil that I can understand the clumsy ways of adrenalin-spiked, would pour out of its containment ready for vengeance. You horrified teens. But really? Do yourself a favor and get don’t want to be the asshole that unleashes unspeakable evil your ass back up and run. upon the world, do you?! Simply set down the cursed object and walk away. If you find yourself upon a group of ass- If you happen to find yourself on the ground with a being holes that opened, or wants to open the box, your best bet is that is attempting to slice your face off, then don’t try and to leave the area immediately, find a church and pray. Also crab walk away. You are not a gymnast and this will get you never speak to them again, because they are careless ass- nowhere. Instead, try your best to roll away and then hop holes. yourself back up and run…or run in a zig-zag fashion. Not only will the person—or monster—trying to kill you think 5. Believe in something. that you are crazy, but you’re spinning this killer into a loop A little bit of optimism goes a long way. Having hope could of ‘WTF just happened’. Stunned by your random-ness, this be the only motivation to keep on going.
Load more

Recommended publications
  • Razorcake Issue #09
    PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask.
    [Show full text]
  • Family Album
    1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini.
    [Show full text]
  • Music Globally Protected Marks List (GPML) Music Brands & Music Artists
    Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please
    [Show full text]
  • Autolux – Transit Transit 1
    DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington,
    [Show full text]
  • An Interview with BARONESS
    ControlMAG: The Sanctuary of Rock An interview with BARONESS John Baizley Frontman announced on their official web site will work again on the production that were working on a new record… of the new record... You didn't think Baroness was formed nine Can you tell us how the recording about work with another producer years ago. However, there are process is going. The album is or do you think that John can already finished? When are you contribute a lot of new elements to people in South America that going to record…? the band and he perfectly still hasn't heard about the understands your sound too and band yet. John Baizley: The album is done and in brings another thing to the table? production. It took a couple months to get all the music and art together, but its all Sanctuary of Rock: Could you please John Baizley: I think you get something done. The process went as smoothly as really special out of a producer the tell them briefly about the band's any of our recordings go. beginnings? second time around. It was important for John Baizley: We started in 2003 in I think you get something really special out of a Savannah, GA. We wrote 6 songs initially producer the second time around. It was (the first two EPs on Hyperrealist) and hit the road with those osngs for 4 years, important for us to stay with john for this record. almost never taking a break. We played hundreds of shows a year, for next-to- Sanctuary of Rock: Relapse recently us to stay with john for this record.
    [Show full text]
  • Programme Officiel Édito
    Pub PhilCambell210x148-vectorise_Mise en page 1 30/03/11 16:11 Page1 PROGRAMME OFFICIEL WWW.HELLFEST.FR ÉDITO Pour commencer cet Edito nous voulions vous remercier d’être tous les ans plus nombreux à nous faire confiance car voilà main- tenant 6 ans que le festival existe et que chaque année vous faites tomber le record de fréquentation de l’année précédente ! 6 années qui auront propulsé le festival de 20 000 festivaliers à probablement 75 000 en 2011. 6 années qui auront permis au festival d’avoir une légitimité, de démocratiser davantage les musiques extrêmes et prouver que notre culture, notre « religion », est respectueuse de chacun, et n’a jamais été le théâtre de manifestations de haine ou de violence que certains se plaisent à décrire sans avoir mis un seul pied au Hellfest. 6 années qui auront vu également l’équipe se professionnaliser pour vous offrir un festival, peut-être pas parfait, mais qui a su se bonifier autant en terme d’organisation que de diversité musicale. 6 années qui ont fini par convaincre les institutions de l’importance et du bien-fondé du Hellfest pour le territoire et la région qui l’accueille. La finalité étant que vous foulerez quelques années encore les terres Clissonnaises si vous participez aux prochains Hellfest « nouvelle formule » à partir de 2012 ! Alors évidemment, le succès tout relatif du Hellfest, qui ne s’est pas fait en un jour, a finit par attiser des convoitises et nous avons vu fleurir plusieurs projets… certains ont vu le jour en toute modestie pour, nous l’espérons, être appelés à se développer.
    [Show full text]
  • And the Shifting Geography of the Music Industry Student
    ….. and the Shifting Geography of the Music Industry Student: Philippe Soret Student Number: 4169808 Advisor: Dr. Huib Ernste Date: June 30, 2013 Word Count: 33,159 1 Preface Relapse Records has been a central pillar of my life since I started working there at age 18. My love of challenging and difficult music has been a part of my life even longer though. As I have worked in the industry through the years, I’ve seen many changes and developments that have been both alarming and reassuring from music that was previously relegated to the underground now being more freely accessible but, at the same time, watching revenue streams shrink on a seemingly weekly basis. This thesis is a manifestation of my desire to better understand the music industry through the eyes of one record label, and bring my experiences and ground these experiences in geographic thought and study. My biggest help in this has been my wife, Laura, who has quietly let me work 80-hour weeks with rarely a complaint. Without her, this thesis could not have been completed. Table of Contents Abstract - p.3 Executive Summary – p.3 Introduction - p.3 Research Question - p.4 Company Introduction - p.5 Significance - p.8 Definitions - p.8 Assumptions – p.10 Limitations - p.11 Literature Review - p.12 Methodology - p.28 Results - p.30 UK & the Republic of Ireland- p.30 Finland - p.43 Creative Content and Digital Geography - p.48 Global Production Networks and Their Implications – p.52 Recommendations - p.54 Physical Product - p.57 2 CD - p.58 Vinyl Records - p.59 Predictions for the Future - p.
