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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Dunedin Sound: Your Photos Wanted!
e Dunedin Sound – Your photos wanted! Like the memories they capture, they may be blurry, fuzzy and have faded a little with time – but Department of Music senior lecturer Ian Chapman still wants to use your pictures in his latest book. Dr Chapman is writing a book on the music produced by bands such as The Verlaines, The Chills and The Bats from the 1970s to the early 1990s which is now described as the ‘Dunedin Sound’. Dr Chapman hopes to include images taken by former Otago students during the Dunedin Sound’s hey-day, or by those who were at some of the seminal performances. Whether the photos are big, small, black and white, colour, sharp, blurry, digital, or prints – and especially if they are previously unpublished – images will be considered for publication in the book, he says. In return, those who submit images included in the publication will receive a copy of the book. All original photos will be returned to their owners. As well as exploring the bands and the contribution they made to New Zealand music, Dr Chapman says the book will discuss definitions of the Dunedin Sound – the term, for example, is often equated with Flying Nun records, but he points out that not all bands signed to the New Zealand label were based in Dunedin. Dr Chapman has written extensively on the music and career of pop-icon David Bowie and previously performed as “alter-ego” Dr Glam until he retired the character in 2014. He has also written on New Zealand music, with publications on Kiwi 'rock chicks', and most recently, New Zealand glam rock. -
1^ Date Rape Survivor Speaks at Colby
1^ Date ra pe survivor speaks at Colby get up to throw away his trash, she BY BROOKE subtly maneuvered over to the FITZSIMMONS same garbage barrel. They struck Staff Writer up a conversation, and things went from there. They studied together, On November 17, Colby stu- they spent time getting to know dents, faculty and administration one another, and after two weeks had the opportunity to attend "He they were not exactly dating, but Said, She Said," a lecture and dis- they were both very interested. cussion on date rape presented by One night Peter planned to take national speakers Katie Koestner her on a "real date" to a restaurant and Brett Sokolow. Koestner, who in Williamsburg. He wore a three- spoke on campus last year, was piece suit, she wore her tenth grade excited by the large student turn- homecoming dress. At the restau- out, especially from male students rant he ordered champagne, and although Koestner did not drink at at Colby. She commented that last Echo photo hy Melame Guryansky year she thought she "was at a the time, he persuaded her to have women's college and some of the Katie Koestner visits Colby. just one glass. He off ered to take women had brought their boy- something that happened in dark her to his house in Greece for the friends along." In the case of sexual alleys, the attacker was a stranger, summer under the condition that assault, both men and womenalike and the notion that a rapist could she would have sex when he should be aware of the risks, re- be a friend was not even consid- wanted to. -
The ONE and ONLY Ivan
KATHERINE APPLEGATE The ONE AND ONLY Ivan illustrations by Patricia Castelao Dedication for Julia Epigraph It is never too late to be what you might have been. —George Eliot Glossary chest beat: repeated slapping of the chest with one or both hands in order to generate a loud sound (sometimes used by gorillas as a threat display to intimidate an opponent) domain: territory the Grunt: snorting, piglike noise made by gorilla parents to express annoyance me-ball: dried excrement thrown at observers 9,855 days (example): While gorillas in the wild typically gauge the passing of time based on seasons or food availability, Ivan has adopted a tally of days. (9,855 days is equal to twenty-seven years.) Not-Tag: stuffed toy gorilla silverback (also, less frequently, grayboss): an adult male over twelve years old with an area of silver hair on his back. The silverback is a figure of authority, responsible for protecting his family. slimy chimp (slang; offensive): a human (refers to sweat on hairless skin) vining: casual play (a reference to vine swinging) Contents Cover Title Page Dedication Epigraph Glossary hello names patience how I look the exit 8 big top mall and video arcade the littlest big top on earth gone artists shapes in clouds imagination the loneliest gorilla in the world tv the nature show stella stella’s trunk a plan bob wild picasso three visitors my visitors return sorry julia drawing bob bob and julia mack not sleepy the beetle change guessing jambo lucky arrival stella helps old news tricks introductions stella and ruby home -
The Lemonheads Kommer Til Pumpehuset Med Nyt Album I Bagagen
2018-12-04 15:30 CET The Lemonheads kommer til Pumpehuset med nyt album i bagagen. THE LEMONHEADS 4. MARTS 2019 PUMPEHUSET The Lemonheads’ frontmand, Evan Dando, har en besynderlig evne til at gøre et nummer til sit eget. Han vil kunne få en takeaway-ordre over telefonen til at lyde som en hjerteskærende sang der ville passe ind på enhver bar. Hans følsomme, modne, vokal har gjort ham til en af de store udtryksfulde sangere. The Lemonheads hylder helte som Nick Cave, The Bevis Frond, Yo La Tengo, Lucinda Williams og Paul Westerberg, når de fremfører deres unikke covernumre. Det er næsten 10 år siden The Lemonheads pludselig satte tingene på hold, efter udgivelsen af deres niende album ’Varshons’, der var livlig samling covernumre som fik en meget flot modtagelse. Evan Dandos, evne til at ”twang” med sin vokal fik covernumrene på ’Varshons’ til at lyde som en gammel jukebox og denne formel bliver ført videre på bandets kommende album, ’Varshons II’. Med en udgivelsesdato sat til 8. februar, kommer grunge- pop-heltene til Pumpehuset med en ny samling covernumre og viser hvordan man gør et nummer til sit eget, når de giver deres take på sange som The Eagles’ ’Take It Easy’, Lucinda Wiliams’ ’Abandoned’ m. fl. Billetpriser: 225 kr. + gebyr Billetsalget er starter fredag 7. december via livenation.dk og ticketmaster.dk. Live Nation er verdens førende producent og formidler af live entertainment oplevelser. På verdensplan bliver det til + 25.000 årlige koncerter og mere end 68 millioner solgte billetter. Live Nation Denmark er Danmarks førende koncertbureau med 40 engagerede medarbejdere der holder til på Frederiksberg Allé i København. -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
(Sonnncmal Ifeahcr Nearly Twice What It Is in Our Suburban Commu Nities
T ' ' . ‘ ' \ V - ’•N Vandals Trigger H.S. A larm , A re Caught Two Lyndhurst High Within minutes after the L According to police there An angry town^up await left by vandals who painted day when the weather is proved futile Police do not School students, each 15, alarm was sounded police set off a routine search of was no vandalism — prob ed word on what fate grafitti on the walls of the bad a vandal will call po know whether the same •ere trapped in the school from I.yndhurst, Rutherford they high school In the ably because the alarm awaits the trespassers lice and charge that a person is spreading the Stnday shortly after I P M and Bergen County sped to ctWly, wet weather students brought police to the scene And vandalism m the a la rm when they triggered an the school Vandalism is casting the and teachers huddled out bomb has been placed in so quickly form of fake tomb alarms township thousands of dot However, so far this year side while the search inside the high school However, the two boys continued on Monday it has cost students and * ,th ^ TVO boys escaped Police went on. lice headquarters «re looking for them were charged with breaking lars each year The high A telephone call to police So far efforts to tra c k teachers hours that should and en try school still bears the m aria headquarters on Monday It was typical that on any down the caller h a v e have gone into schoolwork M in it-E d >* N*w Y#rk *» *P»"<Sn9 about $2,500 a year to educate a child. -
Playlists for 2002
THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.