    [Show full text]
  • Read Razorcake Issue #36 As a PDF
    So Very Unsexy shove—but any more rules than that, and it’s only a matter of time that I thought of this in Gainesville, Florida at The Fest. I was in your brushstrokes of good intentions have you painted into a corner. ZRQGHU 1R ¿JKWV 1R EXOOVKLW *UHDW SHRSOH *UHDW PXVLF $Q Here’s the connection: Too often, the folks who have the most expertly planned, large event. How’d this happen? “expert without actually doing it” advice are the ones who want more I’m not deaf, but I do admit that ninety-eight percent of the time rules enforced because they don’t feel in control of the situation; ZKHQ,KHDU³+H\GXGH\RXVKRXOGBBBBBBBBB ¿OOLQWKHEODQN hell, they may even have the best of intentions. But, ultimately, they with the zine. That’d totally keep it from suckin’,” I’m no longer want to steer from the back seat—yank the wheel—want to have paying attention. I’m picturing this really cute, fuzzy otter and he’s equal time without equal effort. They have the opportunity to walk ÀRDWLQJRQKLVEDFNWU\LQJWRFUDFNRSHQWKLVFODPZLWKDURFN0DQ away from a car you built if they wreck it. ,ORYHWKDWRWWHUJHWWLQJDOO'DUZLQRQWKHVKHOO¿VKORXQJLQJLQWKH ,¶OOOHW\RXLQRQDFRXSOHRIVHFUHWV 5D]RUFDNH¶VQRWEOLQGO\ ocean, being all cute, calm, and concentrated. And by the time the groping along, bumping into things, and somehow a zine ploops out person’s done telling me what I should do—without them offering of heinies every two months. It’s a lot of very tedious, constant work to take up the task they’re suggesting—that little otter’s opened WKDWLVVRYHU\XQVH[\WKDWLW¶VERULQJWRHYHQEULHÀ\PHQWLRQZKDW up that shell; he smiles as he eats.
    [Show full text]
  • Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music
    Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music Jose M. Garza, Jr. NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.garza.php KEYWORDS: heavy metal, rhythm and meter, time feels, riff, drums, cymbals, popular music, subgenres ABSTRACT: Over the past fifteen years, much of the music-theoretical scholarship on heavy metal has addressed metric processes (Lucas 2019, Capuzzo 2018, Hannan 2018, Lucas 2018, Lennard 2016, Smialek 2008, Pieslak 2007) and the use of the voice (Smialek 2017, Young 2018). A significant portion of the literature deals with the band Meshuggah, but the music of countless artists scaered across manifold subgenres remains unexplored. Widening the focus on such a large repertoire not only helps remedy this issue, but serves to inform one recent music-theoretical topic that relies on a broad stylistic understanding: time feels. To date, scholars have mainly limited the discussion of time feels to the kick and snare drums (e.g., de Clercq 2016), and indeed, these instruments ultimately determine a feel. I argue, however, that different uses of guitar, bass, and cymbals can reinforce, clarify, or contradict the feel laid down by the kick and snare. In this article, I describe several categories of guitar and bass riff types and timekeeping cymbals. I then discuss how their associations with certain time-feel contexts inform further analyses. To this end, I draw from post- millennial metal music in various subgenres including black metal, death metal, doom metal, grindcore, metalcore, progressive metal, sludge metal, and thrash metal.
    [Show full text]
  • 1 Saltlakeunderground
    SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 263 •November 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Mike Cundick Managing Editor: [email protected] Jeanette D. Moses Jemie Sprankle Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Shauna Brennan Adam Dorobiala [email protected] Copy Editing Team: Jeanette D. Marketing: Ischa Buchanan, Jea- Moses, Rebecca Vernon, Ricky nette D. Moses, Jessica Davis, Billy Vigil, Esther Meroño, Liz Phillips, Katie Ditzig, Hailee Jacobson, Stephanie Panzer, Rio Connelly, Joe Maddock, Buschardt, Giselle Vickery, Veg Vollum, Alexander Ortega, Mary Enge, Kolbie Josh Dussere, Chrissy Hawkins, Emily Stonehocker, Cody Kirkland, Hannah Burkhart, Rachel Roller, Jeremy Riley. Christian. SLUG GAMES Coordinators: Mike Daily Calendar Coordinator: Brown, Jeanette D. Moses, Mike Reff, Jessica Davis Sean Zimmerman-Wall, Adam Doro- [email protected] biala, Jeremy Riley, Katie Panzer, Jake Social Networking Coordinator: Vivori, Brett Allen, Chris Proctor, Dave Katie Rubio Brewer, Billy Ditzig. Cover: Photograph by Nick Zinner, Distribution Manager: Eric Granato from the book Please Take Me Off the Distro: Eric Granato, Tommy Dolph, Guest List by Nick Zinner, Zachary Li- Tony Bassett, Joe Jewkes, Jesse pez & Stacy Wakefield. Reprinted with Hawlish, Nancy Burkhart, Adam Heath, permission of Akashic Books. Adam Okeefe, Manuel Aguilar, Chris Issue Design: Joshua Joye Proctor, David Frohlich, Mike Cundick. Design Interns: Adam Dorobiala, Office Interns: Jessica Davis, Jeremy Eric Sapp Riley, Chris Proctor. Ad Designers: Todd Powelson, Senior Staff Writers: Mike Brown, Kent Farrington, Sumerset Bivens, Mariah Mann-Mellus, James Orme, Jaleh Afshar, Lionel WIlliams, Christian Lance Saunders, Jeanette D.
    [Show full text]
  • Slug and Lettuce: a Zine Supporting the Do-It- Yourself Ethics of the Punk Community Christine Larson
    Rhode Island College Digital Commons @ RIC AS220 Digital Archive 6-1-2003 Slug and Lettuce: A Zine Supporting the Do-It- Yourself Ethics of the Punk Community Christine Larson Follow this and additional works at: https://digitalcommons.ric.edu/as220_root Part of the Arts and Humanities Commons Recommended Citation Larson, Christine, "Slug and Lettuce: A Zine Supporting the Do-It-Yourself Ethics of the Punk Community" (2003). AS220 Digital Archive. 1625. https://digitalcommons.ric.edu/as220_root/1625 This is brought to you for free and open access by Digital Commons @ RIC. It has been accepted for inclusion in AS220 Digital Archive by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. , ' ' ' . ' SIC , 'ZINE & BOOK REVIEWS • CLASSIFIEDS • COLUMNS • PHOTOCiRAPHY • PUNK ART out ot the crty Being an eco punk and all, tuned into nature and the seasons, and to thinking back on old SOME 'IHOUQITS FROM THE EDITOR them, or intrmidated because we are atraid they won't know who we sens~ive to thrngs around me, I got to talkrng wrth my mom about the kind of people revie ws I did, an d tee ling This all go, no sleep routine rs starting to take rt's toll. You can only push for so long before are, or care, or because we enjoythe~rwriting or music, but face it, the yourse~ we are. She's super into birds and dreams at flying I'm territied ot heights and cringe like they just were not you start to crash But that rsn't stopping me yet This issue has been put together in a frenzy of beauty at punk rock is that we are all supposed to be standing on the at the thought at being oul in the open high spaces.
    [Show full text]
  • Neaera Comeback Kid a Traitor Like Judas Bad Religion Escapado Spermbirds to Kill Cataract Grey
    24 OCT/NOV 10 FOR FREE NEAERA COMEBACK KID A TRAITOR LIKE JUDAS BAD RELIGION ESCAPADO SPERMBIRDS TO KILL CATARACT GREY Fuze_Titel_No.24.indd 2 10.09.10 21:28 The return of THE CROWN now feat. Jonas Stålhammar from Utumno/God Macabre on vocals. May the „Doomsday King“ descend upon us come September 2010! Available as standard CD, ltd. Digipak incl. bonus-disc (4 bonus tracks), 180gr vinyl + entire album on CD and digital download THE CROWN live: 01.10. Lichtenfels Way Of Darkness Festival · 02.10. Oberhausen Death Feast Ultimate www.myspace.com/thecrownonlineswe Keepers Of The Faith Erhältlich als SPECIAL LIMITED EDITION & STANDARD CD see them live on the HELL ON EARTH TOUR 2010 29.09. Frankfurt a.M. Batschkapp · 30.09. Klagenfurt (AT) Volxhaus 01.10. München Werk · 03.10. Solothurn (CH) Kofmehl 04.10. Hannover Faust · 06.10. Münster Sputnikhalle 07.10. Hamburg Markthalle · 08.10. Saarbrücken Garage 09.10. Schweinfurt Alter Stadtbahnhof · 11.10. Lindau Club Vaudeville 12.10. Stuttgart LKA · 13.10. Wien (AT) Arena 15.10. Leipzig Werk · 16.10. Berlin SO 36 www.myspace.com/terror www.keepersofthefaithhc.com TERROR merch available via Photo by Burkhard Müller www.centurymedia.com [+++ check out special and rare collector’s items at www.cmdistro.com +++] Fuze_U2_0910.indd02Fuze24.indd 2 1 08.09.201009.09.10 16:59:54 10:40 Uhr 03Fuze24.indd 3 09.09.10 10:50 04Fuze24.indd 4 10.09.10 21:26 index IMPRESSUM Fuze Magazine Thomas Renz, P.O.Box 11 04 20 42664 Solingen, Germany 07 COMEBACK KID 20 NEAERA (Pakete an: Fuze Magazine, Ein Album für die Straße.
    [Show full text]